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Bare-Faced Messiah (PDF) - Apologetics Index

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Interspersed between these gripping sagas, Ron still wrote occasional features for the Sportsman<br />

Pilot in his capacity as aerial hell-raiser. 'There are few men in the United States - nay, the world -<br />

as well qualified as I to write upon the subject of cross-country flying,' he began a piece in the<br />

September 1934 issue. 'It so happens I hold the world's record in dead reckoning. I just have to<br />

marvel about it. Probably no other pilot in the world could do it. Probably no other pilot in the world<br />

actually has done it so well.'<br />

The braggadocio was a tease, as he soon made clear. On a fifty-mile flight from New London to<br />

Mansfield, Ohio, navigating by the sun, he claimed to have missed his destination by a record<br />

margin. 'The ship bumped to a beautiful landing. But, and but again, Mansfield was nowhere in<br />

sight. We grabbed a farmer's suspender and snapped it for attention. We asked, disdainfully,<br />

wherewe might be. Well, there's no use dragging this out. We were 37 miles off . . . That, I maintain,<br />

is a world record.'<br />

In December he was offering readers tips about flying to the West Indies: 'With the long, long<br />

shores of Cuba behind you, you hit Port au Prince. Right now we start assuming definitely that your<br />

plane has floats on it, though we've been assuming it vaguely all along. Otherwise, you'll get your<br />

wheels wet. Port au Prince isn't favoured unless you can wangle the Gendarmerie du Haiti into<br />

letting you use their fields. You'd have to be a better wangler than we are . . .'<br />

Two months after this feature was published, on 25 February 1935 Ron again applied for a student<br />

pilot's licence. He never got round to taking the test to become a qualified pilot and never actually<br />

applied for another licence,[6] but he blithely continued writing for the Sportsman Pilot, offering<br />

advice to fellow aviators and filling many pages of the magazine with dashing accounts of his aerial<br />

exploits.<br />

Ron's published work in 1935 included ten pulp novels, three 'novelettes', twelve short stories and<br />

three non-fiction articles. In October, Adventure magazine invited him to introduce himself to<br />

readers in their 'Camp Fire' feature, 'where readers, writers and adventurers meet'. Ron began in<br />

jocular fashion - 'When I was a year old, they say I showed some signs of settling down, but I think<br />

this is merely rumour . . .' - and touched on all the familiar highspots of his dazzling career, his<br />

'Asiatic wanderings', his expeditions, his 'barn-storming trip through the Mid-West', and so on.<br />

Perhaps because the same issue of Adventure also published one of his 'leatherneck yarns', Ron<br />

chose to elaborate on his experiences as a 'top-kicker' in the Marines. 'I've known the Corps from<br />

Quantico to Peiping, from the South Pacific to the West Indies,' he wrote. 'To me the Marine Corps<br />

is a more go-to-hell outfit than the much lauded French Foreign Legion ever could be . . .'<br />

Expressing the hope that his thumbnail sketch would be a passport to the readers' interest, he<br />

ended with the promise: 'When I get back from Central America, where I'm going soon, I'll have<br />

another yarn to tell.'[7]<br />

Ron did not go to Central America but to Hollywood, where one of his stories, 'The Secret of<br />

Treasure Island', had been bought by Columbia to be filmed as a fifteen-part serial for showing at<br />

Saturday morning matineés. An advertisement in the Motion Picture Herald boasted that L. Ron<br />

Hubbard, 'famous action writer, stunt pilot and world adventurer' had written an 'excitement-jammed<br />

yarn with one of the best box office titles in years'.<br />

Ron, of course, was pleased to add the title of 'Hollywood scriptwriter' to his ever increasing roll-call<br />

of notable accomplishments and he would soon be claiming screenwriting credit for a number of<br />

successful movies, among them John Ford's classic, Stagecoach,[8] and The Plainsman, starring<br />

Gary Cooper. Most biographies of L. Ron Hubbard describe his Hollywood career, inevitably, as a

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