YEARBOOK OF THE ALAMIRE FOUNDATION

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246 SUSAN LEWIS HAMMOND Harmonia celeste. Transcription of title page, from Canto partbook, fol. 1r. [title page within a decorative frame] | HARMONIA CELESTE | DI DIVERSI ECCELLEN- | TISSIMI MVSICI A IIII. V. VI. VII. ET VIII. | VOCI, NVOVAMENTE RACCOLTA | PER ANDREA PEVERNAGE | ET DATA IN LVCE. | Nella quale si contiene vna Scielta di migliori Madrigali | che hoggidi si cantino. | CANTO. [voice designation within a decorative frame] | IN ANVERSA. | Appresso Pietro Phalesio & Giouanni Bellero. | [rule] | 1583. Dedication (fol. 1v) to Cesare Homodei, signed Andrea Peuernage. RISM 1583 14 Later editions: 1589, 1593 [with slight modifications], 1605, 1614, 1628 COMPOSER TEXT INCIPIT FOLIATION A4. Andrea Peuernage Qvando la voce al dolce canto 2r Con humilatto sta fatica mia (2.pt.) 2v Filippo de Monte 7 Per diuina bellezz’indarno mira 3r Marc’Antonio Ingegneri Non mi togl’il ben mio 3v Marc’Antonio Pordenon Donna la bella mano 4r Orlando di Lasso Per pianto la mia carne si distilla 4v Filippo de Monte 8 Io son si vago de li miei sospiri 5r Noë Faignient Basciami vita mia 5v Benedetto Palauicino Qvando benigna stella 6v Marc’Antonio Pordenon Si gra[n]d’e il mio gioire 7r Paolo Masnelli 9 Non puo dolce mia vita 7v Marc’Antonio Ingegneri Spess’in parte dal ciel lucent’e bella 8r Noë Faignient Qvesti ch’inditio fan del mio torme[n]to 8v Andrea Peuernage Dolce mio foco ardente 9r Orlando Appariran per me le stell’in cielo 9v A5. Luca Marenzio Che fa hoggi il mio sole 10r Giaches de Vuert D’vn si bel foc’e d’vn si nobil laccio 10v Scorgo tant’alto il lume (2.pt.) 11r Filippo de Monte Che fai alma che pensi 11v S’al hor tace la lingua e’l cor si lagna (2.pt.) 12r Luca Marenzio Tirsi morir volea Frenò Tirsi il desio (2.pt.) 13r Cosi moriro i fortunati amanti (3.pt.) 13v Andrea Peuernage Il dolce sonno mi promise pace 14r Stefano Felis Sonno scendesti in terra 14v Tv la ritorni a riua (2.pt.) 15r Andrea Peuernage Misera che faro poi ch’io mi moro 15v Gio. Francesco Violanti O saette d’amor 16r
SELLING <strong>THE</strong> MADRIGAL: PIERRE PHALÈSE II AND <strong>THE</strong> FOUR ‘ANTWERP ANTHOLOGIES’ Gio. Maria Nanino Amor deh dimmi come 16v Filippo de Monte Veramente in amore si proua 10 17r Alfonso Ferabosco Tv dolce anima mia 17v Annibal Stabile D’amor le ricche gemme 18r Stefano Felis Da l’arcadia feconda 18v Qvesto pastor prude[n]te (2.pt.) 19r Tirsi al pastor s’inchina (3.pt.) 19v Luca Marenzio Madonna poi ch’vccider mi volete 20r Giannetto Palestrino O bella Ninfa mia 20v Gironimo Vespa Madonna se volete 21r Girolamo Conuersi Qvando mi miri con quest’occhi ladri 21v Giacomo Gastoldi Miracol’ in natura voglio dire 22r Girolamo Conuersi Io vò gridando come spiritato 22v A6. [Andreas Pevernage] Cesar gentil degno da loro 23r Sequita dunque Signor (2.pt.) 23v Stefano Felis Al vostro dolce azuro 24r Filippo de Monte I begl’occhi vnd’io fui percosso in guisa 24v Qvesti son que begl’occhi che l’imprese (2.pt.) 25r Alessandro Striggio Nasce la pena mia 25v Gio. Ferretti Nasce la gioia mia 26r Luca Marenzio Qval viue Salamandra in fia[m]ma 26v Gio. de Macque Amor io sent’vn respirar si dolce 27r Andrea Gabrieli Dolcissimo ben mio 27v Hippolito Bacchusi Poi chel mio largo pianto 28r Tiburtio Massaino Ne mai pui vag’in ciel ne piu bell’Alba 28v Piaccia a l’eterno Amor (2.pt.) 29r Filippo de Monte Corrette fiumi a le vostre alte fonti 29v Cosa non vada piu come solea (2.pt.) 30r Stefano Felis Ahi chi mi romp’il sonno 30v Di ch’ella mossa (2.pt.) 31r Orlando S’io esca viuo de dubbiosi scogli 31v Gio. Battista Mosto Se voi set’il mio cor la vit’e l’alma 32r Antonio Pace Mi parto [vita mia] 32v Gio. de Macque Dal suo volto scendea dolcezz’et gratia 33r Filippo de Monte Ch’io sciua di costei be[n] m’hai tu detto 33v Gio. de Macque Tre gratiosi Amanti 34r A7. Hippolito Sabino Facciansi lieti quanti 34v Hor vi torni la gioia (2.pt.) 35r A8. Paulo Quagliati Qvando del mio bel sol 35v TABLE. 36v 247
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YEARBOOK OF THE ALAMIRE FOUNDATION
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Yearbook of the Alamire Foundation
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... NEC NON TYRONIBUS QUÀM EIUS AR
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DRINKING MOTETS IN MEDIEVAL ARTOIS
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TRIPLUM (TRANSLATION) Hare hare hye
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TRIPLUM (TRANSLATION) Domine ainz q
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TENOR (TRANSLATION) Domine tant ai
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FROM VARIETY TO REPETITION: THE BIR
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Vir - - - go se - re - - FROM VARIE
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ANEW KIND OF PATRON FROM VARIETY TO
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THE ROLE OF ACOUSTICS IN THE PERFOR
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Figure 4. Plan of the Marienkirche
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POLYPHONY AND WORD-SOUND IN ADRIAN
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78 LUMINITA FLOREA The Hague, 6 and
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80 LUMINITA FLOREA Regardless of th
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82 LUMINITA FLOREA THE SCRIPTOR IN
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84 LUMINITA FLOREA At any rate, thi
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86 LUMINITA FLOREA normally result
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88 LUMINITA FLOREA instance, on fol
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90 LUMINITA FLOREA planets, and the
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92 LUMINITA FLOREA The pictor of Ca
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94 LUMINITA FLOREA open buds comfor
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UT HEC TE FIGURA DOCET: THE TRANSFO
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THE TRANSFORMATION OF MUSIC THEORY
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CHANGE AND CONTINUITY IN TWENTIETH-
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ORLANDO DI LASSO ET AL.: ANEW READI
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ORLANDO DI LASSO ET AL.: A NEW READ
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(1) Son morto e moro e pur cerco mo
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(1) Latra traitora tu mi fai morire
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(1) Bona sera como stai core mio be
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THE TWO EDITIONS OF LASSO’S SELEC
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160 RICHARD FREEDMAN Lasso’s chan
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162 RICHARD FREEDMAN prints, but by
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164 RICHARD FREEDMAN It seems likel
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166 RICHARD FREEDMAN II, who ruled
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168 RICHARD FREEDMAN Authorial cont
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170 RICHARD FREEDMAN APPENDIX Docum
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172 RICHARD FREEDMAN Royaume que bo
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174 RICHARD FREEDMAN machen unnd ei
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176 RICHARD FREEDMAN prejudice both
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178 BERNHOLD SCHMID Lassos vierundz
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180 BERNHOLD SCHMID cepta (quae nec
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182 BERNHOLD SCHMID sei senza parol
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184 BERNHOLD SCHMID Beispiel 1a: Ko
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186 BERNHOLD SCHMID Beispiel 3a: Nu
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188 BERNHOLD SCHMID Beispiel 5: Num
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190 BERNHOLD SCHMID Beispiel 6: Num
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192 BERNHOLD SCHMID Mensur in Numme
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194 BERNHOLD SCHMID Bis Takt 20 sin
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Page 203 and 204: MUSIQUE ET POLITIQUE À FLORENCE DA
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Page 209 and 210: Corsini, n° 28 Deh perche si rebel
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Page 224 and 225: 226 SUSAN LEWIS HAMMOND Figure 1. M
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