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The STaTe hermiTage muSeum annual reporT

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publIcatIons publIcatIons<br />

TranSacTionS<br />

of <strong>The</strong> <strong>STaTe</strong> <strong>hermiTage</strong> <strong>muSeum</strong><br />

Transactions of the State Hermitage<br />

Museum. XLIX. <strong>The</strong> Origins of Russian<br />

Statehood in the Context of the Early Mediaeval<br />

History of the Old World. Proceedings of<br />

the International Conference Held at the State<br />

Hermitage Museum. 14 to 18 May, 2007.<br />

<strong>The</strong> State Hermitage. St. Petersburg: <strong>The</strong> State<br />

Hermitage Publishers, 2010. – 656 pp., ills.<br />

<strong>The</strong> volume, containing papers of a conference<br />

under the same title, is devoted to the<br />

key problem in the history of the Russian Empire,<br />

viz. the origin of Russian statehood and<br />

the formation of the ethnos. To this end, the<br />

Slavic ethnic basis has been discussed, as well<br />

as the role in the process of Scandinavians<br />

and the contacts with Byzantium, the Frankish<br />

Empire, Khazar Kaganate, Volga Bulgaria and<br />

Arab Caliphate. <strong>The</strong> various points of view on<br />

the problems in question, in combination, give<br />

a more precise idea of the initial period of the<br />

history of Rus’/Russia.<br />

Transactions of the State Hermitage<br />

Museum. L. Museums of the World in<br />

the 21st Century. Restoration, Reconstruction,<br />

Renovation. Proceeding of the International<br />

Conference 20–22 October 2008.<br />

Ed. by A. Trofimova. <strong>The</strong> State Hermitage.<br />

St. Petersburg: <strong>The</strong> State Hermitage Publishers,<br />

2010. – 190 pp., ills.<br />

<strong>The</strong> papers of the conference that took place<br />

in the State Hermitage Museum are devoted<br />

to one of the most important themes of museology<br />

in the late 20th – early 21st centuries,<br />

i.e. reconstruction of museum space, museum<br />

expanding, restoration and re-exposition. <strong>The</strong><br />

participants of the conference were representatives<br />

of such major museums as the Metropolitan,<br />

Villa Ghetty, Staatliche Museen zu Berlin,<br />

Museum of the History of Arts (Vienna),<br />

Glyptotheke (Munich), Museum of Modern<br />

Art (New York), New Museum of the Acropolis<br />

(Athens), Rijksmuseum (Amsterdam), Museum<br />

of Arts (Philadelphia), Museums of the<br />

Moscow Kremlin, Pushkin State Museum of<br />

Fine Arts (Moscow), State Historical Museum<br />

(Moscow) and State Russian Museum (St. Petersburg).<br />

Each museum was represented by a<br />

group of experts who presented new projects,<br />

concepts and programmes. <strong>The</strong> State Hermitage<br />

presented the project of the restoration of<br />

the General Staff building, the Hermitage-2014<br />

master plan (with the Rem Koolhaas Studio)<br />

and re-exposition programme of Classical Antiquity<br />

rooms.<br />

Transactions of the State Hermitage<br />

Museum. LI. Byzantium within the Context<br />

of World Culture. Proceedings of the<br />

Conference Dedicated to the Memory of Alisa<br />

Vladimirovna Bank (1906–1984). <strong>The</strong> State<br />

Hermitage. St. Petersburg: <strong>The</strong> State Hermitage<br />

Publishers, 2010. – 638 pp., ills.<br />

<strong>The</strong> volume prepared by the Oriental Department<br />

of the Hermitage is based on the materials<br />

of the mediaevalist conference held at the<br />

Hermitage in 2008. It includes six sections:<br />

Byzantine Painting, Applied Arts, Numismatics,<br />

Sphragistics, Palaeography, Byzantine Archaeology,<br />

Byzantium and Adjacent Countries and<br />

Problems of the History of Byzantine Culture.<br />

Transactions of the State Hermitage<br />

Museum. LII. Personalities from Peter<br />

the Great`s Time – 2010. To Mark the<br />

300th Anniversary of Menshikov Palace<br />

(1710–2010). Conference Proceedings.<br />

<strong>The</strong> State Hermitage. St. Petersburg: <strong>The</strong> State<br />

Hermitage Publishers, 2010. – 360 pp., ills.<br />

<strong>The</strong> materials of the <strong>annual</strong> conference are<br />

devoted to various aspects of the history of Peter<br />

the Great’s time and the biographies of the<br />

contemporaries of the Tsar’s reforms, in particular,<br />

of his outstanding associate Alexander<br />

Menshikov; several papers deal with the latter’s<br />

palace and the museum displays located in it.<br />

<strong>The</strong> articles are based on the study of works<br />

of art and archival materials, some of them referred<br />

to for the first time.<br />

Transactions of the State Hermitage<br />

Museum. LIII. Architecture of Byzantium and<br />

Kievan Rus from the 9th to the 12th Centuries.<br />

Materials of the International Seminar.<br />

November 17–21, 2009. <strong>The</strong> State Hermitage.<br />

St. Petersburg: <strong>The</strong> State Hermitage Publishers,<br />

2010. – 498 pp., ills.<br />

Materials of the seminar devoted to the Middle<br />

Byzantine monumental architecture in the Byzantine<br />

world.<br />

Transactions of the State Hermitage<br />

Museum. LIV. Boristhenos–Berezan.<br />

Archaeological Collection of the State<br />

Hermitage. Vol. 2. Ed. by Sergei Solovyov.<br />

<strong>The</strong> State Hermitage. St. Petersburg: <strong>The</strong> State<br />

Hermitage Publishers, 2010. – 322 pp., ills.<br />

<strong>The</strong> edition continues publication of the materials<br />

of the Berezan archaeological collection<br />

of the State Hermitage. In the present<br />

volume, leading experts in Classical Antiquity<br />

describe and analyze the production of pottery<br />

workshops of Corinth, Athens and Klasomenos<br />

brought to Berezan in the 4th – 3rd centuries<br />

B.C.<br />

monographS<br />

Androsov, Sergei. Sculptors and Russian<br />

Collectors in Rome in the Second Half<br />

of the 18th Century. St. Petersburg: Dmitry<br />

Bulanin, 2010. – 258 pp., ills.<br />

<strong>The</strong> monograph is concerned with the connection<br />

between the thriving of Neoclassical<br />

sculpture in Rome in the second half of the<br />

18th century and that of Russian collecting,<br />

when travellers and art lovers visited Rome,<br />

attracted by the art of Classical Antiquity.<br />

<strong>The</strong> problem has never been dealt with systematically.<br />

Korshunova, Militsa. Collection of Russian<br />

Architectural Drawings in the Trinity College.<br />

Dublin. St. Petersburg: Alpharet, 2010.<br />

<strong>The</strong> monograph presents descriptions, in Russian<br />

and English, of Russian architectural drawings<br />

of the late 1740s, discovered by Edward<br />

McParland in the library of the Trinity College,<br />

Dublin. <strong>The</strong> majority of these are record drawings,<br />

but some are original authentic ones, e.g.<br />

the plan of the St. Alexander Nevsky Monastery<br />

by <strong>The</strong>odor Schwertfeger.<br />

Kosolapov, Alexander. Scientific Methods<br />

in the Examination of Works of Art. <strong>The</strong> State<br />

Hermitage. St. Petersburg: <strong>The</strong> State Hermitage<br />

Publishers, 2010. – 170 pp., ills.<br />

<strong>The</strong> textbook is based on a lecture course at<br />

the Department of Museology and Protection<br />

of Cultural Heritage, Faculty of Philosophy,<br />

St. Petersburg State University. Problems of<br />

stylistic or artistic and historical examination<br />

are not dealt with specifically in the course.<br />

<strong>The</strong> textbook includes descriptions of the major<br />

scientific examination methods used in the<br />

laboratories of the museums of Russia, Western<br />

Europe and North America.<br />

Matveyev, Vladimir. Mechanical Arts and<br />

the Imperial Academy of Arts. Dedicated<br />

to 250 Years of the Russian Academy of Arts<br />

and the State Hermitage. Moscow: <strong>The</strong> Ruda<br />

i Metally Publishers, 2010. – 280 pp., ills.<br />

<strong>The</strong> book is devoted to one of some lesser<br />

known aspects in the history of the Imperial<br />

Academy of Arts, connected with the eighteenth-century<br />

classes of “mathematic instruments<br />

and watchmaking”.<br />

90 91

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