YEARBOOK OF THE ALAMIRE FOUNDATION

More documents

Recommendations

Info

244 SUSAN LEWIS HAMMOND APPENDIX: COMPOSERS AND CONTENTS OF THE FOUR ‘ANTWERP ANTHOLOGIES’ 1 Musica divina. Transcription of title page, from Canto partbook, fol. 1r. [title page within a decorative frame] MVSICA DIVINA | DI XIX. AVTORI ILLVSTRI, | A IIII. V. VI. ET VII. VOCI, NVOVAMENTE | RACCOLTA DA PIETRO PHALESIO, | ET DATA IN LVCE. | Nella quale si contengono i più Excellenti Madrigali | che hoggidi si cantino. | CANTO [voice designation within a decorative frame] | IN ANVERSA. | Appresso Pietro Phalesio & Giouanni Bellero. | [rule] | 1583. Dedication (fol. 1v) to Giovanni Battista di Bartolomei, signed Pietro Phalesio. RISM 1583 15 Later editions: 1588 16 , 1591 11 , 1595 4 , 1606 7 , 1614 13 , 1623 7 , 1634 6 COMPOSER TEXT INCIPIT FOLIATION A4. [Andreas Pevernage] Fra l’altre virtu con si grand’ardor 2r Orlando di Lasso Poi ch’el mio largo pianto 2v Ferabosco Io mi son giouinett’ & volontieri 3r [Anonymous] Amor che deggio far che mi consigli 3v [Girolamo Scotto] Gionto m’hamor fra bell’e crude braccia 4r [Giovanni Palestrina] Gia fu chi m’hebbe cara 4v [G. Pratoneri] Dolce contrade, o chiusi e chete valli 5r Giaches de Ponto Con lei fuss’io da che si part’il sole 5v [Giovanni Palestrina] Qval piu crudel martire 6r Filippo de Monte Alma ben nata se mi duol e dolci 6v [G.L. Primavera] Amor quando m’inuia 7r Cypriano de Rore Anchor che col partire 7v Filippo de Monte 2 Qvando da gli’occhi del diuin mio sole 8r Filippo de Monte 3 Da bei rami scendea 8v Giouanni de Macque Non al suo’ama[n]te piu Diana piacque 9r Giouanni de Macque Amor e’l ver fu meco 9v A5. Noe Faignient Chi per voi non sospira 10r Gironimo Vespa Ditemi’o Diua mia 10v Gio. Maria Nanino Morir non puo’el core 11r Gio. Maria Nanino Scoprirò l’ardor mio 11v Se voi set’il mio sol se per voi (2.pt.) 12r Giro. Conuerso Ma se tempo giamai 12v Filippe de Monte Ahi chi me romp’l sono 13r Di ch’ella mosso (2.pt.) 13v Giaches de Vuert Cara la vita mia 14r Poi che con gl’occh’io veggio l’aria suaue (2.pt.) 14v Noe Faignient Parmi veder la bella donna mia 15r
SELLING THE MADRIGAL: PIERRE PHALÈSE II AND THE FOUR ‘ANTWERP ANTHOLOGIES’ Gio. Maria Nanino Erano i capei d’oro 15v Non era: [l’andar suo] (2.pt.) 16r Giannetto Palestina Festiua’i colli’e le campagn’intorno 16v Cosi le chiome mie suauemente (2.pt.) 17r Andrea Gabrieli Caro dolce ben mio perche fuggire 17v [Giovanni Palestrina] Ogni loco mi porge dogli’e pianto 18v [Giovanni Palestrina] Poscia che per mio mal 19r Pietro Vinci Sappi signor che Lidia son io 19v Giro. Conuerso Sola soletta i me ne vo 20r Alessandro Striggio Chi fara fed’al cielo 20v [Luca Marenzio] Liquide perle’amor da gl’occhi sparse 21r Giouan Ferretti Sei tanto gratioso e tanta bella 21v Giouan Ferretti Donna crudel tu m’hai rubat’il core 22r Gio. Ferretti Come poss’io morir se non ho vita 22v A6. Gio. de Macque Di coralli e di perle 23r Gio. de Macque Sedendo in su l’arena d’un bel rio 23v Stefano Felis Non fos’Amor m’inganna 24r Stefano Felis Anzi no ch’ombr’e sol o’una fallace (2.pt.) 4 24v Stefano Felis Cossi pur l’ombr’e’l timor folle insieme (3.pt.) 25r Filippo di Monte Amorosi pensieri lagrim’amare 25v Gio. de Macque Moriro di dolor prima ch’io veggia 26r Gio. Ferretti Qvesta fera gentil che scherz’e fugge 26v Allessandro Striggio Partirò dunque E perche mi s’asconde 27r A8. Gio. Ferretti Sv sù non piu dormir 27v [Alessandro Striggio] Ecco ch’io lass’il core 5 28r A6. Filippo de Monte La dolce vista 28v Gio. Piero Manenti Se pensand’al partir pens’al morire 29r Filippo de Monte Poi ch’el mio largo pianto 29v Gio. de Macque Il vago e lieto aspetto 30r Gio. Ferretti Corrette tutti quanti o suenturat’amanti 30v Filippo de Monte Leggiadre Nimfe e pargolett’amori 31r Il dolc’e desiato frutt’ho colto (2.pt.) 31v Alessandro Striggio Alla mia dolce e vaga 32r Orlando Lasso Di pensier in pensier di mont’in monte 32v Alessandro Striggio Non rumor di ta[m]buri o son di trombe 33v Gio. de Macque Fra belle Ninfe in vn bel prato 34r Stefano Felis Di fauille d’Amor di riuerenza 34v A7. Filippo de Monte Anima doue vai doue mi lassi 35r Filippo de Monte 6 Ansi da lui deriua 35v TAVOLA. 36r 245
Page 1 and 2:
YEARBOOK OF THE ALAMIRE FOUNDATION
Page 3 and 4:
Yearbook of the Alamire Foundation
Page 5 and 6:
... NEC NON TYRONIBUS QUÀM EIUS AR
Page 7 and 8:
DRINKING MOTETS IN MEDIEVAL ARTOIS
Page 9 and 10:
TRIPLUM (TRANSLATION) Hare hare hye
Page 11 and 12:
Page 13 and 14:
TRIPLUM (TRANSLATION) Domine ainz q
Page 15 and 16:
Page 17 and 18:
TENOR (TRANSLATION) Domine tant ai
Page 19 and 20:
FROM VARIETY TO REPETITION: THE BIR
Page 21 and 22:
Vir - - - go se - re - - FROM VARIE
Page 23 and 24:
Page 25 and 26:
Page 27 and 28:
Page 29 and 30:
Page 31 and 32:
Page 33 and 34:
Page 35 and 36:
Page 37 and 38:
Page 39 and 40:
Page 41 and 42:
ANEW KIND OF PATRON FROM VARIETY TO
Page 43 and 44:
THE ROLE OF ACOUSTICS IN THE PERFOR
Page 45 and 46:
Page 47 and 48:
Page 49 and 50:
Figure 4. Plan of the Marienkirche
Page 51 and 52:
Page 53 and 54:
Page 55 and 56:
Page 57 and 58:
Page 59 and 60:
POLYPHONY AND WORD-SOUND IN ADRIAN
Page 61 and 62:
Page 63 and 64:
Page 65 and 66:
Page 67 and 68:
Page 69 and 70:
Page 71 and 72:
Page 73:
Page 76 and 77:
78 LUMINITA FLOREA The Hague, 6 and
Page 78 and 79:
80 LUMINITA FLOREA Regardless of th
Page 80 and 81:
82 LUMINITA FLOREA THE SCRIPTOR IN
Page 82 and 83:
84 LUMINITA FLOREA At any rate, thi
Page 84 and 85:
86 LUMINITA FLOREA normally result
Page 86 and 87:
88 LUMINITA FLOREA instance, on fol
Page 88 and 89:
90 LUMINITA FLOREA planets, and the
Page 90 and 91:
92 LUMINITA FLOREA The pictor of Ca
Page 92 and 93:
94 LUMINITA FLOREA open buds comfor
Page 95 and 96:
UT HEC TE FIGURA DOCET: THE TRANSFO
Page 97 and 98:
THE TRANSFORMATION OF MUSIC THEORY
Page 99 and 100:
Page 101 and 102:
Page 103 and 104:
Page 105 and 106:
Page 107 and 108:
Page 109 and 110:
CHANGE AND CONTINUITY IN TWENTIETH-
Page 111 and 112:
Page 113 and 114:
Page 115 and 116:
Page 117 and 118:
Page 119 and 120:
Page 121 and 122:
Page 123 and 124:
ORLANDO DI LASSO ET AL.: ANEW READI
Page 125 and 126:
ORLANDO DI LASSO ET AL.: A NEW READ
Page 127 and 128:
Page 129 and 130:
Page 131 and 132:
(1) Son morto e moro e pur cerco mo
Page 133 and 134:
Page 135 and 136:
Page 137 and 138:
Page 139 and 140:
(1) Latra traitora tu mi fai morire
Page 141 and 142:
(1) Bona sera como stai core mio be
Page 143 and 144:
Page 145 and 146:
THE TWO EDITIONS OF LASSO’S SELEC
Page 147 and 148:
Page 149 and 150:
Page 151 and 152:
Page 153 and 154:
Page 155:
Page 158 and 159:
160 RICHARD FREEDMAN Lasso’s chan
Page 160 and 161:
162 RICHARD FREEDMAN prints, but by
Page 162 and 163:
164 RICHARD FREEDMAN It seems likel
Page 164 and 165:
166 RICHARD FREEDMAN II, who ruled
Page 166 and 167:
168 RICHARD FREEDMAN Authorial cont
Page 168 and 169:
170 RICHARD FREEDMAN APPENDIX Docum
Page 170 and 171:
172 RICHARD FREEDMAN Royaume que bo
Page 172 and 173:
174 RICHARD FREEDMAN machen unnd ei
Page 174 and 175:
176 RICHARD FREEDMAN prejudice both
Page 176 and 177:
178 BERNHOLD SCHMID Lassos vierundz
Page 178 and 179:
180 BERNHOLD SCHMID cepta (quae nec
Page 180 and 181:
182 BERNHOLD SCHMID sei senza parol
Page 182 and 183:
184 BERNHOLD SCHMID Beispiel 1a: Ko
Page 184 and 185:
186 BERNHOLD SCHMID Beispiel 3a: Nu
Page 186 and 187:
188 BERNHOLD SCHMID Beispiel 5: Num
Page 188 and 189:
190 BERNHOLD SCHMID Beispiel 6: Num
Page 190 and 191:
192 BERNHOLD SCHMID Mensur in Numme
Page 192 and 193: 194 BERNHOLD SCHMID Bis Takt 20 sin
Page 194 and 195: 196 BERNHOLD SCHMID Beispiel 9b: Nu
Page 196 and 197: 198 BERNHOLD SCHMID beschriebenen G
Page 198 and 199: 200 BERNHOLD SCHMID Anhang 2: Die Q
Page 200 and 201: 202 BERNHOLD SCHMID 1610-2 RISM 161
Page 203 and 204: MUSIQUE ET POLITIQUE À FLORENCE DA
Page 205 and 206: MUSIQUE ET POLITIQUE À FLORENCE Po
Page 207 and 208: MUSIQUE ET POLITIQUE À FLORENCE N
Page 209 and 210: Corsini, n° 28 Deh perche si rebel
Page 211 and 212: MUSIQUE ET POLITIQUE À FLORENCE Ro
Page 213 and 214: MUSIQUE ET POLITIQUE À FLORENCE So
Page 215 and 216: MUSIQUE ET POLITIQUE À FLORENCE me
Page 217 and 218: MUSIQUE ET POLITIQUE À FLORENCE D
Page 219 and 220: MUSIQUE ET POLITIQUE À FLORENCE Le
Page 221: MUSIQUE ET POLITIQUE À FLORENCE da
Page 224 and 225: 226 SUSAN LEWIS HAMMOND Figure 1. M
Page 226 and 227: 228 SUSAN LEWIS HAMMOND PRODUCING M
Page 228 and 229: 230 SUSAN LEWIS HAMMOND YEAR RISM C
Page 230 and 231: 232 SUSAN LEWIS HAMMOND Figure 2. M
Page 232 and 233: 234 SUSAN LEWIS HAMMOND The title p
Page 234 and 235: 236 SUSAN LEWIS HAMMOND Harmonia ce
Page 236 and 237: 238 SUSAN LEWIS HAMMOND Tra romor d
Page 238 and 239: 240 SUSAN LEWIS HAMMOND of King Chr
Page 240 and 241: 242 SUSAN LEWIS HAMMOND the product
Page 244 and 245: 246 SUSAN LEWIS HAMMOND Harmonia ce
Page 246 and 247: 248 SUSAN LEWIS HAMMOND Symphonia a
Page 248 and 249: 250 SUSAN LEWIS HAMMOND Melodia oly
Page 250: 252 SUSAN LEWIS HAMMOND 1 The listi
show all

YEARBOOK OF THE ALAMIRE FOUNDATION

Create successful ePaper yourself

Delete template?

Save as template?