National Register of Historic Places Registration Form
National Register of Historic Places Registration Form National Register of Historic Places Registration Form
NPS Form 10-900-a OMB Approval No. 1024-0018 ;c (Ellen Marsh, "Getting to know your Early Twentieth-Century Neighborhood," Conserve Neighborhoods, Special Issue; National Trust for Historic Preservation, July/August, 1982) John Sherman was a more paternalistic developer. He hired the architects and took pride in the design of the houses. He also provided amenities for the residents. After the construction of only eight houses, he had a Waiting Shed built on Connecticut Avenue so that residents would not get wet while awaiting the streetcar. He eventually replaced this simple structure with a stone Lodge which was not only a waiting station but also a community center. In addition he provided a Chemical Engine House, with space for the police, on Newark Street, and a stable for horses and carriages which was located below Macomb Street near Klingle Road. He selected local architects to design the houses for the Cleveland Park Company. Paul Pelz, one of the architects of the Library of Congress; Waddy Wood, who later designed the Woodrow Wilson house; Frederick Bennett Pyle, a prolific commercial and residential architect; and Robert Thompson Head, whose numerous houses give the neighborhood an appearance of great architectural variety, designed houses for the Cleveland Park Company between 1895 and 1901. It is the houses designed by these architects which set the tone for the neighborhood and established its architectural character and distinctiveness. John Sherman took pride in the fact that his houses were individually designed: "...among the sixty houses of the Park, with a single exception, there is no repetition of design." "Cleveland Park has not one home that is unpleasant or unsightly. The houses have been built in the last six years and planned by architects who combined in them beauty, durability and economy." These attractive homes we offer have all been planned and designed specially
NPS Form 10-900-a OMB Approval No. 1024-0018 (M6) United States Department of the Interior National Park Service National Register of Historic Places Continuation Sheet CLEVELAND PARK HISTORIC DISTRICT WASHINGTON D.C. Section number 8 Rage 22 for the park, and have been carefully and honestly built. They are recognized as the most beautiful and artistic homes in the District. In fact, they are known and spoken of far beyond the limits of the District for their beauty and originality." *(Cleveland Park, Moore and Hill (Incorporated), Exclusive Agents, 1904, pp. 6, 10, & 14) These houses are large frame structures resembling rambling summer cottages with expansive porches and numerous Queen Anne and Shingle Style details such as turrets, towers, oriel and bay windows, steep gables, tall pilastered chimneys and windows of all shapes and sizes. Summer houses for the wealthy, and suburban houses for the middle class, were the two fastest growing areas of housing design during the last two decades of the 19th century. The same architects were designing houses for both needs, and the houses were being published in the architectural journals and in the more popular magazines, like The Ladies Home Journal. Consequently, it is not surprising that there was some overlap, and many of the suburban homes have features reminiscent of the summer homes built by the sea. In both cases the architects were designing for people who were looking for an escape from the crowded, polluted, and unsanitary city centers. For some individuals it was an escape for the summer, for others it was a permanent upgrading of their living conditions. The people moving to the suburbs were seeking a better life, more like that enjoyed by the wealthy, so houses which resembled those owned by the more privileged were appealing. This point is important for Cleveland Park, because it has often been said that the houses in this neighborhood were designed as summer homes. Research has proven that this is not true. The houses designed and built after 1894 were intended as permanent year-round residences. Grover Cleveland's home, Oak View, Gardiner Greene Hubbard's home, Twin Oaks, and a cottage on the Twin Oaks' grounds for Charles Bell and his wife (who was Hubbard's daughter) were the only houses known to have been built solely as summer homes in the area known today as Cleveland Park, and they were built prior to the laying out of the subdivisions. Paul J. Pelz and F.W. Carlyle were the first architects to design houses for the Cleveland Park Company. Paul Pelz (1841-1918), the better known of the two, was born and educated In Silesia, Prussia, Germany. His family moved to New York where he served an apprenticeship with the Danish architect, Delef Lienau. He came to Washington in 1866. In conjunction with John Smithmyer, he won the competition for the design of the new Library of Congress Building in 1886. He was also responsible for the design of Healy Hall at Georgetown University. The houses Pelz and Carlyle designed in Cleveland Park represent the early and freer phase of the Colonial Revival Style. These houses are an eclectic mixture of Georgian decorative details combined with medieval building forms such as towers ana oriels. Frederick Bennett Pyle (1867-1934) was born in London Grove, Pennsylvania and studied engineering for two years at Swarthmore College. He settled in Washington in 1891 and became a prolific architect. He worked for the Cleveland Park Company in 1896 during which time he built three houses, all of which share similar curvilinear shapes and Federal decorative details,
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NPS <strong>Form</strong> 10-900-a OMB Approval No. 1024-0018<br />
(M6)<br />
United States Department <strong>of</strong> the Interior<br />
<strong>National</strong> Park Service<br />
<strong>National</strong> <strong>Register</strong> <strong>of</strong> <strong>Historic</strong> <strong>Places</strong><br />
Continuation Sheet<br />
CLEVELAND PARK HISTORIC DISTRICT<br />
WASHINGTON D.C.<br />
Section number 8 Rage 22<br />
for the park, and have been carefully and honestly built. They are recognized<br />
as the most beautiful and artistic homes in the District. In fact, they are<br />
known and spoken <strong>of</strong> far beyond the limits <strong>of</strong> the District for their beauty and<br />
originality." *(Cleveland Park, Moore and Hill (Incorporated), Exclusive<br />
Agents, 1904, pp. 6, 10, & 14)<br />
These houses are large frame structures resembling rambling summer<br />
cottages with expansive porches and numerous Queen Anne and Shingle Style<br />
details such as turrets, towers, oriel and bay windows, steep gables, tall<br />
pilastered chimneys and windows <strong>of</strong> all shapes and sizes. Summer houses for<br />
the wealthy, and suburban houses for the middle class, were the two fastest<br />
growing areas <strong>of</strong> housing design during the last two decades <strong>of</strong> the 19th<br />
century. The same architects were designing houses for both needs, and the<br />
houses were being published in the architectural journals and in the more<br />
popular magazines, like The Ladies Home Journal. Consequently, it is not<br />
surprising that there was some overlap, and many <strong>of</strong> the suburban homes have<br />
features reminiscent <strong>of</strong> the summer homes built by the sea. In both cases the<br />
architects were designing for people who were looking for an escape from the<br />
crowded, polluted, and unsanitary city centers. For some individuals it was<br />
an escape for the summer, for others it was a permanent upgrading <strong>of</strong> their<br />
living conditions. The people moving to the suburbs were seeking a better<br />
life, more like that enjoyed by the wealthy, so houses which resembled those<br />
owned by the more privileged were appealing.<br />
This point is important for Cleveland Park, because it has <strong>of</strong>ten been<br />
said that the houses in this neighborhood were designed as summer homes.<br />
Research has proven that this is not true. The houses designed and built<br />
after 1894 were intended as permanent year-round residences. Grover<br />
Cleveland's home, Oak View, Gardiner Greene Hubbard's home, Twin Oaks, and a<br />
cottage on the Twin Oaks' grounds for Charles Bell and his wife (who was<br />
Hubbard's daughter) were the only houses known to have been built solely as<br />
summer homes in the area known today as Cleveland Park, and they were built<br />
prior to the laying out <strong>of</strong> the subdivisions.<br />
Paul J. Pelz and F.W. Carlyle were the first architects to design houses<br />
for the Cleveland Park Company. Paul Pelz (1841-1918), the better known <strong>of</strong><br />
the two, was born and educated In Silesia, Prussia, Germany. His family moved<br />
to New York where he served an apprenticeship with the Danish architect, Delef<br />
Lienau. He came to Washington in 1866. In conjunction with John Smithmyer,<br />
he won the competition for the design <strong>of</strong> the new Library <strong>of</strong> Congress Building<br />
in 1886. He was also responsible for the design <strong>of</strong> Healy Hall at Georgetown<br />
University. The houses Pelz and Carlyle designed in Cleveland Park represent<br />
the early and freer phase <strong>of</strong> the Colonial Revival Style. These houses are an<br />
eclectic mixture <strong>of</strong> Georgian decorative details combined with medieval<br />
building forms such as towers ana oriels.<br />
Frederick Bennett Pyle (1867-1934) was born in London Grove, Pennsylvania<br />
and studied engineering for two years at Swarthmore College. He settled in<br />
Washington in 1891 and became a prolific architect. He worked for the<br />
Cleveland Park Company in 1896 during which time he built three houses, all <strong>of</strong><br />
which share similar curvilinear shapes and Federal decorative details,