important Information About Ordering, Etc. - Virtual Library of the ...
important Information About Ordering, Etc. - Virtual Library of the ...
important Information About Ordering, Etc. - Virtual Library of the ...
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
a THE RUDLOPH WURLITZER CO., CINCINNATI, O.<br />
RARE OLD VIOLINS-Continued<br />
No. 810 JOANNES GAGLIANO<br />
$700.00 No. 1073<br />
SIMON SCHOOLER $3oo.oi<br />
Naples, 1804.<br />
Passau, 1782.<br />
A vety fine example, handsome model, in absolutely perfect condition.<br />
The varnish is an attractive golden hue. Scroll and entire instrument is<br />
•original. Its tone is very powerful and mellow. A very charming and interesting<br />
wiolin.<br />
This violin is a rare specimen <strong>of</strong> this Tyrolean maker, <strong>the</strong>re being ver<br />
few in existence. It is a good copy <strong>of</strong> Stainer, possesses a fine quality o<br />
tone. Owing to <strong>the</strong> scarcity <strong>of</strong> <strong>the</strong>se violins, would be very suitable for •<br />
collector.<br />
No. 780 AEGIDIUS KLOZ<br />
Mittenwald an der Iser.<br />
This is a very delightful Violin, both to look at and to play upon. Its<br />
•outline and arching are beautifully designed. The wood is well chosen and<br />
<strong>the</strong> instrument is well timbered throughout. "F" holes and scroll very<br />
* graceful. Its tone is what one expects from a well-preserved old Violin <strong>of</strong><br />
good model; full, free, and mellow. Varnish a beautiful brown tint.<br />
No. 1322 MATHIAS NEUNER<br />
$200.00<br />
Mittenwald, 1812<br />
A typical Mittenwald violin; would make an excellent violin for a lady.<br />
Exquisite finish, perfect preservation, plain back and sides, well selected to<br />
produce a sweet tone, <strong>the</strong> spruce is in harmony with <strong>the</strong> balance <strong>of</strong> violin;<br />
<strong>the</strong> varnish is well preserved, shaded from a. red brown to a light amber,<br />
No. 1316 JEAN ROBERT CHIBON<br />
Paris, 1791<br />
$300.00<br />
A very handsome model and artistic workmanship. The wood is particularly<br />
fine, <strong>the</strong> back and sides a beautiful maple and <strong>the</strong> top a wavy spruce<br />
<strong>of</strong> rare acoustic qualities. It is well covered with a golden brown varnish<br />
and <strong>the</strong> entire instrument is in perfect condition. Its tone is very powerful<br />
and free and <strong>of</strong> exquisite quality and uniformity, its "G" string is quite<br />
ideal for <strong>the</strong> Bach Aria.<br />
No. 1314 SACQUIN, PARIS, 1854 $300.00<br />
Interesting old French Violin. Good condition, fine quality, mellow brown<br />
varnish. Tone good throughout. Stradivarius School.<br />
No. 1255 NICHOLAS AMATI $250.00<br />
.\ very beautiful copy <strong>of</strong> Nicholas Amati made a master, resembling<br />
Serafino, at one time sold for genuine Amati. Instrument has seen considerable<br />
use, but in perfect condition. Slab back <strong>of</strong> beautiful figured maple,<br />
tone rich, sympa<strong>the</strong>tic, much on Amati character.<br />
No. 1252 AUGUSTE BERNARDEL<br />
$300.00<br />
Paris, 1832<br />
Handsome specimen <strong>of</strong> this maker. Guarnerius outline, back two-piece,<br />
beautifully carved scroll, carefully selected wood throughout, varnish dark<br />
reddish brown hue. Good tone on all <strong>the</strong> strings, mellow and uniform.<br />
No. 1320 AEGIDIUS KLOZ<br />
$300.00<br />
Mittenwald, 1792<br />
This old Tyrol violin bears <strong>the</strong> label <strong>of</strong> Aegidius Kloz, exquisite finish<br />
dark brown color, handsome one-piece back, <strong>the</strong> curls running across <strong>the</strong><br />
full width without a break. Recently repaired, would make a fine violin<br />
for parlor use, <strong>the</strong> tone is sweet and pleasing.<br />
No. 1319<br />
JACOB PETZ<br />
$300.00<br />
Bils in Tyrol, 1798<br />
This is a handsome Tyrol Violin <strong>of</strong> <strong>the</strong> Stainer pattern, fine figured wood,<br />
original scroll, (very large, mellow tone, dark brown color, transparent<br />
varnish, giving a Channing effect on its curly maple back and sides). It<br />
would make an ideal specimen <strong>of</strong> <strong>the</strong> Tyrol type, in a collection <strong>of</strong> violins.<br />
No. 1200 LAURENTIUS STORIONI $250.00<br />
Handsome instrument and in splendid sound condition. Varnish dark<br />
brown, <strong>of</strong> good quality. Fine model and workmanship. The tone is good<br />
throughout and very uniform. Violin <strong>of</strong> Italian origin about I'S.-i.<br />
No. 1194 LAURENTIUS STORIONI $250.00<br />
Fine old Violin, good model and workmanship. Varnish rich dark brown.<br />
Its tone resonant and <strong>of</strong> fine quality.<br />
No. 1156<br />
DAVID HOPF $300.00<br />
A genuine David Hopf, <strong>the</strong> kind <strong>of</strong> a violin that made Hopf's reputation.<br />
Verj suitable for a lady, beautiful curly back and sides, brown amber color,<br />
lone <strong>of</strong> <strong>the</strong> Amati character.<br />
Ko. 1151 LEOPOLD WITTHALM $300.00<br />
r^;o. Moi i_i_v>. v^i..^ ^.-.>. ,,,„„„..,.,<br />
An interesting specimen <strong>of</strong> Witthalm's work. Wood and workmanship<br />
very beautiful. Its tone is <strong>of</strong> Italian quality, sympa<strong>the</strong>tic, full and responsive.<br />
Varni.sh light amber. Viohn has had much use but is in fine state <strong>of</strong> preservation.<br />
No. 1131 MATHIAS ALBANI<br />
Bulsani in Tyrol, 1697<br />
Albani School, good model, slab back, wood well selected, varnish a rich<br />
dark orange. The tone is fine throughout its compass <strong>of</strong> a mellow and<br />
resonant quality.<br />
$500.00 No. 1057 JOSEPH KNITTEL<br />
In Mittenwald, 1773<br />
$250.0(<br />
Stradivarius model, fine wood and workmanship. Varnish a warm brown<br />
shade. In perfect condition. Its tone is <strong>of</strong> fine quality and <strong>of</strong> good volunt.<br />
"F" holes <strong>of</strong> extraordinary beauty.<br />
No. 976 JOANNES JAIS $300,00<br />
Bulsani, Tyrol, 1778<br />
A typical violin <strong>of</strong> <strong>the</strong> Jais family, strictly Tyrolean in finish, and swdl<br />
The varnish is original, <strong>the</strong> color being a dark brown; <strong>the</strong> tone is sweet and<br />
much <strong>of</strong> <strong>the</strong> Stainer character. This instrument is in very good preservation<br />
and only recently repaired.<br />
No. 951 FAIT PAR PENT MAITRE LUTIER<br />
$300.00<br />
Rue Montmarte Cul-De-Sac Saint Pierre A Paris.<br />
Broad Stradivari model <strong>of</strong> good proportions, arehing and all details<br />
artistically executed. Wood chosen for its excellent tong gyalities as well as<br />
its appearance. The varnish is a fine transparent r(jdd.y amber shade. Its<br />
tone is resonant and full, and <strong>of</strong> charming quality.<br />
No. 950<br />
JOHANN C. PICKER<br />
^250.00<br />
(about 1710)<br />
This violin was made by one <strong>of</strong> <strong>the</strong> best violin makers <strong>of</strong> <strong>the</strong> Ficker family<br />
<strong>of</strong> Neukirchen, Saxony. It has a well figured two-piece back with sides to<br />
match, <strong>the</strong> spruce top is in harmony with <strong>the</strong> quality <strong>of</strong> <strong>the</strong> back, work consequently<br />
giving an excellent broad tone, suitable for solo work. The varnish<br />
is <strong>of</strong> good quality, dark brown in color.<br />
No. 935 J. B. VUILLAUME<br />
Paris.<br />
$250.00<br />
Made in Vuillaume's v.-orkshop. Known as "St. Cecile" Violin. Stradivarius<br />
model. The back is one piece <strong>of</strong> beautiful figured maple, top very<br />
choice, varnish a deep transparent red.<br />
No. 916 CARLO BERGONZI, 1730. $250.00<br />
This is a charming Italian violin, bears <strong>the</strong> name <strong>of</strong> Carlo Bergonzi and<br />
an excellent copy <strong>of</strong> <strong>the</strong> great pupil <strong>of</strong> Stradivarius, in every detail firstclass<br />
workmanship, and an excellent transparent varnish, brown amber color.<br />
No. 838 ANTONIO CASSINO<br />
$300.00<br />
Modena Anno, 1773<br />
This instrument is <strong>of</strong> an original model, but its arching and general<br />
construction <strong>of</strong> a high order <strong>of</strong> merit.<br />
powerful and mellow and very responsive.<br />
Its tone is very superior, being<br />
Varnish a nice dark amber shade,<br />
No. 784 JOHANN GEORG THUMHARDT<br />
$250.00<br />
Lauten and Geigenmacher in Amberg, 1783.<br />
Fine characteristic model. Medium size. Excellent wood and rich dark<br />
red varnish. Scroll and all parts original. In very good preservation. Tone<br />
<strong>of</strong> a fine quality, very resonant and mellow.<br />
No. 818 FRANCESCO CASELLI, 1735 $300.0C<br />
A very excellent French violin. The wood is well selected for tone, tht<br />
varnish is <strong>of</strong> good French character, has <strong>the</strong> original scroll, tone is very<br />
pleasing, being broad and penetrating, is in very good preservation.<br />
No.1327 J. B. VUILLAUME COPY $200.0(<br />
Excellent h'rcnch violin, good workmanship. Vuillaume style <strong>of</strong> coloring<br />
good orchestra instrument, high grade material and has had much use.<br />
No. 1326 LABELED JOSEPH GUARNERIUS $200.0(<br />
This high-grade old violin is an excellent copy <strong>of</strong> Guarnerius, originall]<br />
made <strong>of</strong> old timber and many years <strong>of</strong> playing has given it <strong>the</strong> Cremon;<br />
character <strong>of</strong> tone. The back is iwo-picce, very handsome sides and scrol<br />
to match, <strong>the</strong> grain in <strong>the</strong> top is about medium and stands out very prominent<br />
color a red brown, perfect preservation.<br />
No. 1305 PETRU SCHULZ<br />
$200.01<br />
Regensburg, 1832.<br />
A beaxitifnl specimen <strong>of</strong> this well known maker. He was a pupil o<br />
Joseph Fischer and later worked for Bausch. This violin has a magnifi<br />
cent one-piece back and sides, a line oil varnish and <strong>the</strong> tone is all one ca<br />
expect; a large volume, penetrating and speaks with exceptional ease. Th<br />
color is deep red, shading to a beautiful golden amber.<br />
$250.00 No. 1302 MATHIAS MAYER<br />
$200.0<br />
Salzburg, 1733<br />
A fine German violin, has seen much use, bears <strong>the</strong> label <strong>of</strong> Mathia<br />
Maver. Suitable for orchestra, where much tone is required, beautiful ambe<br />
color, perfect preservation.