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Bare-Faced Messiah (PDF) - Apologetics Index

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it be a Congressional hearing or just in the back of some hangar, you'll probably hear the name of<br />

Ron Hubbard mentioned, accompanied by such adjectives as "crazy", "wild" and "dizzy". For the<br />

flaming-haired pilot hit the city like a tornado a few years ago and made women scream and strong<br />

men weep by his aerial antics. He just dared the ground to come up and hit him . . . Ron could do<br />

more stunts in a sailplane than most pilots can in a pursuit job. He would come out of spins at an<br />

altitude of thirty inches and thumb his nose at the undertakers who used to come out to the field<br />

and titter.'<br />

It was not too surprising that Ron was considered to be eminently suitable for inclusion in the<br />

'Who's Who' column, for it was patently obvious that he had been at pains to project himself as the<br />

most colourful of characters: 'Before he fell from grace and became an aviator, he was, at various<br />

times, top Sergeant in the Marines, radio crooner, newspaper reporter, gold miner in the West<br />

Indies and movie director-explorer . . .' Among his other achievements, it seems he taught himself<br />

to fly powered aircraft ('He climbed into a fast ship and, without any dual time at all, gave the engine<br />

the soup and hopped off . . .'), then became a barnstormer and 'flew under every telephone wire in<br />

the Middle West', before settling down to become director of the flying club at George Washington<br />

University. H. Latane Lewis II concluded that Ron was 'one of aviation's most distinguished<br />

hellraisers'. It was a sobriquet with which the subject heartily concurred.<br />

When Nibs was bawling and burping like other contented babies, the twenty-three-year-old<br />

'distinguished hell-raiser' decided it was time to make the acquaintance of his fellow pulp writers.<br />

Leaving Polly and the baby at home, he caught a train for New York and checked into a $1.50-anight<br />

room at the Forty-fourth Street Hotel, which he had been assured was where many visiting<br />

writers stayed.<br />

In 1934, with the country still in the stranglehold of the Depression, there were few tourists in New<br />

York, but even before the Wall Street Crash the Forty-fourth Street Hotel had rarely attracted much<br />

tourist trade. It was a seedy establishment on Times Square largely patronized by out-of-work<br />

actors, third-rate vaudeville performers, wrestlers, touts and bookies. Frank Gruber, the only pulp<br />

writer resident when Ron arrived, accurately characterized his fellow guests as 'all-round no-goods<br />

and deadbeats'.<br />

Gruber was an aspiring writer from Mount Morris, Illinois, who had come to New York to make his<br />

fortune on the strength of selling one story to Secret Agent X magazine and a couple more to<br />

Underworld. That he was not succeeding soon became evident when he explained to Ron how to<br />

get a free bowl of tomato soup at an Automat. All you had to do, he said, was pick up a bowl, fill it<br />

with hot water, skip the nickel slot which dispensed soup powder and grab a couple of bags of<br />

crackers. You took your bowl of hot water to a table, crumbled the crackers into it, then tipped in half<br />

a bottle of tomato ketchup. 'Presto!' said Gruber triumphantly. 'Tomato soup.'<br />

Not entirely motivated by charity, Ron offered to buy Gruber a meal. Sitting in Thompson's<br />

Restaurant on Sixth Avenue, just around the corner from the hotel, Ron pumped the other man for<br />

information about which editors were easiest to see, who was buying what kind of material and<br />

which magazines paid most. He made a list of the commissioning editors at the most important<br />

publishers - Street and Smith, the Frank A. Munsey Company, Popular Publications and Dell<br />

Magazines.<br />

A few days later, Gruber took Ron along to Rosoff's restaurant on 43rd Street, where members of<br />

the American Fiction Guild met for lunch every Friday. Most of the successful pulp writers in New<br />

York were members of the Guild and most of them gathered at Rosoff's at lunchtime on Fridays.<br />

They were names familiar to millions of pulp readers: Lester Dent, creator of Doc Savage; George

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