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THE RUDLOPH WURLITZER CO., CINCINNATI, 0. 88 RARE OLD VIOLINS No. 1205 JEAN BAPTISTE VUILLAUME Paris, 3 Rue Demours-Ternes. Very perfect example and in splendid condition. The top is fine medium grain spruce. Stradivarius model. Varnish a fine golden red. Scroll and all parts entirely original. It's tone is mellow, large and brilliant, a perfect solo violm. ^°- ISI? NICOLAUS BERGONZI $1,300.00 Cremona 1764. One of the most charming violins in appearance and tone that we have ever seen. It resembles closely No. 524 Nicolaus Bergonzi, 1761, sold by us some years ago. The beauty of the top is exceptional, the back is in two pieces, very interesting in workmanship. The varnish is of a rich deep reddish brown. Tone of great depth, broad and rich, very responsive and satisfying. In tone and appearance we consider it the best specimen of that great maker we have ever seen. No. 1079 CARLO FERDINANDO LANDOLFE $1,200.00 Milan, 1750. Landolphus was the last of the Italian makers who used the characteristic Cremona Varnish and the appearance of this specimen and its magnificent tone, prove its close relationship to the celebrated Cremona School. Its tone is powerful, clear and mellow, and so flexible and sensitive, that delicate shading and beautiful pianissomos are produced with ease and certainty, which are impossible in most violins. Two-piece maple back, handsome figure, sides and scroll matching, top ideal violin spruce, varnish a lovely golden amber. No. 1049 D. NICOLAS. $1,000.00 Paris, 1806. Large pattern of Stradivarius model. A superb violin, the best of this maker that we have ever seen. In quality of tone and workmanship ranks with the best Lupot violins. Beautiful one-piece back, original scroll, top of exquisite grain, tone broad, full, rich and sonorous; a violin suitable for a soloist. No. 1309 CARLO BERGONZI, 1732. $600.00 A unique example of high-class Tyrolean workmanship. Wood and workmanship unsurpassed; well covered with a glorious dark orange red varnish of great beauty and transparency. The tone is of a noble quality, powerfull, mellow and brilliant. This was formerly the favorite violin of Hugo Heerman, the Concert Master of Cincinnati Symphony Orchestra, and would be an acquisition for any artist who desires an instrument for either solo or orchestra purposes No. 1329 JOSEPH ANTON I US LASKE, 1793. $400.00 This violin is much admired for its excellent workmanship and tone. The outline is after a Stradivarius of the Golden Period, and is broad, very pene trating, an excellent violin for concert work, the varnish is a very beautiful brown, and transparent. had much use. The instrument is in perfect preservation and has No. 1330 JOANNES GAGLIANO, Naples, 1806. $700.00 This violin possess the characteristics of the Gagliano family. The material is very handsome, the outline F's and swell are strictly original, and do credit to this great member of the Gagliano family. His finish is much hke the Guarnerius Del Gesu, of the last period, full of chic and evidence of a great master's hand. The tone is broad and mellow and delightful to play on. The color of the varnish is pale amber and of excellent transparency. No. 1328 FRANCOIS LUPOT 1798, in Paris. $600.00 Made by the father of Nicolas Lupot. A beautiful specimen of the French art of violin building, has a one-piece back, nicely figured, the gram in the top is very distinct, well selected to harmonize with the balance of violin, the tone is suitable for first-class concert work, has a combination of brilliancy and the same time has a mellow effect. shaded to light amber. Varnish rich reddish brown, No. 1324 AEGIDIUS KLOZ, Mittenwald, 1761. $600.00 This is the best Kloz violin we have. It is so much like Stainer in every detail that the best experts have" pronounced it a genuine Stainer. Aegidius Kloz used Stainer's label which is still in the violin, also his own. 1 he violin would be suitable for a lady, the tone is sweet and very responsive, equal and mellow. Exquisite workmanship with a thin varnish of light amber color, handsome back and sides, original scroll, and an eyen-gramed top, No. 1321 SEBASTIAN KLOZ, $450.00 Mittenwald, 1732. This is a beautiful specimen of Kloz and perhaps the best Sebastian Kloz we have owned. Has a nice figured two-piece back; the scroll is well executed like most of the Kloz violins; it has a thm varnish pale amber m color, has had much use and in a perfect preservation; very charming F holes; the finish shows the hand of a master in the art of violin budding would make an excellent solo violin, well balanced, can shade or swell the tone with the slightest efifort. $1,300.00 No. 1318 J08EPHUS ANTONIUS LASKE $400.00 Prag, 1791. A violin that commands attention wherever it is seen or heard an excellent specimen of Laske's work. Model large, original conception, somewhat after Stradivarius, back two pieces of most beautiful flamed maple, varnish light amber brown, very transparent. Tone large, resonant, excellent ' ir solo or orchestra work, a violin that we consider of exceptional value. No. 1315 ANDREA CA8TAGNERI $600.00 Paris, 1748 A perfectly preserved specimen; varnish deep rich red brown, model of great beauty, back of one piece, top of spruce of exquisite grain; tone deep, sonorous, excellent carrying power. No. 1313 SEBASTIAN KLOZ Mittenwald, 1820 $400.00 A very .beautiful specimen of this Tyrolean violin maker's work. This member of the Kloz family is known as Sebastian II, and was a son of Aegidius Kloz, This viohn in tone is one of the most remarkable in our collection and is sure to increase in price as this maker's works become better known. The tone is of that limpid, sweet quality that has made the great Italian makers famous. Stradivarius pattern. Wood carefully selected varnish, warm dark amber color. No. 1308 CARESSE
a THE RUDLOPH WURLITZER CO., CINCINNATI, O. RARE OLD VIOLINS-Continued No. 810 JOANNES GAGLIANO $700.00 No. 1073 SIMON SCHOOLER $3oo.oi Naples, 1804. Passau, 1782. A vety fine example, handsome model, in absolutely perfect condition. The varnish is an attractive golden hue. Scroll and entire instrument is •original. Its tone is very powerful and mellow. A very charming and interesting wiolin. This violin is a rare specimen of this Tyrolean maker, there being ver few in existence. It is a good copy of Stainer, possesses a fine quality o tone. Owing to the scarcity of these violins, would be very suitable for • collector. No. 780 AEGIDIUS KLOZ Mittenwald an der Iser. This is a very delightful Violin, both to look at and to play upon. Its •outline and arching are beautifully designed. The wood is well chosen and the instrument is well timbered throughout. "F" holes and scroll very * graceful. Its tone is what one expects from a well-preserved old Violin of good model; full, free, and mellow. Varnish a beautiful brown tint. No. 1322 MATHIAS NEUNER $200.00 Mittenwald, 1812 A typical Mittenwald violin; would make an excellent violin for a lady. Exquisite finish, perfect preservation, plain back and sides, well selected to produce a sweet tone, the spruce is in harmony with the balance of violin; the varnish is well preserved, shaded from a. red brown to a light amber, No. 1316 JEAN ROBERT CHIBON Paris, 1791 $300.00 A very handsome model and artistic workmanship. The wood is particularly fine, the back and sides a beautiful maple and the top a wavy spruce of rare acoustic qualities. It is well covered with a golden brown varnish and the entire instrument is in perfect condition. Its tone is very powerful and free and of exquisite quality and uniformity, its "G" string is quite ideal for the Bach Aria. No. 1314 SACQUIN, PARIS, 1854 $300.00 Interesting old French Violin. Good condition, fine quality, mellow brown varnish. Tone good throughout. Stradivarius School. No. 1255 NICHOLAS AMATI $250.00 .\ very beautiful copy of Nicholas Amati made a master, resembling Serafino, at one time sold for genuine Amati. Instrument has seen considerable use, but in perfect condition. Slab back of beautiful figured maple, tone rich, sympathetic, much on Amati character. No. 1252 AUGUSTE BERNARDEL $300.00 Paris, 1832 Handsome specimen of this maker. Guarnerius outline, back two-piece, beautifully carved scroll, carefully selected wood throughout, varnish dark reddish brown hue. Good tone on all the strings, mellow and uniform. No. 1320 AEGIDIUS KLOZ $300.00 Mittenwald, 1792 This old Tyrol violin bears the label of Aegidius Kloz, exquisite finish dark brown color, handsome one-piece back, the curls running across the full width without a break. Recently repaired, would make a fine violin for parlor use, the tone is sweet and pleasing. No. 1319 JACOB PETZ $300.00 Bils in Tyrol, 1798 This is a handsome Tyrol Violin of the Stainer pattern, fine figured wood, original scroll, (very large, mellow tone, dark brown color, transparent varnish, giving a Channing effect on its curly maple back and sides). It would make an ideal specimen of the Tyrol type, in a collection of violins. No. 1200 LAURENTIUS STORIONI $250.00 Handsome instrument and in splendid sound condition. Varnish dark brown, of good quality. Fine model and workmanship. The tone is good throughout and very uniform. Violin of Italian origin about I'S.-i. No. 1194 LAURENTIUS STORIONI $250.00 Fine old Violin, good model and workmanship. Varnish rich dark brown. Its tone resonant and of fine quality. No. 1156 DAVID HOPF $300.00 A genuine David Hopf, the kind of a violin that made Hopf's reputation. Verj suitable for a lady, beautiful curly back and sides, brown amber color, lone of the Amati character. Ko. 1151 LEOPOLD WITTHALM $300.00 r^;o. Moi i_i_v>. vî..^ ^.-.>. ,,,„„„..,., An interesting specimen of Witthalm's work. Wood and workmanship very beautiful. Its tone is of Italian quality, sympathetic, full and responsive. Varni.sh light amber. Viohn has had much use but is in fine state of preservation. No. 1131 MATHIAS ALBANI Bulsani in Tyrol, 1697 Albani School, good model, slab back, wood well selected, varnish a rich dark orange. The tone is fine throughout its compass of a mellow and resonant quality. $500.00 No. 1057 JOSEPH KNITTEL In Mittenwald, 1773 $250.0( Stradivarius model, fine wood and workmanship. Varnish a warm brown shade. In perfect condition. Its tone is of fine quality and of good volunt. "F" holes of extraordinary beauty. No. 976 JOANNES JAIS $300,00 Bulsani, Tyrol, 1778 A typical violin of the Jais family, strictly Tyrolean in finish, and swdl The varnish is original, the color being a dark brown; the tone is sweet and much of the Stainer character. This instrument is in very good preservation and only recently repaired. No. 951 FAIT PAR PENT MAITRE LUTIER $300.00 Rue Montmarte Cul-De-Sac Saint Pierre A Paris. Broad Stradivari model of good proportions, arehing and all details artistically executed. Wood chosen for its excellent tong gyalities as well as its appearance. The varnish is a fine transparent r(jdd.y amber shade. Its tone is resonant and full, and of charming quality. No. 950 JOHANN C. PICKER ^250.00 (about 1710) This violin was made by one of the best violin makers of the Ficker family of Neukirchen, Saxony. It has a well figured two-piece back with sides to match, the spruce top is in harmony with the quality of the back, work consequently giving an excellent broad tone, suitable for solo work. The varnish is of good quality, dark brown in color. No. 935 J. B. VUILLAUME Paris. $250.00 Made in Vuillaume's v.-orkshop. Known as "St. Cecile" Violin. Stradivarius model. The back is one piece of beautiful figured maple, top very choice, varnish a deep transparent red. No. 916 CARLO BERGONZI, 1730. $250.00 This is a charming Italian violin, bears the name of Carlo Bergonzi and an excellent copy of the great pupil of Stradivarius, in every detail firstclass workmanship, and an excellent transparent varnish, brown amber color. No. 838 ANTONIO CASSINO $300.00 Modena Anno, 1773 This instrument is of an original model, but its arching and general construction of a high order of merit. powerful and mellow and very responsive. Its tone is very superior, being Varnish a nice dark amber shade, No. 784 JOHANN GEORG THUMHARDT $250.00 Lauten and Geigenmacher in Amberg, 1783. Fine characteristic model. Medium size. Excellent wood and rich dark red varnish. Scroll and all parts original. In very good preservation. Tone of a fine quality, very resonant and mellow. No. 818 FRANCESCO CASELLI, 1735 $300.0C A very excellent French violin. The wood is well selected for tone, tht varnish is of good French character, has the original scroll, tone is very pleasing, being broad and penetrating, is in very good preservation. No.1327 J. B. VUILLAUME COPY $200.0( Excellent h'rcnch violin, good workmanship. Vuillaume style of coloring good orchestra instrument, high grade material and has had much use. No. 1326 LABELED JOSEPH GUARNERIUS $200.0( This high-grade old violin is an excellent copy of Guarnerius, originall] made of old timber and many years of playing has given it the Cremon; character of tone. The back is iwo-picce, very handsome sides and scrol to match, the grain in the top is about medium and stands out very prominent color a red brown, perfect preservation. No. 1305 PETRU SCHULZ $200.01 Regensburg, 1832. A beaxitifnl specimen of this well known maker. He was a pupil o Joseph Fischer and later worked for Bausch. This violin has a magnifi cent one-piece back and sides, a line oil varnish and the tone is all one ca expect; a large volume, penetrating and speaks with exceptional ease. Th color is deep red, shading to a beautiful golden amber. $250.00 No. 1302 MATHIAS MAYER $200.0 Salzburg, 1733 A fine German violin, has seen much use, bears the label of Mathia Maver. Suitable for orchestra, where much tone is required, beautiful ambe color, perfect preservation.
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