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National Register of Historic Places Registration Form

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NFS <strong>Form</strong> 10-9004 OMB Approval No. 1024-0018<br />

(MS)<br />

United States Department <strong>of</strong> the Interior<br />

<strong>National</strong> Park Service<br />

<strong>National</strong> <strong>Register</strong> <strong>of</strong> <strong>Historic</strong> <strong>Places</strong><br />

Continuation Sheet<br />

CLEVELAND PARK HISTORIC DISTRICT<br />

WASHINGTON D.C.<br />

Section number 8 Page 23<br />

especially Adamesque swags, Palladian windows, and elliptical oculus windows.<br />

After a lapse <strong>of</strong> nine.years he returned to Cleveland Park in 1905 to design a<br />

house for himself, in which he lived from 1906 to 1918, and to design a number<br />

<strong>of</strong> houses for others in styles dramatically different from those he used in<br />

1896. His later houses reflect Tudor and Shingle style influences.<br />

In 1897 Waddy Butler Wood (1869-1944) was the Cleveland Park Company's<br />

architect. He was born in St. Louis but moved to Virginia with his family.<br />

He studied engineering for two years at what is now the Virginia Polytechnic<br />

Institute. Then he came to Washington to be a draftsman. He also spent time<br />

at the Library <strong>of</strong> Congress studying architectural books and journals. His<br />

first commission was for the Capital Traction Company Car Barn at Key Bridge<br />

and M Street in Georgetown. Shortly thereafter he designed four houses for<br />

Cleveland Park in varied styles. He went on to design a number <strong>of</strong> houses in<br />

Kalorama including Woodrow Wilson's house. His design for 3100 Newark was the<br />

first Shingle Style house in the neighborhood and was published in an<br />

architectural journal. On this house he introduced a new decorative motif<br />

created by using rope dipped in plaster and applied in a circular pattern to<br />

the exterior <strong>of</strong> the house. Robert T. Head and Ella Bennett Sherman<br />

subsequently employed this decorative technique, which reflects the influence<br />

<strong>of</strong> the Arts and Crafts Movement, on some <strong>of</strong> their houses. Waddy Wood also<br />

designed the first Mission Revival house for the neighborhood at 3432 Newark<br />

Street.<br />

Robert Thompson Head (b. 1870) from Leesburg, Virginia appears to have<br />

been largely self-taught, first by his father (until his death in 1882) who<br />

was a carpenter and builder in Leesburg, and subsequently as a draftsman from<br />

1888 to 1891 in Washington.<br />

In 1892 Head opened his own <strong>of</strong>fice as an architect. He was the architect who<br />

designed the greatest number <strong>of</strong> houses for the Cleveland Park Company during<br />

the four years (1898-1901) he was associated with John Sherman. He also<br />

designed the Lodge (or waiting station) on Connecticut Avenue and the<br />

firehouse on Newark Street, both <strong>of</strong> which have disappeared. From a" family<br />

biography it is evident that Robert Head gave up the practice <strong>of</strong> architecture<br />

and moved to New York where he became a sound recording engineer for the first<br />

commercially successful talking picture company, the Vitaphone Corporation.<br />

*(Hamilton, op. cit. pp. 46-47)<br />

When Head departed in 1901 there was a lapse in building for 22 months.<br />

This break preceded the second phase <strong>of</strong> development, from 1902 to 1909,<br />

undertaken by the Shermans. During this period, all <strong>of</strong> the houses built by<br />

them were located in the "Connecticut Avenue Addition to Cleveland Park," on<br />

Ashley Terrace, on lower Newark Street from 3127 Newark to Connecticut Avenue,<br />

and on lower Macomb From 3300 Ross Place to 2923 Macomb. During this period<br />

all <strong>of</strong> their houses were designed without the aid <strong>of</strong> identifiable architects.<br />

From 1902 until 1909, John Sherman and his wife, Ella Bennett Sherman, were<br />

the only names listed as architects and owners on their building permits.<br />

This dramatic change in the pattern <strong>of</strong> development was probably due to<br />

Thomas E. Waggaman's declaration <strong>of</strong> bankruptcy in 1905 and his death in 1906.<br />

Perhaps as early as 1901, the Shermans realized that Waggaman's finances were

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