framework for the implementation of a virtual design studio model in ...
framework for the implementation of a virtual design studio model in ...
framework for the implementation of a virtual design studio model in ...
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Follow<strong>in</strong>g <strong>the</strong> film screen<strong>in</strong>g with Neutral Film-makers Tapio and Christian, <strong>the</strong><br />
students were encouraged to embrace filmic language. The brief was to <strong>for</strong>m<br />
groups <strong>the</strong>n collectively produce a three-m<strong>in</strong>ute film to convey <strong>the</strong>ir projected<br />
strategy and encapsulate <strong>the</strong>ir <strong>design</strong> concept.<br />
Facilitation: Small Cities /Big Neighbourhoods<br />
From <strong>the</strong> outset Pr<strong>of</strong>. Goodw<strong>in</strong> <strong>in</strong>stilled a sense <strong>of</strong> community with<strong>in</strong> <strong>the</strong> students<br />
and focused on <strong>the</strong> social neighbourhood as a plat<strong>for</strong>m <strong>for</strong> <strong>the</strong>ir ideas. To beg<strong>in</strong>,<br />
he gave a broad overview <strong>of</strong> <strong>the</strong> small cities and big neighbourhoods, advocat<strong>in</strong>g<br />
that <strong>the</strong> mix <strong>of</strong> people, opportunities, sense <strong>of</strong> identity and facilities are <strong>the</strong> most<br />
important aspects <strong>of</strong> any social neighbourhood. As <strong>the</strong> project progressed he<br />
became more specific, encourag<strong>in</strong>g <strong>the</strong> students to enquire and create solutions<br />
to problems such as climate change, sea level fluctuations and conflict. He asked<br />
<strong>the</strong>m to remember that <strong>the</strong>se solutions must address human survival both socially<br />
and physically as well as psychologically.<br />
The project lent to multi-dimensional, multi-cultural and multi-discipl<strong>in</strong>ary<br />
viewpo<strong>in</strong>ts to broaden both <strong>the</strong> discourse and <strong>the</strong> video juxtaposition exhibitions.<br />
The Neutral workshop taught <strong>the</strong> students how to communicate through an<br />
accessible medium which added an au<strong>the</strong>nticity to <strong>the</strong> project, allow<strong>in</strong>g <strong>the</strong><br />
students to develop <strong>the</strong>ir ideas us<strong>in</strong>g filmic language and thought.<br />
In particular, Pr<strong>of</strong>. Goodw<strong>in</strong> exercised a PEST (Political, Economical, Social and<br />
Technological) <strong>in</strong> every aspect <strong>of</strong> <strong>the</strong> project to encourage <strong>the</strong> students to shed<br />
<strong>the</strong>ir <strong>in</strong>itial preconceptions and consider every aspect <strong>of</strong> Cardiff’s <strong>in</strong>frastructure <strong>in</strong><br />
terms <strong>of</strong> its development. The lectures were delivered with <strong>the</strong> PEST analysis at<br />
<strong>the</strong>ir core. This enabled <strong>the</strong> students to get an overview <strong>of</strong> <strong>the</strong> city and focus <strong>the</strong><br />
concentration <strong>the</strong>ir own ideas and belief systems.<br />
Observers and supporters <strong>in</strong>cluded Cardiff Council, Cardiff University and <strong>the</strong><br />
Welsh Assembly. First M<strong>in</strong>ister Rhodri Morgan’s attendance to <strong>the</strong> <strong>in</strong>itial <strong>in</strong><strong>for</strong>mal<br />
lunch gave <strong>the</strong> project a sense <strong>of</strong> prestige, which is crucial when attract<strong>in</strong>g a<br />
variety <strong>of</strong> <strong>in</strong>dustry experts, lecturers and students world-wide<br />
Pr<strong>of</strong>. Goodw<strong>in</strong>’s goal to encourage multi-discipl<strong>in</strong>es with<strong>in</strong> each group not only<br />
served to achieve orig<strong>in</strong>al, fresh ideas, but also to create tension. By <strong>in</strong>tersect<strong>in</strong>g<br />
different age groups, cultural backgrounds and academic discipl<strong>in</strong>es, <strong>the</strong> groups<br />
were not only exposed to surface tensions such as communication boundaries and<br />
conflicts <strong>of</strong> <strong>in</strong>terest, but were also stimulated creatively. Although <strong>the</strong>re were<br />
some dramatic moments when one <strong>of</strong> <strong>the</strong> students refused to cont<strong>in</strong>ue with <strong>the</strong><br />
project, <strong>the</strong> students appreciated <strong>the</strong> method <strong>of</strong> learn<strong>in</strong>g and found <strong>the</strong> space to<br />
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