YEARBOOK OF THE ALAMIRE FOUNDATION
YEARBOOK OF THE ALAMIRE FOUNDATION
YEARBOOK OF THE ALAMIRE FOUNDATION
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TENOR (TRANSLATION)<br />
Domine<br />
tant ai amé<br />
et desirré<br />
bon vin vin ferré<br />
et bon claré<br />
et bon clapé<br />
et les pastez<br />
bien enpevrez<br />
iteus est ma volentez<br />
qar tor jorz vueill assez<br />
DRINKING MOTETS IN MEDIEVAL ARTOIS AND FLANDERS 19<br />
Lord,<br />
I have so much loved<br />
And desired<br />
Good wine, mulled (or aged) wine,<br />
And good rosé (or spiced) wine,<br />
And good clapé,<br />
And well peppered<br />
pastries.<br />
Such is my wish,<br />
For always I want a lot.<br />
In light of the evidence of the French motets under consideration here, it appears that<br />
W2 was intended for someone whose sympathies lay with the Low Countries. In addition<br />
to the motets that praise cil de Gant, prefer Rhine wine over French and complain<br />
about the beer drinkers of Arras, two others also look away from France. In the<br />
motet Qant l’aloete s’esjoist en mai, 37 a country maid fends off the narrator’s advances<br />
by telling him slyly, A la tor de Tornai / sor la torete / serrai vostre sem plai (‘At the<br />
tower of Tournai on the turret I will be yours without any quarrel’). The place of<br />
rendez-vous is ludicrous; thus, the woman implies that their coming together is<br />
unlikely. Tournai was the diocesan seat of major Flemish cities, including Ghent,<br />
Bruges and Lille. 38 The epithet tor de Tornai calls to mind both a real and a figurative<br />
tower. It could refer to the largest of the five towers of Tournai’s cathedral of<br />
Notre-Dame, or to the city’s armorial seal, which consists of a silver tower with turrets<br />
on a red background. 39 In another motet in W2, Deduisant m’aloie ier mein, 40 the<br />
narrator comes upon a maiden along the banks of the Seine, near the vineyards of the<br />
abbey of Saint-Germain-des-Prés, an ancient and important producer of wine in Paris<br />
and the Ile-de-France. 41 After he greets her, she repulses him, saying that she is not<br />
37 MS W2, fols. 245v–246r. Text edited in STIMMING, Die altfranzösischen Motette, p. 96; music in<br />
TISCHLER, The Earliest Motets, 1, pp. 122–132.<br />
38 E. DE MOREAU, Histoire de l’Eglise en Belgique, Tome Complémentaire I, Texte: Circonscriptions<br />
ecclésiastiques chapitres, abbayes, couvents en Belgique avant 1559, Cartes des diocèses, archidiaconés,<br />
doyennés et paroisses par J. Deharveng, des chapitres, abbayes, prieurés et couvents par E. de<br />
Moreau en collaboration avec A. de Ghellinck, Brussels, 1948.<br />
39 My thanks to Dr. Ludovic Nys for pointing out the heraldry. See J.T. DE RAADT, Sceaux armoriés<br />
des Pay-Bas et pays avoisinants, 4, Brussels, 1898–1903, p. 47.<br />
40 MS W2, fol. 251v. The text is edited in STIMMING, Die altfranzösischen Motette, pp. 101–102; it is<br />
translated in G.A. ANDERSON, The Latin Compositions in Fascicules VII and VIII of the Notre Dame<br />
Manuscript Wolfenbüttel Helmstadt 1099 (1206), 1, Brooklyn, 1976, pp. 45–46; and the music is edited<br />
in TISCHLER, The Earliest Motets, 1, pp. 193–204.<br />
41 GARRIER, Histoire sociale et culturelle du vin, p. 46.