SchiltPublishing-Jan-Jul-2013-spreadef

Schilt Publishing
January – June 2013
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Jane Hilton Precious
Lucia Ganieva Ermitazhniki (Grey Matters)
Chiara Tocci Life after Zog (Grey Matters)
Vadim Guschin Everyday Objects/Cultural Treasures
Irina Popova Another Family
Evgeny Berezner & Irina Tchmyreva Contemporary Russian Photography
World Press Photo Yearbook 2013
David Chancellor Hunters
Rena Effendi Liquid Land
Joshua Lutz Hesitating Beauty
Chris Harrison I Belong Jarrow
Igor Moukhin My Moscow
Sergey Chilikov Selected Works 1978-
Cig Harvey You Look At Me Like An Emergency
Louisa Marie Summer Jennifer’s Family
Donald Weber Interrogations
Yaakov Israel The Quest for the Man on the White Donkey
Jane Hilton Dead Eagle Trail
Lorena Guillen Vaschetti Historia, Memoria y Silencios
Sophie Zenon Roads Over Troubled Water
George Georgiou Fault Lines
Martin Parr Parr by Parr
FotoFest 2010 Biennial Contemporary U.S. Photography
Kate Brooks In The Light Of Darkness
Stanley Greene Black Passport
Marcus Bleasdale The Rape of a Nation
Jason Eskenazi & Valeri Nistratov Title Nation
Dave Anderson One Block
Damion Berger In The Deep End
Rena Effendi Pipe Dreams
Ferit Kuyas Chongqing – City of Ambition
Monique Stauder Latitude Zero
Frederic Baldwin & Wendy Watriss Looking At The U.S. 1957-1986
Lana Šlezić Forsaken
Suzan van de Roemer The Power of Resilience
Elliot Ross Animal
Carl De Keyzer Trinity
Thomas Dworzak Kavkaz
Heather McClintock The Innocent
Ata Kandó Photographer
Michelle Sank The Submerged
World Press Photo Yearbook 2012
World Press Photo Next #01
World Press Photo Next #02
Bob Bronshoff & René Sommer Een roadtrip in 14 songs
Design: MV LevievanderMeer, Amsterdam | Printing: Wachter GmbH & Co. KG, Bönningheim
Schilt Publishing
Schilt
Publishing
www.schiltpublishing.com
Dear friends,
Just a few hours before I settled down to write this, the news came
through that Barack Obama had been re-elected president of the
U.S.A. I can’t begin to tell you what a relief this was for me – the gap
between humanitarianism and egocentricity has become far too great.
An American government dominated by the Tea Party would have been
detrimental for quality journalism and the art world (not to mention the
less well off in society). A country’s mood is strongly influenced by its
political leaders, certainly of a country that has as much influence in the
world as the U.S.A. still does. Obama’s fiery and inspirational victory
speech was direct proof of this.
Since her youth, the London-based photographer Jane Hilton has been
fascinated by America. This resulted in her successful debut Dead Eagle
Trail (Schilt Publishing, 2010), an impressive, lovingly crafted portrait of
a group of people that have played such a key, iconic role in the history
of the U.S.A. and whose numbers are steadily declining – the cowboys.
Her second book, Precious, is now available, and is an equally touching
and imposing portrait in words and images of the life of prostitutes in
the desert brothels of Nevada, the only state in the U.S.A. where the
oldest profession in the world is legal.
The extrovert character of America stands in stark contrast to the
introvertedness of Russia, despite the changes that country has
undergone in the last decades. This is clearly evident in the extraordinary
book Contemporary Russian Photography, which offers a uniquely
comprehensive overview of Russian photography in the period from
1953 to the present day. Vadim Gushchin’s suprematist abstract work
Everyday Objects / Cultural Treasures, Irina Popova’s bitingly intense
Another Family and Lucia Ganieva’s understated yet oh so brilliant
Ermitazhniki could never have been made by western photographers.
Ganieva’s book is the first in a new series initiated by Schilt Publishing
under the title Grey Matters, featuring work from rising young
photographers in beautifully designed and printed booklets, complete
with a grey carton cahier cover with banderole. The second in this series,
Life After Zog, depicts present-day Albania through the eyes of the Italian
Chiara Tocci. Tocci grew up literally opposite Albania on the other side
of the Adriatic Sea and as a child often wondered where all these people
fleeing their homes and flooding her birthplace actually came from. On
becoming a photographer, she crossed the sea to portray the country in
all its subtleties.
And of course we mustn’t forget the World Press Photo Yearbook, the
world’s most important journalistic photographic overview of which
Schilt Publishing is the proud leading publisher. Every chance that you
will come across images of Barack Obama in it… Fired Up? Ready To Go!
Maarten Schilt
Amsterdam, November 2012

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Jane Hilton Precious
Design: MV LevievanderMeer,
Amsterdam
ISBN 978 90 5330 795 3
Format 28.5 x 27 cm (landscape)
Hardbound
128 pages with approx. 60 photos
in full colour
World rights; German rights
under option
February 2013
£32.50 | $55 | €39.90
Over the last two decades, Jane
Hilton has documented different
facets of American culture. Growing
up in suburban England, in contrast to
the wide-open spaces of America, and
spending Sunday afternoons watching
Schilt Publishing
Jane Hilton first encountered Madam Kitty’s Cathouse in 1998. In
2000 she was commissioned by the BBC to make ten documentary
films in this brothel and one other close by, both situated in Nevada,
U.S.A. These films took three years to make. In 2012 Jane decided to
return with her plate camera.
Although prostitution is one of the oldest professions that have been
made legal in Nevada, it is still not socially acceptable. Precious is a
collection of intimate nude portraits of working girls and their stories.
This book gives the viewer an opportunity to leave behind any
preconceptions. The women are from different cultural backgrounds,
ages and body shapes, which also challenge the traditional idea of
beauty.
By choosing to photograph the girls with a plate camera that took
hours of their patience, it became a very bonding experience. As
issues about their own body shapes became apparent, their own
feelings about their journey as a working girl was also enlightening.
In some cases this became a very positive and cathartic experience.
Jane was privileged to be allowed to stay in many of the brothels,
which contributed to the trust these girls have given her.
“Precious” is defined as something of “unique value” or someone
“dear or beloved”. What people consider as precious is entirely
subjective though, as is of course beauty.
Westerns with her dad has contributed
to Hilton’s affection for the Wild West.
Jane Hilton lives in London. Her work
is regularly published in the Saturday
Telegraph Magazine and the Sunday
Times Magazine.
Precious is Jane Hilton’s second
monograph. Her first, Dead Eagle
Trail, on cowboys of the twenty-first
century, was published by Schilt
Publishing in 2010 and became a
great success.
Schilt Publishing 5

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Introducing a new series: Grey Matters
Grey Matters is a new series initiated by Schilt Publishing featuring work from rising young photography
stars in beautifully designed and printed booklets, all with a grey carton cahier cover with banderole.
The advantage of this way of publishing is that everyone can now buy outstanding work from great talents
for much less than what a “normal” photography book would cost. The booklets will have between 24 and
60 pages, and will retail at: £12.50 | $20 | €15. Schilt Publishing aims to issue 2 to 4 Grey Matters per year.
Design: MV LevievanderMeer,
Amsterdam
ISBN 978 90 5330 798 4
Format 22 x 24.5 cm (portrait)
Grey carton cahier cover with
banderole
24 pages with 14 photos in full colour
World rights
February 2013
£12.50 | $20 | €15
Lucia Ganieva was born in Russia
but has lived in The Netherlands since
1993. In 2007 she graduated cum
laude at the Foto Academie
Amsterdam with the Tiltenberg
project, published in book form by
Schilt Publishing. Since then, her work
has been exhibited all over the world
and has won countless international
awards.
Schilt Publishing
Lucia Ganieva
Ermitazhniki
Text by Irina Tchmyreva
Photographer Lucia Ganieva visited the State Hermitage Museum in
St. Petersburg not to admire
its wonderful art collection but to photograph the guards who keep
an eye on the paintings as well as on the millions of art lovers and
tourists passing through every year.
These guards often work for decades in the museum, as witnessed
by the ID they carry on their chests – obviously first issued when the
guards were much younger. The guards will typically work in the same
room or hall for years, and over time one work of art will come to
occupy a special place in their hearts.
So Lucia photographed the guards in front of their favourite painting,
and in doing so she shows us something quite extraordinary: the
guards have developed a remarkable resemblance to the persons
portrayed in the paintings! Her portraits even show three portraits
of the “same” woman! Look at the colours, the eyes, the shape of the
head, the way they allow themselves to be portrayed!
Only the very best photographers are able to see what we ordinary
people miss. This stunning, elegant portrait series proves what a
great master Lucia Ganieva is.

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Chiara Tocci Life After Zog and other stories
Design: MV LevievanderMeer,
Amsterdam
ISBN 978 90 5330 796 0
Format 22 x 24.5 cm (portrait)
Grey carton softcover with banderole
60 pages with approx. 45 photos in full
colour
World rights
February 2013
£12.50 | $20 | €15
Schilt Publishing
Life after Zog
and other stories
Chiara Tocci
This publication, the second in Schilt Publishing’s new Grey Matters
series, is an ongoing project highlighting an evolving web of stories,
both personal and political, set against the wider cultural and
geographical landscape of Albania.
As a child, in the early nineties, Chiara Tocci witnessed streams of
disillusioned Albanians docking on the coast of her hometown in
Southern Italy, installing in her a fascination for this enigmatic land
and its people. Running away from a hopeless future, towards
something equally uncertain, they left Chiara with questions about
who and what was left behind, prompting her some years later to
make a photographic journey to the remote areas of High Albania.
The resulting work depicts this country as an enchanted place, a
place with no time, inhabited by people who share the land with their
ancestors’ ghosts.
Chiara Tocci, born near Bari, Italy, 1982,
gained a degree in Journalism from the
Università di Firenze in 2006 and a BA
(Hons) in Documentary Photography
from the University of Wales, Newport in
2010. She is a UK-based photographer
and combines her art practice with
occasional commercial work, commissions
and teaching. After graduating,
she won the Portrait Commission at the
National Museum Wales and National
Portrait Gallery, London in 2010.
The series Life after Zog won the
Honorable Mention at the Project
Competition at Center, Santa Fe in 2011,
and in 2010 it was the recipient of the
Marco Pesaresi award. Her first solo
show Life after Zog took place in
September 2011 at Sifest (Savignano sul
Rubicone, Italy) and is scheduled to be
exhibited in the Fnac galleries in Italy.
Grey Matters
High-quality grey
carton cahier covers
with top-quality
photography from
emerging talents

Vadim Gushchin Everyday Objects/Cultural Treasures
Design: MV LevievanderMeer,
Amsterdam
ISBN 978 90 5330 792 2
Format 29 x 31 cm (portrait)
Hardbound with dust jacket
96 pages with 50 photos in full colour
World rights
January 2013
£35 | $55 | €49.90
We live in the Universe of Malevich, though we very rarely notice it.
Vadim Gushchin photographs “Everyday Objects” in such a way that
it is immediately obvious that they have originated from Malevich’s
Black Square.
The main idea of design is the sparing use of form. El Lissitzky, a
pupil of Kazimir Malevich, was the first to formulate this idea in
relation to the industrial object. Malevich used the expressive means
of painting sparingly. Lissitzky transformed his world for the needs of
production. Consequently, Malevich can be found in the depths of an
industrial object.
In his rejection of illusionism, Vadim Gushchin follows in the path of
Malevich. Because when we talk about pure forms, we recall Malevich
– his works, reduced to the depiction of the pure plane.
A paradoxical effect arises when photographing objects. It would
appear that reality is being documented. That is to say, things are
presented as they are. But in fact, in order to do this, things are taken
beyond their usual context. That is, each separate object is placed in
a meta position in relation to reality. And the better the shooting is
done, the more accurately the object is reproduced, and the bigger
the size, and the better the lens, the more that object will be alienated
from its habitual existence. Once photographed, objects rise above
themselves. In Gushchin’s artistic space, industrial objects are
transformed into sculptures. And each of these sculptures gives
witness to its source – the Universe of Malevich.
With regard to the working surface of Gushchin’s still-lifes, it should
be perceived as being abstract-material. Except for in one or two
series (for example, with books, which could be described as the
most realistic due to the special spirit of historicism which is
manifest in it), it does not remind us of anything. Because the setting
is photographed from above, the working surface hovers in space,
creating a support for the objects, but not for our efforts to perceive,
which are constantly thrown into bewilderment that corresponds in
Gushchin’s compositions to gaping darkness that opposes the
objects’ characteristics. Perhaps this is the most expressive image of
his still-lifes, found long ago and cultivated by him. It is the basic
concept of his photographic philosophy. Gushchin’s photography is
not created from light, but rather its absence, structuring all of his
visual imagery. The heroes in his still-lifes are estranged from all
earthly things, like the colour planes of Suprematist compositions.
Gushchin’s photography reveals the fundamental duality of culture:
the abstract nature of objects in it and the specificity of colour.
Vadim Gushchin (born 1963) has
been a freelancer artist since 1988. He
lives and works in Moscow. Since 1995
he has had about 30 solo exhibits in
galleries and museums in Russia and
abroad, including the solo exhibit
Wood and Bread at the 2006 Biennial
of FotoFest Houston, USA. His works
have been presented in conceptual
group projects, among them “A la
Recherche du Père” (1993, Paris),
“Neue Fotografie aus Russland”
(1995, tour in 5 cities of Germany),
“Idea photographic after Modernism”
(2002, Santa Fe, USA), Triennial of
Photography in Odense, Denmark
2006, “Contemporary Russian
Photography” (2012 Biennial FotoFest
Houston, USA). His works are
featured in several museum
collections in America and Europe, the
MoMA and the Pushkin State Museum
of Fine Art in Moscow, and in many
private collections all over the world.
10 Schilt Publishing
Schilt Publishing 11

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Irina Popova Another Family
IRI AN
NA OTH
POER
POFA
VA MI
LY
Design: MV LevievanderMeer,
Amsterdam
ISBN 978 90 5330 779 3
Format: 17 x 22.5 cm (portrait)
Hardbound
200 pages with approx. 60 photos in
full colour
World rights English (Original
publisher: Treemedia, Russia)
April 2013
£29.95 | $45 | €35
Irina Popova (born 1986, Russia)
graduated from Tver State University
with a degree in journalism and
subsequently studied photography at
the Moscow Rodchenko Photography
and Multimedia School, with Irina
Meglinskaya and Oleg Klimov as
Schilt Publishing
This fascinating book tells the story of Irina Popova’s stay with a
family of drug-users in St. Petersburg, Russia. The photo story –
focusing on a small child living in shocking family circumstances –
has provoked an explosion of criticism on the Internet, directed
towards the parents as well as at the photographer.
The book reveals the documentary evidence during the development
of the story, including the previously unpublished photos from the
archives of the photographer herself and the characters,
the web pages of blogs with comments, the private letters and the
diaries. It attempts to analyze
the consequences of the photographer’s actions and the degree of
responsibility of the photographer. The multivocal storytelling in the
book forms the screenplay for a real-life drama.
This is the first time this frequently discussed topic of the supposed
responsibility of documentary photographers has been analyzed so
consistently and comprehensively in book form. This book is therefore
more than simply a documentary photo book depicting the deplorable
situation of a drug-addict family – it is an essential document dealing
with the question all documentary photographers may be confronted
with at some time in their careers: can I continue working or should I
stop and try to help solve the problem I am witness to?
tutors. She won numerous prizes in
Russia and abroad, including the
Best Photographer of Russia (2009)
and an honourable mention by
UNICEF. Irina has held personal
and group exhibitions including
participating in the Noorderlicht
Festival (The Netherlands, 2009) and
Photoquai Biennale (Paris, 2011). For
the past two years she has been a
resident at the Rijksakademie in
Amsterdam, where she currently lives.

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Evgeny Berezner & Irina Tchmyreva
Contemporary Russian Photography
With an introduction by Wendy Watriss
Design: HvA Design, New York
ISBN 978 90 5330 768 7
Format: 22 x 24.5 cm (portrait)
400 pages with approx. 300 photos in
full colour and duotone
World rights
May 2013
£37.50 | $60 | €49.90
Special edition
ISBN 978 90 5330 801 1
Edition of 20 copies
£650 | $1000 | €800
Gregory Maiofis
> Andrey Chezhin
> Margot Ovcharenko
>> Alexander Gronsky
>
>
Schilt Publishing
Contemporary Russian Photography brings back to view an extraordinary
period of Russian photography that is largely unknown. With
approximately 300 images from the end of the Stalinist era in the 1950s,
through the Perestroika years and its aftermath between the late 1980s
through 2010 to the photography of young Russians today, the book is an
unparallelled representation of the evolution of creative photography in
Russia over the past 60 years.
Essays about the history of these works and the artists have been written
by the leading Russian curators and independent art historians, Evgeny
Berezner and Irina Tchmyreva, Ph.D., with curatorial associate Natalia
Tarasova, with an introduction by the executive curator and artistic
director of FotoFest International, Wendy Watriss.
The book contains biographies of more than 150 Russian and Soviet
artists, an in-depth Soviet/Russian cultural and political events list from
World War II to the present, and an important bibliography of
contemporary Russian photography. With accompanying maps and
artistic statements, this publication is an outstanding and unique
resource for Russian history and photography.
The principal essayists have extensive professional experience. As Deputy
Director General for photography and multi-media projects at the
ROSIZO State Museum and Exhibition Center of the Russian Ministry of
Culture, Mr. Berezner curated over 150 exhibitions of contemporary and
classical Russian photography. Irina Tchmyreva is the senior researcher
for photography at the Department of Russian Art of the 20th Century in
the State Research Institute of Art History in the Russian Academy of
Fine Arts. She has written widely on Russian photography.
Vlad Krasnoschok Mikola Gnisuk
Gregory Maiofis
Anna Skladman Sergey Bratkov

World Press Photo Yearbook 2013
Dutch edition
Design: Heijdens Karwei, Amsterdam
ISBN 978 90 5330 800 4
Format: 23 x 29.7 cm (portrait)
Paperback
160 pages, with approx. 200 photos
in full colour and duotone
World rights; English (Thames &
Hudson), German (Benteli), French
(Benteli), Spanish (Blume) Italian
(Contrasto) and Russian (Treemedia)
rights sold
April 2013
€24
Schilt Publishing is the primary
publisher of the World Press
Photo Yearbook. Co-editions are
available in 7 different languages.
For details of the English-language
edition of World Press Photo,
please contact Thames & Hudson
at sales@thameshudson.co.uk
or visit thamesandhudson.com
Every year since 1958 an international jury has met in the Netherlands
under the auspices of the World Press Photo Foundation to choose the
world’s finest press photographs. Universally recognized as the
definitive competition for photographic reportage, it has been
described by Michael Rand as ‘the international photographic contest’.
Publishing the results of the latest annual World Press Photo Contest,
this exceptional book contains the very best press photographs from
2011 – pictures submitted by approximately 6,000 photojournalists,
picture agencies, newspapers and magazines from about 125
countries. Selected from around 100,000 images, these prize-winning
photos capture the most powerful, moving and disturbing images of
the year.
‘Will amuse, sadden, console and ultimately teach you much about
this world of ours.’ People Photography
‘Some of the very best work being done around the world today.’
News Photographer
16 Schilt Publishing All illustrations from the 2012 edition
Schilt Publishing 17

18
Schilt Publishing
backlist
Check our website
schiltpublishing.com
David Chancellor
Hunters
ISBN 978 90 5330 778 6
£32.50 | $50 | €40
Special edition
ISBN 978 90 5330 801 1
Edition of 20 copies
£650 | $1000 | €800
Joshua Lutz
Hesitating Beauty
ISBN 978 90 5330 776 2
£24.50 | $35 | €29.90
Rena Effendi
Liquid Land
ISBN 978 90 5330 789 2
£24.50 | $40 | €29.90
Chris Harrison
I Belong Jarrow
ISBN 978 90 5330 780 9
£27.50 | $45 | €35
Igor Moukhin
My Moscow
– Photographs
ISBN 978 90 5330 767 0
£29.95 | $50 | €35
Louisa Marie Summer
Jennifer’s Family
Text by Mairéad Byrne
ISBN 978 90 5330 766 3
£19.95 | $35 | €25
Sergey Chilikov
Selected Works 1978-
ISBN 978 90 5330 760 1
£27.50 | $45 | €35
Donald Weber
Interrogations
Text by Larry Frolick
ISBN 978 90 5330 759 5
£24.90 | $40 | €29.90
Cig Harvey
You Look At Me Like
An Emergency
ISBN 978 90 5330 771 0
£29.95 | $45 | €39.90
Special edition
ISBN 978 90 5330 802 8
Edition of 30 copies (just a few left!)
£375 | $550 | €450
Yaakov Israel
Text by
Bill Kouwenhoven
The Quest for the Man
on the White Donkey
ISBN 978 90 5330 764 9
£29.95 | $50 | €35
Schilt Publishing 19

20
Jane Hilton
Dead Eagle Trail
America’s Twenty-First
Century Cowboys
ISBN 978 90 5330 717 5
£32.50 | $55 | €39.90
Special edition
ISBN 978 90 5330 718 2
Edition of 50 copies
£225 | $350 | €250
George Georgiou
Fault Lines
Turkey from East to West
ISBN 978 90 5330 715 1
£32.50 | $55 | €39.90
Schilt Publishing
Lorena Guillen Vaschetti
Historia, Memoria y
Silencios
ISBN 978 90 5330 761 8
£29.90 | $45 | €35
Martin Parr
Parr by Parr
Text by Quentin Bajac
ISBN 978 90 5330 737 3
£16.95 | $25 | €19.90
Sophie Zenon
Roads Over
Troubled Water
A quest for the soul
Une chasse à l’âme
Bilder aus Kambodscha
ISBN 978 90 5330 696 3
£125 | $250 | €175
FotoFest 2010 Biennial
Contemporary
U.S. Photography
ISBN 978 90 5330 721 2 (Set)
Reduced price:
£12.50 | €15.00
Kate Brooks
In The Light Of Darkness
A photographer’s journey
after 9/11
ISBN 978 90 5330 758 8
£27.50 | $45 | €35
Jason Eskenazi &
Valeri Nistratov
Title Nation
ISBN 978 90 5330 739 7
£16.95 | $30 | €19.90
Stanley Greene
Black Passport
Compiled by
Teun van der Heijden
ISBN 978 90 5330 670 3
Last available 10 copies: €250
Dave Anderson
One Block
A New Orleans Neighbourhood
Rebuilds
Text by Chris Rose
ISBN 978 90 5330 712 0
Reduced price:
£19.90 | €25.00
Special edition
ISBN 978 90 5330 724 3
Edition of 50 copies
£225 | $350 | €250
Marcus Bleasdale
The Rape of a Nation
Foreword by John le Carré
ISBN 978 90 5330 671 0
£32.50 | $55 | €39.90
Special editions
ISBN 978 90 5330 725 0
Edition of 25 copies, also signed by
John le Carré
£650 | $1,000 | €800
ISBN 978 90 5330 702 1
Edition of 75 copies
£650 | $1000 | €800
Damion Berger
In The Deep End
ISBN 978 90 5330 713 7
£37.50 | $65 | €49.90
Schilt Publishing 21

Rena Effendi
Pipe Dreams
A chronicle of lives
along the pipeline
ISBN 978 90 5330 695 6
Reduced price:
£19.90 | €25.00 | $30.00
Special edition
ISBN 978 90 5330 704 5
Edition of 4 x 25 copies
£425 | $700 | €500
Frederick C. Baldwin &
Wendy Watriss
Looking at the U.S.
1957-1986
Interview & essay by
Xavier Canonne
ISBN 978 90 5330 673 4
Reduced price:
£19.90 | $30.00 | €25.00
Special edition
ISBN 978 90 5330 706 9
Edition of 100 copies, just a few left
£175 | $250 | €200
Ferit Kuyas
Chongqing –
City of Ambition
Texts by Diana Edkins
& Bill Kouwenhoven
ISBN 978 90 5330 682 6
£32.50 | $55 | €39.90
Special edition
ISBN 978 90 5330 705 2
Edition of 50 copies
£225 | $350 | €250
Lana Šlezić
Forsaken
ISBN 978 90 5330 573 7
£24.90 | €29.90
Monique Stauder
Latitude Zero
With two forewords by
Paul Theroux
ISBN 978 90 5330 719 9
£42.50 | $69.90 | €49.90
Special edition
ISBN 978 90 5330 720 5
Edition of 50 copies
£425 | $700 | €500
Suzan van de Roemer
The Power of Resilience
Survivors of the Volendam blaze
Text by Eddy Veerman
ISBN 978 90 5330 747 2
£23 | $50 | €29.90
De kracht van Volendam
Overlevenden van de
Nieuwjaarsbrand
Tekst: Eddy Veerman
ISBN 978 90 5330 749 6
€29.90
Elliot Ross
Animal
Text by Manfred Zollner
ISBN 978 90 5330 730 4
£29.95 | $60 | €39.90
Special edition
ISBN 978 90 5330 736 6
Edition of 50
£225 | $350 | €250
Heather McClintock
The Innocent
Casualties of the Civil
War in Northern Uganda
ISBN 978 90 5330 697 0
£24.90 | $39.90 | €29.90
Carl De Keyzer
Trinity
ISBN 978 90 5330 594 2
Reduced price:
£19.90 | €25 | $30
Ata Kandó
Photographer
Text by Rosan Hollak
ISBN 978 90 5330 612 3
£29.90 | $49.90 | €39.90
Thomas Dworzak
Kavkaz
ISBN 978 90 5330 699 4
September 2010
£55 | $95 | €65
Special edition
ISBN 978 90 5330 703 8
Edition of 50 copies
£650 | $1,000 | €800
Michelle Sank
The Submerged
Text by Liz Wells
ISBN 978 90 5330 743 4
£29.95 | $55 | €39.90
Special edition
ISBN 978 90 5330 765 6
Edition of 10 copies
£200 | $300 | €225
22 Schilt Publishing
Schilt Publishing
23

World Press Photo
Yearbook 2012
Dutch edition
ISBN 978 90 5330 772 4
€24
World Press Photo
Next #01
ISBN 978 90 5330 762 5
£12.50 | $30 | €19.50
Bob Bronshoff
René Sommer
Een roadtrip in 14 songs
ISBN 978 90 5330 793 9
€19.50
World Press Photo
Next #02
ISBN 978 90 5330 781 6
£12.50 | $30 | €19.50
Distribution
(except North America
and The Netherlands)
Thames & Hudson Ltd
UK Sales Office
Christian Frederking
Sales and Marketing Director
t 020 7845 5000
f 020 7845 5055
e c.frederking@thameshudson.co.uk
Andrew Stanley
Deputy Sales & Marketing Director/
Head of UK Sales
t 020 7845 5000
f 020 7845 5055
e a.stanley|@thameshudson.co.uk
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Manager, Distributed books
t 020 7845 5000
f 020 7845 5055
e a.juknys@thameshudson.co.uk
Mark Garland
Distributed Sales Co-ordinator
t 020 7845 5000
f 020 7845 5055
e m.garland@thameshudson.co.uk
UK Territory Managers
Gethyn Jordon
Key Accounts Manager
National Wholesalers
t 020 7845 5000
f 020 7845 5055
e g.jordan@thameshudson.co.uk
David Howson
Key Accounts and London
t 020 7845 5000
f 020 7845 5055
e d.howson@thameshudson.co.uk
London: E1-E18, EC1-4, N1-22, SE1,
SW3, SW7, W1, W2, W8, W11, WC2
Dawn Shield
Key Accounts and London
t 0207845 5000
f 020 7845 5055
e d.shield@thameshudson.co.uk
London: NW1-NW11
Leslie Bolt
t 07984 034496
e l.bolt@thameshudson.co.uk
Bedfordshire, Berkshire, Cambridgeshire,
Dorset, Essex, Hampshire,
Hertfordshire, Kent, Middlesex,
Norfolk, Suffolk, Surrey, East Sussex,
West Sussex, Wiltshire, Worcestershire,
Oxford, London SW4-6, SW8-20,
SE2-26, W3-7, W9-14
Karim White
t 07740 768900
e k.white@thameshudson.co.uk
Cheshire, Cleveland, Cumbria, Co.
Durham, Lancashire, Greater
Manchester, Merseyside, Northumberland,
Sheffield, Tyne & Wear, Yorkshire,
Ireland, Scotland
Mike Lapworth
t 07745 304 088
e mikelapworth@sky.com
Buckinghamshire, Derbyshire,
Herefordshire, Leicestershire,
Lincolnshire, Northants, Nottinghamshire,
Oxon (except Oxford),
Shropshire, Staffordshire, Warwickshire,
West Midlands, Worcestershire
Ian Tripp
t 07970 450162
e iantripp@ymail.com
Channel Islands Cornwall, Devon,
Gloucestershire, Somerset, Wales
Subsidiaries, Agents and
Representatives Abroad
Americas
Central and South America, Mexico
Natasha Ffrench
Export Sales Department
Thames & Hudson Ltd
e n.ffrench@thameshudson.co.uk
The Caribbean
John Edgeler
Edgeler Book Services Ltd
3 Ashacre Lane
Worthing
BN13 2DA
UK
m +44 7801 866936
t/f +44 1903 265925
e j.edgeler@ntlworld.com
Europe
Austria and Germany except South
Michael Klein
c/o Vertreterbuero Wuerzburg
Huebergasse 1
D-97070 Wuerzburg
Germany
T. 0049 931 17 405
f 0049 931 17 410
e klein@sitwell.de
Belgium, Netherlands and Luxembourg
Bas van der Zee
President Kennedylaan 66 huis,
1079 NG Amsterdam,
Netherlands
t + 31 (0) 623137695
e s.vanderzee@thameshudson.co.uk
Eastern Europe and Eastern Mediterranean
Stephen Embrey
Export Sales Department
Thames & Hudson Ltd
e s.embrey@thameshudson.co.uk
24 Schilt Publishing
Schilt Publishing
25

26
France
Interart S.A.R.L.
1 rue de l’Est
75020 Paris
t (1) 43 49 36 60
f (1) 43 49 41 22
e commercial@interart.fr
Germany, South and Switzerland
Sara Ticci
Export Sales Department
Thames & Hudson Ltd
e s.ticci@thameshudson.co.uk
Ireland
Karim White
3/2 Spottiswoode Street
Edinburgh
EH9 1EP
t 07740 768900
e k.white@thameshudson.co.uk
Italy, Spain and Portugal
Natasha Ffrench
Export Sales Department
Thames & Hudson Ltd
e n.ffrench@thameshudson.co.uk
Scandinavia, Baltic States, Russia and
the CIS
Per Burell
Idalavägen 1
182 78 Stocksund
Sweden
t +46 (0)8 85 64 75
e p.burell@thameshudson.co.uk
Africa
Africa (excluding South)
Ian Bartley
Export Sales Department
Thames & Hudson Ltd
e i.bartley@thameshudson.co.uk
Schilt Publishing
South Africa, Swaziland, Lesotho,
Namibia, Botswana and Zimbabwe
Peter Hyde Associates
5 &7 Speke Street
(Corner Nelson Street)
Observatory 7925
Cape Town
t (021) 447 5300
f (021) 447 1430
e beverley@peterhyde.co.za
The Near and Middle East
Middle East incl. Egypt
Stephen Embrey
Export Sales Department
Thames & Hudson Ltd
e s.embrey@thameshudson.co.uk
Iran
Bookcity Co.(P.J.S)
P.O. Box 158757341
743 Shariati St.
Tehran 16396
t +(9821)88459950
f +(9821)88459949
e Semiramis@bookcity.co.ir
Israel
Lonnie Kahn Ltd
20 Eliyahu Eitan Street
75703 Rishon Lezion
t (03) 951 8418
f (03) 951 8415
e aviva@lonibooks.co.il
Lebanon
Levant Distributors
PO Box 11-1181
Sin-El-Fil, Al Qalaa Area
Sector No. 5
Bldg #31, 53rd Street
Beirut
t (01) 488 035
f (01) 510 659
e info@levantgroup.com
Asia
China (PRC), Hong Kong and Macau
Thames & Hudson China Ltd
Units B&D 17/F
Gee Chang Hong Centre
65 Wong Chuk Hang Road
Aberdeen
Hong Kong
t +852 2 553 9289
f +852 2 554 2912
e aps_thc@asiapubs.com.hk
For China enquiries:
Feng Haiming, Shanghai
e fhm_thc@asiapubs.com.hk
Michelle Liu, Beijing
e lmh_thc@asiapubs.com.hk
Taiwan
Ms Helen Lee, Taipei
e Helen_lee@asiapubs.com.hk
Korea
Zita Chan, Hong Kong
e Zita_chan@asiapubs.com.hk>
Japan
Scipio Stringer
Export Sales Department
Thames & Hudson Ltd
e s.stringer@thameshudson.co.uk
Malaysia
Thames & Hudson
Private Ltd
c/o APD Kuala Lumpur
Nos. 24 & 26 Jalan SS3/41
47300 Petaling Jaya
Selangor, Darul Ehsan
t (603) 7877 6063
f (603) 7877 3414
e customersvc@apdkl.com
Singapore and South-East Asia
Thames & Hudson Singapore
52 Genting Lane
#06-05, Ruby Land Complex
Singapore 349560
t (65) 6749 3551
f (65) 6749 3552
e customersvc@apdsing.com
Bangladesh
Zeenat Book Supply Ltd
190 Dhaka New Market
Dhaka 1205
t (02) 861 7005
e zbooksl55@gmail.com
India, Pakistan and Sri Lanka
Scipio Stringer
Export Sales Department
Thames & Hudson Ltd
e s.stringer@thameshudson.co.uk
Australasia
Australia, New Zealand, Papua New
Guinea & the Pacific Islands
Thames & Hudson (Australia) Pty Ltd
11 Central Boulevard
Portside Business Park
Fisherman’s Bend
Victoria 3207
t (03) 9646 7788
f (03) 9646 8790
e enquiries@thaust.com.au
For countries not mentioned
above, please contact:
Ian Bartley, Head of Export Sales
Export Sales Department
Thames & Hudson Ltd
181A High Holborn
London WC1V 7QX
UK
t +44 (0)20 7845 5000
f +44 (0)20 7845 5055
e i.bartley@thameshudson.co.uk
Distribution
in North America
Ingram Publisher Services
One Ingram Blvd.
LaVergne, TN 37086
IPS: 866-765-0179
e customer.service@
ingrampublisherservices.com
Distribution in
The Netherlands
Centraal Boekhuis
https://portal.boekhuis.nl/cbonline/
boek-verkopers
t +31 (0)345 – 47 58 88
e detailhandel@centraal.boekhuis.nl
Representation in
The Netherlands
Coen Sligting Bookimport
Groot Nieuwland 27
1811 ET Alkmaar
The Netherlands
t +31(0)72 – 511 92 20
f +31(0)72 – 511 70 29
e sligting@xs4all.nl

Schilt
amsterdam
Peter Martensstraat 121
Nl – 1087 Na Amsterdam
t +31 20 528 69 12
m +31 6 51 98 47 47
schilt@schiltpublishing.com
press@schiltpublishing.com
www.schiltpublishing.com
Publishing
loNdoN
bm Box 9120
uk – London Wc1N 3XX
press@schiltpublishing.com
PortlaNd (or)
2417 se 32nd Avenue
usa – Portland (or) 97214
t +1 734 945 7656
bisbee-beek@schiltpublishing.com