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National Register of Historic Places Registration Form

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NFS <strong>Form</strong> 10-90O-8 OMB Approval No. 1024-001B<br />

(*86)<br />

United States Department <strong>of</strong> the Interior<br />

<strong>National</strong> Park Service<br />

<strong>National</strong> <strong>Register</strong> <strong>of</strong> <strong>Historic</strong> <strong>Places</strong><br />

Continuation Sheet<br />

CLEVELAND PARK HISTORIC DISTRICT<br />

WASHINGTON D.C.<br />

Section number 8 Rage 33<br />

organize the facades. 3500 to 3518 is a group <strong>of</strong> rowhouses treated as a<br />

single unified three story building with 10 separate entrances. It is<br />

domestic in scale and continues the low rise appearance along the avenue<br />

established by the Fire Station. The Colonial Revival style used here is<br />

especially reminiscent <strong>of</strong> the 18th century five part houses in Maryland such<br />

as the Hammond Harwood House <strong>of</strong> 1774 in Annapolis. The long low mass <strong>of</strong> the<br />

building is divided into five sections. The central section <strong>of</strong> three bays and<br />

the two end ones <strong>of</strong> two bays each project while the remaining two sections<br />

recede. The central section is further emphasized by a brick pediment with a<br />

central fan light which is placed on the ro<strong>of</strong> and dominates the ro<strong>of</strong>line. The<br />

style chosen further accentuates the domestic character <strong>of</strong> this building and<br />

distinguishes it from Wardman's earlier building next door which is a 4 story<br />

building with a single central entrance accentuated by the use <strong>of</strong> limestone<br />

Georgian details. The colors <strong>of</strong> the two buildings further distinguish them;<br />

the earlier building is built <strong>of</strong> tan brick and the later one <strong>of</strong> red brick with<br />

white trim echoing the fire station and recalling Christoper Wren's influence<br />

on 18th century colonial American architecture. Wardman's earlier building,<br />

3520 Connecticut, set the pattern for most <strong>of</strong> the apartment buildings along<br />

the commercial strip in Cleveland Park. These apartment buildings,<br />

constructed between 1920 and 1927, are four or five stories in height,<br />

constructed <strong>of</strong> red or yellow brick with single central entrances and decorated<br />

with stone details drawn from 18th-century Colonial Georgian buildings.<br />

A variety <strong>of</strong> architects and owners were responsible for these apartment<br />

buildings. Frank Tomlinson and Eugene Waggaman worked with Harry Wardman.<br />

Stern and Tomlinson designed several for L.G. White. Robert Scholz was both<br />

architect and owner on several in partnership with David A. Baer. George<br />

Santmyers designed two for John J. Mclnerney.<br />

During this period the first garden apartments in Washington D.C. were<br />

constructed in the heart <strong>of</strong> residential Cleveland Park. "(James Goode op.<br />

cit.) Known as the Cleveland Park they were designed by James E. Cooper and<br />

built by Monroe and R. Bates Warren in 1924-25 at 3018 to 3028 Porter Street.<br />

These eclectic three story buildings with their domestic scale, domestic<br />

stylistic details and abundant land on all four sides introduced a new concept<br />

in apartment dwelling which approximated the experience <strong>of</strong> owning ones own<br />

individual residence in a suburban setting. These apartments were sold as<br />

coops which further simulated the experience <strong>of</strong> being a homeowner. There were<br />

no elevators or lobbies and only a small staff. The amenities were the<br />

spacious lawns and paths and the location <strong>of</strong> garages behind the buildings on<br />

the alley. In the garden apartments, the resident approaches his building<br />

across an open lawn rather than directly from the avenue as was the case with<br />

the Connecticut Avenue apartment buildings. The experience <strong>of</strong> the resident <strong>of</strong><br />

a garden apartment is more analogous to that <strong>of</strong> a homeowner who enters<br />

directly into his house than it is to an apartment dweller who enters through<br />

a central door into a lobby and then approaches his abode from an inside hall.<br />

*(James Goode, first draft: Best Addresses, A Century <strong>of</strong> Washington's<br />

Distinguished Apartment Houses, 1880-1890; to be published in 1987 by the<br />

Smithsonian Institution Press)

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