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National Register of Historic Places Registration Form

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NPS <strong>Form</strong> 10-900-a OMB Approval No. 10244018<br />

(846)<br />

United States Department <strong>of</strong> the Interior<br />

<strong>National</strong> Park Service<br />

<strong>National</strong> <strong>Register</strong> <strong>of</strong> <strong>Historic</strong> <strong>Places</strong><br />

Continuation Sheet<br />

CLEVELAND PARK HISTORIC DISTRICT<br />

WASHINGTON D.C.<br />

Section number 7 Page _Z__<br />

After the departure <strong>of</strong> the Shermans in 1910, other developers moved in<br />

and filled in the gaps in Cleveland Park and then spread to the south and west<br />

into Cleveland Heights and Oak View (west <strong>of</strong> 33rd Place on Maotomb, Lowell and<br />

Woodley to Wisconsin Ave.) These two subdivisions were largely completed by<br />

1922. W.C. & A.N. Miller were very active in this area designing substantial<br />

brick and frame homes in a variety <strong>of</strong> the revival styles, alternating between<br />

classical and medieval in inspiration, popular in house design during the<br />

second and third decades <strong>of</strong> this century. They built a variety <strong>of</strong> Colonial<br />

Revival style houses, Tudor Revival houses as well as two romantic English<br />

cottages with ro<strong>of</strong>s made to simulate thatch. Charles Taylor was the other<br />

developer who was most active at this time. His houses are usually variations<br />

on the Foursquare house with diverse front porches, gables and dormers, and<br />

they are generally less original and distinctive in appearance than the Miller<br />

houses.<br />

In 1919 H.A. Kite undertook the most massive development Cleveland Park<br />

had yet witnessed when he took out building permits for 14 houses from 3101 to<br />

3223 Macomb on the north side <strong>of</strong> the street between Ross Place and 33rd Place.<br />

He essentially repeated three designs (2 variations <strong>of</strong> Developer's Georgian<br />

and a Foursquare with Mission revival details).<br />

In the teens and twenties development was also taking place on Porter,<br />

Ordway, Quebec and Rodman Streets. In this area more brick houses were being<br />

built and some semidetached and small apartment houses were constructed in the<br />

1920's including the first garden apartments built in Washington D.C. The<br />

predominant styles in this area are Colonial Revival, Tudor Revival and a<br />

variety <strong>of</strong> Bungalows. The last area <strong>of</strong> development was Ordway Street between<br />

30th and 34th Streets. These houses were built in the 1930', 40's and even<br />

1950's.<br />

In attempting to comply with the request <strong>of</strong> the D.C. landmark application<br />

form for a "description <strong>of</strong> the style or styles <strong>of</strong> architecture representative<br />

<strong>of</strong> the district" it became quickly apparent how difficult it is to fit the<br />

exuberant and varied architecture <strong>of</strong> Cleveland Park into "stylistic boxes."<br />

Richard Longstreth has dealt with this problem so directly in his recent<br />

article: "Stylistic concepts were not devised to address the then-prevalent<br />

(19th- and early 20th-centuries) practice <strong>of</strong> eclecticism which, in its use <strong>of</strong><br />

references to numerous historicg.1 precedents and its pursuit <strong>of</strong> varied<br />

expressive modes, was quite unlike the perceived qualities <strong>of</strong> earlier<br />

periods." *(Richard Longstreth, "The Problem with * Style 1 ," "The Forum": the<br />

Bulletin <strong>of</strong> the Committee on Preservation <strong>of</strong> the Society <strong>of</strong> Architectural<br />

Historians, December, 1985, Vol VI, Nos. 1-2) Longstreth goes on to point out<br />

the ludicrous attempt to create more and more labels so that all buildings can<br />

have their own "Style" label. In Cleveland Park there are many architect-<br />

designed, one-<strong>of</strong>-a-kind houses which represent the creative abilities <strong>of</strong> the<br />

designer and do not necessarily fall into a stylistic category. This is<br />

especially true <strong>of</strong> the recent houses by I.M. Pei and Waldron Faulkner.<br />

Cleveland Park has been called a visual textbook <strong>of</strong> the changing taste in<br />

domestic architectural styles between the years 1890 and 1940. Bearing in<br />

mind the inadequacy <strong>of</strong> stylistic labels, examples <strong>of</strong> the following styles can

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