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Bare-Faced Messiah (PDF) - Apologetics Index

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Bruce, acknowledged ace of battle-in-the-air yarns; Norvell Page, who was said to earn $500 a<br />

month for his stories in the Spider; and Theodore Tinsley, a regular contributor to Black Mask.<br />

President of the Guild was Arthur J. Burks, who had been dubbed 'King of the Pulps' in a New<br />

Yorker profile and quoted as saying that any pulp writer who did not make at least $400 a month<br />

was not worth his salt. It was a remark that was to cause him considerable embarrassment, for it<br />

was common knowledge in the Guild that Burks never earned that much, despite turning out<br />

around two hundred thousand words every month.<br />

Ron was not the kind of young man to be overawed by such illustrious company and he walked into<br />

the Guild lunch at Rosoff's as if he was quite as famous and successful as any man present. He<br />

was also a good deal younger than most of the members, but acted as if he had seen and done<br />

more than any of them. By the end of the lunch, he was confidently presiding over one end of the<br />

table, holding the attention of everyone within earshot with an enthralling blow-by-blow account of<br />

his expedition to explore pirate strongholds of the Spanish Main.<br />

It was accepted, at the American Fiction Guild lunches, that members might be inclined to blur the<br />

distinction between fact and fiction. What mattered more than strict adherence to literal truth was<br />

that the stories should be entertaining, and on that score young Hubbard could not be faulted. He<br />

was a natural story-teller, able to set the scene quickly and evocatively, describe the action in rich<br />

detail, recount credible dialogue and interject humour with an acute sense of timing. Arthur Burks<br />

was happy to welcome him as a new member of the Guild, after he had paid his $10 membership<br />

fee, of course.<br />

Ron did well in New York. He made the rounds of the pulp publishers, talked his way into the<br />

offices of the important editors, sold a few stories and generally made himself known. In the<br />

evenings he used to sit in Frank Gruber's room at the Forty-fourth Street Hotel, kicking ideas around<br />

with other young writers and holding forth, although his host eventually tired of Ron's apparently<br />

endless adventures. One evening Gruber sat through a long account of Ron's experiences in the<br />

Marine Corps, his exploration of the upper Amazon and his years as a white hunter in Africa. At the<br />

end of it he asked with obvious sarcasm: 'Ron, you're eighty-four years old aren't you?'<br />

'What the hell are you talking about?' Ron snapped.<br />

Gruber waved a notebook in which he had been jotting figures 'Well,' he said, 'you were in the<br />

Marines seven years, you were a civil engineer for six years, you spent four years in Brazil, three in<br />

Africa, you barnstormed with your own flying circus for six years . . . I've just added up all the years<br />

you did this and that and it comes to eighty-four.'<br />

Ron was furious that his escapades should be openly doubted. 'He blew his tack,' said Gruber.[5]<br />

He would react in the same way at the Guild lunches if someone raised an eyebrow when he was<br />

in full flow. Most of the other members expected their yarns to be taken with a pinch of salt, but not<br />

Ron. It was almost as if he believed his own stories.<br />

Back home with Polly and the baby, Ron continued writing for 'the pulps' at a ferocious rate, turning<br />

out endless variations on a hairy-chested theme. His protagonists thrashed through jungle thickets<br />

pursued by slavering head-hunters, soared across smoke-smudged skies in aerial dog-fights,<br />

wrestled giant octopi twenty fathoms beneath storm-tossed seas, duelled with cutlasses on bloodsoaked<br />

decks strewn with splintered timbers and held dervish hordes at bay by dispensing steeljacketed<br />

death from the barrel of a machine-gun. Women rarely made an appearance except to be<br />

rescued from the occasional man-eating lion or grizzly bear. The titles he gave to his stories vividly<br />

attested to their genus - 'The Phantom Patrol', 'Destiny's Drum', 'Man-Killers of the Air', 'Hostage to<br />

Death' and 'Hell's Legionnaire'.

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