YEARBOOK OF THE ALAMIRE FOUNDATION
YEARBOOK OF THE ALAMIRE FOUNDATION YEARBOOK OF THE ALAMIRE FOUNDATION
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19.01.2013
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26 JULIE E. CUMMING
FROM VARIETY TO REPETITION: THE BIRTH OF IMITATIVE POLYPHONY Example 2. Johannes Pullois, Flos de spina, bb. 1–34, TrentC 90 (Trent, Castello del Buon Consiglio, Monumenti e Collezioni Provinciali, MS 1377), fol. 434v–436. Material in boxes is the only music that is repeated. 27
- Page 1 and 2: YEARBOOK OF THE ALAMIRE FOUNDATION
- Page 3 and 4: Yearbook of the Alamire Foundation
- Page 5 and 6: ... NEC NON TYRONIBUS QUÀM EIUS AR
- Page 7 and 8: DRINKING MOTETS IN MEDIEVAL ARTOIS
- Page 9 and 10: TRIPLUM (TRANSLATION) Hare hare hye
- Page 11 and 12: DRINKING MOTETS IN MEDIEVAL ARTOIS
- Page 13 and 14: TRIPLUM (TRANSLATION) Domine ainz q
- Page 15 and 16: DRINKING MOTETS IN MEDIEVAL ARTOIS
- Page 17 and 18: TENOR (TRANSLATION) Domine tant ai
- Page 19 and 20: FROM VARIETY TO REPETITION: THE BIR
- Page 21 and 22: Vir - - - go se - re - - FROM VARIE
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- Page 39 and 40: FROM VARIETY TO REPETITION: THE BIR
- Page 41 and 42: ANEW KIND OF PATRON FROM VARIETY TO
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- Page 49 and 50: Figure 4. Plan of the Marienkirche
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- Page 59 and 60: POLYPHONY AND WORD-SOUND IN ADRIAN
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26 JULIE E. CUMMING
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