YEARBOOK OF THE ALAMIRE FOUNDATION

CHANGE AND CONTINUITY IN TWENTIETH-CENTURY TEXTBOOKS ON SIXTEENTH-CENTURY COUNTERPOINT
1959 ERNST KRENEK, Modal Counterpoint in the Style of the Sixteenth Century,
(Boosey and Hawkes), 1959.
1959 *ERNST TITTEL, Der neue Gradus. Lehrbuch des strengen Satzes nach
Johann Joseph Fux (+ Notenteil), Vienna–Munich, 1959.
1962 *OWEN SWINDALE, Polyphonic Composition. An introduction to the art
of composing vocal counterpoint in the sixteenth-century style, London, 1962.
1965 *DIETRICH MANICKE, Der polyphone Satz (I-II), Cologne, 1965, 1977 2
(I), 1979 (II).
1967 LESLIE BASSETT, Manual of Sixteenth-Century Counterpoint, Englewood
Cliffs, 1967.
1967 *STELLA ROBERTS and IRWIN FISCHER, A Handbook of Modal
Counterpoint, New York, 1967.
1967 *VALDEMAR SÖDERHOLM, Arbetsbok i elementär kontrapunkt.
Vokalpolyfoni (I-II) [Workbook in Elementary Counterpoint. Vocal
Polyphony], Stockholm, 1967, 1973 2 (I), 1980 (II).
1968 THOMAS ALVAD, Elementær vokalpolyfoni [Elementary Vocal Polyphony],
Egtved, 1968.
1969 FINN HØFFDING, Indførelse i Palestrinastil. 2-stemmig kontrapunkt med
eksempelstof og øvelser. Tilrettelagt på grundlag af Knud Jeppesens og Povl
Hamburgers skrifter om vokalpolyfoni [Introduction to Palestrina Style. Two-
Voice Counterpoint with Examples and Exercises Following Knud Jeppesen’s
and Povl Hamburger’s Writings on Vocal Polyphony], Copenhagen, 1969.
1973 MALCOLM BOYD, Palestrina’s Style. A Practical Introduction, London,
1973.
1979 THOMAS BENJAMIN, The Craft of Modal Counterpoint. A Practical
Approach, New York, 1979.
1979 *JOHANNES FORNER and JÜRGEN WILBRANDT, Schöpferischer
Kontrapunkt, Leipzig, 1979.
1981 DIETHER DE LA MOTTE, Kontrapunkt. Ein Lese- und Arbeitsbuch,
Munich–Kassel, 1981.
1982 MARGARITA MERRIMAN, A New Look at 16th-Century Counterpoint,
Lanham–New York–London, 1982.
1985 ROBERT GAULDIN, A Practical Approach to Sixteenth-Century
Counterpoint, Englewood Cliffs, 1985.
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