framework for the implementation of a virtual design studio model in ...
framework for the implementation of a virtual design studio model in ... framework for the implementation of a virtual design studio model in ...
Students are expected to embrace all aspects of the virtual design process including prolonged and extended use of the VDS technology in order to achieve the best possible results through intensive collaboration. Students are required to prepare for the studio through a means of set texts and tasks given prior to the actual studio in order to familiarise themselves with the philosophy and expectations of the project. Students must begin in the studio with a clear idea of their own philosophical and political beliefs which will be encouraged by the tutors and built upon throughout the course of the studio. The assessment philosophy of this studio places value on the collaborative aspect of the studio; therefore assessment will take place throughout the duration of the studio, and students will be assessed on their level of participation. The final film installation will also be assessed. Participants will be assessed in the following methods: Continual Assessment: Due to the nature of the studio, the tutors will be responsible for continually assessing the students both online and off. Students will be assessed through critique, debate, and discussion; verbal and visual presentations during studio time; and through their use of the Digital media provided, namely Facebook. Tutors will focus on status updates, and contribution to individual Facebook groups. Students will also be assessed on their contributions made to the daily discussion board and blog available on the VDS website and the VDS group on Facebook. Self-Assessment: Students will also be subject to self-assessment which will be provided in the form of a questionnaire, found in the open learning work-book. 117
Peer Assessment: Students will be subject to peer assessment, which will be recorded on the VDS group Facebook page wall. Individual Facebook groups will also be monitored and assessed. Project Assessment: Students will be assessed on their final film presentations at the installation, along with their 100-word written brief. Students will also be required to assess the studio, and tutor performance and input, using a questionnaire provided in the open- learning workbook. 5.17.1 Studio Descriptors The Virtual Design Studio aims to engineer creative collaborative design, employing multi-technological applications and digital media tools to promote connectivity and collaborative practice in architecture and design. Coordinated by the author, the project aims to encourage students from the University of Sharjah‟s School of Engineering to collect, collaborate, and rethink Sharjah as a developing city. With the guidance of specifically selected expert tutors, the participants must redesign the future province of Sharjah with its heritage and religion placed firmly at the root of design. The students will take part in revolutionary studio-based workshops, with tasks taken from a multitude of disciplines. The intensive three-day studio will require students to complete online and hardcopy open-learning workbooks. They will consistently update and share their findings, make observations and present material both verbally and via designated digital mediums. The participants will be expected to work collaboratively for the production of design ideas linking the old Province to the new developing, cosmopolitan Sharjah. The studio‟s focus is firmly placed on creative collaboration and will include intensive, inter-disciplinary workshops to encourage quality work regarding the role of art and design when redefining design and architecture through the promotion of virtual design pedagogy. It will embrace a diverse range of experience as students from the United 118
- Page 67 and 68: “The most important role that met
- Page 69 and 70: plan. The benefits of the use of te
- Page 71 and 72: Abu Shakra 220 argues that the use
- Page 73 and 74: According to Reffat 224 the effecti
- Page 75 and 76: Chapter 4: Teaching and Learning Me
- Page 77 and 78: The last few years have witnessed a
- Page 79 and 80: University and the University of Sh
- Page 81 and 82: 4.3.4 Design Curriculum Design cour
- Page 83 and 84: expected to finalise their design p
- Page 85 and 86: Chapter 5: Methodology 5.1 Introduc
- Page 87 and 88: make decisions on which new approac
- Page 89 and 90: formulating a framework or a model.
- Page 91 and 92: The research approach used for this
- Page 93 and 94: It also works as a guide for the en
- Page 95 and 96: problematic and has been a tool for
- Page 97 and 98: 5.11 Validity and Reliability Herr
- Page 99 and 100: about human developments associated
- Page 101 and 102: the UAEU for the purpose of collect
- Page 103 and 104: 5.14 Methods of Phase 3 Secondary d
- Page 105 and 106: analysis of planning systems, havin
- Page 107 and 108: director, the tutors and some of th
- Page 109 and 110: Goodwin‟s use of multi-disciplina
- Page 111 and 112: Through the use of “free time”
- Page 113 and 114: students were encouraged to ask que
- Page 115 and 116: concerned. The students also indica
- Page 117: ideas and collaborate. Video record
- Page 121 and 122: also covered the data collection in
- Page 123 and 124: to another cycle of observation, ac
- Page 125 and 126: 6.3 Phase One The needs analysis in
- Page 127 and 128: Figure 6.2: VDS 1 basic elements Th
- Page 129 and 130: Figure 6.3: Database Form for Ident
- Page 131 and 132: in universities in China and the Fa
- Page 133 and 134: conducted to get in-depth understan
- Page 135 and 136: which supported the curriculum of t
- Page 137 and 138: student engage with their learning
- Page 139 and 140: skills to tackle similar problems t
- Page 141 and 142: � Team-Working Another important
- Page 143 and 144: Facebook was utilised in this proje
- Page 145 and 146: supportive educational tool Second
- Page 147 and 148: female are not supposed to be mixin
- Page 149 and 150: Formative evaluations improve and d
- Page 151 and 152: the diary of events, and the timeta
- Page 153 and 154: Dimension Application Creativity- p
- Page 155 and 156: Dimension Aim Implementation Techni
- Page 157 and 158: that helped the students in working
- Page 159 and 160: Creativity Critique Collaboration C
- Page 161 and 162: available. Figure 7.3 illustrates s
- Page 163 and 164: Collaboration Anonymous 7.4.4 Focus
- Page 165 and 166: synchronous tools scored highly com
- Page 167 and 168: extended use of Facebook accounts t
Peer Assessment: Students will be subject to peer assessment, which<br />
will be recorded on <strong>the</strong> VDS group Facebook page wall. Individual<br />
Facebook groups will also be monitored and assessed.<br />
Project Assessment: Students will be assessed on <strong>the</strong>ir f<strong>in</strong>al film<br />
presentations at <strong>the</strong> <strong>in</strong>stallation, along with <strong>the</strong>ir 100-word written brief.<br />
Students will also be required to assess <strong>the</strong> <strong>studio</strong>, and tutor<br />
per<strong>for</strong>mance and <strong>in</strong>put, us<strong>in</strong>g a questionnaire provided <strong>in</strong> <strong>the</strong> open-<br />
learn<strong>in</strong>g workbook.<br />
5.17.1 Studio Descriptors<br />
The Virtual Design Studio aims to eng<strong>in</strong>eer creative collaborative<br />
<strong>design</strong>, employ<strong>in</strong>g multi-technological applications and digital media<br />
tools to promote connectivity and collaborative practice <strong>in</strong> architecture<br />
and <strong>design</strong>. Coord<strong>in</strong>ated by <strong>the</strong> author, <strong>the</strong> project aims to encourage<br />
students from <strong>the</strong> University <strong>of</strong> Sharjah‟s School <strong>of</strong> Eng<strong>in</strong>eer<strong>in</strong>g to<br />
collect, collaborate, and reth<strong>in</strong>k Sharjah as a develop<strong>in</strong>g city. With <strong>the</strong><br />
guidance <strong>of</strong> specifically selected expert tutors, <strong>the</strong> participants must<br />
re<strong>design</strong> <strong>the</strong> future prov<strong>in</strong>ce <strong>of</strong> Sharjah with its heritage and religion<br />
placed firmly at <strong>the</strong> root <strong>of</strong> <strong>design</strong>. The students will take part <strong>in</strong><br />
revolutionary <strong>studio</strong>-based workshops, with tasks taken from a multitude<br />
<strong>of</strong> discipl<strong>in</strong>es. The <strong>in</strong>tensive three-day <strong>studio</strong> will require students to<br />
complete onl<strong>in</strong>e and hardcopy open-learn<strong>in</strong>g workbooks. They will<br />
consistently update and share <strong>the</strong>ir f<strong>in</strong>d<strong>in</strong>gs, make observations and<br />
present material both verbally and via <strong>design</strong>ated digital mediums. The<br />
participants will be expected to work collaboratively <strong>for</strong> <strong>the</strong> production <strong>of</strong><br />
<strong>design</strong> ideas l<strong>in</strong>k<strong>in</strong>g <strong>the</strong> old Prov<strong>in</strong>ce to <strong>the</strong> new develop<strong>in</strong>g,<br />
cosmopolitan Sharjah.<br />
The <strong>studio</strong>‟s focus is firmly placed on creative collaboration and will<br />
<strong>in</strong>clude <strong>in</strong>tensive, <strong>in</strong>ter-discipl<strong>in</strong>ary workshops to encourage quality work<br />
regard<strong>in</strong>g <strong>the</strong> role <strong>of</strong> art and <strong>design</strong> when redef<strong>in</strong><strong>in</strong>g <strong>design</strong> and<br />
architecture through <strong>the</strong> promotion <strong>of</strong> <strong>virtual</strong> <strong>design</strong> pedagogy. It will<br />
embrace a diverse range <strong>of</strong> experience as students from <strong>the</strong> United<br />
118