YEARBOOK OF THE ALAMIRE FOUNDATION

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248 SUSAN LEWIS HAMMOND Symphonia angelica. Transcription of title page, from Canto partbook, fol. 1r. [title page within a decorative frame] | SYMPHONIA ANGELICA | DI DIVERSI ECCELLEN- | TISSIMI MVSICI A IIII. V. ET VI. VOCI, | NVOVAMENTE RACCOLTA PER | HVBERTO VVAELRANT, | ET DATA IN LVCE. | Nella quale si contiene vna Scielta di migliori Madrigali | che hoggidi si cantino. | CANTO. [voice designation within a decorative frame] | IN ANVERSA. | Appresso Pietro Phalesio & Giouanni Bellero. | [rule] | 1585. Dedication (fol. 1v) to Cornelius Pruenen, signed Huberto Vuaelrant. RISM 1585 19 Later editions: 1590 17 (with slight modifications), 1594 8 , 1611 12 , 1629 8 COMPOSER TEXT INCIPIT FOLIATION A4. Giouan Nasco Laura celeste che si dolcemente 2r Et io che sempre desioso e’intento (2.pt.) 2v Cornelio Verdonch Donna bella e gentile 3r Paulo Animuccia Tv mi ponest’innanz’a gl’occh’amore 3v Huberto Vvaelrant Vorria morire per vscir di guai 4r Vincentio Ruffo Sento dentr’al cor mio 4v Vincentio Ruffo Cantan fra rami gl’augeletti vaghi 5r Marc’Antonio Ingegneri Chi vuol veder tutta raccolt’insieme 5v Vedra i biondi capei (2.pt.) 5v Giouan Contino Viuete lieti & se viuer volete 6v Gloir, e vita vera qual (2.pt.) 7r Giaches de Vvert Chi salira per me madon[n]’in cielo 7v Bartolomeo Spontone Vieni soaue & dilettoso Maggio 8r Vincentio Ruffo Prima che spunt’il sol i vaghi rai 8v Vincentio Ruffo Ben mille nott’ho gia passato’in pianto 9r Vincentio Ruffo Fiere siluestre che per lati campi 9v A5. Gio: M. Nanino Mentre ti fui si grato 10r Gio. Battista Moscaglia Mentre ti fui si cara (2.pt.) 10v Luca Marenzio Hor pien d’altro desio (3.pt.) 11r Gio. de Macque Hor vn laccio vn’ardore (4.pt.) 11v Luca Marenzio Madonna mia gentil ringratio Amore 12r Rinaldo del Mel Tirrhena mia 12v Filippo di Monte Occhi vaghi amorosi oue risplende 13r Occhi leggiadri ond’io (2.pt.) 13v Gio. Pizzoni Dvo begli occhi lucenti 14r Gio. Giacomo Gastoldi Vn nouo cacciator segu’vna fiera 14v
SELLING <strong>THE</strong> MADRIGAL: PIERRE PHALÈSE II AND <strong>THE</strong> FOUR ‘ANTWERP ANTHOLOGIES’ Horatio Angelini Tra le chiome de l’or nascose’l laccio 15v Giro. Conuersi Io canterò di quell’almo splendore 16r Ben pos’Amor Natura (2.pt.) 16v Gio. Ferretti Basciami vita mia 17r Lelio Bertani Ch’ami la vita mia nel tuo bel nome 17v Oratio Vecchi Tra mille fiamme & trà mille cathene 18r Horatio Angelini Qvesta fera gentil che scherza e fugge 18v Luca Marenzio Amor poi che non vuole 19r Chi strinse mai piu bella mano (2.pt.) 19v Luca Marenzio Rose bianche e vermiglie (2.pt.) 20r Gio. Ferretti Leggiadra Giouinett’anima mia 20v Gio. Ferretti Far potess’io vendetta di colei 21r Gio. Maria Nanino Lasso ch’ogni augelletto 21v Pomponio Nenna Torna amato mio bene 22r A6. Huberto Vvaelrant Tra romor di tamburi & suon di trombe 22v Gio. Ferretti Mirate che m’ha fatto sto mio core 23v Hippolito Sabino Tirsi in ira di Filli il duol lo guida 24r Et secca o gran pieta quasi ogni vena (2.pt.) 24v Gio. Ferretti Occhi non occhi ma lucenti stelle 25r Michele Comis Gioia al mondo non e 25v Cosi cangia costei co’l viuo sguardo (2.pt.) 26r Huberto Vvaelrant Vorria morire per vscir di guai 26v Huberto Vvaelrant Mi voglio fare hor mai lo fatto mio 27r Huberto Vvaelrant Qvanto debb’allegrarse la natura 27v Gio. de Macque Vorria saper da voi occh imortali 28r Gio. Battista Lucatello Gia primauera di vari colori 28v Cornelio Verdonch Vn Ape esser vorrei 29v Hippolito Baccusi Io son bell’e delicata 30r Gio. Ferretti Vn pastor chies’ad vna ninfa amore 30v Gio. Ferretti Dolc’amorose e leggiadrette ninfe 31r Gio. Ferretti Pascomi sol di pianto e viue in pene 31v Hippolito Baccusi Il sol si part’ohime 32r Hippolito Baccusi Felice in braccio a la mia Dea godea 32v Gio. de Macque Bacciami vita mia 33r Andrea Gabrieli [Sonno diletto e caro] 33v Andrea Gabrieli Cinto m’hauea tra belle e nude braccia 34r Andrea Gabrieli Come voi tu ch’io viua 34v Andrea Gabrieli Gloria Damo[n] dicea 35r Gio. Ferretti [Vn tempo sospiraua piangeva] 35v Gio. Ferretti Qvandro mirai ssa bella faccia d’oro 36r TAVOLA 36v 249
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YEARBOOK OF THE ALAMIRE FOUNDATION
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Yearbook of the Alamire Foundation
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... NEC NON TYRONIBUS QUÀM EIUS AR
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DRINKING MOTETS IN MEDIEVAL ARTOIS
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TRIPLUM (TRANSLATION) Hare hare hye
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TRIPLUM (TRANSLATION) Domine ainz q
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TENOR (TRANSLATION) Domine tant ai
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FROM VARIETY TO REPETITION: THE BIR
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Vir - - - go se - re - - FROM VARIE
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ANEW KIND OF PATRON FROM VARIETY TO
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THE ROLE OF ACOUSTICS IN THE PERFOR
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Figure 4. Plan of the Marienkirche
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POLYPHONY AND WORD-SOUND IN ADRIAN
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78 LUMINITA FLOREA The Hague, 6 and
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80 LUMINITA FLOREA Regardless of th
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82 LUMINITA FLOREA THE SCRIPTOR IN
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84 LUMINITA FLOREA At any rate, thi
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86 LUMINITA FLOREA normally result
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88 LUMINITA FLOREA instance, on fol
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90 LUMINITA FLOREA planets, and the
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92 LUMINITA FLOREA The pictor of Ca
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94 LUMINITA FLOREA open buds comfor
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UT HEC TE FIGURA DOCET: THE TRANSFO
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THE TRANSFORMATION OF MUSIC THEORY
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CHANGE AND CONTINUITY IN TWENTIETH-
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ORLANDO DI LASSO ET AL.: ANEW READI
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ORLANDO DI LASSO ET AL.: A NEW READ
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(1) Son morto e moro e pur cerco mo
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(1) Latra traitora tu mi fai morire
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(1) Bona sera como stai core mio be
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THE TWO EDITIONS OF LASSO’S SELEC
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160 RICHARD FREEDMAN Lasso’s chan
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162 RICHARD FREEDMAN prints, but by
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164 RICHARD FREEDMAN It seems likel
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166 RICHARD FREEDMAN II, who ruled
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168 RICHARD FREEDMAN Authorial cont
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170 RICHARD FREEDMAN APPENDIX Docum
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172 RICHARD FREEDMAN Royaume que bo
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174 RICHARD FREEDMAN machen unnd ei
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176 RICHARD FREEDMAN prejudice both
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178 BERNHOLD SCHMID Lassos vierundz
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180 BERNHOLD SCHMID cepta (quae nec
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182 BERNHOLD SCHMID sei senza parol
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184 BERNHOLD SCHMID Beispiel 1a: Ko
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186 BERNHOLD SCHMID Beispiel 3a: Nu
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188 BERNHOLD SCHMID Beispiel 5: Num
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190 BERNHOLD SCHMID Beispiel 6: Num
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192 BERNHOLD SCHMID Mensur in Numme
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194 BERNHOLD SCHMID Bis Takt 20 sin
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196 BERNHOLD SCHMID Beispiel 9b: Nu
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Page 203 and 204: MUSIQUE ET POLITIQUE À FLORENCE DA
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