DISCOVERY AUCTION Saturday, June 9, 2007 11 am

DISCOVERY AUCTION
Saturday, June 9, 2007 11 am
No Reserves. No eBay. No Offer Refused.
Previews
Saturday, June 2 through Friday, June 8 from 12-5 pm
Doors open at 9:00 a.m. on the morning of the sale
All lots pictured in color online at www.ragoarts.com
Absentee and phone bids gladly accepted.
IMPORTANT INFORMATION FOR ALL BIDDERS
· We are glad to provide condition reports at your request with the
understanding that this is an AS-IS, WHERE IS auction. No returns
under any circumstances. All bidders acknowledge their right to make
a full inspection of property prior to sale and are charged with all
matters such inspection may disclose or indicate. Neither the Auction
House nor the consignor is responsible for the correctness of
descriptions. (For complete Terms of Sale, see the back of this
catalogue.)
· Requests for condition reports may be faxed to 609.397.9377 or
called in to 609.397.9374.
· There will be a 20% buyer’s premium added to the price of the
successful high bid.
· Please come prepared to pay for and pick up your purchases. All
purchases must be removed from the auction house within 2 weeks of
the sale, except by prior written permission.
333 North Main Street Lambertville, NJ 08530
www.ragoarts.com info@ragoarts.com
t: 609.397.9374 f: 609.397.9377

1: PAUL EVANS Cityscape extension dining table with an ivory plexiglass
top on brass base. Complete with one 15” leaf. Closed: 29” x 60” x 44”
2: MIES VAN DER ROHE / KNOLL Barcelona chair with tan leather
upholstery on polished steel frame. Knoll Associates label.
29 1/2” x 30” x 30”
3: MIES VAN DER ROHE / KNOLL Wassily chair with reddish-brown hard
leather on polished chrome frame. 28 1/2” x 30 3/4” x 27”
4: PIERRE CARDIN Pair of two-door cabinets, each with interior drawer and
shelf. 28 1/4” x 26 1/4” x 19 1/4”
5: VLADIMIR KAGAN Upholstered armchair with painted frame. Script
signature. 36” x 36” x 31”
6: CHARLOTTE PERRIAND Pine slatted room screen. 82 1/2” x 33 1/2”
7: CHARLOTTE PERRIAND Pine trestle table with rectangular top.
27 3/4” x 45” x 27 1/4”
8: CHARLOTTE PERRIAND Pine trestle table with square top.
27 3/4” x 27 1/4” sq.
9: JEAN PROUVE Student’s desk in oak on enameled metal frame.
30” x 24 1/2” x 33”
10: MODERN Two slatted wood benches, one signed Martuni. Longest
bench: 15” x 49” x 18 3/4”
11: GEORGE NELSON / HERMAN MILLER Ebonized slatted bench with three
case pieces, each with three drawers and chrome U-pulls.
14” x 102 1/2” x 18 1/2”
12: GEORGE NELSON / HERMAN MILLER Pair of nightstands with plank
legs and chrome U-pulls. 24 1/4” x 18” x 18 1/2”
13: GEORGE NELSON / HERMAN MILLER Slatted bench painted black.
14” x 56 1/2” x 18 1/2”
14: GEORGE NELSON / HERMAN MILLER Cabinet with single door and five
drawers, raised on plank legs and painted black, with replaced pulls. Nelson
for Miller tag. 40” x 56 1/4” x 18 1/2”
15: GEORGE NELSON / HERMAN MILLER Slatted bench painted black
together with a Herman Miller desk component with walnut shelf and
hairpin brackets. Bench: 14” x 71” x 18 1/2”
16: CHARLES EAMES / HERMAN MILLER Four DCMs and one LCM on black
metal frames. 29” x 16” x 19” and 26 1/2” x 22” x 25”
17: CHARLES EAMES / HERMAN MILLER Conference table with ash top.
28” x 83” x 41 1/2”
18: CHARLES EAMES / HERMAN MILLER Conference table with walnut top
on steel base. Herman Miller label. 28 3/4” x 83 1/4”
19: PACE / CHARLES EAMES / HERMAN MILLER Mariani Executive office
chair with brown leather upholstery, and four Herman Miller upholstered
fiberglass shell armchairs. All marked. Executive chair: 49” x 30 1/2” x 27”
20: STYLE OF HERMAN MILLER Set of four cane-back side chairs together
with two armchairs with similar upholstery. 31” x 17” x 19”
21: GEORGE NELSON / HERMAN MILLER Stereo cabinet on plank legs.
30” x 56” x 18 1/2”
22: CHARLES EAMES / HERMAN MILLER Fiberglass-shell chair, together
with a cart with two yellow laminate shelves and tubular legs.
Chair: 29” x 25” x 24”
23: GEORGE NELSON / HERMAN MILLER End table with glass top, single
drawer, and attached lamp with parchment drum shade. 44 1/2” x 18” x 34”
24: GEORGE NELSON / HERMAN MILLER End table with single drawer and
glass top. 22 1/2” x 34” x 18”
25: GEORGE NELSON / HERMAN MILLER Assembled worktable with walnut
veneer top on mismatched H-shaped chrome legs. 30” x 65” x 32”
26: HERMAN MILLER Pair of fabric-upholstered settees on bright chrome
legs. Circular Herman Miller tags, and fabric upholstery tag.
29” x 56 1/2” x 29 1/2”
27: CHARLES EAMES / HERMAN MILLER Dinette table with eight ivory
fiberglass shell chairs. Paper labels to chairs. Table: 28 1/2” x 45 1/2” dia.
28: HERMAN MILLER Low sofa with black crushed velvet upholstery on
metal legs, with bolster. 24” x 108” x 23”
29: WIDDICOMB Drop-front secretary with three lower drawers. Widdicomb
Modern original tag. 45” x 34” x 20”
30: WIDDICOMB Two tiered occasional table. 21 1/4” x 27”
31: KARL SPRINGER Extension pedestal dining table covered in yellow
lacquered finish; includes two 18” leaves. Leaves marked 86.
Closed: 29 1/2” x 51”
32: STYLE OF KARL SPRINGER Two black lacquered tables, one coffee- and
one side-. Larger: 27” x 52” x 16”
33: STYLE OF KARL SPRINGER Set of four dining side chairs with
lacquered bone or horn finish and fabric upholstery. One marked with tag
reading “Made in Columbia, bone-horn-goatskin.” 38” x 21 1/2” x 19”
34: STYLE OF KARL SPRINGER Coffee table and matching wall-hanging
mirror in black and white faux-stone mosaic finish. Table: 17” x 38”,
mirror: 47” x 30”
35: GENE HIGHSTEIN (American, 20th C.) Untitled (spheres), four
screenprints on paper, 1976. Each signed, dated, and numbered AP.
27 1/2” x 39 1/2” (sheet) ea
36: SUZANNE HARRIS (American, b. 1979) Palette series #6, pastel and
graphite on paper (framed), 1975. Provenance: Holly Solomon Gallery (label
on verso). Signed and dated. 42” x 24” (sheet)
37: GARY BURNLEY (20th C.) Untitled, lithograph in colors (framed), 1981.
Provenance: Holly Solomon Gallery, New York (label on verso). Signed,
dated and numbered AP1. 22 1/2” x 30” (sheet)
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38: GORDON HART (American, b. 1940) Three screenprints:
Silverprint/Yellow, silkscreen on paper, signed, dated, titled and numbered
23/30, 38 1/4” x 25 3/4” (sheet); Silverprint/White, silkscreen on vellum,
1980, signed, dated and titled, 38 1/4” x 25 3/4” (sheet); Silverprint/Violet,
silkscreen on paper, signed, dated, titled and numbered 13/30, 36 3/4” x 24
3/4” (sheet). Provenance: Albright-Knox Art Gallery, New York (label on
verso)
39: JOAQUIN VAQUERO TURCIOS (Spanish, b. 1933) Untitled, screenprint
on paper, 1990. Signed, dated and inscribed. 26 1/4” x 15 3/4” (sheet)
40: JERRY JONES (20th C.) Two works: Fish, papier mache on cardboard,
signed, 7 1/2” x 6 1/4”; Study for sculpture “Night Wall”, mixed media on
paper, artist’s studio stamp, 18” x 24” (sheet)
41: DONNA DENNIS (American, 20th C.) False Favela, lithograph on paper.
Signed, dated and numbered 53/75. 26 1/4” x 20” (sheet)
42: SCOTT MILLER (American, b. 1947) 81 Pearl St., Brooklyn, acrylic on
canvas, 1979. Provenance: Private Collection, Los Angeles. Signed, dated
and titled. 19 1/8” x 28”
43: MELISSA SCOTT MILLER (British, b. 1959) Two works: Ablaze,
lithograph in colors (framed), 1987, (provenance: Holly Solomon Gallery,
New York (label on verso), private Collection, Los Angeles), signed and
numbered 26/50, 36 1/2” x 26 1/2” (sight); Peaceable Kingsdom, 1994,
plate edition for Blaffer Gallery, University of Houston, signed and
numbered, 12” dia.
44: HERVE DIROSA (French, b. 1959) Four untitled oils on canvas, 1981.
Each signed and dated. Smallest: 29 1/2” x 29 1/2” (sheet)
45: DANIEL HIGGS (American, b. 1964) U.S.A., acrylic on wood, 1995.
Provenance: Holly Solomon Gallery (label on verso). 32 1/2” x 14 7/8”
46: LEROY “King of Art” (20th C.) Hooray for Love, mixed media, 1995.
Provenance: private collection, Los Angeles. Signed, dated and titled.
17” x 7 1/2”
47: MARTINE CANNEEL (Dutch, b. 1936) Album de Photos, mixed media
with photographs. Album: 17 1/4” x 11”, portfolio: 14 1/2” x 20 1/2”
48: COLETTE (20th C.) My Room, C-print, 1975. Signed, dated and titled.
9 1/2” x 7 1/2”
49: ALAN BELCHER (Canadian, b. 1957) Pour Homme, C-prints on
Plexiglas, 1984. 12” x 12” x 1 1/2”
50: FRANK MAJORE (American, b. 1948) FDR, C-print (framed).
9 3/8” x 7 3/8” (sight)
51: DAVID ROKEBY (Canadian, b. 1960) Watch, eight C-prints, 1997. Each
signed, dated, titled and numbered (each edition of four).
29 3/4” x 36” (sheet), four smaller: 16” x 20” (sheet)
52: ROBERT BARRY (American, b. 1936) Otherwise, four vinyl records with
silkscreen on board, 1981. Produced by the Van Abbemuseum, Netherlands.
Each signed and dated. 12 1/4” x 12 1/4”
53: AFTER JASPER JOHNS (American, b. 1930) Exhibition Poster, Whitney
Museum of American Art, 1977. Sheet 45” x 30”
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RAGO ARTS AND AUCTION CENTER >
54: PETER MAX Cardboard theatre poster for “The Coach with the Six
Insides,” framed. 34” x 25”
55: NICHOLAS KRUSHENICK (American 1927-1999) Two prints, untitled,
off-set lithograph (framed). Signed and numbered. 18” x 24” and 24” x 32”
55A: MATTHEW ABBOTT (20th Century) Paris Green, 1985; Oil on canvas;
Signed, dated and titled; 72” x 72”; Provenance: Fawbush Gallery, New York
(label on verso); Private Collection, New Jersey
56: VICTOR VASARELY (Hungarian, 1908-1997) Untitled, screenprint
(framed). Signed and numbered. 19” x 21 1/2”
56A: VICTOR VASARELY Two offset prints, the larger titled “Cheyt-M.”
Framed: 23 1/2” sq. and 17 1/4” sq.
56B: VICTOR VASARELY (1908-1997); Untitled; Screenprint (framed);
Signed and numbered; 20” x 20” image
57: RUTH LIGHT BRAUN (American, 1906-2003)) World of Tomorrow,
gouache on paper (framed). Provenance: Estate of the artist. Signed.
20” x 18”
58: JOSE MARIA SERVIN (Mexican 20th c.) Cubist musician, oil on
masonite (framed), 28” x 18”. Together with Sean Dunlevy (American 1901-
1976) Interlude canvas poster(framed), 30” x 24”
59: GLADYS CRAMPTON (American 20th C.) Untitled, acrylic on canvas
(framed). Signed. 34” x 48”
60: JUDY TRIM (British, b. 1943) Untitled, porcelain vessel. Exhibition:
Westminister Gallery, Boston, 1985. 13 1/2” x 14 1/2”
60A: GRETCHEN EWERT (American, b.1948) Jackal with Calabash,
earthenware. Exhibition: The Society of Arts & Crafts, Boston, 1989.
Initialed. 10” x 18” x 11”
61: RODNEY RIPPS (American, b. 1950) Ascent, 1978, oil and wax on cloth.
Provenance: Brooke Alexander Inc., New York (label on verso), private
collection, Los Angeles. Signed, dated and titled. 17 1/2” x 17 1/2” x 5 1/2”
62: CECELIA RUSH Untitled, seven small sculptures (most with breaks).
Some signed and dated
63: KARL MANN Seed and grain painting on board of a floral arrangement.
Signed Karl Mann Sept 56. 47 1/2” x 24 3/4”
64: HARRY BALMER Iron abstract sculpture with heavily oxidized surface.
19” x 16”
65: NO LOT
66: IKORA Pair of silverplated double candle holders. In original boxes.
12” length each.
67: STYLE OF WIENER WERKSTATTE Hammered brass footed bowl.
8 1/2” x 12 1/4”
68: AUSTRIAN ART POTTERY Ceramic head with flowers in polychrome
glazes. 1 1/4” chip along front edge of base. Marked Made in Austria along
with unknown cipher. 8” x 3 1/4” x 3 3/4”

69: REBAJES Pair of copper Comedy and Tragedy wall masks. 10 1/2” x 11”
70: STYLE OF HAGENAUER Cast bronze figure of a leaping gazelle.
Unmarked. 9 1/4” x 10”
71: M. M. MARIOTTI Large red molded plastic chip and dip platter. Paper
label. 27”
72: OLIVETTI Typewriter in original red carrying case. Embossed marks.
73: ANTONANGELI Pair of white ceramic table lamps with red hoods. Felt
label. Each: 21 1/2” x 12” x 5”
74: CURTIS LIGHTING Pair of mercury glass sconces. Marked Curtis
Lighting Europe X-Ray Trademark, Made in France. 11” x 10 3/4” x 10”
and 8” x 7 3/4” x 7 3/4”
75: ARTEMIDE Classic lamp in extruded aluminum. 48” h
76: MURANO Pair of enameled metal hanging fixtures with clear and white
swirled glass globes (disassembled). Vetri Murano labels. 12” x 18”
77: ARTELUCE, Etc. Three lighting fixtures: Arteluce table lamp with
enameled metal shade; and two off-white enameled metal fixtures.
Arteluce marked. Arteluce: 11” high
78: BORIS LACROIX Pair of three-arm sconces on black lacquered metal
bases. 15 3/4” x 9” x 7”
79: WAYLANDE GREGORY Two ceramic peacocks with sgraffito detail on
blue glaze. Marked on the base Waylande Gregory in gold reserve. 19” x 5”
80: WAYLANDE GREGORY Ceramic table lamp decorated with underwater
scene, topped with linen shade. Signed Gregory. Ceramic only: 15 1/2” x 5”
81: LIGHTING Ceramic lamp base with quilted pattern and brass rivets
under a yellow glaze. 21” x 4 1/2”
82: LIGHTING Modern ceramic lamp with turquoise glaze. 27” total ht.
83: HEIFETZ Table lamp with stylized seagull and ebonized wood base.
Complete with white silk shade. 34”
84: LIGHTING Modern brass lamp with three columns and drum shade.
31” h
85: BETTY WOODMAN Porcelain cup and saucer with random brown
stripes on celadon ground (Provenance: the artist). Saucer: 6 3/4”,
cup: 3” x 6”
86: STUDIO CERAMICS Stoneware charger, 20th C. 17 1/2” dia.
87: STUDIO CERAMICS Dark brown painted stoneware vase. 19”
88: STUDIO CERAMICS Vase with funnel-shaped neck covered in grey and
rose matte glaze. Signed TP. 11 3/4” height
89: STUDIO CERAMICS Large vase by Manner with applied decoration
under brown and ochre glaze. Script mark. 27 1/2”
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90: BENNETT BEAN Two vessels, painted and pit-fired, 1979. Restoration
to several chips around rim of larger one, and to chip on smaller one.
Impressed bean-shaped mark. 6 1/4” and 7 1/2” h
91: STUDIO CERAMICS Large stoneware vase with bubbled volcanic
surface in shades of gray, brown and ochre. Illegibly signed. 24” x 10 1/2”
92: WILLIAM DALTON BROWER Three studio vases from the St. Ives
school: one squat in oxblood glaze (cracks to base), ovoid vase in white
glaze with blue stripes (bruise to rim), cylindrical bud vase in celadon
crackle glaze. All signed. Tallest 5 1/4”
93: KLH Model Twenty-Plus three-piece stereo unit with teak cabinets on
pedestal bases, complete with original operating instructions.
24” x 58 1/2” 15 1/4”
94: STYLE OF EERO SAARINEN Pedestal dining table with polished walnut
top, along with two aluminum pedestal bases. 27 3/4” x 72” dia.
95: 1970s White fiberglass Egg chair and ottoman with dark brown shag
upholstery. Chair: 52” x 45” x 27 1/2”
96: DREXEL Walnut Parallel sideboard with tambour doors concealing
shelves. Stenciled Drexel, with paper tag. 36 1/2” x 52 1/2” x 17”
97: DREXEL Pair of Precedent step tables in blonde wood finish. Stenciled
PRECEDENT BY DREXEL. 26” x 24” x 16”
98: FORWARD TREND Walnut coffee table with brass feet. Forward Trend
label. 16 3/4” x 72” x 23”
99: LANE FURNITURE COMPANY Cocktail table with matching step table
and side table in walnut veneer. Cocktail table: 14” x 56” x 19”
100: WESTNOFA (Norway) King-size headboard with two integrated
single-drawer night stands. WestNofa tags. Headboard: 31” x 107 3/4”,
nightstands: 20” x 20 1/2” x 15 1/2”
101: PACE Dining table with elliptical glass top on polished brass base.
30” x 87” x 55 1/4”
102: PAUL McCOBB Armchair upholstered in brown and black boucle on
black lacquered legs with brass cross stretcher. 32” x 31 1/2” x 35”
103: PAUL McCOBB / CALVIN Irwin Collection end table and jewelry chest,
each with black lacquer finish. Marked with metal tags. 22 1/4” x 22” x 22”
104: PAUL McCOBB Set of three Planner Group black lacquered tables.
One has Planner Group label. Largest: 10 1/2” x 60” x 18”
105: STYLE OF PAUL McCOBB Dining set with cherry stained table and
four 15” leaves, accompanied by six dining chairs with striped velvet
upholstery. Table (closed): 30” x 70” x 44”, armchairs: 42” x 24” x 19”
106: MODERN Pair of upholstered club chairs on black lacquered legs.
32” x 29 1/2” x 34 1/2”
107: DOEHLER Black lacquer desk and Doehler chrome armchair
upholstered in black leather. Chair with Doehler label. Desk: 30” x 36” x 20”,
chair: 20” x 29 1/2” x 21”

108: GILBERT ROHDE (Attr.) Circular wall mirror. A few small chips to
edges. Unmarked. 30” dia.
109: MACHINE AGE Lounge chair with black and white vinyl upholstery.
Together with a Shaw Walker metal office desk with leather top, serial #
371. Table: 38 1/2” x 28” x 35”
110: ART DECO Sideboard in bird’s eye maple veneer with brass disc
hardware. 37 1/2” x 79” x 23”
111: ART DECO China cabinet in bird’s eye maple veneer with brass disc
hardware. 64 1/2” x 49” x 20”
112: MODERN Pair of boomerang shaped sofas with white upholstery on
conical black legs. 29” x 83” x 35”
113: HOWELL Side table with black laminate top on chrome legs.
18 1/2” x 27” x 15”
114: MODERN Lamp table with integrated brass shade and two black
laminate shelves. 52” x 15 1/2”
115: ART DECO Floor lamp base with shelf in aluminum and black
lacquered wood. Unmarked. 58” x 12 1/4”
116: MODERN Two tables: one three-legged side table with laminate top,
the other a coffee table with glass top. Largest: 14 1/2” x 40”
117: MODERN Glass-topped dinette table on wood base. 30” x 43 1/2”
118: STYLE OF HEYWOOD WAKEFIELD Pair of nightstands in maple
veneer; each with single drawer, drop down door and teardrop pulls.
18” x 22 1/2” x 14 1/2”
119: RUSSELL SPANNER Walnut dining table with single integrated leaf,
accompanied by six dining chairs. Table: 29 1/2” x 62” x 38”
120: MODERN Ash side chair with floral print upholstered seat.
32” x 18” x 17”
121: MART STAN (Attr..) Set of six side chairs with maple veneer seats on
tubular enameled steel bases. 32 x 16 3/4” x 18 1/4”
122: MODERN Set of four blonde wood chairs with canvas seat and back.
31” x 20” x 18 1/2”
123: DINING ROOM SET Comprising six vinyl-seat side chairs on vinylcovered
metal legs, vinyl-covered dining table with Asian motif, and two
sideboards. Chairs: 38” x 18” x 19”, larger sideboard: 36” x 63” x 21”
124: WITTMANN Settee and ottoman upholstered in patterned fabric.
Wittmann labels. Settee: 33” x 63” x 33”
125: J.C. MAHEY, Etc. Octagonal wall-hanging mirror by J.C. Mahey, and
coffee table on polished chrome legs with octagonal glass top. Mirror
signed J.C. Mahey. Mirror: 28” x 28”, coffee table: 16” x 48”
126: MODERN Three-panel bamboo screen, together with an occasional
table with composite top on chrome base. Screen: 55 1/2”h (each panel:
21 1/2” wide), table: 13 1/2” x 30” dia.
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127: DISPLAY Hanging cabinet with glass shelves and interior light, fitted
with lock. 42” x 18” x 4 1/2”
128: MONTINA Dining table with frosted glass top and four side chairs of
beech and maple with black fabric upholstery. Seats marked Montina.
Table: 29 1/2” x 48”; chairs: 32” x 20” x 20”
129: MODERN Kidney-shaped glass topped coffee table with three
ebonized legs. 17” x 51 1/2” x 33”
130: BROOKE STEVENS Pair of painted steel upholstered train seats.
40” x 43” x 30”
131: TODD WIZON (20th C.) Storm Clouds, acrylic on fiberboard, 1980.
Provenance: Willard Gallery, New York (label on verso). Signed, dated and
titled. 20” x 20”
132: JOSEPH NECHVATAL (American, b. 1951) Tough Butch Tender Heart,
Oilstick and graphite on 2 sheets of paper (framed), 1982. Provenance:
Brooke Alexander, Inc., New York (label on verso). 11” x 14” (sheet) each
133: SCOTT COVERT (American, b. 1954) Untitled, Mixed media on paper.
60 x 60” (sheet)
134: KINO (20th C.) Untitled, charcoal on paper (framed), 1963. Signed
and dated. 10 5/8” x 8 1/4” (sight)
135: NICK LAWRENCE (20th C.) Large Butterfly, oil on wood, 1994.
Provenance: DNA Gallery, Provincetown, Massachusetts. Signed, dated and
inscribed “To Holly.” 13” x 9 1/4” (irregular)
136: WOLFGANG VOLTZ (20th C.) Women of Fifth Avenue, twenty-nine
photographs. Each signed, dated, titled and numbered 1/10.
14” x 20” (sheet)
137: RENEE GREEN (American, b. 1959) Untitled, C-print, 1980s.
20” x 24” (sheet)
138: LAURA COOPER (American, 20th C.) Untitled, two gelatin silver
prints, 1995. Each signed and dated. 6 3/4” x 6 3/4” (sheet)
139: KEVIN BOYLE (American, 20th C.) Untitled, seven cibachrome prints,
1983. Each signed, dated and marked AP. 10” x 8” (sheet)
140: SHEPHERD FAIREY (American, late 20th C.) Untitled, screenprint on
paper (framed). Signed and dated. 20 3/4” x 10 1/2” (sheet)
141: ARNOLD FERN (American, 20th C.) Untitled, mixed media. Signed and
inscribed “To Holly and Horace.” 11” x 7 1/2” (irregular)
142: MAX COYER (American, b. 1954) Self-Portrait #7, mixed media, 1985.
Signed, dated and titled. 21” x 28” x 5 1/4” (irregular)
143: CHRISTINA CLAUD (20th C.) Riverside Scene, mixed media on board
(framed), 1980. Provenance: private collection, Los Angeles. 16” x 20”
144: JESSE JOYNER (20th C.) Sitting Cardinal, papier mache on
cardboard. Signed. 13” x 7 3/5”
145: C. SWARTZ (20th C.) Three untitled works of oil on paper.
30” x 22 1/2” (sheet) each

146: DAVID WEST (20th C.) Dancing, Badly, acrylic on canvas, 1995.
Signed, dated and titled. 10” x 14”
147: GLENN DOWNING (20th C.) Hardrock Gunter and the Thunderbirds,
pen and crayon on paper (framed), 1991. Signed and dated.
9” x 11 3/4” (sight)
148: ALEXIS SMITH (American, b. 1949) Playing Cards, poster (framed).
Provenance: Holly Solomon Gallery, New York (label on verso).
26 1/4” x 20 1/2” (sheet)
149: GLEN BAXTER (British, 20th C.) I Would Have Chosen Carpet for the
Hall but Brenda Clearly had Ideas of Her Own, nine lithographs in colors,
1988. Signed, dated and numbered 54/75. 26” x 19 3/4” (sheet)
150: JOE BRAINARD (American, 1942-1994) Untitled, mixed media and
collage on board framed), 1969. Provenance: Phyllis Kind Gallery, Chicago
(label on verso). Signed and dated. 14” x 11” (sheet)
151: CONTEMPORARY PRINTS Three works: Ben Shahn exhibition poster
(framed), 18” x 25”; Jasper Johns, Leo Castelli Gallery poster (framed),
22” x 28”; George Laslo, The Sacred Cow, color woodblock print (framed),
10” x 20” image.
152: DAVID BURLUIK (American, 1882-1967) Untitled (Female), mixed
media on wood (framed). Provenance: Private Collection, New Jersey.
Signed. 4” x 5”
153: LEON KOSSOFF (American, b. 1926) Resting, etching (framed), 1982.
Signed, titled, dated and numbered. 19” x 23”
154: LEONARD BASKIN (American, 1922-2000) Seven lithographs. Signed
155: ROTTENBERG (American-Late 20th C.) Untitled (Shouting Man), oil
on canvas (framed), 1988. Signed Rottenberg and dated. 20” x 16”
156: PETER BRAMHALL Blown glass sculpture from the Inferno Series,
1980s. Signed and dated, with additional inscription. 9 1/4” x 8 1/4”
157: VENINI Stoppered inciso glass bottle. Excellent condition. 14 3/4”
157A: MURANO Heavy rectangular dish with clear glass encasing gold
speckles. Unmarked. 4” x 11” x 6 1/4”
158: FLORIS MEYDAM / LEERDAHM (Holland) Art glass vase of flat
compressed form with blue, green and clear striations. 7 3/4” x 6 1/2”
159: SERGIO ASTI / VENINI Murano glass four-sided vase in jet black.
Signed. 12” x 12” dia.
160: MAC ADAMS (British, b. 1943) Mason (TN138), glass sculpture, 1985.
Signed, dated and titled. 15” high
161: BJORN WINNBLAD Painted glass charger, signed Bjorn Winnblad,
Weihnachten 1977. Together with a Simon teak sculpture of a mother and
child; branded design Simon made in Denmark. Charger: 11 1/2” x 11 1/2”
162: BOVANO Eleven enameled metal dishes. Largest: 15 1/4” dia.
163: STYLE OF DUNBAR Lacquered mahogany drop-leaf dining table with
three 9” leaves. Closed: 29” x 40 1/2” x 39”
164–169: NO LOT
170: WITHDRAWN
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171: VAN TEAL Pair of lucite table lamps with red fabric shades. Both
signed Van Teel. 29 1/2” x 16” x 6”
172: MURANO Glass horse head sculpture in smokey topaz. flat 3/4” chip
to top of one ear. Red foil label, “Made in Murano Italy”. 15 1/2” h
173: ART GLASS Pair of tortoise-shell vases. 12” h
174: STUDIO ESSE Table lamp with plexiglass plank resting in an
enameled metal base. Studio Esse label. 11 1/2” x 10 3/4”
175: 1970s Pair of brushed brass banded sconces. 18 1/4” x 14” x 5”
176: SIMES Four bronze wall sconces. Marked SIMES CO NY.
4” x 18 1/4” x 4”
177: FRENCH Pair of white glass sconces with brushed steel supports.
15 3/4” x 13” dia.
178: PH JEAN Brass and lucite wall sconce. 17 3/4” x 14” x 7”
179: SASCHA BRASTOFF, Etc. Two boxes: one ceramic by Sascha Brastoff
with dancing figure on lid, the other in wood with patchwork horn overlay.
First one marked. 1 1/2” x 9 1/2” x 3 1/4” and 5 3/4” x 9 3/4” x 6”
180: UNGEMACH / SOHOLM, Etc. Five assorted ceramic pieces: Ungemach
and Soholm planters, West German vase, and two unmarked hanging
planter inserts. First two marked. Largest: 8” h
181: ITALIAN CERAMICS Large rectangular vase and covered footed
compote with incised decoration; blue center bowl with gold decoration; all
marked Italy. Together with Old Paris cachepot. Tallest: 12”
182: WALLY WARE, etc. Plate inscribed “Wally gets a lucrative government
contract to paint pinups of Mel Gibson on 10% of the F-14 Fleet”, signed, 8”
dia. Also, glass bottle painted with nude, signed K.M, 12 1/2”
183: MODERN LIGHTING Massive lamp in red, orange and white mottled
glaze, topped by a large banded shade. Unmarked. 45” overall
184: SCHEURICH (West Germany) Four ceramic pieces including one
pitcher and three vases. Crack to one. All marked. Tallest 20”
185: WITHDRAWN
186: SCHEURICH (West Germany) Large handled vase decorated with a
red horse. Signed W. Germany. 21 1/2”
187: RUSSEL WRIGHT Assorted china in the Iroquois pattern in brown,
including: six dessert plates, five cups and saucers and two serving
platters, together with serving platter, spoon rest and salt shaker in
another pattern. Iroquois platter: 12 1/2” x 9 1/2
188: RUSSEL WRIGHT Seven ceramic pieces including three platters and a
plate hand-decorated dated 1948. Most marked.
189: VERNONWARE Organdie 60+ piece set of dinner and serving ware,
including platters, pitchers, plates, and more. All marked. Water pitcher: 11”

190: ROYAL HAEGER / LEERDAM Etc. Three pieces: Royal Haeger bottleshaped
vase covered in a white textured glaze, a Leerdam opalescent glass
vase, and a Hishokuyani striped vase. All marked. Tallest: 15 1/4”
191: MODERN Studio ceramic vase in white, blue and purple. 5” x 4”
192: PIERRE CARDIN Set of three graduated-size porcelain vases. Signed
Pierre Cardin. Tallest: 10” x 7 1/2”
193: MICHAEL SHERRILL Large zoomorphic teapot in polychrome glazes.
Reglued break to spout. Signed Sherrill. 19” x 18 1/4”
194: MIZUNO Square platter painted in wax-resist with red peppers on
black ground, 1980. Signed Mizuno/80. 1” x 11 1/4” sq.
195: POTTERY Slab-built ceramic vase with incised decorations covered in
polychrome glazes. 15 3/4” x 4 3/4” x 4 1/4”
196: MODERN LIGHTING Pair of marbleized glass wall sconces in white
and clear. 14 1/2” x 8 1/4” x 3 1/2”
197: FLORENCE KNOLL / KNOLL Conference table with rectangular oak top
on polished chrome pedestal base. 29 3/4” x 72” x 36”
198: MODERN Pair of chrome plated steel armchairs with purple fabricupholstered
seats. 32” x 28” x 30”
199: KNOLL Conference table with walnut top on brass base.
27 1/2” x 77 1/2” x 48”
200: ALVAR AALTO / STYLE OF KNOLL Six pieces: three enameled wood
stools, and three dining side chairs with orange fabric seat pads.
16” x 15 1/2” and 31 3/4” x 19 1/4” x 20”
201: KNOLL Pedestal dining table with ash top on brass base.
28 1/2” x 48”
202: KNOLL Pedestal dining table with ash top and chrome base.
28 1/2” x 48”
203: MODERN Six assorted pieces: pair of daybeds with zebra-patterned
covering, two pedestal tables and two small end tables, most with white
laminate finish. Daybeds: 9 3/4” x 75” x 39”
204: MODERN Five pieces with laminated finish: twelve-drawer dresser,
pair of single-drawer nightstands, wall-hanging cabinet and king-size
headboard, the case pieces all with metal pulls. Dresser:
27 1/4” x 84” x 17 3/4”
205: MODERN Extension dining table entirely-covered in red and pink
laminate, accompanied by matching wall-hanging cabinet with interior
drawers and single shelf. Table has one 28” leaf. Cabinet: 18” x 84” x 18”,
table (closed): 29” x 60” x 40”
206: KNOLL Table with black oval top and metal legs, together with eight
side chairs with aqua fabric upholstery. Chairs have Knoll International
labels. Table: 27 3/4” x 72” x 36”, chairs: 32” x 19 3/4” x 20 1/4”
207: HON Six-drawer enameled metal and chrome desk with walnut top.
Hon paper label. 29 1/2” x 60” x 30”
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208: MODERN OFFICE Two double-pedestal desks, one five-drawer and one
six-, each with walnut veneer top. 29 1/2” x 82 1/2” x 39” and
29” x 74 3/4” x 39 1/4”
209: KNOLL, Etc. Executive chair and drafting stool; executive chair
marked Knoll International. Chair: 39 1/2” x 27” x 23”
210: MODERN Large flat file cabinet and two-drawer filing cabinet. Large
51” x 47” x 37 1/2” and 29 3/4” x 18” x 27”
211: HARRY BERTOIA / KNOLL Four white wire side chairs.
30 1/2” x 21” x 21”
212: HARRY BERTOIA / KNOLL Diamond chair and ottoman with fabric
upholstery on black metal bases. Ottoman has Knoll Associates label.
Chair: 28” x 44” x 33”
213: STYLE OF KATAVOLOS, LITTELL AND KELLEY / LAVERNE Set of ten Tchairs
with black leather sling seats on polished and enameled steel
frames.
34” x 23” x 24”
213A: CASSINA Pair of brown leather lounge chairs. Cassina labels.
28” x 29” x 30”
213B: CASSINA Pair of brown leather lounge chairs. Cassina labels.
28” x 29” x 30”
214: STYLE OF TOMMI PARZINGER Circular dining table with ivory-colored
top and black lacquered pedestal base; one leaf. 31” x 54” dia.
215: STYLE OF TOMMI PARZINGER Pair of armchairs with black tacked-on
leather upholstery. 29” x 25” x 24”
216: VATINE MOBLER Pair of sling-seat lounge chairs on painted
bentwood frames, with matching ottomans; Vatine Mobler labels. Chairs:
39” x 31” x 31”
217: INGMAR RELLING Siesta bentwood armchair and ottoman with
leather upholstered cushions. 39” x 28” x 29”
218: VAVASSORI Two-piece leather sofa. 31” x 80” x 34”
219: ITALIAN Bentwood armchair with linen seat. 27 1/2” x 23 1/2” x 27”
220: BRAZILIAN Pair of armchairs with fabric-upholstered seats on
lacquered frames. 43” x 20 1/2” x 19”
220A: STYLE OF MARSHALL FIELDS Long sofa with tufted boucle
upholstery. 32” x 107” x 31”
221: MODERN Group of four side chairs: set of three with ivory
upholstered cushions with branded signature, and single upholstered chair.
Single: 34” x 18” x 20
222: ITALIAN Four leather covered high-back dining chairs on lacquered
wood frames. 43” x 18” x 18”
223: ITALIAN Pair of contemporary leather lounge chairs.
39 1/2” x 32” x 34”
224: CONTEMPORARY Set of six dining chairs with bentwood backs. 34” h

225: POSTMODERN Coffee table with burlwood veneer base with ebonized
accents and beveled glass top. 18” x 26” x 22”
226: ROBERTO MATTA Malitte five-piece modular seating unit upholstered
in white suede. 63” x 62” x 22”
227: CONTEMPORARY Glass coffee table with waterfall top, single leg and
revolving circular shelf. 16 1/4” x 51” x 21 3/4”
227A: CARMEN SPERA Double-diamond Stick Pin cocktail table.
17 3/4” x 42” x 48”
227B: CARMEN SPERA Set of three nesting tables painted with a leaf
motif, on metal legs, 1991. Largest signed Carmen Spera 1991. Largest:
17” x 33” x 22”
227C: CARMEN SPERA Table-top mirror resting on a pair of patinated and
gold-leafed plaster cones. 23” x 22 1/2”
228: ITALIAN Enameled metal two-light floor lamp. 75”
229: MODERN LIGHTING Italian floor lamp with chrome shaft banded in
brass; replaced globe. 61”
230: MODERN Steel torchere with smoked glass globe shade. 47”
231: ANDRE DURENCEAU (French 20th C.) Inspirations, folio of 24 screen
printed plates, published by H.C. Perleberg, Woodstock, New York
232: MICHELLE GRIFFITH (20th C. Detail from painting “and when I go I
take nothing but a price”, pencil on paper (framed), 1973. Signed, dated,
titled and inscribed “For Horace and Holly.” 18” x 10” (sight)
233: AMERICAN 20TH C. Modernist landscape, mixed media on masonite
(framed), 1966. Illegibly signed and dated; 21” x 27” sight
234: A. BROKIE STEVENSON (American, b. 1919) Untitled (industrial
landscape)(framed), signed and dated 4.29.1939, 14” x 21”. Together with
George M.Tyler (American, 20th C.) Lands End from the Far Side, 1929,
(framed), signed, titled and dated, 8 1/2” x 10 1/2”
234A: MAURICE MILLIERE (French, 1871-1940) Annee Nouveau -
Montmartre, 1923; Gouache and watercolor on board (framed); Signed;
13” x 10 1/2” (sight)
235: RUTH GUTMAN (American, 20th Century); Untitled bronze. Signed.
17”, base 1”
236: TOMMI PARZINGER (American, 1903-1981) Untitled (market scene),
gouache on board (framed). Signed. 22” x 26”
236A: JORGE (20th Century) The Water Lady, Taos, New Mexico; Acrylic
on canvas (framed); Signed; 36” x 36”
237: TOMMI PARZINGER Mixed media painting of a woman’s head in
profile. (In addition to designing furniture, Parzinger was an avid
professional painter.) Signed “Parzinger” in pencil. Framed:
31 1/2” x 16 1/2”. Image: 20” x 16 1/2”
238: MODERN PAINTINGS Cubist figures oil on canvas (framed), signed
Savina, 24” x 31”; landscape, acrylic on canvas (framed), signed Bro,
21” x 31”
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239: SEYMOUR ZAYON (American, b. 1930) Two untitled works (framed),
pastel and acrylic on board, signed, 12” x 12” and 18” x 14”. Together with
Edward Paine landscape, watercolor (framed), signed, 21” x 27” sight
240: M.Q. ROTHWELL Untitled acrylic on canvas, signed M.Q. Rothwell,
23” x 30”. Together with two signed Dennis: Owl, batik on fabric, 20” x 30”;
and untitled acrylic on canvas, 30” sq.
241: HENRY MOORE (British, 1898-1986) Elephant Skull, etching (framed).
Signed and numbered. 9 1/8” x 12 1/8”
242: EDITH KUHNLE (American, b. 1945) Untitled (Black Mountain Series),
acrylic on Paper (framed). Provenance: Addison/Ripley Fine Arts,
Washington, DC. 46” x 58”
243: EDITH KUHNLE (American, b. 1945) Untitled acrylic on paper
(framed), c. 1978-1980. Provenance: Addison/Ripley Fine Arts, Washington,
DC. Sheet 58 1/2” x 71 1/4”
244: 20th C. AMERICAN PRINTS Eleven works: artists include Andrea
Epstein, two lithographs; Poller, lithograph; Bumbada, etching; Paula
McCardle, intaglio; Hollenbeck, serigraph; Tony Blunt, serigraph; Ruth
Kerkov, etching (framed); J. Buchwald, etching; Agnes Mills, etching and J.
Perry, aquatint
245: GEORGES VAN DE VOORDE (Belgian, 1878-1970) Untitled bronze.
Signed “G Vandevoorde / cire perdue”. 11” high (with base)
246: MARTHA REED WILSON (American 20th C.) Untitled (landscape), oil
on canvas (framed), signed, 35” x 24”. Together with untitled (cityscape) oil
on canvas (framed), illegibly signed, 24” x 20”
247: RANULPH BYE (American 1916-2003) Untitled (Wooded Landscape),
watercolor (framed). Signed. 13” x 20” (sight)
248: PURVIS YOUNG (American, b. 1943) Untitled, house paint on paper
(framed). Signed. 18” x 24”
249: NED SMYTHE (American, 20th C.) Untitled mixed media on vellum.
Provenance: private collection, Los Angeles22 1/4” x 20 1/2” (sheet)
250: 20 C. PRINTS Five framed prints by various artists: Hugo Lutz
intaglio; Martha Epps lithograph; Cobelle off-set lithograph; serigraph and
lithograph, both illegibly signed
251: CESAR GRASOBANER (20th C.) Untitled (Homage to Joseph Cornell),
mixed media (framed), 1992. Publisher: Grassfield Press, Miami Beach, Fl.
Signed and numbered 24/30. 12 1/4” x 8 3/4”
252: BOB BEDNAWSKI (American, 20th C.) New York Images, lithograph
on paper (framed), 1970. Pencil signed, dated and numbered 37/100.
28” x 28”
253: AMERICAN 20th C. prints including etchings and lithographs: artists
Earl Horter (1881-1940); Bertram Goodman (1904-1988); Gerson Lieber;
two Kanoldt
253A: MARY NIMMO MORAN (American 1842-1899) two works of art:
Tween the Gloaming and the Mirk, 1883; Etching on paper (framed);
Signed; 7 1/2” x 11 1/2” plate; Literature: American Etchings of the
Nineteenth Century, Francine Tyler; Plate 68. Untitled; Etching on paper
(framed); Signed; 8” x 11 3/4” plate; Book included with the lot.

254: JOHN WILLENBECHER (American, b. 1936) The Table (18), acrylic and
collage on paper(framed), 1974, provenance: A M Sachs Gallery, New York,
signed, titled, and dated, 13 1/2” x 17 1/4”. Together with Siet Zuyderland
(Dutch, 20th C.) untitled pencil drawing on paper (framed), 1975, signed
and dated, 7” x 10”
255: 20th C. AMERICAN ART Four untitled works: J. Kuger, acrylic on
canvas (framed), 20” x 28”; Willings, watercolor (framed), signed, 12” x 16”;
Les Fredericks, landscape, watercolor, signed, 10” x 14; Anonymous,
linoleum cut painted with oil pigment, 8” x 6”
256: DOROTHY DRAPER / HERITAGE Three-drawer chest and wall-hanging
mirror in black with gold trim. Chest marked Heritage. Chest:
31 1/2” x 38” x 20 1/2”, mirror: 41 1/2” x 33 1/4”
257: JOHN SALADINO Pair of armchairs upholstered in sage green velvet.
32” x 27” x 27”
258: WARD BENNETT Set of six ebonized wood armchairs with charcoal
Knoll velvet upholstery. Some marked with Bright Chair Co. paper tags.
32 1/4” x 23 1/2” x 24”
259: CALIFORNIA Pair of leather sling-seat lounge chairs in sculpted wood
frames. 27” x 23” x 28”
260: BURLWOOD Coffee table with free edge top on root base.
18 1/2” x 36” x 28”
261: HOWARD HELENE Molded pearwood extension dining table with 24”
leaf and six matching armchairs with velvet upholstery. Table:
29” x 60” x 37”; chairs: 40 1/2” x 20” x 24”
262: MODERN Coffee table with plate glass top on steel base with amber
glass details. 16” x 60” x 24”
263: THONET Etc. Two chairs, the first on birch plywood frame with
webbed canvas seat, 32” x 24” x 24”, and one with caned back, ebonized
frame and green fabric-upholstered seat, 30” x 18” x 21 1/2”
264: FURNITURE Pair of mahogany armchairs with red upholstery, and
burl veneer occasional table. Table: 27” x 30” x 30”
265: FURNITURE Set of four mahogany occasional tables, together with
etched brass-topped table on wooden base. 16” x 20” x 20” and
19 1/2” x 35” dia.
266: MODERN Magazine stand of perforated metal together with two log
holders, one with steel strapping the other with perforated metal.
Magazine stand: 20 1/2” x 17 1/2” x 7”
267: GUCCI Floor-standing shoe display with metal frame and reflective
concave “bowl”. 67” x 39 1/2” x 22”
268: KITTINGER, Etc. Small drop-leaf side table, together with an Italian
teacart with floral marquetry, brass hardware and details. Both marked.
Teacart: 30” x 17 1/2” x 30”
269: ROGER CAPRON Tile plaque depicting a stylized griffin. Signed.
19” x 38 1/4”
270: ROGER CAPRON (Attr..) Circular tile-top coffee table with a variety of
embossed designs covered in amber glossy glaze with dark brown border,
on wood legs. Unmarked. 12 1/2” x 37”
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271: JEAN LURCAT Tile-top coffee table on iron base. Signed Dessin/J.
Lurcat/Sant-Vicens/PZ/18-100. 15 3/4” x 48 3/4” x 18 1/2”
272: MODERN Tile-topped coffee table on chrome base.
16” x 55 1/2” x 18 1/2”
273: FRENCH Tile-top coffee table depicting two nudes on iron base, 1962.
Signed Habanux and dated. 16 3/4” x 51 1/2” x 24”
274: FRENCH Tile-top coffee table on flat steel base.
13 1/2” x 45 1/4” x 18 1/4”
275: FRENCH Tile-top coffee table on flat steel base. 14 1/2” x 30”
276: FRENCH ART DECO Console table with marble top. 33 3/4” x 37” x 16”
278: PHILIPPE STARCK Set of three Teletables; some damage to marble.
29” x 16 1/2” x 20”
279: STYLE OF MEMPHIS Armchair and single-drawer desk in multicolored
laminates. Chair: 45” x 32” x 20”; desk: 31” x 80” x 29 3/4”
280: MAX LEIBER Ebonized wood stand, 1990. Signed and dated.
39 3/4” h
281: STYLE OF CORBUSIER Pair of chrome armchair frames, missing
original leather upholstery. 23” x 25” x 25”
282: ROBERT SONNEMAN Two pairs of floor lamps with conical and
spherical black enameled metal shades. Approx. 71”
283: MODERN Suite of three molded plastic pieces: desk, chair and wallhanging
shelf. Desk: 49” x 40 1/2” x 25 1/4”
284: HADI (Germany) Black molded plastic desk with integrated lamp,
three drawers and removable top concealing fitted interior. Embossed
marks. 42 2/3” x 54 1/2” x 23”
285: KARTELL Four plastic storage units; two with doors and shelves, and
two rolling carts. Black cart: 29” x 17” x 16”
286: CHROME CRAFT Set of six smoked lucite chairs with black shag seat
pads and red throw pillows. Chrome Craft paper tags.
28 1/2” x 22 1/4” x 18 1/2”
287: MODERN Five-piece dinette set consisting of four molded plastic
stacking chairs in orange and yellow, and a pedestal table with yellow and
white laminate top. Table: 28 1/2” x 41” dia., chairs: 29” x 17 3/4” x 17 3/4”
288: VICO MAGISTRETTI / ARTEMIDE Studio 100 white fiberglass dinette
table on fluted legs. Embossed mark with faint stenciled number.
28” x 37 1/2” sq.
289: IRONRITE Metal chair with bentwood seat and back, together with a
blue fiberglass egg chair. 27 1/4” x 18” x 16 3/4”
290: FRENCH Smoked lucite molded screen. 63” x 83”
291: EMMA GISMONDI SCHWEINBERGER / ARTEMIDE Four Giano-Giano-
Vano molded plastic storage units in black. Embossed marks.
15 3/4” x 15 3/4”

292: FRENCH Black metal coat rack with enameled wood hangers. 70”
293: FRENCH Metal coatstand and hanging coatrack with spherical
enameled wood hangers. 70 1/2” h, and 30 1/2” x 24 1/2” x 12 1/2”
294: KARTELL, Etc. Four assorted pieces: Kartell molded plastic shelving
unit, two molded plastic mirrors and a three-drawer dresser with white
enameled finish. Dresser: 30 1/4” x 32” x 18”
295: VICO MAGISTRETTI / ARTEMIDE Chimera floor lamp. Embossed mark.
72”
296: VICO MAGISTRETTI / ARTEMIDE Chimera table lamp and matching
floor lamp. Vertical crack to one fold of floor lamp. 31 1/4” and 72” h
297: JOE COLUMBO / O LUCE, Etc. Coupe floor lamp, together with a
Francesconi arc-shaped table lamp. Both marked. 57 1/2” x 15” and
16 1/2” x 24 1/2” x 6”
298: MODERN Wall-hanging metal sculpture of central star-shaped
soldiered medallion surrounded by loose radiating wire strands. 40” x 36”
299: CURTIS JERE Wall sculpture of curling metal leaves in assorted
metals on a textured backing. Signed C Jere 1990. 22” x 22” x 14”
300: HENRY HARVEY Large welded and patinated metal wall-hanging
sculpture. 52” x 61 1/2”
301: GARY MICHAELS (American, 20th C.) Untitled metal; Exhibition:
Emmanuel College, Boston, 197247”, base 12” x 12”;
302: BETTY McGEEHAN (American, b. 1934) Two marble sculptures: Dawn,
provenance: Focus on Art, National Council of Jewish Women, Essex County
Section, 1987 (label attached), signed, 19 1/2” x 24” x 6” (with base); and
untitled, 10 1/4” x 13 3/4” x 8” (with base)
303: AMERICAN 20th C. Anonymous, untitled carved wood sculpture.
32 1/2”
304: MARIEANGELES BLANCO Sculpture of wood, resin and stones, on
pedestal base. Sculpture: 47” x 10 1/2” x 12”
305: ARCH CONNELLY (American, 1950-1993) Untitled mixed media on
candlesticks, 1986. Provenance: private collection, Los Angeles. Signed and
dated. 5” x 4” x 3” (each).
306: SOPHIA CLAIRE EILER Two untitled oils on canvas: landscape,
signed, 24” x 42”; and figure, 36” x 24”. Together with Robert Hart Munnet
untitled oil on canvas (framed), signed, 24” x 36”
307: 20th C. ART Tania Window #19, oil on board, 1959. Provenance:
Albert Landry Galleries, New York (label on verso). 29” x 23 1/2”
308: PRINTS Eight works, mostly framed: Sergio Gonzalez Tornero
(Spanish, b. 1927) untitled etching, signed and numbered, sheet 16” x 24”;
Diana Adams Woodruff (American, 20th C.) woodblocks on paper; Barbara
Dunham (American 20th C.) two woodcuts on paper; Benton intaglio; Dick
Swift, intaglio; Ruth Godspeth, Aquatint; Kulik screenprint, 1972, signed.
309: CONTEMPORARY JAPANESE WOODBLOCK Unknown artist woodblock
print in colors (framed), 1964. Signed, dated, titled and numbered 157/210.
18 1/2” x 17 1/2” (sight)
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310: RONALD F. LINDER (American, 20th C.) Two mixed media collages,
framed: “Evolving Species,” 16” x 11”, and “Chinese Dragon,” 11 1/2” x 9”.
Both signed.
311: STUART DAVIS (American 1892-1964) Ivy League, screenprint on
paper (framed). Signed. 5 3/4” x 8 1/2” image.
312: FRANCISCO HUNG (Venezuelan, b. 1937) Untitled lithograph in colors
(framed). Signed and numbered P/A. 36 3/4” x 26 1/4” (sight)
313: EVERET MENERE (American 20th C.) Untitled landscape, oil on
canvas (framed). Signed. 30” x 48”
314: STELLA MERTENS (American, 1896-1986) Untitled acrylic on canvas
(framed), 1966. Signed and dated. 24 3/4” x 20 3/4” (sight)
315: JENS JENSEN Untitled watercolor on paper (matted). Signed.
22 1/2” x 17” (sight)
316: ALBERT URBAN (American 1900-1959) Leda screenprint in colors
(framed), 1945. Provenance: Estate of the artist. Signed and dated.
22” x 17”
316A: NIVES KAVURIC (Croatian, b. 1938) Three works of art: Zeleni Kruh,
1964; Oil on canvas (framed); Signed, dated and titled; 47 1/4” x 39 1/2”;
1+No.8=Promasai, 1964; Oil on canvas (framed); Signed, dated and titled;
56 3/4” x 33 1/2”; Untitled; Pencil on paper (framed); Signed;
29 3/4” x 19 1/2” (sheet)
317: GINO SEVERINI (Italian, 1883-1966) Untitled lithograph in colors.
Signed and numbered. 25” x 18 1/2” (sheet)
318: LUISA MARISTANY (20th C.) Cinetico, paint on board. Provenance:
Galeria Juana Mordo, Madrid (label on verso). Signed, dated, and titled.
13 3/4” x 13 3/4”
319: ARTIST UNKNOWN (20th C.) Wistrel, embossing, etching and
aquatint on paper, 1971. Signed, dated, titled, and numbered 1/30.
25” x 35 1/2” (sheet)
320: 20th c. AMERICAN Anonymous, nine small works: six serigraph, two
pencil drawings, and one watercolor.
321: AFTER MARIE LAURENCIN (French, 1883-1956) Untitled offset
lithograph on paper. 12 7/8” x 10 3/4” (sheet)
321A: GEORGES BRAQUE (French, 1882-1963) From La liberté des Mers,
lithograph in colors, 1959. Signed and numbered 18/50. 22” x 15” (sheet)
322: JEANETTE KOHN (American 20th C.) “Adam,” color lithograph
(framed). Pencil signed lower right, titled and A. P. 18” x 14”
323: SEFF WEIDL (German, 1915-1972) Lashing, wash-drawing (framed),
1948. Provenance: Kleemann Galleries, New York. Signed. 15 1/2” x 12”
sight
324: WILLIAM GROPPER (American, 1897-1971) Untitled (figures), etching
on paper (framed), signed and numbered, 5 1/2” x 3 3/4”. Together with
Felipe, A Taxco Cat, etching on paper, signed, inscribed and numbered,
5” x 6”

325: OTTO DITSCHER (German American, 1903-1987) Two untitled still
lives, framed: oil on canvas, 1947, 24” x 32”; and watercolor, 1984,
20” x 16” (sight). Both signed and dated
326: SIRONI Mixed media on canvas (framed). Signed Sironi.
13 1/4” x 10 1/4”
327: LESTA BERTOIA (American, b. 1952) Sahara Swimmers, oil on canvas
(framed), 1999. Initial, titled, and dated. 20” x 24”
327A: GEORGE NAKASHIMA Lot of ephemera including four drawings, a
catalog, and price list dated June 1969.
328: ART BOOKS Richard Tuttle, Portland Works, 1976, exhibition catalog,
Thomas Segal Gallery; Diane Arbus, Aperture Monograph, 1972; Conrad
Marca-Relli, by H.H. Arnason, Abrams, 1963; Dali, Abrams, 1968; James
Turrell, Occluded Front, The Museum of Contemporary Art, Los Angeles,
1985
328A: DERRIERE LE MIROIR, five issues: G. Braque, 1959; Miro Peintures
Murales, 1961; Miro Artigas, 1963; Miro Ceramique Murale Pour Harvard,
1961; Miro L'Oiseau Solaire...,1967. Maeght Editeur.
329: ART BOOKS Box lot of twenty-three books on fine art. All in as-is
condition.
329A: ART BOOKS Gem and Gem Materials, E.H. Kraus; Cut & Engraved
Glass, 1771-1905, D. Daniel; Handbook of Old Pottery and Porcelain Marks,
C.J. Thorn; English, Scottish & Irish Table Glass, G.B. Hughes; L’Art Indien,
M.M. Deneck, French text; George Chinnery: His Pupils and Influence, Hong
Kong Museum of Art; Modern Ivory Carving, C.I.A. Ritchie; The Book of
Pottery and Porcelain, W.E. Cox; The World’s Master Potters: Their
Techniques and Art, C.P. Woodhouse; Pottery and Porcelain of All Times and
Nations, William C. Prime Ltd., 1879; Chinnery: The Man and The Legend, R.
Hutcheon; Ivories, A. Maskell; Porcelains in the Frick Collection, J.A. Pope
and M. Brunet; Lacquer of The West: The History of a Craft and an Industry,
1550-1950, H. Huth; The Traditional Arts of Japan, H. Batterson Boger.
330: SWEDISH Teak desk of sugar-bin shape with recessed brass pulls.
45 1/2” x 35 1/4” x 19”
331: ALVAR AALTO Assembled set of four stacking stools with bentwood
legs. Largest: 18” x 18” dia.
332: DANISH Modern lounge chair; walnut frame, elaborately woven seat
and back. 28” x 22 1/2” x 30”
333: JENS RISOM, Etc. Black leather armchair, together with a
Scandinavian teak three-drawer vanity. 43” x 33” x 18”
334: ARNE JACOBSEN / FRITZ HANSEN Black leather Egg chair with
decorative vinyl patches. 42” x 35” x 29”
335: JENS RISOM Walnut veneer occasional table with tapering legs and
lower shelf. Risom Design tag. 24” x 27” x 21”
336: DANISH Three rosewood dining chairs with bentwood backs, tapering
legs and black upholstered seats. 30 3/4” x 18” x 18”
337: GRETA GROSSMAN Walnut drop-leaf, gate-leg dining table. Fully
extended: 29” x 60” x 54”
338: JENS RISOM Sofa upholstered in orange and tan wool. Jens Risom
label. 28” x 62” x 33 1/2”
339: SCANDINAVIAN Teak settee with fabric-upholstered drop-in
cushions. 32” x 80” x 28”
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340: DANISH Five teak dining chairs with spindle backs, conical legs and
black upholstered seats. Danish furniture makers metal tag.
38 3/4” x 21 1/4” x 19 1/4”
341: JENS RISOM Walnut coffee table. Risom paper label. 16” x 40”
342: MAX BILL Pair of ivory enameled torcheres. Made in Switzerland
labels. 64 3/4” h
343: DUNBAR Painted armchair with fabric-upholstered seat.
34” x 26” x 22”
344: DUNBAR Three-seat sofa with oak trim to sides, fully-upholstered in
tan velvet. Marked Dunbar on seat, with factory tag. 28” x 86” x 37 1/2”
345: DUNBAR Bleached mahogany end table with single-door cabinet.
Stamped Dunbar. 23” x 23” x 23”
346: DUNBAR Pair of side tables, painted blue. 24” x 29 1/2” x 14”
347: DUNBAR Three mahogany stacking tables. One with paper label, one
with brass D tag. 25” x 27 1/4” x 27 1/4”
348: MODERN Platform sofa with walnut base and integrated end tables
upholstered in striped velvet, on conical legs. 28 1/2” x 123” x 31”
349: NO LOT
350: MIDCENTURY MODERN Wool shag rug in chartreuse with magenta
and purple flower designs. 100” x 85”
350A: EINSTEIN MOOMJY Area rug with starburst pattern in gray and
ivory on black ground. 117” x 94 1/2”
351: TWO ART DECO RUGS One hand-woven with green and maroon
geometrics on a beige ground; the other machine-woven with an abstract
design. Largest: 55” x 35 1/2”
352: FLOKATI Two rugs: one natural, one magenta. Natural rug: 128” x 75”
353: JUNE GROFF Six hand-stenciled fabric panels. Largest: 30 1/2” x 36”
354: NICOS ZOGRAPHOS Dining table originally designed for the BMA
building; with chrome X base and wood veneer top. 30” x 32” x 32”
355: KIPP STEWART / DIRECTIONAL Three-seat sofa with brushed red
fabric on polished steel frame. 30” x 73” x 33”
356: MARCEL BREUER / ISOKON PLUS Pair of lounge chairs with birch ply
frames together with a matching table. All tagged Designed by Marcel
Breuer/Isokon Plus/Made in England. Chair: 31 1/2” x 33” x 37”
357: MARCO ZANUSO Lounge chair with ivory velour upholstery on steel
legs. 30” x 32” x 26”
358: IMTREX Two tables: one circular with ash veneer covering, the other
with lacquered ivory finish.
359: MODERN LIGHTING Chrome floor lamp with two adjustable arms.
61 1/2” x 37”

360: MODERN LIGHTING Polished chrome arc floor lamp with weighted
base. 70” x 90”
361: MODERN Six-piece bedroom set in burlwood, chrome and black
enameled finish: three-piece wardrobe wall unit, pair of two-door
nightstands, two-door low cabinet with three drawers, and a king-size
headboard. Wardrobe unit: 79 1/2” x 107” x 19”, headboard: 39” x 77 1/2”
362: MODERN Bent plywood serving cart with tiered cup holders and
banded handle. 26 1/2” x 25 1/2” x 18”
363: ITALIAN Lacquered and painted maple serving cart.
25 1/2” x 31” x 17”
364: HEYWOOD WAKEFIELD Platinum coffee table with whalebone legs.
Branded mark. 16” x 32” dia.
365: HEYWOOD WAKEFIELD Pair of settees with bentwood arms and legs;
vinyl upholstery. 32” x 41” x 19 1/2”
366: HEYWOOD WAKEFIELD Rare club chair with almond-shaped arms and
maple feet. Heywood Wakefield tag. 32” x 32” x 32”
367: FRANK PARISH / HEYWOOD WAKEFIELD Chest with tambour doors
and interior drawers. 32 1/2” x 34 1/2” x 19
368: HEYWOOD WAKEFIELD Room divider, a vanity with mirror, and an
upholstered vanity chair. Room divider: 53” x 82” x 12”, vanity:
62” x 51” x 19”
369: HEYWOOD WAKEFIELD Four-piece porch set consisting of two tiered
end tables, sofa and platform rocker in maple and bent oak with rattan
lacing, no cushions. End tables branded Heywood Wakefield. Sofa:
31 1/4” x 71 1/4” x 29 1/2”
370: WITHDRAWN
371: RUSSELL WOODARD Pair of wire lounge chairs. 28 1/2” x 32 1/2” x 27”
372: RUSSELL WOODARD Pair of white wire lounge chairs.
28 1/2” x 32 1/2” x 27”
373: RUSSELL WOODARD Black wire mesh sofa. 28” x 72 1/2” x 29”
374: RUSSELL WOODARD Black wire mesh sofa. 28” x 72 1/2” x 29”
375: STYLE OF RUSSELL WOODARD Three-piece metal set: two-seat
glider, armchair and table; in beige wire mesh with plastic banding.
31” x 50” x 31”
376: GARDEN Constructivist rocker with structural steel frame and
wooden slats. 39” x 27” x 27”
377: RICHARD SCHULTZ Pair of armchairs in painted metal with fabric
mesh seats. 26” x 26” x 27”
378: WICKER Three-piece set in white consisting of a sofa, matching
armchair, and rocker, with fabric-upholstered cushions. Sofa: 34” x 81” x 28”
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379: GARDEN Cast iron planter supported by a caryatid base; white wire
plant stand; cast iron bracket decorated with icanthus leaves. Planter:
41” x 49” x 12 1/2”
379A: WITHDRAWN
380: CHINESE CERAMIC Tang-style garden pagoda lantern, 20th C.
Several chips. Approx. 6’9” x 2’6”
381: BRONZE CRANES Pair, in an ornamental style, with one leg raised on
both. Tallest: 38”
382: SATSUMA Vase decorated with blue, black, and white cranes on a
beige background. 6 1/2” x 4 1/2”
383: ROSE MEDALLION Sixteen pieces: a vase (restored), a bowl, two
covered boxes, a cup and eleven plates. Small chips and wear. Vase: 13 3/8”
384: ASIAN Three items: Chinese porcelain famille rose vase and rose
medallion bowl with an archaic-style bronze vase. Tallest: 11 1/2”, bowl:
10 1/2” x 4”
385: CHINESE 20th C. Hand-painted vase with peonies, birds and phoenix,
signed on base, 12”. Together with pair of fu dog incensers with remnants
of blue glaze, chips and wear, 6 1/2” x 2 1/2” x 3”
386: CHINESE PORCELAIN Vase painted with underglaze blue with birds
and flowers. 11 1/8” x 4 7/8 dia.
387: ASIAN PORCELAIN Pillow vase painted with peonies, charger with
Prunus tree and house in a mountainous landscape and polychrome ginger
jar missing lid. Together with cloisonne jar. Charger: 12 3/4” dia.
388: CHINESE Blue and white porcelain plate. Signed. 12” dia.
389: IMARI Tea set with burgundy and blue decoration; includes teapot,
creamer, eight tea cups and saucers. Some losses. Teapot: 6 1/2”
390: CERAMIC BUDDHA 20th C. 14” x 13 1/2” x 8 1/2”
391: CHINESE Monochrome vase in blue flambé glaze turning grey at top
of flaring neck with crazing, unglazed base, 18th-19th C. Old repair to side
of rim, small chips around footring. 8” x 4 1/4”
392: CHOZAEMON OKI (Attr..) Japanese tea bowl with ochre glaze, large
reglued break to one side, in original wooden presentation box. Cipher
mark. Bowl: 3” x 4 3/4”
392A: JAPANESE IVORY Two carved okimono, Meiji period: stained, finelycarved
ivory caparisoned elephant with figures loading bales of rice on its
back, signed on bale, base with himotoshi, 2” x 2 1/4” x 1 3/4”; octopus
cradled in a basket, one eye missing, 1 3/4” x 2 1/4” x 1 1/2”. Together with
a carved ivory stand with lotus leaves, 3/4” x 1 1/2”
392B: CHINESE SNUFF BOTTLE Spade-shaped bottle of jade carved with
quail and millet on one side, Buddhistic lion mask handles on shoulders;
with stopper, 19th C. 2 3/8”
393: ASIAN Vase in crackled green glaze. Signed on base. 8 1/2”

394: CHINA PAINTED SATSUMA Large pitcher painted with iris on a green
ground, early 20th C. Slight scratches and loss of paint. 13”
395: NORITAKE / WOODBLOCK PRINTS Pair of bone china vases, each
marked, 9 1/2”. Together with three Hiroshige prints, 14 1/2” x 9”
396: ASIAN Print, framed. Signed in characters. 19” x 16” frame
397: JAPANESE 20 C. Two untitled paintings: Geisha in a landscape, ink
and watercolor on silk (framed). Signed. Each 9 1/2” x 11” sight
398: JAPANESE PRINTS Three prints: Sambaso dancer holding a fan,
sheet cut irregularly, several small tears around edges, crease down center,
stained, signed, 6 3/4” x 14” (irregular) sheet, 15” x 22” frame; other by
Toyokuni, geisha playing a koto, several pin and worm holes, signed and
sealed on image, 10 x 14 1/2” sheet; Samurai in action, signed and sealed
on image, restored wormholes, irregular borders, 14” x 10”
399: JAPANESE PAINTINGS Collection of sixteen paintings on silk, ten
depicting views of Japan and six of religious figures. Together with a
watercolor (framed), signed. Silk: approx. 18” x 15”
400: JAPANESE Three oban woodblock prints (framed), 13 3/4” x 9 3/4”
sight. Together with a scroll painted with a Geisha, signed lower right,
77” x 22” total.
401: KAMA SUTRA Two erotic drawings. 6” x 3 3/4” sight, frames:
13 1/2” x 10 1/2”
401A: INDIAN BRONZES Comprising a pair of lions on rectangular
pedestals, a Mukalinga, two standing figures and one figure seated on the
back of a lion. Lions: 7 1/2”
402: JAPANESE 20th C. Goldfish, lacquer on wood panel. 40” x 20”
403: CHINESE LACQUER Carved cinnabar box, 5 7/8” x 4 1/8” x 2”.
Together with a round sweetmeat box inlaid with mother-of-pearl, fitted
interior, some losses, 12 7/8” x 2 1/8”
403A: TIBETAN METALWARE Comprising thighbone trumpet with leather
and copper fittings, bell, hand drum, long pen case inlaid with various
metals, two spoons, two vajras, five varying cups and several other
implements. Pen case: 14 1/2”
403B: TIBETAN METALWARE Comprising an iron box with cover and
handles, two copper kettles with applied silver metal and turquoise beads,
together with various brass and copper bowls with hammered and chased
decoration. Copper bowl: 11 1/4” dia.
404: KOREAN Elm document box with brass fittings, 15 1/2” x 11” x 4”.
Together with a carved celadon cup, chips and cracks, 3 5/8 dia. x 3”
404A: SOUTHEAST ASIAN BOXES Group of three rectangular carved
wooden boxes with domed lids, together with a carved wood fragment.
Fragment: 14 1/2”
405: CHINESE STYLE Occasional tables. 18” x 32” x 20”
405A: CHINESE Hongmu wood Kang table with ball and claw feet, 19th C.
Shrinkage to top appropriate to age. 10” x 30” x 16 1/4”
406: YOKEBACK Chinese chairs. 42” x 22” x 18”
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407: KOREAN Storage chest with elaborate brass fittings.
18” x 48 3/4” x 22 3/4”
408: KOREAN Chest on stand with brass fittings and recessed top, ca.
1900. 56 3/4” x 42 1/2” x 19”
409: ASIAN Japanese bronze vase with frogs, together with an internally
painted glass Chinese snuff bottle. Vase: 15 3/8”; bottle: 4 1/4”
410: ASIAN Indian watercolor on silk in grained wood frame, 19th-20th C.,
23 1/2” x 19 1/2”. Together with a 19th C. woven metal basket with
simulated bamboo feet and attached crabs, restored and distressed
condition, 7 1/4” x 7 1/2” dia.
411: CHINA: ITS COSTUME, ARTS AND MANUFACTURES &C. Combined vol.
1 & 2. Copyright 1824 by M. Breton. Published Howlett & Brimmer, London.
Distressed binding
412: ART REFERENCE BOOKS: Genuine Antique Furniture, Arthur De Bles,
1929; The Furniture Treasury, 2 vol., Wallace Nuttig, 1962; The Furniture of
our Forefathers 2 vols. 1-4, 5-8; bound magazines, Esther Singleton, 1901;
American Furniture, Helen Comstock, 1962 (not pictured)
412A: CHINESE ART BOOKS Chinese, Corean and Japanese Potteries,
Japan Society, exhibition at the Galleries of M. Knoedler & Co., March 2-21,
1914; limited edition 1914, five numbered copies out of 1500 copies
printed, wear consistent with age. Together with four copies of Eastern Art:
A Quarterly, Memorial Hall, Philadelphia, comprising: July 1928, October
1928, January 1929 and April 1929.
412B: ANCIENT CHINESE GOLD, by Han Wei and Christian Deydier, Les
Editions D’Art Et D’Histoire, Paris, 2001. With dust jacket in hardboard
slipcase.
413: ASIAN LAMPS Set of three includes: ginger jar covered in celadon
glaze with brass fittings, Moriage vase on wood plinth with single socket
and faience urn. Tallest: 21”
413A: SOUTHEAST ASIAN GARMENTS Brocade jacket with fur trim,
together with two smaller jackets with applied shells
414: CHINESE WOOL MATS Group of four rugs primarily in creams and
blues. Largest: 66” x 34”
415: CHINESE WOOL MATS Group of three rugs: two with blue grounds,
one in olive. Largest: 72” x 36 1/2”
416: NATIVE AMERICAN Two pots with painted geometrics in black, white
and orange. One signed. 3 1/2” x 4 1/2”, 3” x 5 1/2”
417: NATIVE AMERICAN Southwestern polychrome painted utility jar with
holes for hanging. Fire cloud, one small chip to rim and flecks.
3 1/2” x 3 1/2”; mouth opening: 2 1/2”
418: NATIVE AMERICAN Philosophical scroll titled “Lifafe Zidghi” about
Saint Mary, possibly 17th C.
418A: NATIVE AMERICAN Moccasins and catlinite pipe.

419: SWORDFISH BILL Mounted on a carved wooden base, with incised
decoration of a swordfish on one side. Tip of bill broken and with several
cracks, some losses. 32 1/2” tall
420: INUIT SCULPTURE Marbled dark green soapstone sculpture of a bird.
Loss to left foot. Signed Kud Lou, 11276-2 E5217. 3 3/4” x 2 1/2” x 3 1/2”
420A: KRIS KNIVES ETC. Collection of various knives including: three kris
and various other Middle Eastern knives
421: NATIVE AMERICAN Four Native American and Mexican blankets
422: NATIVE AMERICAN Rug in hues of red, orange and brown. Fraying at
edges, few holes. 7’2” x 3’10”
423: AMERICANA American flag with thirteen stars and stripes.
Discoloration commensurate with age, several small holes. 28” x 37”
424: AMERICANA Enterprise Coffee Grinder #12 Painted red with floral
decoration. Eagle finial on lid has been restored, partially repainted. 32 1/4”
425: MILITARY Sword with elements of a typical United States Cavalry
sword, its hilt with three branches and a leather-wrapped grip. Wear to
blade and scabbard. Blade marked. 42”
426: MILITARY Two serrated swords with figural pommels, one of rooster
(blade marked) other of an eagle. Wear to blades and scabbards.
Longest: 37”
427: CAST IRON Two animal figures, ca. 1920: Dachshund boot scrape and
Boston terrier door stop. Both with original paint. Dachshund: 23”
428: FULPER Two-gallon stoneware crock with cobalt decoration. Several
small chips to interior of mouth, one larger to rim; glaze chips to right
handle. Marked Fulper Bro., Flemington, N.J, 2. 9” x 10”
429: STONEWARE Two-gallon one-handled jug. Chip to mouth and one to
handle. Impressed “A.J. Butler Manufacturer New Brunswick, N.J.”
highlighted with blue cobalt, painted “2”. 12” x 9 1/2”
430: STONEWARE Two pieces: single-armed jug, painted in script “W.A.
Quinn. Trenton. N.J.”, 12”; four-gallon crock with cobalt decoration of a bird,
stamped 4F, several small chips and spider cracks, 11” x 11 1/4”
431: STONEWARE Crock with cobalt decoration. Two hairline cracks by left
handle, three small chips to interior of mouth. Marked J.M. Pruden,
Manufacturer, Elizabeth-N.J. 7 1/2” x 8 1/4”
432: FOLK ART Two items, 19th-20th C.: painted wood firkin, 11” x 10 1/2”;
carved and stained primitive sculpture of a bird, 11” x 12”
433: JEWELRY AND GAME BOXES Two items, 19th C.: bone and quill game
box with cribbage top, card storage and small pull-out drawer with cribbage
counters, India, 3” x 9 1/4” x 3 5/8”; inlaid marquetry jewelry box with
carved grotesques and interior oval beveled mirror, missing interior
compartments, 6” x 12 1/4” x 9”. Both with losses.
434: TRAMP ART Two-handled box, green painted with shadowbox inset
postcards and prints on the sides. Some losses. 20” x 13” x 11 1/2”
434A: PAINTING Artist unknown, oil on canvas (framed). Unsigned.
14 3/4” x 15 3/4”
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435: AMERICAN FOLK ART 20th C. Marquetry ‘painting’ of a theatre
proscenium in a frame decorated with flowers and birds; can be removed
from frame. 26” x 27 2/3” x 1 1/2” with frame.
436: FOLK ART GROUP Includes 19th C. two-handled bulbous field basket;
decorative elephant with stitching detail; early 20th C. glass eyed decoy.
Basket: 12 1/2” x 15” dia.
437: GROUP LOT Includes: two slate game boards painted in polychrome,
marble mosaic depicting a lighthouse and sailboat, pair of marble obelisks,
three decorative wooden boxes with brass fixtures, two brass collection
plates and cabbage slicer. Obelisks: 15”
438: AMERICANA Two brass buckets with wrought iron handles; one with
hook for hanging. Together with a ceramic mortar and pestle. Largest 12”
439: VINTAGE TOY Mobo Bronco ride-on horse, England ca. 1947. Original
label, marked MADE IN ENGLAND. 30” x 27” x 8”
439A: VINTAGE TOYS Two marionettes in knight costume, with pressed
tin armor and cloth vestments. 24” long
440: VINTAGE TOYS Doll parts including two heads, torsos, arms and legs;
also doll some clothing in as-is condition
441: MACHINE MINIATURES Two models: Weeden Mfg. Co. steam engine
model, trademark plaque, 7” x 7 1/4” x 6 1/2”; other, 16” x 6” x 6”
442: METAL GROUP Including: two Burkhard two-handled copper boiler,
triangular copper lantern with ruby glass inset, and a belt of graduated
sleigh bells. Boiler: 9” x 17 1/4” dia.
443: WROUGHT IRON Etc. Griffin plant stand painted white; cast iron
ashtray stand; copy of Art Deco bronze; round oak frame; three framed
prints, one by Emily Lawless; and two wood plaques with pyrography
decoration, one titled ‘The Hungry Quartet’, the other with a rendition of
the Femme a la Marguerite after Jane Atcher. Planter: 27 1/2” x 26”
444: METAL GROUP Includes: scale (not pictured) with two weights,
Dallan developing tank, cow bell, tin horn and Supreme lantern. Lantern:
13” x 7”
445: FRAME Oak with reeded edge, impressed ivy, and the caption “Her
own works praise her”. 44” x 32”
446: WEATHERVANE Cast copper full-body eagle with original directionals,
verdigris patina, early 20th C. Missing one foot. 22” wingspan, 16” length
447: ADVERTISING Coca-Cola advertising tray showing a lady with bottle,
dated 1938, minor scratches and rusting to edges, 13 1/4” x 10 1/2”.
Together with Horn & Hardart Coffee tin and Maybeck’s Mothball Vaporizer
tin.
448: LAUREL & HARDY Signed press photography (signature
questionable), framed. 11 1/4” x 14” frame
449: PHOTOGRAPH COLLECTION Seven photos: Eugene Herbert Reiner
(American, 20th C.) Untitled (fashion), c. 1940, silver emulsion print,
signed, 14” x 10”; RKO stock photo, silver emulsion print, 8” x 10”; Untitled
(fashion), c. 1940, silver emulsion print, 14” x 10”; Diano Pitochelli
(American, 20th C.) Olive Trees - Assisi, 1976, silver emulsion print
(framed), signed, titled and dated, 8” x 10” sheet; three silver emulsion
prints by Martin; landscapes, c. 1952, each 11” x 14”

450: AMELIA EARHART Vintage photograph, framed. Corners with
damage. 11 3/4” x 9 3/4” sight
451: CHARLES LINDBERGH The Spirit of St. Louis, Jaquard loom tapestry
(framed). 18” x 60”
452: VINTAGE MOVIE POSTER “Hand of Death,” 1962, starring John Agar,
Paula Raymond and Steve Dunne, 20th Century-Fox. Several small tears.
22” x 28”
453: CIRCUS Twenty-one assorted circus posters, including: Royal
Hanneford, Lewis Bros, King Bros.-Cole, Polack Bros, Clyde Beatty Cole Bros.
and others. Pin holes, tears and wear. All: approx. 23” x 14”
454: AMERICAN BALLET posters, twelve pieces (four framed)
455: POLITICAL / ADVERTISING Collection of pins, badges, bookmarks and
buttons, 19th and 20th C.
456: SOUVENIR LETTER OPENERS Approx. seventy-two letter openers,
many with carved tribal motifs, some brass, some with stone handles, some
figural. Largest: 15”
457: ANTIQUARIAN IRISH BOOK “The Great Leaders of an Oppressed But
Brave People,” Gay Brothers & Co., New York, 1892. 10” x 8” x 2 3/4”
458: 19TH C. MINING LEDGER Leather-bound with marbleized
frontispiece, 798 pages, partially filled. Distressed condition.
18 1/2” x 12 1/2” x 2 3/4”
459: STYLE OF WILLIAM MORRIS Runner. 2’4” x 7’7”
460: STYLE OF WILLIAM MORRIS Area rug in brown and green. 6’1” x 8’10”
461: STYLE OF WILLIAM MORRIS Area rug in brown and green. 4’1” x 6’
462: KAZAK RUG With two geometric medallions enclosed by multiple
borders. 48” x 82”
463: RUGS One hooked with floral design inside multiple borders; one
Persian long rug with repeating medallions; one Persian with central
medallion enclosed by multiple borders. Longest: 134” x 40”
464: RUGS Two Persian carpets together with a round needlepoint rug.
465: TABLE LINENS Box lot includes: lace, pierced and embroidered and
some with printed decoration
466: LIFETIME Ladderback armchair with long underarm corbels. Lifetime
paper label. 41 1/4” x 27 1/4” x 26 1/2”
467: CHARLES STICKLEY Paddle armed rocker with corseted crest rail and
four vertical back slats. 34 1/2” x 29” x 28 1/2”
467A: L & JG STICKLEY Single drawer library table with faux bamboo legs
and vertical slats. “Work of...” label; 30” x 54” x 30”
468: WITHDRAWN
469: ENGLISH ARTS AND CRAFTS Pair of twin beds (one shown) with
marquetry and string inlay, decorated tiles and cabochons.
48 1/2” x 79 1/2” x 40”
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470: OAK CRAFT Open armed rocking chair with panel back and two slats.
37” x 27 1/2” x 24”
471: ARTS & CRAFTS Barrel chair with quarter-sawn oak veneer and ball
feet. Unmarked. 36 1/2” x 25 1/2” x 22 1/2”
472: GRAND RAPIDS Fallfront desk of quarter sawn oak, two drawers and
brass ring pulls. 43 3/4” x 40” x 15 3/4”
473: ARTS AND CRAFTS Dropleaf dining table. Signed Kittering Bungalow.
Closed: 28 1/2” x 40” x 18 1/4”
474: ARTS AND CRAFTS Desk with single drawer flanked by slatted
shelves. Together with a paddlearm maple lounge chair. Desk:
30” x 40” x 26”
475: PYROGRAPHY Two pieces: a four-sided pyrographic umbrella stand
with stylized designs, and a pipe rack, its back panel decorated with a
sailboat. Stand: 27 1/2”
476: ARTS & CRAFTS Magazine stand with slatted sides.
47” x 12 1/4” x 13 1/4”
477: ARTS AND CRAFTS Four panel screen with arching tops and
hammered copper trim. 20” panels
478: ARTS AND CRAFTS Walnut room divider, each leaf with gridded mica
panel. Panel: 72 3/4” x 22”
479: STYLE OF LIMBERT Oak stand with cutout uprights and lower shelf.
Recent vintage. 26” x 16”
480: STYLE OF GUSTAV STICKLEY Oak long mirror with arched crest rail.
Recent vintage. 20” x 65”
481: ARTS & CRAFTS Three pieces: a mission oak clock (functional), a
stained glass window in frame, and an oak frame. Frame: 15 1/2” x 46”
482: MORAVIAN TILE WORKS Tile-top wrought-iron table.
19” x 16 1/2” x 29”
483: MORAVIAN TILE WORKS Pair of tile sconces with birds and fleur-delys
on a blue ground. A few minor nicks around edges. Unmarked.
10 1/2” x 4 1/2” each
484: MORAVIAN TILE WORKS Pair of tile sconces, a lidded box (significant
damage), and three tiles. Unmarked. Sconces: 4 1/2” x 11” each
485: MORAVIAN TILE WORKS Five letter tiles in blue or green glaze.
Unmarked. Largest: 2 1/2” sq.
486: ROOKWOOD Vase carved by A. M. Valentien with stylized yellow and
pink designs on a green ground, 1901. Line through body. Flame
mark/artist’s mark. 4 1/2” x 6”
487: ROOKWOOD Pair of production water lily candlesticks covered in rose
glaze, 1929. Flame mark.
488: ROOKWOOD Two Production vases, one brown with a band of flowers,
1920, the other in mottled pink and green, 1914. Hairline and large bruise
to base of smaller. Both marked. 8 1/2” and 6 1/4”

489: ROOKWOOD Vellum vase painted by Ed Diers with light pink roses on
a pearl gray ground, 1904. Some peppering and firing separations to slip.
Flame mark/IV/1045/ED. 5 1/4” x 4 1/4”
490: ROOKWOOD Jewel Porcelain lamp base painted by Loretta Holtkamp
with yellow daffodils, 1951. Artist signed/2984B. Vase: 14 1/4” x 6 1/2”
491: ROOKWOOD / ROYCROFT Three pieces: two Rookwood Production
vases, one with flowers under a blue glaze, the other with cattails, and a
Roycroft jug (small nicks). All marked. Tallest: 6 1/2”
492: ROOKWOOD FAIENCE Tile with a stylized flower under a green, rose,
amber, and blue glaze. Stamped ROOKWOOD FAIENCE 1718Y. 6” sq.
493: FULPER Pair of tall twisted candlesticks covered in speckled brown
glaze. Line to one. Both marked. 11 1/2” each
494: FULPER Seven pieces including a pair of candlesticks covered in blue
crystalline glaze, a turquoise bowl, a blue crystalline swan figure, and three
others. Marked. Sticks: 4 1/4”
494A: FULPER Etc. Two pieces: a Fulper vase covered in Flemington Green
flambe glaze, and a C. H. Brannan for Liberty & Co. squat vessel. Both
marked. Vase: 8 1/4”
495: TECO Squat bowl with lobed sides, covered in mottled green glaze.
Minor grinding flecks. No visible mark. 2 1/4” x 6 1/2”
496: VAN BRIGGLE Two handled vase embossed with flowers, covered in a
turquoise glaze. Tight line to one handle. Incised Van Briggle mark.
9 3/4” x 7 1/2”
497: VAN BRIGGLE / HAMPSHIRE Ten pieces: nine Van Briggle in Persian
Rose or turquoise glaze, and one Hampshire with stylized floral design. All
marked. Tallest: 8”
498: ARTS & CRAFTS Large Van Briggle vase, 1916, (small chips to base,
lines to body), Roseville brown Freesia teapot, 6-T, (restoration to lid), The
Roycroft Reminder book, 1908 (as-is condition). Tallest: 14 1/2”
499: DEDHAM Two Crackleware plates in the Horse Chestnut pattern. Line
to larger, chip (factory?) to base ring on each. Blue stamp marks. 7 1/2” and
8 1/2” dia.
500: DEDHAM Crackleware plate in the Clockwise Rabbit pattern. Blue
stamp mark. 8 1/4” dia.
501: DEDHAM Two Crackleware plates in the Clockwise Rabbit pattern.
Both marked. 7 1/2” dia. each
502: MARBLEHEAD Squat vessel covered in a speckled blue glaze.
Impressed ship mark. 3 1/2” x 5”
503: BUFFALO POTTERY Plate “The Fallowfield Hunt, The Death”. Stamped
mark. 8” dia.
504: HAVILAND & CO. Vase by Ernest Chaplet with butterflies and leafy
branches against a brown ground. Line from rim. Stamped mark. 8 1/4”
505: ALBERT SCHNEIDER / RAMBERVILLERS Pair of double-handled Art
Nouveau vases covered in lustered green glaze. Signed A. Schneider.
18” x 7” x 5”
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506: ROYAL DUX Art Nouveau vase with ginkgo leaves and flowers in high
relief, highlighted in green and gold. Marked on base with a pink triangular
raised tablet and the numerals 3214. 21 1/4” x 10 1/2”
507: TRENTON BELLEEK Bowl painted with a band of fern fronds. Red
stamp mark. 4” x 9 3/4”
508: MAJOLICA Two pitchers, one with barley and flowers, the other with
lilypad design. Firing lines to handle of one, nick to handle of the other.
Unmarked. 6 1/4” and 7 1/4”
509: PALISSY WARE Footed compote decorated with leaves, morning
glories and shells in polychrome. Unmarked. 5 1/4” x 10” x 6 1/2”
510: PETERS AND REED Shadow Ware covered jar. Nick to edge of lid.
Unmarked. 7 3/4”
511: PETERS AND REED / McCOY Two brown-glazed pieces, one Peters &
Reed with cherries, the other McCoy with trumpet flowers (rim nicks). Both
unmarked. 9 1/4” and 6 1/2”
512: PETERS AND REED Bowl embossed with banded berry and leaf design.
Unmarked. 10” dia.
513: PHOENIX ART GLASS / McCOY Nine piece grouping, including: three
McCoy art pottery pieces, a Phoenix Art Glass vase, copper and porcelain.
514: OHIO POTTERY Large matte green umbrella stand with embossed
gate-like designs, possibly by Peters & Reed. Unmarked. 20 1/2”
515: McCOY Etc. Twenty pieces of miscellaneous pottery including several
by McCoy. Some small chips and lines overall. Some marked.
516: RED WING Box lot of fifteen pieces, including a tall red vase and a
figure of a deer. A few small chips.
517: POTTERY Two vases fitted as lamp bases, one Clifton and one
Rookwood or Weller painted with pine cones. Scratches to brown-glazed
piece. Fittings not removed to check for marks/damage. Pottery only: 9”
and 9 3/4”
518: LONHUDA Tall bottle-shaped vase painted by Helen M. Harper with
yellow flowers, green leaves, and buds. Restoration to drill-hole under base,
artist’s initials possibly re-incised after repair. Impressed mark. 13” x 6”
518A: BOCH FRERES Ovoid vase incised with stylized peacock feather
decoration. Factory drill hole. Stamped mark. 13” x 5”
519: GOUDA Three vessels: Dorotte floriform footed dish (hairlines),
Regina pitcher, and Vannis baluster vase (chip to base). All marked.
3 1/2”, 5 1/2”, 8 1/4”
520: KERAMIS Vase painted with yellow and blue flowers. Ink stamp.
9 1/2”
521: GOUDA Lamp base with orange and blue floral decoration on a yellow
and black ground. No visible mark. 22” overall.
522: HEINTZ Sterling-on-Bronze trophy with stylized design and
inscription. Dent to base edge. Marked. 7 1/2” x 8”

523: WMF, Etc. Three decorated metal pieces: small vase by WMF with
branches of leaves, and hammered copper tray and bowl with geometric
pattern (latter marked MW). Tray: 11 1/2” dia.
524: MOE BRIDGES Ceiling fixture with foliate designs. Missing globe.
Marked MOE BRIDGES. 22 1/2” overall.
525: TRENT 250+ tiles which form a fireplace surround, each covered in a
green, brown, and ivory majolica-type glaze, in two sizes, 3” x 1 1/2” and
1 1/2” sq. Some with minor damage from previous installation.
526: KARLSRUHE / RUSCHA Five German tile plaques with angelfish,
butterfly, flowers, parrot, and flowers. Most marked. Largest: 10” x 14”
527: EDWARD BYRNE STUDIO Etc. 150+ group lot of tiles including a
three-piece figural madonna tile, 87-3” tiles in yellow, blue, and green, 22-
4” tiles, 4 triangular tiles, 12 rope edge tiles, and several others.
528: MUELLER 185 1” decorated tiles with various designs in blue, green,
and gold. Unmarked.
529: HARRIS STRONG fifteen-tile panel mounted in the original studio
frame. 36” x 24”
530: TIFFANY STUDIOS (Attr.) Hanging gilt metal light fixture with
Favrile glass insert. Unmarked. Overall: 18”
531: ART GLASS Two Austrian vases in green and pink. Tallest: 5 1/2”
532: DAUM Set of four seasons plates, each in box with certificate.
10 1/2” dia.
533: ART GLASS Bulbous yellow vase decorated with thistle. Several
small chips to base. Unmarked. 11” x 8”
534: BOHEMIAN GLASS Art Nouveau green glass bowl with bronze holder
535: D’ARGENTAL Purple cameo glass vase with corseted, bulbous form.
5” x 1 1/2” dia.
536: STYLE OF HANDEL Two lamps with reverse-painted shades, one with
a plain glass sunset landscape design, 14 1/2” shade and 20 1/2” base with
swags and fluted design; the other with a landscape and windmill design
with textured glass, 15 1/2” shade, 18” flaring base with maple leaves
537: VICTORIAN LIGHTING Table lamp with white metal armature and
base. Stamped M.L.CO 242. 28” tall
538: VICTORIAN LIGHTING Art Nouveau table lamp with honeycomb
stippling and a slag glass shade. 17 3/4” dia., 24 3/4”
539: JEFFERSON Table lamp, its hemispherical etched glass shade
reverse-painted with red and gold flowers on an amber ground, over a two
socket classical bronzed base (possibly Handel). Shade in as is condition,
base with wear. Shade stamped Jefferson. Shade: 18 1/2”, base: 23”
540: LIGHTING AND MISCELLANEA Brass table lamps, one marked THE
GREIST; another by Bussmann; two copper wall lanterns; white metal wall
sconce; metal table lamp; hand hammered square copper tray; porcelain
tray with pewter gallery and ball feet, stamped Made in Germany 1902-A;
round copper tray marked Manning Quality Bowman, Meriden Conn., and
patent date May 14 1912. Tray: 17 1/8”
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RAGO ARTS AND AUCTION CENTER >
541: STAINED GLASS Large hanging lamp shade with red irises on a blue
ground. Unmarked. 15 1/2” x 15”
542: ZSOLNAY Two Eosin pieces: a bowl with reticulated design, and a
lidded box. Two nicks to rim of box. Both marked. Bowl: 4 1/2” x 7 3/4”
543: ZSOLNAY Three vases, two lobed with ruffled rim, one ovoid. All
marked. 6 1/4” and 5 1/2”
544: ZSOLNAY Six Eosin figural pieces including a frog, giraffe, owl,
elephant, and two others. Chips to deer and nick to top of giraffe. Most
marked. Tallest: 7 1/2”
545: ZSOLNAY Five Eosin figures including two dogs and three foxes. All
marked. Tallest: 7 1/4”
546: ZSOLNAY Pair of Eosin eagle figures. Unmarked. 7” each
547: ZSOLNAY Two Eosin figures: polar bears and a bison. Both marked.
Taller: 6 1/2”
548: ZSOLNAY Four Eosin pieces: three figural vases/jugs, and a small
dish with lobster. Tallest: 9 1/2”
549: ZSOLNAY / ROYAL DUX Etc. Nine porcelain pieces: panda bear, bird,
elephant (loss to tusk), bear, and four various female figures. Most marked.
Tallest: 12 1/4”
550: ART POTTERY Five pieces: Kailer vase signed HAK (nick to rim);
Zsolnay cat figurine (chip to one ear); one Etna German crystalline vase;
Rouse bottle-shaped vase; large green to gunmetal crystalline-glazed vase
551: ROSEVILLE Green Fuchsia basket with built-in flower frog, 350-8”.
Impressed mark.
552: ROSEVILLE Green Snowberry floor vase, IV-18”. Restoration to small
area of rim. Raised mark.
553: ROSEVILLE Pair of brown Zephyr Lily bookends. Marked.
554: ROSEVILLE Two Zanesville pieces, a blue Roseville Magnolia
jardiniere, 665-4”. Together with a brown bowl with embossed floral band,
possibly Weller. Tight hairline and small chip to Magnolia. Bowl: 4 1/4”
555: ROSEVILLE Five pieces: tall green Snowberry vase, IV-15”
(restoration to rim); Raymor covered casserole; blue Magnolia ewer, 15-15”
(missing rim); blue Bushberry ewer, 3-15” (restoration to base, missing
rim); pink Peony vase 70-18” (large break to rim, nicked base).
556: POTTERY Group of five reproduction Roseville pieces including a
white Panel wall pocket; Fuchsia wall pocket; pair of Pine Cone flaring
vases; Jonquil vase.
557: WELLER Rare flower frog with water lilies. Two flat chips to edge,
possibly factory. Unmarked. 4 1/2” dia.
558: WELLER Group of seven Clinton Ivory pieces: tankard and pair of
matching mugs, corseted vase, small Knifewood-style planter with swans
and two jardinieres with panels of flowers. Small chip to base of tankard,
bruise to rim of one mug, line from rim of the other. Some marked.
Tallest: 9 3/4”

559: WELLER / VAN BRIGGLE Etc. Four pieces: a Weller Aurelian vase
painted with daffodil (flaking around rim), a pair of Van Briggle double bud
vases, and a Bybee blue ruffled bowl. All marked. Weller: 8 1/2”
560: ROSEVILLE Etc. Boxed lot of pottery including three Rookwood, four
Roseville, two Van Briggle, one Moorcroft and several others. Some marked.
Minor damage to a few.
561: WELLER Nine pieces including two teapots, an Atlas bowl, two
planters, two bowls, a Pierre mug and one figural frog dish. Most marked.
562: YELLOWWARE Fourteen pieces including molds, custard cup, mug,
pitchers, cookie jar, Keeler handled bowl, and crocks. Some chips.
Unmarked.
563: YELLOWWARE Lot of thirty three assorted mixing bowls and pie
plates, many painted with blue or brown, or white bands. Some chips.
Unmarked.
564: FILIGREE WEDDING RING SET ca. 1920. Engagement and wedding
rings, 30 pt. diamond.
565: GEMSTONE RINGS Three yg rings with gemstones, rubies, garnets or
emeralds; some diamonds
566: GEMSTONE RINGS Two large gemstone and 14k yg rings ca. 1940-
1950. One a rectangular cut brown quartz, the other an oval cut amethyst
567: RUBY RING 18k yg with emerald-cut ruby flanked by baguette-cut
Ruby: approx. 3 ct.
568: M & J SAVITT 14k yg and diamond band, slightly tapered, pavé set.
Diamonds: approx. 1.05 cts. TW. Size 6.
569: COCKTAIL RING With diamonds in 14k yg; approx. .75 ct. TW
570: ETERNITY BAND In wg with approx. 1.25 ct. TW prong set diamonds
570A: MODERN JEWELRY In 14k yg. Includes: two rings, one with
diamonds and one with topaz and a pearl and a colored stone necklace;
42.4 gs. GW
571: MABE PEARL EARRINGS 14k yg with wg and diamond ornament; lever
backs for unpierced ears; dia. 1”. Diamonds: .24 cts. TW; 26.1 gs. GW
572: BROOCHES Three 14k or 18k yg brooches, some with diamonds or
gemstones. Together with a gold ‘taurus’ charm. 28.6 gs. GW
573: JADE BUTTERFLY BROOCH With pearls and rubies in 14k yg; Chinese
export; 2” x 2 1/4”
573A: SCORPION BROOCH ca. 1965. In 18k yg with diamonds, enamel and
sapphires; Italy; 2 1/4”; 22.4 gs GW
574: BROOCH 14k yg in a circular cluster of blossoms, each set with a
sapphire, ruby or emerald; 10.4 gs. GW; 1 1/3”
575: ITALIAN Textured tri-colored 14k yg fringe necklace. 42.6 gs.; 16”
576: FRESHWATER PEARL NECKLACE Seven strand Torsade necklace with
14k yg antique enamel and diamond pansy clasp
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RAGO ARTS AND AUCTION CENTER >
577: NECKLACE In 14k yg with intricate links. 42.4 gs.; 30”
578: GOLD BEAD NECKLACE With removable red coral and diamond
Buddha head enhancer. Diamond: .32 ct. TW; 40 gs. GW; necklace 14 1/2”
579: PENDANT ON CHAIN In 18k yg; 30.9 gs. GW. Pendant: 1 3/8”;
chain: 25”
580: MID 20th C. JEWELRY Assortment of jewelry including: Art Deco
style sodalite and marcasite suite in sterling, bakelite cuff, stone scarab
and gold filigree link bracelet
581: 20th C. COSTUME JEWELRY Forty-four pieces including lucite, wood,
sterling silver, as well a collection of sterling bangles and a Christian Dior
belt.
582: COSTUME JEWELRY Seventy-five pieces with rhinestones, including
necklaces, brooches, bracelets, clips, and earrings, some signed Bogoff or
Weiss.
583: JEWELRY Six pieces: turquoise and silver large beaded necklace, a
silver necklace with yellow stone, large beaded Indian chain, gold chain
with mother of pearl perfume holder or vial; compass necklace, pin with
photo of man. Together with 2 silver spoons, silver netting pouch, and
Napoleon letter opener.
584: CORAL Three coral necklaces. Longest: 70”
585: HINGED BANGLE In 14k yg; front set with alternating diamonds and
sapphires. Diamonds: .50 ct. TW; 14 gs. GW
586: BANGLE BRACELETS Twelve yg filigree bangle bracelets ca. 1880-
1960. Together with a Renaissance Revival style garnet glass necklace
587: RING AND BANGLE 14k yg and garnet ring together with a similar
hinged bangle; 23.8 gs. GW
588: JEWELRY Liberty 2 1/2 dollar coin, enamel decorated and set in
pendant frame, dated 1910; 14k yg hinged bangle; mesh purse. Gold:
16.3 gs. GW
589: JEWELRY Two pieces in 14k yg.: a hinged bangle with green enamel
and a ring with rubies. 12.8 gs. GW
590: ROLEX Ladies’ watch in 14k wg; octagonal case on gold filigree
bracelet. Together with a 14k yg stylized heart motif ring. Ring: 15.5 gs.
591: REUGE (Switzerland) Silver open-faced musical automaton pocket
watch, 17-jewel Pontifa movement, silver chain, Lyre form key, second-half
20th C. 2 1/4” dia.
592: AGASSIZ NAVY WATCH Chronograph with sterling open-face case, 18
jewels, 6 adjustments. Model number 245447, case incised US Navy N
1425.
593: MEN’S JEWELRY Two Tiffany & Co. 14k yg collar buttons; sterling
watch chain; four stick pins; Elgin keywind pocket watch for S & T Child,
Philadelphia, ca. 1881; coin silver hunt case; Huguenin & Co. silver
huntcase pocket watch
594: LUOVIC SWISS WATCH Working stainless steel and diamond Mystery
watch in square case, ca. 1950

595: STERLING SILVER 9 Gorham ‘Italian’ pattern spoons, Homeric pattern
butter knife by Ball Black & Co., sterling bachelor’s coffee pot, silver plate
turned rim vase with repousse grape decorations
596: STERLING SILVER Three items: a Poole clam-shaped footed bowl, a
Preisner small pitcher, and a chafing dish with lidded sterno (pieces of dish
not a perfect fit). Two marked. Footed bowl: 2 1/2” x 14” x 12 1/2”
597: SILVER FLATWARE Twenty-one pieces of American, English, and
Danish flatware: fifteen pieces of American Repousse, most in the Steiff
Rose pattern; Hans Hansen hollow handled fish knife; five English fiddle
back pattern salt spoon with Birmingham marks 1946; GW weighable silver
32 ozs.tr
598: STERLING FLATWARE Serving set with scalloped spoon and fork and
two unmatched teaspoons, one with handle decorated with Priscilla, the
other with Standish. Serving spoon 9”
599: STERLING FLATWARE Eight pieces by assorted makers, including R.A.
Hubbard, Tiffany & Co., J. Wiss & Sons and others. Longest: 9 3/4”
599A: STERLING SILVER Twelve piece service with mother-of-pearl
handles. Marked. Six knives: 7 3/4” long; six forks: 6 1/2” long.
600: STERLING DRESSER SET Assembled, ca. 1900: large cut crystal jar
with sterling lid, two crystal perfumes with sterling stoppers, mirror and
three brushes. Crystal jar: 6 3/4” x 4”
601: GORHAM, CALDWELL ETC. A collection of silver flatware and
holloware including: some silverplate silver candlesticks for JE Caldwell;
Gorham candlesticks; Gorham sterling 10” bowl; silver salt & pepper shake;
forty-one pieces of Gorham, Whiting, Towle, etc. Approx. 42 ozs. wieghable
silver
602: RICHARD PEARCE (London) Partial tea service, 1824. Acanthus
handles and feet, flower finial, teapot with elaborate handle. Some dents to
teapot. Teapot: 5 1/2” x 11 1/4”, sugar bowl: 4” x 8”, creamer: 3 1/4” x 6”. 40
ozs. troy GW.
603: STERLING, Etc. Seventeen-piece group of sterling, glass, china,
tintype and hand-colored prints, including: Dominick & Haff, Gorham,
Ramirez, J.E. Caldwell & Co., Whiting & Co. and others.
604: ROGERS SMITH & CO. Silver-plate presentation ice water pitcher,
engraved with swags of ivy and dated 1870, marked ROGERS SMITH & CO.
NEW HAVEN CT. 13” x 10 1/2”. Together with a two-handled silver on copper
tray, decorated with grapevines in relief, marked, 24 1/2” x 14 3/4”
604A: SILVER PLATE Coffee and tea service with applied swags; includes
coffee pot, tea pot, sugar bowl and creamer on matching stand.
Coffee pot: 10 1/2” high
605: ROBERTS & BELK Silver-plated fish-serving set with a fork and knife,
both with reticulated floral design. Hallmarks. Knife: 12 1/4”
606: PEWTER LOT Seven pieces of 19th-20th C. pewter: jug marked “HG”
on top of handle; ladle; three plates; covered sugar bowl and creamer.
Various makers. Jug: 6 1/2” x 3 1/2” dia.
607: CRYSTAL STEMWARE SERVICE Partial cut, ca. 1900. Thirty-one
pieces includes ten aperitifs, nine wine glasses, nine coupes and three
bowls
608: DRINKING GLASSES Forty-seven glasses with gilt rim, most faceted
with white garland design: ten cordials, ten goblets, ten champagnes, three
tall flaring, and twelve sherry, and one flaring candy dish. Unmarked.
Tallest: 8 3/4”
609: CHRISTOFLE ETC. Woven silver-plated wine basket; eight
monogrammed crystal snifters; sherry decanter with ten glasses, all with
pink airtwist stems. Decanter: 11 1/2” tall
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RAGO ARTS AND AUCTION CENTER >
610: EDWARDIAN BOX TANTALUS Fitted with cognac and curacao
decanters and six stemmed glasses, elaborate brass fittings. 11” x 12” x 10”
611: DEPRESSION GLASS Twenty-two pieces, mostly in pink, consisting of
glasses and pitchers, some with patterns. Tallest pitcher: 8” h
612: DEPRESSION GLASS Twenty-one pieces, mostly in pink, consisting of
plates, bowls, and cakestands, some with patterns. A few small chips.
Largest bowl: 4 1/2” x 10 1/2”
613: DEPRESSION GLASS Twenty-three pieces in green primarily
consisting of glasses, plates, and bowls, some with patterns. A few small
chips. Plates: 9 1/2” dia.
614: STEUBEN ETC. Colorless glass lot including: Steuben covered and
footed candy dish; English footed bowl; pair of blown wine pitchers; Webb
Corbett crystal vase and bowl; heavy cut crystal bowl; seed glass bowl with
fluted rim. Tallest: 9”
615: STEUBEN AND CUT CRYSTAL Steuben clear glass candy dish
together with cut crystal assortment including: stoppered decanter, footed
vase, large bowl, cordial glasses, etc. Tallest: 12”
616: STEUBEN Vase in clear glass with double scroll pedestal,
7 3/4” x 4 3/4”. Together with bronze lamp with square base to a fluted
vine-draped column, 19 1/2” to socket
617: CUT GLASS Four pieces, two bowls and two vases. Spherical vase
with several small chips. Tallest vase: 13 3/4”, largest bowl: 8” dia.
618: CUT CRYSTAL Ice cream set of large bowl and twelve plates. Bowl:
8 1/4” x 3 1/2”, plates: 5 5/8”
619: PRESSED GLASS Including: serving bowl; seven dishes; covered
candy dish; fluted vase with gilt decoration. Tallest: 9 5/8”
620: BACCARAT / ORREFORS Etc. Four pieces: Baccarat covered candy
dish, Austrian vase with pulled design, Orrefors lobed vase, and a triangular
candlestick. Two marked. Vase: 9”
621: BAROVIER (Attr.), Etc. Three glass pieces: figural candlestick
attributed to Barovier (re-glued head), bell-shaped decanter, and free-form
bowl. Largest: 13” h
622: FERRO-TOSO/GIANNI TOSO Two figural glass sculptures: the first in
red, black, and clear with gold foil and applied details (part of handle
probably missing); the other of a whimsical man with glasses and
moustache in polychrome, break to one hand, unmarked. 10” x 6” and
9” x 2 1/4”
623: VENETIAN Ten assorted glasses, all with applied decoration. Tallest:
9 1/4” h
624: VENETIAN Six assorted glass pieces including a pair of candlesticks
with attached bobeches. Small break to flower petal on one piece.
Candlesticks: 12 1/2” h
625: ART GLASS Fifteen assorted pieces, many with figural motifs. Break
to tail of blue glass fish, and to swan. Largest: 10” x 4 3/4”
626: VENETIAN GLASS Ceiling fixture with applied flowers. Some losses.
Unmarked.

627: BOHEMIAN GLASS Nine pieces, including: a decanter, bowls, glasses
and a vase.
628: SATIN GLASS Four pieces: one open palms, chip to base, marked on
bottom, 6 1/2” x 4 3/4”
629: ART GLASS Compote of opalescent blue-green glass, unmarked,
5 3/4” x 8 1/2”. Together with eight glass bead shades, approx. 4” x 3”
630: CARNIVAL GLASS Two pitchers, one with pink and white dots and
ruffled rim, the other amber to red. Unmarked. 8 1/4” each.
631: CRANBERRY GLASS Epergne centerpiece with twisted clear glass
rods supporting small baskets, the central vase with applied clear ribbon.
Losses.
632: VICTORIAN GLASS Including: converted oil lamp painted with
pansies, opaline carnival glass, two ruffled pitchers with matching glasses
and hobnail vase. Tallest: 10 3/4”
633: GLASS BASKETS Group of nine. Largest stamped Fenton 9. 10”
634: STYLE OF MARY GREGORY Five painted items: four vases and one
covered jar. Tallest vase: 11”
635: GLASS Collective group of fifteen pieces, including: Victorian, art
glass and cordials.
636: VICTORIAN-STYLE LIGHTING Blue glass lamp/lantern painted with
flowers and birds.
637: CRYSTAL CHANDELIER With hurricanes, bobeches and pendant
prisms.
638: VENETIAN STYLE Crystal chandelier with tiered pendants
terminating in a ball finial. Complete with chain and ceiling cap.
27 1/2” x 14”
639: NEO-CLASSICAL Twelve arm chandelier with foliate arms and
elaborate center finial. Fixture: 30” x 22” dia.
639A: NEO-CLASSICAL Pair of electrified five-light candelabrum, bases
inscribed in German and dated 1897. One foot marked WMF.
639B: NEO-CLASSICAL Brass tazza.
640: ART DECO Ceiling fixture purportedly from the Locust Street
Theatre, Philadelphia. Painted metal frame with six glass cabochons and
convex dome studded with clear plastic glass beads and hanging glass
prisms. 16” x 10”
641: SILVER LANTERN Silver-plated hanging lantern with three cherubs,
suspended by chains, terminating in a crown finial, 20th C. Total length:
48”, widest point: 15”
642: ART GLASS Sixteen milk glass shades. Unmarked. 6 1/2” dia.
643: LIGHTING Set of four alabaster shades. 4 1/2” x 7”
644: LIGHTING Two alabaster torchere shades. 15 1/2” and 18” dia.
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645: LIGHTING Pair of porcelain Commedia Dell’arte figurines mounted as
lamps. Together with Chinese 20th C. large green crackled-glaze jar drilled
and mounted as a lamp, repaired finial. Tallest 23 1/2”
646: CERAMIC LAMP On a bronzed base both decorated with irises and
tall leaves, possibly European. 20 1/2” to cap.
647: DAVID STIRLING (American, 1887-1971) Autumn Day, Estes Park, oil
on canvas (artist made frame). Signed, dated, and titled. 34” x 45”
647A: GEORGE HOWELL GAY (American, 1858-1931) Two untitled
watercolors on paper (framed). Signed. 12” x 24” ea.
648: CHARLES H. CHAPIN (American 1830-1889) Waterlilies, watercolor
and gouache on paper (framed). Signed. 21 1/4” x 29 1/2”
649: AMERICAN SCHOOL 19th C. Large Elms and Clouds, Simsbery, Conn.
1866, graphite and white chalk on tan paper (framed). Titled and dated.
Sight 13 1/2” x 16”
650: GEORGE HERBERT McCORD (American 1848-1909) Study of a Barn,
watercolor and pencil on paper (framed). Signed. 8 1/2” x 11 1/2”
651: OSSIP DE PERELMA Untitled oil on canvas (framed), 1936. Signed
and dated. 20” x 28”
652: LOUIS ICART ‘My Secret Love’ print (framed). Pencil signed lower
right, numbered 487 on margin. Overall size 20 3/4” x 24 3/4”
653: SZANTHO MARIA (Hungarian, 1898-1984) Untitled (Sleeping Nude),
oil on canvas (framed). Signed. 20” x 29”
654: NEW JERSEY IMPRESSIONISTS Edith Hodge Pletzner, Nude, oil on
canvas (framed), signed, 30” x 20”; Margaret Louise Slade (b. 1949)
Seascape, oil on canvasboard, signed, 12” x 16”
655: JOHN RAMSEY CONNOR (American, 1869-1952) The Fisherman
(Study for a mural Pennsylvania Academy of Fine Arts), oil on
canvas(framed). Provenance: Collection of Walter E. and May Baum, 1946.
Inscribed: The Fisherman by John R, Conner owned By Walter E. Baum and
wife M 1946” on verso. Signed. 32” x 25”
656: ROBERT HOGG NISBET (American 1879-1961) Nude, oil on canvas
(framed). 24” x 18”
657: WALLACE NUTTING Etc. Three framed Wallace Nutting prints, all
pencil signed lower right. Together with a primitive oil on board of a cabin
by a lake, framed; a small oil on board, woman with cows, illegibly signed
lower right, framed; small oil on board portrait titled on the back
“Madonna” 1964, Steve Churdova NJ; etching of bathers titled ‘Summer’
numbered 3/20 and illegibly signed, unframed; etching of a cathedral; two
black and white woodcuts, one of a cafe, one of a church, framed; and a
colored lithograph of a castle. Largest: 14 3/4” x 12”
658: HENRY ALKEN (British, 1785-1851) Engravings: Full Cry, Getting
Away, Gone Away, The Leap; and four color aquatints (framed), foxing
throughout, some fading. Along with two hand-colored engravings.
659: GARTH HOWLAND Winter landscape oil on board, signed and dated
lower left; 19 1/2” x 15 1/2” sight. Together with a woodland landscape oil
on board, unsigned, 14” x 11” sight

660: LEONID GECHTOFF Two framed still-life paintings: A Composition of
Flowers, oil on canvas, 1940, signed and dated, 25” x 30”; and untitled oil
on canvas board, 20” x 24”
661: ROSENTHAL KAROLY (Hungarian, 20th C.) Untitled (Still Life), oil on
canvas(framed). Signed. 20” x 24”
662: R. DeMICHELIS (American, 20th C.) Seascape, oil on canvas (framed),
signed, 19” x 27”. Together with Patrick Civale (American, 20th C.)
Seascape, oil on board, signed, 16” x 20”
663: PAINTINGS Watercolor desert scene with camel, signed lower left C.
Gibson, framed, 23 1/2” x 14”; seascape oil on canvas, unframed, 29” x 13”;
framed oil on canvas Pierrot with ballerina, paint loss, scratches,
37 3/4” x 11 1/2”; oil on canvas board mother and child, signed lower left
Parretta, unframed, 24” x 20”; print of young boy with horses, titled
‘Cooling off at the Brook’, in a painted frame, 33 1/2” x 19 3/4”
664: PAUL E. HARNEY (American 1850-1915) Portrait of a Monk, oil on
canvas (framed), 1909. 12” x 9”
665: LINN B. BALL (American, b. 1891) Untitled (Portrait of a Woman),
gouache on paper (framed), 1949. Signed and dated. 14” x 11”
667: GEORGE PEIXETTO Oil on canvas painting of a young lady, c. 1900.
Framed. Signed lower left. Sight: 18” x 12 1/4”
668: EUROPEAN SCHOOL Portrait of a lady, oil on panel (framed), 19th C.
10 3/4” x 8 1/2”
669: CURRIER & IVES Two prints, Little Sister and Little Brother, handcolored
engravings (framed). Each image 11” x 8”
670: AMERICAN SCHOOL Two early 20th C. oil on canvas seascapes,
framed, one with ships signed Maretti, 24” x 36”; the other unsigned,
21” x 34”
671: H.F. CHAUNDY Untitled oil on canvas (framed). Provenance: private
collection, New Hope. Signed. 11” x 16”
672: WEDWORTH WADSWORTH (American, 1846-1927) The Scented
Fields, watercolor (framed), 1892. 10” x 20” sight
673: 20 C. PRINTS Two untitled prints, framed: L.A. King landscape
engraving on paper, and serigraph on paper by unknown artist, 1963. Each
signed, latter dated. 20” x 15” ea.
673A: ART Group lot including prints of ships and George Washington and
still lifes in oil and watercolor.
674: CONTINENTAL PORCELAIN Pair of flower vases with raised and gilt
decoration and attached bisque figurines. Wear to gilt. 12 1/4”
675: CONTINENTAL PORCELAIN Eighteen-piece grouping of plates, bowls
and covered boxes, including: T & V France; Limoges; and others. Wear and
some with small chips. Some marked.
676: CONTINENTAL PORCELAIN Fifteen piece grouping of figures and
novelty shoes, including: Lladro, parian ware, pieces marked Germany and
others, 20th C. Wear and some with small chips. Some marked.
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677: CONTINENTAL PORCELAIN Thirty-one piece grouping of plates,
bowls, cups and saucers, including: Limoges, Austrian, German and others.
678: CONTINENTAL PORCELAIN Limoges plate painted with still life of
fruit, gilt border, signed Dubois. Together with a pitcher and a vase, both
marked. All 19th/20th C. Plate: 15”
679: CONTINENTAL PORCELAIN Four items: Limoges charger with morning
glories; Limoges bottle shaped vase painted with roses and cherubs;
Teplitz spill painted with roses and light green bulbous body; Ginori
stoneware urn. Charger: 12” dia.
680: LIMOGES PORCELAIN Service for twelve (nearly complete), including
some serving pieces, all with blue and gilt banded designs: one large
serving platter, two covered soup tureens, a tea pot, a four-sided flaring
dish, a three-part covered cheese dish, three ashtrays, a covered sugar
dish, twelve saucers, eleven tea cups, twelve fruit bowls, twelve soup
bowls, twelve dessert plates, twelve lunch plates, and eleven dinner plates.
Some with chips/breaks. Marked Hutshenreuther Gelb. LHS BAVARIA,
Limoges Decor Hand Painted Warranted 22Kt. Gold. Dinner plate: 10” dia.
Together with three serving plates, two marked Warwick, U.S.A with red
and gold floral design; the third marked Eggshell Nautilus U.S.A with
pastel floral and gold design. Largest: 15”
681: HAVILAND & CO. Large bowl with floral transfer and gilt decoration.
Marked HAVILAND & CO. L FRANCE and HAVILAND & CO. POUR WRIGHT
TYNDALE & VAN RODEN PHILADELPHIA. 6 3/4” x 16”
682: ROYAL WORCESTER / LIMOGES Two bone china leaf dishes together
with eight lidded Limoges pots de creme on matching tray. Tray: 10” dia.
683: ART NOUVEAU Porcelain vase with figural high relief of a woman
among flowers. Incised mark. 12”
684: LIMOGES PORCELAIN Partial and assembled porcelain tea set with
transfer floral decoration, 20th C. Some losses. Majority of pieces marked
“G.D. & Cie”. Plate: 10” dia.
685: GRAND TOUR LOT Includes: Amphora jardiniere with basket weave
pattern and applied putto; porcelain figural group of a courting pair;
bronze candlestick and sculpture and a gilt bracket shelf with Palladio
metal tag. Tallest: 12 1/4”
686: CHINESE ROSE CERAMIC WARE 5 small plates; gravy boat and dish;
small serving dish and plate; 13 dessert plates; 4 nested serving dishes.
Major staple repair to large serving dish, some chips and nicks. Unmarked.
Largest 15 1/2”
687: PICKARD Asian motif teaset comprised of teapot, covered sugar,
creamer and ten cups and saucers. All marked HANDPAINTED PICKARD
CHINA. Teapot: 10 1/2”, saucers: 4 3/4” dia.
688: NIPPON, Etc. Eight piece group of Nippon and Japanese china,
including vases, a teapot, bowls and covered jars. All marked.
689: NIPPON 55 pieces of hand-painted Nippon china by various makers,
in different patterns, including cups, saucers, chocolate pot, and a set of
salt & pepper shakers. Tallest: 9 1/8”
690: NIPPON Footed urn in cobalt glaze with gilt decoration and floral
medallion, together with a Victorian style transferware urn. Stamped
Nippon, 8 1/4”

691: POTTERY Four pieces: Noritake lidded jar, Irish porcelain squat
vessel, German hand-painted bowl, and Bell of California fish platter. All
marked. Platter: 11 1/2” x 16”
692: VINTAGE CHRISTMAS DECORATIONS Eight glass tree ornaments.
Together with porcelain items by Lenox, Wedgwood and Haviland.
693: BAVANT STYLE CATS Two tin-glazed roof ornaments or “Faitage”
modeled as cats with glass eyes. Repair to tail of black cat. 9 1/2” x 13 1/2”
694: DECORATIVE ARTS Five D’Arceau-Limoges commemorative plates in
new frames; European tourist ware duck box; Greek sterling silver egg with
panels of figures and animals; two ice-lip pitchers by Hall’s and Lu-Ray.
695: CHINA Box lot of miscellaneous dinnerware including vintage
Hermes, Japanese import ware, glassware, and hand-painted china. Most
marked.
696: ART POTTERY Three plates, one painted with a bridge in brown
tones, restored condition; one painted with stylized flowers and vase; one
with a cobalt sheep. Largest: 16”
697: FOLK ART Etc. Three pieces: painting depicting Jesus in shadowbox
frame (break), 6” tile painted with cherub, and a wooden frame (missing
back). Framed painting: 12 1/4” x 9 1/4” x 2 1/2”
698: IRON ‘PICTURE’ AND FRAME Cast iron plaque with battle scene in
high relief with green enamel mounted in like frame. 19 1/4” x 23 1/2”
699: RUSSIAN ICONS Two icons, painted oil on wood, 19th C.: one depicts
Saint Paul with brass fascia glazed in gilt wood frame, 10 1/2” x 8 1/4”;
other with Saint Paul in scenic setting with angel, shadow box frame, silver
fascia St. Petersburg 1895, 6 1/2” x 5”
700: RENAISSANCE REVIVAL Bookcase with elaborately carved crestrail
and stiles and two drawers on bun feet. Together with single drawer
console table of similar design. 60” x 48” x 14 1/4”
701: RENAISSANCE REVIVAL style chest on stand with single door
cupboard above a single drawer stand. 60” x 34” x 21”
702: JACOBEAN STYLE Armchair with elaborately carved crest rail and
cross stretcher, caned seat and back. 46 1/2” x 29” x 27”
703: SHERATON STYLE Pair of high-back upholstered wing chairs with
fluted front legs. 39 1/2” x 23 1/4” x 23 1/2”
704: EDWARDIAN STYLE Two-door oak bookcase with carved gallery top,
barley twist stretchers and paw feet. 58 1/2” x 41 1/4” x 11 1/2”
705: CHIPPENDALE STYLE Mahogany side chair with carved and shaped
crest rail, pierced back splat and carved cabriole legs terminating in ball
and claw feet. 40” x 23” x 19”
706: VICTORIAN MAHOGANY Server with string inlay, marble top and
mirrored gallery together with a dropleaf dining table. Server:
48 1/4” x 18” x 42 1/4”
707: EMPIRE MAHOGANY Four-drawer stand, together with an inlaid
prayer chair. Stand: 29 3/4” x 24 1/2” x 21 1/4”
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708: QUEEN ANNE Wing chair with carved cabriole legs and crewel
upholstery. Together with another wing chair upholstered in equestrian
fabric. 41”x 34”x 22”
709: MIRRORS Two hanging mirrors in gilt frames, one three-part Pier
glass. 26” x 70”
710: FRENCH SEATING Diminutive bergere and slipper chair, each with
carved walnut frame and Scalamandre silk upholstery. Bergere:
30 1/4” x 23” x 28”
711: FRENCH STYLE Settee with wicker back and cheetah print cushion.
39 1/4” x 46” x 21”
712: BAROQUE STYLE Console table with two female Caryatids, paw feet,
partially gessoed, 20th C. 61 1/4” x 23” x 36 1/4”
713: FRENCH STYLE Settee with painted wood and shell design,
upholstered in striped fabric. 48” x 29 1/2”
714: REGENCY STYLE Settee with ebonized wood frame together with a
brass floral girandole. Settee: 36 1/2” x 43” x 27”
715: THONET Bentwood rocker with trimmed rockers. 41” x 20” x 40”
716: CLOISONNE Table base.
717: LIGHTING Acid-etched glass torchere with mirrored base and gilded
floral decoration. 61 1/2”
718: OCCASIONAL FURNITURE Including a tea cart, set of four Asian
nesting tables and a single-drawer candle stand. Tea cart: 26” x 33” x 24”
719: SEATING Organ players bench, together with vanity stool with tufted
seat and curule-style mahogany veneer base. Bench: 48” x 28” x 15 1/4”
720: ASIAN STYLE Walnut-veneer breakfront with pagoda-shaped top, its
doors and drawers carved with Asian scenes. 94” x 72” x 19 3/4”
721: ROBERT MUNRO (Scottish, 19th c.) Sheep in the Highlands, oil on
canvas (framed), 1884. Signed and dated. 18” x 24”
722: EUROPEAN SCHOOL Two landscape oil paintings, framed, 19th C.:
Stag in the Moonlight, 1859, oil on panel, 7” x 12 1/2”; L. Bauer, Woods of
Vienna, oil on canvas, 24” x 36”. Both signed.
723: ANN HUNT SPENCER (American, b. 1914) Untitled (Paris Street
Scene), oil on board (framed), ca. 1930. 7” x 9”
724: ERWIN STARKER (German 1872-1938) Untitled (Seascape), oil on
canvas (framed). Signed. 10” x 16”
725: OTTO DITSCHER (German American, 1903-1987) Two oils on canvas;
still life and landscape, 1974 and 1969. Both framed, signed and dated. 20”
x 26” and 20” x 30”
726: OTTO DITSCHER (German American, 1903-1987) Two oil paintings,
framed: Rheinbrucke Du Manheim, 1930, oil on board, 18” x 20”; Untitled,
1933, oil on canvas, 28” x 23”. Both signed and dated, first also titled

727: SUSAN WHITTING TALCOT (American, 1852-1936), Still Life,
watercolor on board (framed), 1930, signed and dated, 20” x 24”. Together
with another still life by unknown artist (American, late 19th-early 20th
C.), pastel on board (Eastlake frame), 12” x 14” sight.
728: CATHERINE R. WARRINGTON (American 19th C.) Untitled (still life
with violin), watercolor (framed), 1888. Signed and dated. 18” x 24” (sight)
729: WILLIAM DOVENER (American 1869-1954) Still Life, oil on canvas
(framed). (Note: Still life image on verso incomplete.) Signed. 14 1/2” x 27”
730: BEN SOLOWEY Nude study on the female. Signed lower right Ben
Solowey in sepia. 19 1/2” x 11”
731: BURTON SILVERMAN (American, b. 1928) Untitled charcoal on paper
(framed). Signed. 15” x 12” sight
732: AMERICAN SCHOOL Woman Waiting, oil on canvas board (framed),
1954. Illegibly signed. 20” x 14”
733: MALVINA CORNELL HOFFMAN (American 1887-1966) Untitled
(Portrait of father at the piano), pastel on paper (framed), 1909. Signed
and dated. 27” x 36”
734: 20th C. Anonymous portrait, charcoal on paper (framed). 12” x 8”
734A: AMERICAN SCHOOL Portrait of a boy (framed), 1882. Initialed
H.G.H. (?) and 82, lower right. 19 1/2” x 15 1/2”
735: FRANK H. SMITH (American) Untitled (Native American), oil on
canvas, signed; and American School, 20th C., untitled illustration, oil on
canvas, approx. 28” x 40”. Neither mounted on stretchers
736: RUSSELL CARTER (American 20th C.) Untitled (Native horsemen in a
Western landscape), oil on canvas (framed). Signed. 24” x 30”
737: CHARLES J. BURDICK (American, 20th C.) Three untitled oils on
board, framed: Horses, sight 9 1/2” x 23 1/2”; Nude with Cat, 7”x 9”; Nude
with Cherub, 8” x 12”. All signed.
738: GEORGE FORD MORRIS (American, 1873-1960) “Returning to the
Stable”, lithograph on paper, ca. 1935. Associated American Artist, Inc.
edition; provenance: Estate of Maurice Liederman, co-founder of Associated
American Artists, Inc. Signed. 16” x 12” (sheet)
739: RON FRESCORO BLEWBURY (American, 20th C.) Horse-racing off-set
lithograph (framed). Signed Ron Frescoro Blewbury ‘73. 15” x 20”
740: NATHANIEL CURRIER (American, 1813-1888) The Last War Whoop,
hand-colored lithograph, 1856, (poor condition), 23” x 30”. Together with
American 19th C. untitled seascape, chromolithograph (framed), 20” x 24”
741: 20th C. AMERICAN ART Two oils on canvas by unknown artists,
framed: Scotsman, signed Jackson, 30” x 23”; Dunstaffnagle Castle, signed
Yonkers, 10” x 17 1/2”
742: JOSEPH ALEXANDER GOETHE (American, b. 1912) Tug Boats and
Barges, watercolor on paper(framed), 1938. Signed, dated and titled.
8 1/2” x 12”
743: STEPHEN PARRISH (American, 1846-1938) Untitled (Seascape),
engraving (framed). Signed. 24” x 36”
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744: HUNTING PRINT 20th C. The Meeting of Her Majesty’s Stag Hounds
On Ascot Heath, colored lithograph (framed). Overall 34 1/2” x 24”
745: CURRIER & IVES Winter in the Country, hand-colored lithograph,
(trimmed to the image, crimps and losses on bottom margin), 23” x 27”.
Together with a watercolor landscape and an oil on canvas still-life.
746: ABRAM TROMKA (American 1896-1954) Landscape,
silkscreen(framed), signed, 9 1/2” x 13 1/2” sight. Together with Third
Avenue at A St., NYC, watercolor and ink (framed), 1956, illegible
signature, titled and dated, 10” x 13 1/2” sight
746A: MENGALS (20th C.) Untitled; Oil on canvas (framed); Signed;
21 1/2” x 29 1/2”
747: BERNARD FUCHS (American, b. 1932) Untitled gouache on paper
(framed), signed, 21” x 14”. Together with Webster (American, 20th C.) The
Idle Rich, 1924, ink on board(framed), signed, 16” x 12”
748: CLARICE CLIFF / ROYAL STAFFORDSHIRE Tonquin transferware
service for eight, with dinner, dessert and soup plates, cups and saucers,
serving bowl and platter, sugar bowl and creamer. All marked Royal
Staffordshire by Clarice Cliff. Dinner plate: 10”
749: STAFFORDSHIRE Tea set comprising a tea pot, a covered sugar dish,
a creamer, five tea cups and saucers, and eight luncheon plates. A few
minor nicks/chips overall. All with green stamp mark CROWN
STAFFORDSHIRE MADE IN ENGLAND. Plate: 8” dia.
750: WEDGWOOD STYLE Biscuit tin with hunting scene. Missing top.
Impressed with “Adams Est. 1657,” nickel silver rim marked, “AB.” 9” x 5 1/4”
751: DOULTON BURSLEM Set of nine dessert plates, each with reticulated
rim and gilt decoration painted with various flowers including peonies,
hibiscus, dogwood, iris, jonquil etc. Each marked Doulton Burslem;
9 1/2” dia.
752: MINTON / LENOX China group with monogrammed gilt-decorated
teapot and matching sugar bowl. Together with six sterling demitasse cups
with Lenox inserts and Lenox fruit saucer. Teapot: 4 1/4” tall
753: ROYAL CROWN DERBY Porcelain assembled set of luncheon and
dessert plates in cobalt and orange, ca. 1800. Together with matching fruit
knives. Largest plate: 8 3/4” dia.
754: ROYAL CROWN DERBY Four Tudor Rose commemorative trays: three
from 1985; one from 1992. Together with a cobalt egg and stand with gilt
decoration. All marked. Egg and stand: 6”
754A: RICHARD GINORI Partial china set in Castello pattern: six dinner
plates, 10 1/4”; two large soups, 9 1/2”; four small soups, 8”; six salads,
7 3/4”; two cups and saucers, 5 1/4”. Together with two Royal Crown Derby
Imari pattern plates.
755: CAULDON PORCELAIN Eleven cream soups in burgundy and gilt.
9 1/2” dia.
756: ROYAL CROWN DERBY Commemorative plaque, Coronation of
Elizabeth II, edition of 250 in original box, 14 1/2” long. Together with Royal
Doulton by Webb corbett crystal paperweight from Knoxville World’s Fair
1982, in original case

757: ROYAL COPENHAGEN Tea set with two pots with reticulated covers;
eight tea cups; seven saucers; two platters with reticulated rims; two
square serving bowls. Each marked Royal Copenhagen Denmark. Serving
platter: 13” dia.
758: ROYAL COPENHAGEN Assembled set including: two compotes, two
covered jars, each surmounted by a cherub, assorted serving plates and
covered chocolate cup. All marked Royal Copenhagen Denmark. Compotes:
6 3/4”
759: DELFT Assorted pieces including: serving bowl, sugar bowl and
creamer on matching stand, six master salts and a covered bowl. All
marked Delft. Serving bowl 3 1/2” x 9”
760: PORCELAIN GROUP Includes: two Meissen figural groups, two
Satsuma finger bowls, Shelley sugar bowl and creamer, and a Royal
Worcester creamer. Tallest: 6 3/4”
761: DANISH PORCELAIN FIGURINES Two children reading; child and ball;
girl and suitor. All marked B&G Denmark. Together with a Wade porcelain
turtle box. Girl and suitor: 7 1/4”
762: DELFT AND LIMOGES Blue and white Delft charger depicting a
farmyard scene, together with a Limoges plate decorated with blue and gilt
edge and two putti. Charger: 15 1/2” dia.
763: HUMMEL Madonna and child figurine, polychrome, ca. 1960. Stylized
bee mark. 10 1/3”
764: DERUTA Pair of coiled snake handled vases, each with a portrait of a
man. Marked Deruta Italy Paul’s 3820. 12 1/2” x 6 1/2”
765: IVORY PORTRAIT MINIATURES Pair, one depicting a man in 18th C.
dress, the other a woman in similar style. 5 3/4” x 5”
766: FRAMED WALL HANGINGS Three in shadowbox style with Roman
images on paper backing images reverse printed on glass. 17” x 9”
767: EARLY PHOTOGRAPH ALBUM With twenty-five tin types and
seventeen paper prints; binding and cover in distressed condition.
5” x 4” x 2 1/2”
768: BRONZE PLAQUE Depicting Biblical scene in architectural setting,
framed. Plaque: 3” x 5 1/4”, frame: 9” x 13”
769: ALABASTER Small gadrooned urn with two grotesques. Large chip
and small ding on base. 9” x 10 3/4”
770: ALABASTER Figural lamp with illuminated alabaster base carved with
sailboats, topped by a painted spelter figure of a mariner or a pirate. Minor
paint loss. Carved MADE IN ITALY 666. 12 1/2” x 5”
771: PAIRPOINT Pair of brass Gothic-style candlesticks with trefoil bases.
Marked Pairpoint Manufacturing Co. B6147. 4 7/8”
772: BRADLEY & HUBBARD, Etc. Cast iron oil lamp adapted for electricity,
stamped on the base B&H MF’G CO. Together with two-light brass
girandoles, losses. Oil lamp: 20” tall
773: SEASHELL WALL SCONCE Two light sconce centered by a faux turtle
shell, overall coverage with various seashells. Losses. 32 1/2” x 24 1/2”
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RAGO ARTS AND AUCTION CENTER >
774: GORHAM Bronze ashtray and match holder, marked on the base
Gorham with an acorn and the numbers 011728, and marked on either side
of the match safe Fourteen East Sixtieth Street. Together with hand
hammered match safe monogramed MR; bronze ashtray with tiger made by
General Bronze Corporation and the numbers 12-5-47; pewter matchsafe
marked Barker House Boston; copper bowl marked Apollo Studios New
York; copper bowl marked Chambers; stainless steel ashtray; stainless
steel cigarette and match holder; hard stone covered urn; two simulated
bronze plaster cats marked DeWitt on the side; art glass vase, several
chips on rim. Vase: 8 3/4”
775: GERMAN FOLK ART Black Forest carved slide lid box of a cat with
ball, 20th C. Portion of tail missing. 5” x 7”
776: LE BLANC FRERES Sculpture of two dogs fighting over a hat. Base
detached. Sculpture: 8 3/4”
777: WILLIAM AND MARY Set of four spindle-back chairs, possibly 18th C.
36 1/2” x 18 3/4” x 16 1/2”
778: AMERICANA Rhode Island continuous back Windsor (damage to top
rail, water damage to seat), 36 1/2” x 22 1/2”. Together with painted
Hitchcock chair, 19th C., 36” x 17 1/4”
779: AMERICANA Painted chair with wicker seat (distressed condition)
and tilt-top candle stand. Chair: 32 3/4” x 17 1/2”, stand: 25” x 22” dia.
780: ENGLISH VICTORIANA Two Windsor tavern chairs, one with replaced
back slat, repairs and losses on both. Tallest 43 1/2” x 19 3/4” x 15 1/2”
781: JACOBEAN STYLE Three tavern chairs, together with a child’s barrel
chair, one side chair cut down. Tavern chair 36” x 18 1/2” x 14 1/2”
782: COLONIAL REVIVAL Pair of stools and occasional table with turned
bases. Table 17 3/4” x 13 “ dia.
783: SHAKER STYLE Maple stand with single drawer.
30” x 21 1/4” x 21 1/2”
784: BELTER STYLE Victorian chair. Together with a framed print depicting
the chair and a child. Chair: 40” x 18 1/2” x 19”, print: 33” x 29” frame.
785: A.B. CHASE Vertical mahogany spinet piano with shaped octagonal
legs. Alligatoring, wear to legs. Sound board marked 103483.
36” x 57 3/4” x 24”
786: SONORA Floor standing Victrola. 46” x 20 1/2” x 20 1/2”
787: VICTORIAN Burlwood veneer demi-lune game table with string inlay.
Together with a hall bench with mirrored back and fliptop seat, later coffee
table and rolling cart. Table: 30” x 36” x 18 1/4”
788: VICTORIAN Bentwood easel. 61” x 18 1/2” x 17 1/2”
789: VICTORIAN STYLE Brass bed with lacquered finish. 60” x 51” x 82”
790: VICTORIAN Oval marble top table. 31 1/2” x 28 1/2” x 22 1/2”
791: VAN ARCO Oak shoe-shine box, together with a rosewood and
mahogany tilt table. Table: 28” x 27 1/2” x 19 1/2”

792: CHAIR GROUP Including Eastlake style side chair; Biedermeier style
armchair with rush seat; walnut folding chair with caned seat and back and
Prince of Wales feather decoration. Losses. 6 1/2 x 19” x 17”
793: HUNZINGER Folding chair with turned legs and cross stretchers.
Branded mark, 1866. 36 1/2” x 32” x 24”
794: VICTORIAN Bentwood easel. 24” x 44” x 48”
795: MIRRORS Pair of mirrors in gilded floral design recessed frames.
29 3/4” x 39 3/4” x 3 1/2”
796: COUNTRY Pine cupboard with glass doors over two drawers and
cabinets. 55” x 48 1/2” x 17”
797: DRAFTING TABLE With pine top and fully adjustable oak base.
34 1/2” x 60” x 35 3/4”
798: COUNTRY Deacon’s bench with antiqued green finish, and
upholstered seat cushion (not shown). 34” x 72 3/4” x 23”
799: DANIEL THOUROUDE DE LOSQUES (French, 1880-1915) Mistinguett,
offset lithograph (framed), ca. 1912. Printer: H. Chahoin, Paris.
73” x 40” (sight)
800: WILLIAM J. STEINIGANS The Way of the Transgressor, print, period
oak frame. Together with framed print of a woman and child on a rocking
chair in period oak frame; photograph of the J.B King and Co. employees,
Silver Lake S.I. Sept 12, ‘09 in period oak frame; oil on canvas landscape
view in painted gesso frame; oil on board with watermill, signed lower right
A.R Gillion. Largest: 31” x 12 1/4”
801: ARTIST UNKNOWN (European, Late 19th Century) Untitled (Friar
with Cabbages and Apples), gouache on board (framed). 20 1/4” x 12”
802: LITHOGRAPHS Four lithographs of continental views: farmhouse
with ducks, signed, numbered 105/350, 29 1/2” x 25 3/4”; landscape with
architectural ruins, signed, artist proof, 26 1/2” x 21 1/2”; cityscape with
bridge, signed, numbered 26-350, 20 1/8” x 22 1/4”; French landscape with
chateau, signed Alex, 11 3/4” x 14 1/2”
803: 20th C. AMERICAN ART Fifteen academic drawings by various
artists, some signed. 24’ x 36” average size.
804: HANS FIGURA Group of five prints in polychrome depicting European
scenes, signed Hans Figura. Together with two tin Vienna art plates each
depicting a woman in elaborate gilt frames. Largest: 18” x 20”
805: AFTER AUGUSTE RENOIR (French, 1841-1919) Two etchings, framed:
Girl with a Hat, 4 3/4” x 3”; The Bathers, 4 3/4” x 3”
806: AFTER FERNAND LEGER (French 1851-1955) “La Ville II,” lithograph
(framed), signed in the plate, numbered 239/300, sight 18” x 14”; After
Georges Braque (French 1852-1963), Corbeille de Fruits, lithograph
(framed), signed in the plate, 16” x 22”
807: AFTER HENRI DE TOULOUSE-LAUTREC (French 1864-1901) Untitled
figure off-set print (framed). 20” x 15”
807A: HENRI DE TOULOUSE-LAUTREC (French, 1864-1901) Two works of
art: La Matin Au Pied L'Echaufaud, 1893; lithograph in colors (framed); 10
1/2” x 7 1/4” (image); Caudieux, 1893; lithograph in colors (framed); 11” x 8”
808: DRAWINGS Pencil drawing of elderly man, signed, 10” x 6 1/2” sheet;
pastel of a religious scene, 6 /14” x 4 3/4” sight. Both framed.
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RAGO ARTS AND AUCTION CENTER >
809: AMERICAN SCHOOL 20th C. Four works: oil on artist board (framed);
one signed McGinn others unsigned; sizes 10” x 14”; 12” x 16”;
8” x 10”, 10” x 14”
809A: JAMES H. BURRES (American, 1894-1955) Untitled; Oil on canvas
(framed); Signed; 34” x 42 1/4”
810: GEORGE T. HOBBS (American 1896-1929) Forest Clearing, oil on
canvas(framed). Signed and titled. 10” x 14”
811: A. H. ROSE Landscape, oil on canvas mounted on board (framed),
signed and titled (illegible), 14” x 18”
812: J&J BOYDELL Two prints, framed: Battersea, Chelsea, & London from
M. Rucker’s Villa, and Putney Bridge. 13 1/2” x 10 3/4” sight ea. Together
with a folk art painting of a hunting still life, signed S.M. Shaw,
19 3/4” x 23 3/4” sight.
813: THOMAS KING HANNA (American 1872-1951) Darius and Alexander,
gouache on paper (framed), 1914, signed and dated, 18” x 11”. Together with
N.A. Wells, Arc De Triomphe, Paris, Early Twilight, Nov. 1896, colored pencil
on vellum (framed), signed, dated, titled, and inscribed, 9” 1/4” x 7 1/4”
sight
814: HENRY FARRER (American 1843-1903) Studies of a Ship, watercolor
and pencil on paper (framed), 8” x 11”
815: GEORGE JOANITZ Untitled watercolor, signed “George [surname
illegible]”. 11 3/4” x 16” sight, 21 1/8” x 24 1/8” frame
816: WILLIAM DOVENER (American 1869-1954) Dock Scene, oil on canvas
(framed). Note: Still life image on verso incomplete. Signed. 14” x 16”
817: L.S. REMINGTON (American 20th C.) Landscape, oil on
canvas(framed). Signed L. S. Remington. 12” x 14”
818: WESLEY WEBBER (American, 1939-1914) Pastoral scene, oil on
canvas (framed), signed, 30” x 38”. Together with unknown artist, pastoral
scene, oil on canvas(framed), 17 1/2” x 20”
819: GODFREY F. BIEHL (American, b. 1879) Untitled (landscape with oak
and Spanish Moss), oil on canvas mounted in gitwood Impressionist-style
frame. Signed. 24” x 30”
820: EDMUND DARCH LEWIS (American 1835-1910) Mother and Child,
watercolor on paper (framed), 1892. Signed and dated. 9 1/2” x 19 1/2”
821: ANNE RICE (American, 20th C.) Untitled dog and cat, pencil on paper
(framed). Signed. 18” x 22”
822: DURR FREEDLEY (American 1888-1938) Untitled portrait, pencil on
tracing paper (framed). 10 1/2” x 6 1/2”
823: FASHION SKETCHES Four watercolor and pencil drawings, two signed
by Violet Alexander, dated April 1, 1931, overall 16 1/2” x 11 5/8”; one
initialed VZA, 13 1/2” x 10 1/8”; one unsigned, 12 5/8” x 10 1/8”. Together
with a watercolor still-life, signed, 19 1/2” x 17 1/2”
824: ALICE M. DOWELL (American, Mid-20th C.) Illustration artist
portfolio, 1940s, including more than forty original watercolor and gouache
on board fashion illustrations. Signed. Average size 20” x 15”
825: FIGURAL CLOCK Mounted on a wooden base and back, flanked by two
white metal figures, one with a rifle, the other draped with a fishing net,
centered by a mirror. 16 3/4” x 13 1/4” x 6”

826: JE CALDWELL black slate and marble clock incised and gilded. Hinge
to glass door is broken, missing minute hand, marble overlays loose.
Marked Philadelphia on clock face and JE Caldwell & CO. Philadelphia 1882
on the movement. 18” x 11 1/4” x 6 1/4”
827: GRANDMOTHER’S CLOCK. 74” x 10” x 7”
828: CYLINDER MUSIC BOX, 19th C. 4” x 10 1/4” x 5”
829: REBAJES Copper leaf tray, together with a brass samovar with
matching tray and bowl, and two volumes of Longfellow poems. Tray
marked Rebajes. 12 1/2” x 11 1/2”
830: BRASS TABLETOP Tray with raised border with scrolled corners and a
handle on each end. 51” x 27”
831: FIREPLACE TOOLS Brass poker and tongs, ca. 1900. Each: 30” long
832: MIDDLE EASTERN Four brass and copper plates, including one
octagonal with silver overlay and incised decoration, India, 19th C. Together
with a brass oil lamp, Middle East. Largest: 17 3/4”
RAGO AUCTIONS
Auction Management:
MIRIAM TUCKER
JOHN SOLLO
DAVID RAGO
SUZANNE PERRAULT
Cataloguers:
CAROL CRUICKSHANKS, HEATHER GIBSON,
DENISE RAGO, AMANDA SMITH,
AMY STRZELEC, KRISTINA WILSON
Chief Executive Officer:
MIRIAM TUCKER
Chief Operating Officer:
MICHAEL INGHAM
Chief Administrative Officer:
ELIANE M. TALEC
Art Director:
ANTHONY BARNES
Photographer:
LYNNETTE MAGER
25
RAGO ARTS AND AUCTION CENTER >
832A: MIDDLE EASTERN BRASS Set of three vessels in graduated sizes.
Each with an inscribed circular medallion and incised script below. Tallest:
8” x 7” dia.
833: TIFFANY & CO. Angelus desk clock. Marked. 7” x 6 1/2”
834: ARCHITECTURAL SALVAGE Cast iron fireplace surrounds, coal grates,
firebacks and vent covers in assorted finishes. Largest: 30 1/2” x 30 1/2”
835: ARCHITECTURAL SALVAGE Gothic style painted wood mantle.
48” x 70 1/2” x 9 3/4”
836: ARCHITECTURAL SALVAGE Two pairs of Eastlake style pocket doors
of grain painted yellow pine. One pair: 96 1/2” x 33 1/4”; other pair:
95 3/4” x 30 5/8”
837: BRONZE Four large 19th C. door hinges of stylized form with green
patina. 26 1/4”f
838: WOODEN SHIP’S WHEEL With brass fittings. Alligatored finish.
45” dia.
Coordinator of Client Services:
KAREN DAVIES
Shipping/Transportation Services Administrator:
TODD WALLACE
Art Handlers and Movers:
CASSIDY ENOCH–REX (foreman)
CHARLES CHAMBERLIN
KEVIN LOFARO
RICHARD PALLESCHI
Controller:
LISA KOLVA
Administrative Assistant:
NANCY ATKINS
Public Relations:
ERIKA OMAN
Our thanks to the entire auction staff.

TERMS OF SALE
clears. If you are successful and do not remit payment within thirty (30)
days, the balance will be charged to your credit card together with such
THIS IS AN "AS-IS, WHERE-IS"
charges set forth in these terms of sale. The auctioneer reserves the right
to refuse participation by any bidder, whether on premises or participating
ABSOLUTE AUCTION. NO RETURNS.
on-line or by telephone, whom the auctioneer deems in its discretion to be
or have been disruptive of the bidding or auction process, or otherwise
David Rago Auctions, Inc.
609-397-9374 (p) / 609-397-9377 (f)
deemed affect the integrity of the process.
(Hereafter referred to as "the Auction House")
5. Absentee Bids
All bidders are responsible for reading and understanding these Terms of
Sale, as well as any supplemental notices. If you have any questions after
having read the Terms of Sale, please contact the C.E.O., Miriam Tucker, at
mtucker@ragoarts.com or 609.397.9374, extension 141.
We accept absentee bids by phone, by mail, in person, or by fax. Absentee
bids are requested by no later than 6:00 p.m. on the business day before
the auction. If you fax your absentee bids, please call us to confirm receipt.
All absentee bidding is handled as though you are in attendance. We buy
all designated lots for you one bidding increment above where competition
stops. Please check and comply with these increments. In case of failure to
1. General
comply, we will reduce each off-increment bid to the next lower figure.
ALL PROPERTY IS SOLD "AS IS". THE CONSIGNOR MAKES NO WARRANTIES
OR REPRESENTATIONS OF ANY KIND WITH RESPECT TO ANY PROPERTY
OFFERED FOR SALE. THE AUCTIONEER MAKES NO WARRANTY OF TITLE,
WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR
PURPOSE, OR ANY OTHER WARRANTY OR REPRESENTATION OF ANY KIND
OR NATURE WITH RESPECT TO THE PROPERTY. In no event shall either be
responsible for the correctness of descriptions, nor deemed to have made
any representation or warranty of description, genuineness, attribution,
provenance or condition of the property and no statement by anyone or in
the catalogue, in any advertisement, or which is made at the sale, in the
bill of sale or invoice, or elsewhere, shall be deemed such a warranty or
representation or an assumption of liability. All bidders acknowledge their
right to have made full inspection of any and all properties prior to sale
"Plus" bids: Because of our structured bidding increments, it is more likely
that several people will leave identical bids. Since an earlier bid left with
the auction house wins in the event of a tie, a later bid with an added
"plus" bid to the next increment would win the piece. All absentee bidder
names and bids are held in strictest confidence, disclosed only in the event
of a question after the sale. Absentee bidding is a convenience offered to
our customers and, while we will make every effort to execute your
instructions, the Auction House is not liable or responsible for any errors or
failure to do so. If you place absentee bids with the Auction House, then
choose to attend in person, bid by phone or any other means, it is solely
your responsibility to cancel any or all absentee bids prior to the start of
the auction.
and agree to be charged with all matters such inspection may have
6. Telephone Bids
disclosed or indicated. The Auction House retains all rights to copyright
and other intellectual property contained in this catalogue.
Lines are available on a first-come, first-served basis - please reserve as
soon as you are able. We want to hear from you no later than 12 noon on
the business day before the auction. Please call to set up all phone line
2. Buyer’s Premium, Purchase Price, Taxes, and Billing
requests. Do not fax phone line requests. If you are unsure of where you or
Upon the fall of the auctioneer’s hammer, the successful bidder becomes
the buyer and owner of the property and is responsible for the property,
the amount of the successful bid, the buyer’s premium, applicable taxes,
and other charges provided for in the Terms of Sale in U.S. Dollars, payable
immediately.
Buyer's Premium/Purchase Price: A buyer’s premium in the amount of 20%
of the successful high bid will be added to the amount of the successful bid
price regardless of payment method. All bidding at auction and all
purchases will be in U.S. Dollars.
your agent will be during the sale, we recommend you leave absentee bids.
All requests for overseas telephone lines must be accompanied by
absentee bids, which will be executed on the buyer's behalf, should there
be any problems with telephone connections. Bids are placed on the
telephone at the discretion of the Auction House and at the caller’s risk.
Telephone bidding is a convenience offered to our customers and, while we
will make every effort to execute your instructions, the Auction House is
not liable or responsible for any errors or failure to do so. If you place
absentee bids with the Auction House, bid in person, by phone or any other
means, it is solely your responsibility to cancel any or all absentee bids
Taxes: Applicable taxes shall include New Jersey sales tax (7%), use tax, prior to the start of the auction. If you do not or cannot, regardless of
excise tax, and other taxes or levies. Only valid resale certificates are
accepted as proof of exemption from New Jersey sales tax by U.S. dealers.
reason, you will be held responsible for the property's purchase.
No New Jersey sales tax is charged for purchases shipped out of state.
Billing: Payment is due upon receipt, unless special arrangement has been
made with the Auction House. All successful telephone and absentee
bidders will be sent invoices the Monday after the auction.
7. Auctioneer’s Determination Final
A lot will be sold to the highest bidder as determined in the sole and
exclusive judgment of the auctioneer. The auctioneer will also have the
sole and exclusive power and authority to a) resolve any disputes between
bidders, b) determine whether to pass or re-offer a lot for sale, c) reject or
3. Methods of Payment and Fees
challenge any bid or advance in the bidding, d) exclude any bidder from the
Cash. Check. Wire Transfers. Visa. MasterCard. Discover. PayPal. All
premises and e) otherwise regulate the bidders, the bidding and its
payments are due immediately upon receipt of invoice. We reserve the
right to hold all goods paid for by check until payment has cleared.
increments.
4. Qualifying to Bid
8. Withdrawal of Property from Sale
The Auction House reserves the right to withdraw property from the sale
Bidding Numbers: All bidders must register and receive a bidding number
for any reason and with no liability whatsoever for such withdrawal.
from the Auction House prior to bidding at the auction.
9. Rescission by the Auction House
New Buyers: If we do not know you, you will be asked to furnish
In the event the Auction House receives notice of an adverse claim with
identification, a valid credit card number, and, possibly, credit references. If respect to purchased Property, the Auction House shall have the right (but
you are acting as another’s agent or principal, we may request a letter of not the obligation), in its sole and absolute discretion, to rescind the sale
authorization. If paying by check, you must establish credit with the C.A.O., to the buyer, upon written notice to the buyer. Upon such notice, the buyer
Eliane Talec, extension 118, at least three (3) business days prior to the will promptly return the purchased property to the Auction House’s
auction. A letter from your bank, presented before the sale, may also be premises in the same condition as when purchased. The Auction House will
accepted, at our discretion, although we will retain your purchase(s) until then promptly refund the purchase price, including the buyer’s premium
the check
and applicable taxes paid. Buyer will have no further recourse against the
26
RAGO ARTS AND AUCTION CENTER >

Auction House or the consignor, and the Auction House and the consignor Auction House’s possession to reduce or satisfy the buyer’s obligations.
shall not be liable for any damages of any nature suffered by the buyer. - Security Interest: As security for full payment to the Auction House and
the consignor of all amounts due, the buyer grants the Auction House the
10. Payment, Collection, and Shipping Responsibilities of Buyer
right to retain a security interest in the Property purchased at auction and
- Buyer Obligations: On the fall of the auctioneer’s hammer, title to the
property immediately transfers to the successful bidder who, in turn,
becomes the buyer of the Property. The buyer assumes full risk and
responsibility for the purchased Property, including all costs and expenses
of handling, shipping, insurance, taxes, export, and otherwise, and is liable
for the full purchase price, plus the buyer’s premium, applicable taxes, and
any other associated expenses.
in any other property or money of buyer in the Auction House’s possession
or coming the Auction House’s possession (collectively, "collateral.") The
Auction House shall have the rights of a secured creditor as provided by
the Uniform Commercial Code and other applicable law. Such security
interest in the Property or other collateral will cease when the Property is
physically delivered to the buyer or the buyer’s agent.
- Collection of Property and Storage Charges: The buyer will pay for the 12. Governing Law and Forum for Disputes
purchased Property immediately and remove it from the premises of the The laws of New Jersey shall govern the auctions of the Auction House.
Auction House except by prior arrangement with the Auction House. The Any disputes that may arise in connection with the auction and/or any
Auction House may, at its discretion, remove the purchased Property to auction purchase, and all of the terms and conditions set forth herein
public storage at the buyer's risk and expense. Those with permission to above, shall be governed by and construed in accordance with New Jersey
pick up their property from the Auction House following the sale must call law. Any one who participates in the auction and/or makes auction
24 hours in advance to arrange pick-up. Normal pick-up hours are Monday- purchases agrees to submit to the jurisdiction of the courts of the State of
Friday, 9:00 a.m. - 5:00 p.m., excepting the hour between 12:00 and 1:00 New Jersey with respect to any dispute arising in connection with the
p.m. Property purchased and left at the auction house for two weeks will be auction and/or any auction purchases. In the event that the Auction House
sold or donated for you.
needs to bring an action to enforce the terms and conditions herein and/or
- Packing and Shipping: The buyer is responsible for the shipment of all to collect any sum due and owing to it the Auction House shall be entitled
purchased Property. As a convenience to the buyer, the Auction House will, in addition to collect its reasonable attorney's fees, collection agency fees,
if requested, give your property to Masterpiece Shipping in Buckingham,
PA. This company will pack and ship or arrange shipment for you via UPS,
and cost of suit.
FedEx or other carrier, fully insured, for a fee payable in advance by credit
card. Shipments are made within a few days after payment has been
received. (If you have any shipping preference for any reason, please make
sure your shipper carries insurance. We are not responsible for any damage
or loss that occurs while your objects are in another's care. We will also not
13. Limitations of Liability
The Auction House acts only as the agent for the consignor and in no event
will be liable for any breach or default by the consignor.
be responsible for any damage or loss that occurs if you choose a shipping 14. Severability and Waiver
method that we have advised against and we will require a waiver from you
acknowledging this.) All international customs, duties, and other tariffs are
the responsibility of the Buyer. The Auction House and Masterpiece
Shipping will declare the selling price as the value in all cases. Shipping
larger items: Larger items are objects such as furniture, andirons, floor
vases, or any other item whose safe packing will exceed the limits of
common carriers. The Auction House can arrange delivery by freight almost
anywhere in the United States, fully insured, for a fee. The delivery of large,
If any provision of portion of these Terms of Sale shall be deemed unlawful,
void, or unenforceable under applicable law, that provision or portion shall
be stricken and severed from the remaining provisions, which shall remain
in full force and effect. Failure to enforce any of the provisions in these
Terms of Sale shall not be deemed a waiver of the right to enforce any
other provisions of these Terms of Sale.
heavy, or expensive objects is not an inexpensive proposition and we urge 15. No Assignment
you to consider this before bidding. We will work with any shipper of your
choosing.
Unless the Auction House consents in writing, buyers may not assign their
rights or any of their obligations related to an auction or other sale by the
Auction House.
11. Buyer Default
- Remedies: If any of the Terms of Sale are not fully complied with by the
buyer, the buyer will be in default without need of notice by the Auction
House. The buyer shall be liable to the Auction House and the consignor
for the total purchase price, including all premiums, charges, and expenses
specified in the Terms of Sale. Interest shall accrue at the rate of 18% per
annum commencing with the date of the auction. In addition to other
remedies available to the Auction House by law, the Auction House may, at
its option, a) cancel the sale of the lot(s) on which the buyer defaulted and
of any other lots sold to the defaulting buyer at the same or any other
auction(s) and retain as liquidated damages all payments made by the
buyer, b) resell the purchased Property, whether at public auction or
private sale, or c) pursue any combination of a) and b) above. In event of
default, the buyer will be responsible to the Auction House and the
consignor for any deficiency, any and all costs and expenses, including
reasonable attorneys’ fees, collection fees and expenses, late charges, and
other damages. The Auction House may, at its discretion, apply any
proceeds of sale otherwise due to the buyer or monies of the buyer in the
27
RAGO ARTS AND AUCTION CENTER >
16. No Modifications
These Terms of Sale may not be changed unless the Auction House and
buyer have agreed to do so in a written agreement signed by both parties.
17. Miscellaneous
Export or Import: An export license may be required for the export of
certain materials. Some countries prohibit the importation of certain
materials. It is the sole responsibility of buyers to familiarize themselves
with any required license and import/export requirements. The Auction
House will have no responsibility with regard to these matters.
Private Sales: These Terms of Sale shall apply to both auction and private
sales of property.
Paragraph Headings: Paragraph and subheadings are included in these
Terms of Sale for ease of reference and should not be used to interpret the
meaning of the substantive provisions.

ABSENTEE BIDDING FORM – 06/07 DISCOVERY
Please phone or fax any bids, in addition to sending us this form,
to assure our receiving them as early as possible.
Please review bidding procedures and the Terms of Sale in the catalogue.
DO NOT fax phone line requests, please.
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Address _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
City _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ State _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Zip Code _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ E-mail _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Telephone (home) _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ (work) _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ F a x _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Resale/Tax Identification_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ State _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
On every individual lot, a buyer’s premium in the amount of 20%
of the successful high bid will be levied up to and including
$500,000 and a buyer’s premium of 12% thereafter on any amount
in excess of $500,000, regardless of payment method.
Lot# Description Bid
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Auction house or other reference and a valid credit card number (if a first-time bidder)
Reference Company Name _ Contact Name _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Visa/MC/Disc.
PLEASE ADHERE TO THE BIDDING INCREMENTS
$10 until $100 is reached $500 until $10,000 is reached
$25 until $500 is reached $1,000 until $30,000 is reached
$50 until $1,000 is reached $2,500 until $50,000 is reached
$100 until $3,000 is reached $5,000 until $100,000 is reached
$250 until $5,000 is reached $10,000 over $100,000
Telephone _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Exp. Date _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
I hereby confirm that I have read and am bound by the “Terms of Sale” for the auction. If I place absentee bids, then choose to attend in
person, bid by phone, or by any other means, it is solely my responsibility to cancel any or all absentee bids prior to the start of the
auction.
_ Signed (Signature required to execute your bids) Date
RAGO ARTS AND AUCTION CENTER >
333 North Main Street • Lambertville, NJ 08530 • 609.397.9374 • fax 609.397.9377 • www.ragoarts.com

CONDITION REPORT FORM – 06/07 DISCOVERY
We are happy to provide you with condition reports on all lots as requested. Note that we are neither professional restorers nor
conservators and specialist opinions are subjective and not a statement of fact. Therefore, we do not guarantee the content of the
written or verbal condition report. Not withstanding this report, all lots are offered and sold in accordance with Paragraph 4 of the
Conditions of Sale listed in the catalogue.
Lot Number Description Specific Questions
Name: ______________________________________________________________________________________________________________________________________________________________________________
Daytime Telephone #: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Hours: _ _ _ _ _ _ _ _ _ _ _ _ _ to _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Evening Telephone #: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Hours: _ _ _ _ _ _ _ _ _ _ _ _ _ to _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
E-mail: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
RAGO ARTS AND AUCTION CENTER >
333 North Main Street • Lambertville, NJ 08530 • 609.397.9374 • fax 609.397.9377 • www.ragoarts.com