DISCOVERY AUCTION Saturday, June 9, 2007 11 am
DISCOVERY AUCTION Saturday, June 9, 2007 11 am
DISCOVERY AUCTION Saturday, June 9, 2007 11 am
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<strong>DISCOVERY</strong> <strong>AUCTION</strong><br />
<strong>Saturday</strong>, <strong>June</strong> 9, <strong>2007</strong> <strong>11</strong> <strong>am</strong><br />
No Reserves. No eBay. No Offer Refused.<br />
Previews<br />
<strong>Saturday</strong>, <strong>June</strong> 2 through Friday, <strong>June</strong> 8 from 12-5 pm<br />
Doors open at 9:00 a.m. on the morning of the sale<br />
All lots pictured in color online at www.ragoarts.com<br />
Absentee and phone bids gladly accepted.<br />
IMPORTANT INFORMATION FOR ALL BIDDERS<br />
· We are glad to provide condition reports at your request with the<br />
understanding that this is an AS-IS, WHERE IS auction. No returns<br />
under any circumstances. All bidders acknowledge their right to make<br />
a full inspection of property prior to sale and are charged with all<br />
matters such inspection may disclose or indicate. Neither the Auction<br />
House nor the consignor is responsible for the correctness of<br />
descriptions. (For complete Terms of Sale, see the back of this<br />
catalogue.)<br />
· Requests for condition reports may be faxed to 609.397.9377 or<br />
called in to 609.397.9374.<br />
· There will be a 20% buyer’s premium added to the price of the<br />
successful high bid.<br />
· Please come prepared to pay for and pick up your purchases. All<br />
purchases must be removed from the auction house within 2 weeks of<br />
the sale, except by prior written permission.<br />
333 North Main Street L<strong>am</strong>bertville, NJ 08530<br />
www.ragoarts.com info@ragoarts.com<br />
t: 609.397.9374 f: 609.397.9377
1: PAUL EVANS Cityscape extension dining table with an ivory plexiglass<br />
top on brass base. Complete with one 15” leaf. Closed: 29” x 60” x 44”<br />
2: MIES VAN DER ROHE / KNOLL Barcelona chair with tan leather<br />
upholstery on polished steel fr<strong>am</strong>e. Knoll Associates label.<br />
29 1/2” x 30” x 30”<br />
3: MIES VAN DER ROHE / KNOLL Wassily chair with reddish-brown hard<br />
leather on polished chrome fr<strong>am</strong>e. 28 1/2” x 30 3/4” x 27”<br />
4: PIERRE CARDIN Pair of two-door cabinets, each with interior drawer and<br />
shelf. 28 1/4” x 26 1/4” x 19 1/4”<br />
5: VLADIMIR KAGAN Upholstered armchair with painted fr<strong>am</strong>e. Script<br />
signature. 36” x 36” x 31”<br />
6: CHARLOTTE PERRIAND Pine slatted room screen. 82 1/2” x 33 1/2”<br />
7: CHARLOTTE PERRIAND Pine trestle table with rectangular top.<br />
27 3/4” x 45” x 27 1/4”<br />
8: CHARLOTTE PERRIAND Pine trestle table with square top.<br />
27 3/4” x 27 1/4” sq.<br />
9: JEAN PROUVE Student’s desk in oak on en<strong>am</strong>eled metal fr<strong>am</strong>e.<br />
30” x 24 1/2” x 33”<br />
10: MODERN Two slatted wood benches, one signed Martuni. Longest<br />
bench: 15” x 49” x 18 3/4”<br />
<strong>11</strong>: GEORGE NELSON / HERMAN MILLER Ebonized slatted bench with three<br />
case pieces, each with three drawers and chrome U-pulls.<br />
14” x 102 1/2” x 18 1/2”<br />
12: GEORGE NELSON / HERMAN MILLER Pair of nightstands with plank<br />
legs and chrome U-pulls. 24 1/4” x 18” x 18 1/2”<br />
13: GEORGE NELSON / HERMAN MILLER Slatted bench painted black.<br />
14” x 56 1/2” x 18 1/2”<br />
14: GEORGE NELSON / HERMAN MILLER Cabinet with single door and five<br />
drawers, raised on plank legs and painted black, with replaced pulls. Nelson<br />
for Miller tag. 40” x 56 1/4” x 18 1/2”<br />
15: GEORGE NELSON / HERMAN MILLER Slatted bench painted black<br />
together with a Herman Miller desk component with walnut shelf and<br />
hairpin brackets. Bench: 14” x 71” x 18 1/2”<br />
16: CHARLES EAMES / HERMAN MILLER Four DCMs and one LCM on black<br />
metal fr<strong>am</strong>es. 29” x 16” x 19” and 26 1/2” x 22” x 25”<br />
17: CHARLES EAMES / HERMAN MILLER Conference table with ash top.<br />
28” x 83” x 41 1/2”<br />
18: CHARLES EAMES / HERMAN MILLER Conference table with walnut top<br />
on steel base. Herman Miller label. 28 3/4” x 83 1/4”<br />
19: PACE / CHARLES EAMES / HERMAN MILLER Mariani Executive office<br />
chair with brown leather upholstery, and four Herman Miller upholstered<br />
fiberglass shell armchairs. All marked. Executive chair: 49” x 30 1/2” x 27”<br />
20: STYLE OF HERMAN MILLER Set of four cane-back side chairs together<br />
with two armchairs with similar upholstery. 31” x 17” x 19”<br />
21: GEORGE NELSON / HERMAN MILLER Stereo cabinet on plank legs.<br />
30” x 56” x 18 1/2”<br />
22: CHARLES EAMES / HERMAN MILLER Fiberglass-shell chair, together<br />
with a cart with two yellow l<strong>am</strong>inate shelves and tubular legs.<br />
Chair: 29” x 25” x 24”<br />
23: GEORGE NELSON / HERMAN MILLER End table with glass top, single<br />
drawer, and attached l<strong>am</strong>p with parchment drum shade. 44 1/2” x 18” x 34”<br />
24: GEORGE NELSON / HERMAN MILLER End table with single drawer and<br />
glass top. 22 1/2” x 34” x 18”<br />
25: GEORGE NELSON / HERMAN MILLER Assembled worktable with walnut<br />
veneer top on mismatched H-shaped chrome legs. 30” x 65” x 32”<br />
26: HERMAN MILLER Pair of fabric-upholstered settees on bright chrome<br />
legs. Circular Herman Miller tags, and fabric upholstery tag.<br />
29” x 56 1/2” x 29 1/2”<br />
27: CHARLES EAMES / HERMAN MILLER Dinette table with eight ivory<br />
fiberglass shell chairs. Paper labels to chairs. Table: 28 1/2” x 45 1/2” dia.<br />
28: HERMAN MILLER Low sofa with black crushed velvet upholstery on<br />
metal legs, with bolster. 24” x 108” x 23”<br />
29: WIDDICOMB Drop-front secretary with three lower drawers. Widdicomb<br />
Modern original tag. 45” x 34” x 20”<br />
30: WIDDICOMB Two tiered occasional table. 21 1/4” x 27”<br />
31: KARL SPRINGER Extension pedestal dining table covered in yellow<br />
lacquered finish; includes two 18” leaves. Leaves marked 86.<br />
Closed: 29 1/2” x 51”<br />
32: STYLE OF KARL SPRINGER Two black lacquered tables, one coffee- and<br />
one side-. Larger: 27” x 52” x 16”<br />
33: STYLE OF KARL SPRINGER Set of four dining side chairs with<br />
lacquered bone or horn finish and fabric upholstery. One marked with tag<br />
reading “Made in Columbia, bone-horn-goatskin.” 38” x 21 1/2” x 19”<br />
34: STYLE OF KARL SPRINGER Coffee table and matching wall-hanging<br />
mirror in black and white faux-stone mosaic finish. Table: 17” x 38”,<br />
mirror: 47” x 30”<br />
35: GENE HIGHSTEIN (American, 20th C.) Untitled (spheres), four<br />
screenprints on paper, 1976. Each signed, dated, and numbered AP.<br />
27 1/2” x 39 1/2” (sheet) ea<br />
36: SUZANNE HARRIS (American, b. 1979) Palette series #6, pastel and<br />
graphite on paper (fr<strong>am</strong>ed), 1975. Provenance: Holly Solomon Gallery (label<br />
on verso). Signed and dated. 42” x 24” (sheet)<br />
37: GARY BURNLEY (20th C.) Untitled, lithograph in colors (fr<strong>am</strong>ed), 1981.<br />
Provenance: Holly Solomon Gallery, New York (label on verso). Signed,<br />
dated and numbered AP1. 22 1/2” x 30” (sheet)<br />
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RAGO ARTS AND <strong>AUCTION</strong> CENTER t: 609.397.9374 f: 609.397.9377 e:info@ragoarts.com w: ragoarts.com
38: GORDON HART (American, b. 1940) Three screenprints:<br />
Silverprint/Yellow, silkscreen on paper, signed, dated, titled and numbered<br />
23/30, 38 1/4” x 25 3/4” (sheet); Silverprint/White, silkscreen on vellum,<br />
1980, signed, dated and titled, 38 1/4” x 25 3/4” (sheet); Silverprint/Violet,<br />
silkscreen on paper, signed, dated, titled and numbered 13/30, 36 3/4” x 24<br />
3/4” (sheet). Provenance: Albright-Knox Art Gallery, New York (label on<br />
verso)<br />
39: JOAQUIN VAQUERO TURCIOS (Spanish, b. 1933) Untitled, screenprint<br />
on paper, 1990. Signed, dated and inscribed. 26 1/4” x 15 3/4” (sheet)<br />
40: JERRY JONES (20th C.) Two works: Fish, papier mache on cardboard,<br />
signed, 7 1/2” x 6 1/4”; Study for sculpture “Night Wall”, mixed media on<br />
paper, artist’s studio st<strong>am</strong>p, 18” x 24” (sheet)<br />
41: DONNA DENNIS (American, 20th C.) False Favela, lithograph on paper.<br />
Signed, dated and numbered 53/75. 26 1/4” x 20” (sheet)<br />
42: SCOTT MILLER (American, b. 1947) 81 Pearl St., Brooklyn, acrylic on<br />
canvas, 1979. Provenance: Private Collection, Los Angeles. Signed, dated<br />
and titled. 19 1/8” x 28”<br />
43: MELISSA SCOTT MILLER (British, b. 1959) Two works: Ablaze,<br />
lithograph in colors (fr<strong>am</strong>ed), 1987, (provenance: Holly Solomon Gallery,<br />
New York (label on verso), private Collection, Los Angeles), signed and<br />
numbered 26/50, 36 1/2” x 26 1/2” (sight); Peaceable Kingsdom, 1994,<br />
plate edition for Blaffer Gallery, University of Houston, signed and<br />
numbered, 12” dia.<br />
44: HERVE DIROSA (French, b. 1959) Four untitled oils on canvas, 1981.<br />
Each signed and dated. Smallest: 29 1/2” x 29 1/2” (sheet)<br />
45: DANIEL HIGGS (American, b. 1964) U.S.A., acrylic on wood, 1995.<br />
Provenance: Holly Solomon Gallery (label on verso). 32 1/2” x 14 7/8”<br />
46: LEROY “King of Art” (20th C.) Hooray for Love, mixed media, 1995.<br />
Provenance: private collection, Los Angeles. Signed, dated and titled.<br />
17” x 7 1/2”<br />
47: MARTINE CANNEEL (Dutch, b. 1936) Album de Photos, mixed media<br />
with photographs. Album: 17 1/4” x <strong>11</strong>”, portfolio: 14 1/2” x 20 1/2”<br />
48: COLETTE (20th C.) My Room, C-print, 1975. Signed, dated and titled.<br />
9 1/2” x 7 1/2”<br />
49: ALAN BELCHER (Canadian, b. 1957) Pour Homme, C-prints on<br />
Plexiglas, 1984. 12” x 12” x 1 1/2”<br />
50: FRANK MAJORE (American, b. 1948) FDR, C-print (fr<strong>am</strong>ed).<br />
9 3/8” x 7 3/8” (sight)<br />
51: DAVID ROKEBY (Canadian, b. 1960) Watch, eight C-prints, 1997. Each<br />
signed, dated, titled and numbered (each edition of four).<br />
29 3/4” x 36” (sheet), four smaller: 16” x 20” (sheet)<br />
52: ROBERT BARRY (American, b. 1936) Otherwise, four vinyl records with<br />
silkscreen on board, 1981. Produced by the Van Abbemuseum, Netherlands.<br />
Each signed and dated. 12 1/4” x 12 1/4”<br />
53: AFTER JASPER JOHNS (American, b. 1930) Exhibition Poster, Whitney<br />
Museum of American Art, 1977. Sheet 45” x 30”<br />
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54: PETER MAX Cardboard theatre poster for “The Coach with the Six<br />
Insides,” fr<strong>am</strong>ed. 34” x 25”<br />
55: NICHOLAS KRUSHENICK (American 1927-1999) Two prints, untitled,<br />
off-set lithograph (fr<strong>am</strong>ed). Signed and numbered. 18” x 24” and 24” x 32”<br />
55A: MATTHEW ABBOTT (20th Century) Paris Green, 1985; Oil on canvas;<br />
Signed, dated and titled; 72” x 72”; Provenance: Fawbush Gallery, New York<br />
(label on verso); Private Collection, New Jersey<br />
56: VICTOR VASARELY (Hungarian, 1908-1997) Untitled, screenprint<br />
(fr<strong>am</strong>ed). Signed and numbered. 19” x 21 1/2”<br />
56A: VICTOR VASARELY Two offset prints, the larger titled “Cheyt-M.”<br />
Fr<strong>am</strong>ed: 23 1/2” sq. and 17 1/4” sq.<br />
56B: VICTOR VASARELY (1908-1997); Untitled; Screenprint (fr<strong>am</strong>ed);<br />
Signed and numbered; 20” x 20” image<br />
57: RUTH LIGHT BRAUN (American, 1906-2003)) World of Tomorrow,<br />
gouache on paper (fr<strong>am</strong>ed). Provenance: Estate of the artist. Signed.<br />
20” x 18”<br />
58: JOSE MARIA SERVIN (Mexican 20th c.) Cubist musician, oil on<br />
masonite (fr<strong>am</strong>ed), 28” x 18”. Together with Sean Dunlevy (American 1901-<br />
1976) Interlude canvas poster(fr<strong>am</strong>ed), 30” x 24”<br />
59: GLADYS CRAMPTON (American 20th C.) Untitled, acrylic on canvas<br />
(fr<strong>am</strong>ed). Signed. 34” x 48”<br />
60: JUDY TRIM (British, b. 1943) Untitled, porcelain vessel. Exhibition:<br />
Westminister Gallery, Boston, 1985. 13 1/2” x 14 1/2”<br />
60A: GRETCHEN EWERT (American, b.1948) Jackal with Calabash,<br />
earthenware. Exhibition: The Society of Arts & Crafts, Boston, 1989.<br />
Initialed. 10” x 18” x <strong>11</strong>”<br />
61: RODNEY RIPPS (American, b. 1950) Ascent, 1978, oil and wax on cloth.<br />
Provenance: Brooke Alexander Inc., New York (label on verso), private<br />
collection, Los Angeles. Signed, dated and titled. 17 1/2” x 17 1/2” x 5 1/2”<br />
62: CECELIA RUSH Untitled, seven small sculptures (most with breaks).<br />
Some signed and dated<br />
63: KARL MANN Seed and grain painting on board of a floral arrangement.<br />
Signed Karl Mann Sept 56. 47 1/2” x 24 3/4”<br />
64: HARRY BALMER Iron abstract sculpture with heavily oxidized surface.<br />
19” x 16”<br />
65: NO LOT<br />
66: IKORA Pair of silverplated double candle holders. In original boxes.<br />
12” length each.<br />
67: STYLE OF WIENER WERKSTATTE H<strong>am</strong>mered brass footed bowl.<br />
8 1/2” x 12 1/4”<br />
68: AUSTRIAN ART POTTERY Cer<strong>am</strong>ic head with flowers in polychrome<br />
glazes. 1 1/4” chip along front edge of base. Marked Made in Austria along<br />
with unknown cipher. 8” x 3 1/4” x 3 3/4”
69: REBAJES Pair of copper Comedy and Tragedy wall masks. 10 1/2” x <strong>11</strong>”<br />
70: STYLE OF HAGENAUER Cast bronze figure of a leaping gazelle.<br />
Unmarked. 9 1/4” x 10”<br />
71: M. M. MARIOTTI Large red molded plastic chip and dip platter. Paper<br />
label. 27”<br />
72: OLIVETTI Typewriter in original red carrying case. Embossed marks.<br />
73: ANTONANGELI Pair of white cer<strong>am</strong>ic table l<strong>am</strong>ps with red hoods. Felt<br />
label. Each: 21 1/2” x 12” x 5”<br />
74: CURTIS LIGHTING Pair of mercury glass sconces. Marked Curtis<br />
Lighting Europe X-Ray Trademark, Made in France. <strong>11</strong>” x 10 3/4” x 10”<br />
and 8” x 7 3/4” x 7 3/4”<br />
75: ARTEMIDE Classic l<strong>am</strong>p in extruded aluminum. 48” h<br />
76: MURANO Pair of en<strong>am</strong>eled metal hanging fixtures with clear and white<br />
swirled glass globes (disassembled). Vetri Murano labels. 12” x 18”<br />
77: ARTELUCE, Etc. Three lighting fixtures: Arteluce table l<strong>am</strong>p with<br />
en<strong>am</strong>eled metal shade; and two off-white en<strong>am</strong>eled metal fixtures.<br />
Arteluce marked. Arteluce: <strong>11</strong>” high<br />
78: BORIS LACROIX Pair of three-arm sconces on black lacquered metal<br />
bases. 15 3/4” x 9” x 7”<br />
79: WAYLANDE GREGORY Two cer<strong>am</strong>ic peacocks with sgraffito detail on<br />
blue glaze. Marked on the base Waylande Gregory in gold reserve. 19” x 5”<br />
80: WAYLANDE GREGORY Cer<strong>am</strong>ic table l<strong>am</strong>p decorated with underwater<br />
scene, topped with linen shade. Signed Gregory. Cer<strong>am</strong>ic only: 15 1/2” x 5”<br />
81: LIGHTING Cer<strong>am</strong>ic l<strong>am</strong>p base with quilted pattern and brass rivets<br />
under a yellow glaze. 21” x 4 1/2”<br />
82: LIGHTING Modern cer<strong>am</strong>ic l<strong>am</strong>p with turquoise glaze. 27” total ht.<br />
83: HEIFETZ Table l<strong>am</strong>p with stylized seagull and ebonized wood base.<br />
Complete with white silk shade. 34”<br />
84: LIGHTING Modern brass l<strong>am</strong>p with three columns and drum shade.<br />
31” h<br />
85: BETTY WOODMAN Porcelain cup and saucer with random brown<br />
stripes on celadon ground (Provenance: the artist). Saucer: 6 3/4”,<br />
cup: 3” x 6”<br />
86: STUDIO CERAMICS Stoneware charger, 20th C. 17 1/2” dia.<br />
87: STUDIO CERAMICS Dark brown painted stoneware vase. 19”<br />
88: STUDIO CERAMICS Vase with funnel-shaped neck covered in grey and<br />
rose matte glaze. Signed TP. <strong>11</strong> 3/4” height<br />
89: STUDIO CERAMICS Large vase by Manner with applied decoration<br />
under brown and ochre glaze. Script mark. 27 1/2”<br />
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90: BENNETT BEAN Two vessels, painted and pit-fired, 1979. Restoration<br />
to several chips around rim of larger one, and to chip on smaller one.<br />
Impressed bean-shaped mark. 6 1/4” and 7 1/2” h<br />
91: STUDIO CERAMICS Large stoneware vase with bubbled volcanic<br />
surface in shades of gray, brown and ochre. Illegibly signed. 24” x 10 1/2”<br />
92: WILLIAM DALTON BROWER Three studio vases from the St. Ives<br />
school: one squat in oxblood glaze (cracks to base), ovoid vase in white<br />
glaze with blue stripes (bruise to rim), cylindrical bud vase in celadon<br />
crackle glaze. All signed. Tallest 5 1/4”<br />
93: KLH Model Twenty-Plus three-piece stereo unit with teak cabinets on<br />
pedestal bases, complete with original operating instructions.<br />
24” x 58 1/2” 15 1/4”<br />
94: STYLE OF EERO SAARINEN Pedestal dining table with polished walnut<br />
top, along with two aluminum pedestal bases. 27 3/4” x 72” dia.<br />
95: 1970s White fiberglass Egg chair and ottoman with dark brown shag<br />
upholstery. Chair: 52” x 45” x 27 1/2”<br />
96: DREXEL Walnut Parallel sideboard with t<strong>am</strong>bour doors concealing<br />
shelves. Stenciled Drexel, with paper tag. 36 1/2” x 52 1/2” x 17”<br />
97: DREXEL Pair of Precedent step tables in blonde wood finish. Stenciled<br />
PRECEDENT BY DREXEL. 26” x 24” x 16”<br />
98: FORWARD TREND Walnut coffee table with brass feet. Forward Trend<br />
label. 16 3/4” x 72” x 23”<br />
99: LANE FURNITURE COMPANY Cocktail table with matching step table<br />
and side table in walnut veneer. Cocktail table: 14” x 56” x 19”<br />
100: WESTNOFA (Norway) King-size headboard with two integrated<br />
single-drawer night stands. WestNofa tags. Headboard: 31” x 107 3/4”,<br />
nightstands: 20” x 20 1/2” x 15 1/2”<br />
101: PACE Dining table with elliptical glass top on polished brass base.<br />
30” x 87” x 55 1/4”<br />
102: PAUL McCOBB Armchair upholstered in brown and black boucle on<br />
black lacquered legs with brass cross stretcher. 32” x 31 1/2” x 35”<br />
103: PAUL McCOBB / CALVIN Irwin Collection end table and jewelry chest,<br />
each with black lacquer finish. Marked with metal tags. 22 1/4” x 22” x 22”<br />
104: PAUL McCOBB Set of three Planner Group black lacquered tables.<br />
One has Planner Group label. Largest: 10 1/2” x 60” x 18”<br />
105: STYLE OF PAUL McCOBB Dining set with cherry stained table and<br />
four 15” leaves, accompanied by six dining chairs with striped velvet<br />
upholstery. Table (closed): 30” x 70” x 44”, armchairs: 42” x 24” x 19”<br />
106: MODERN Pair of upholstered club chairs on black lacquered legs.<br />
32” x 29 1/2” x 34 1/2”<br />
107: DOEHLER Black lacquer desk and Doehler chrome armchair<br />
upholstered in black leather. Chair with Doehler label. Desk: 30” x 36” x 20”,<br />
chair: 20” x 29 1/2” x 21”
108: GILBERT ROHDE (Attr.) Circular wall mirror. A few small chips to<br />
edges. Unmarked. 30” dia.<br />
109: MACHINE AGE Lounge chair with black and white vinyl upholstery.<br />
Together with a Shaw Walker metal office desk with leather top, serial #<br />
371. Table: 38 1/2” x 28” x 35”<br />
<strong>11</strong>0: ART DECO Sideboard in bird’s eye maple veneer with brass disc<br />
hardware. 37 1/2” x 79” x 23”<br />
<strong>11</strong>1: ART DECO China cabinet in bird’s eye maple veneer with brass disc<br />
hardware. 64 1/2” x 49” x 20”<br />
<strong>11</strong>2: MODERN Pair of boomerang shaped sofas with white upholstery on<br />
conical black legs. 29” x 83” x 35”<br />
<strong>11</strong>3: HOWELL Side table with black l<strong>am</strong>inate top on chrome legs.<br />
18 1/2” x 27” x 15”<br />
<strong>11</strong>4: MODERN L<strong>am</strong>p table with integrated brass shade and two black<br />
l<strong>am</strong>inate shelves. 52” x 15 1/2”<br />
<strong>11</strong>5: ART DECO Floor l<strong>am</strong>p base with shelf in aluminum and black<br />
lacquered wood. Unmarked. 58” x 12 1/4”<br />
<strong>11</strong>6: MODERN Two tables: one three-legged side table with l<strong>am</strong>inate top,<br />
the other a coffee table with glass top. Largest: 14 1/2” x 40”<br />
<strong>11</strong>7: MODERN Glass-topped dinette table on wood base. 30” x 43 1/2”<br />
<strong>11</strong>8: STYLE OF HEYWOOD WAKEFIELD Pair of nightstands in maple<br />
veneer; each with single drawer, drop down door and teardrop pulls.<br />
18” x 22 1/2” x 14 1/2”<br />
<strong>11</strong>9: RUSSELL SPANNER Walnut dining table with single integrated leaf,<br />
accompanied by six dining chairs. Table: 29 1/2” x 62” x 38”<br />
120: MODERN Ash side chair with floral print upholstered seat.<br />
32” x 18” x 17”<br />
121: MART STAN (Attr..) Set of six side chairs with maple veneer seats on<br />
tubular en<strong>am</strong>eled steel bases. 32 x 16 3/4” x 18 1/4”<br />
122: MODERN Set of four blonde wood chairs with canvas seat and back.<br />
31” x 20” x 18 1/2”<br />
123: DINING ROOM SET Comprising six vinyl-seat side chairs on vinylcovered<br />
metal legs, vinyl-covered dining table with Asian motif, and two<br />
sideboards. Chairs: 38” x 18” x 19”, larger sideboard: 36” x 63” x 21”<br />
124: WITTMANN Settee and ottoman upholstered in patterned fabric.<br />
Wittmann labels. Settee: 33” x 63” x 33”<br />
125: J.C. MAHEY, Etc. Octagonal wall-hanging mirror by J.C. Mahey, and<br />
coffee table on polished chrome legs with octagonal glass top. Mirror<br />
signed J.C. Mahey. Mirror: 28” x 28”, coffee table: 16” x 48”<br />
126: MODERN Three-panel b<strong>am</strong>boo screen, together with an occasional<br />
table with composite top on chrome base. Screen: 55 1/2”h (each panel:<br />
21 1/2” wide), table: 13 1/2” x 30” dia.<br />
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127: DISPLAY Hanging cabinet with glass shelves and interior light, fitted<br />
with lock. 42” x 18” x 4 1/2”<br />
128: MONTINA Dining table with frosted glass top and four side chairs of<br />
beech and maple with black fabric upholstery. Seats marked Montina.<br />
Table: 29 1/2” x 48”; chairs: 32” x 20” x 20”<br />
129: MODERN Kidney-shaped glass topped coffee table with three<br />
ebonized legs. 17” x 51 1/2” x 33”<br />
130: BROOKE STEVENS Pair of painted steel upholstered train seats.<br />
40” x 43” x 30”<br />
131: TODD WIZON (20th C.) Storm Clouds, acrylic on fiberboard, 1980.<br />
Provenance: Willard Gallery, New York (label on verso). Signed, dated and<br />
titled. 20” x 20”<br />
132: JOSEPH NECHVATAL (American, b. 1951) Tough Butch Tender Heart,<br />
Oilstick and graphite on 2 sheets of paper (fr<strong>am</strong>ed), 1982. Provenance:<br />
Brooke Alexander, Inc., New York (label on verso). <strong>11</strong>” x 14” (sheet) each<br />
133: SCOTT COVERT (American, b. 1954) Untitled, Mixed media on paper.<br />
60 x 60” (sheet)<br />
134: KINO (20th C.) Untitled, charcoal on paper (fr<strong>am</strong>ed), 1963. Signed<br />
and dated. 10 5/8” x 8 1/4” (sight)<br />
135: NICK LAWRENCE (20th C.) Large Butterfly, oil on wood, 1994.<br />
Provenance: DNA Gallery, Provincetown, Massachusetts. Signed, dated and<br />
inscribed “To Holly.” 13” x 9 1/4” (irregular)<br />
136: WOLFGANG VOLTZ (20th C.) Women of Fifth Avenue, twenty-nine<br />
photographs. Each signed, dated, titled and numbered 1/10.<br />
14” x 20” (sheet)<br />
137: RENEE GREEN (American, b. 1959) Untitled, C-print, 1980s.<br />
20” x 24” (sheet)<br />
138: LAURA COOPER (American, 20th C.) Untitled, two gelatin silver<br />
prints, 1995. Each signed and dated. 6 3/4” x 6 3/4” (sheet)<br />
139: KEVIN BOYLE (American, 20th C.) Untitled, seven cibachrome prints,<br />
1983. Each signed, dated and marked AP. 10” x 8” (sheet)<br />
140: SHEPHERD FAIREY (American, late 20th C.) Untitled, screenprint on<br />
paper (fr<strong>am</strong>ed). Signed and dated. 20 3/4” x 10 1/2” (sheet)<br />
141: ARNOLD FERN (American, 20th C.) Untitled, mixed media. Signed and<br />
inscribed “To Holly and Horace.” <strong>11</strong>” x 7 1/2” (irregular)<br />
142: MAX COYER (American, b. 1954) Self-Portrait #7, mixed media, 1985.<br />
Signed, dated and titled. 21” x 28” x 5 1/4” (irregular)<br />
143: CHRISTINA CLAUD (20th C.) Riverside Scene, mixed media on board<br />
(fr<strong>am</strong>ed), 1980. Provenance: private collection, Los Angeles. 16” x 20”<br />
144: JESSE JOYNER (20th C.) Sitting Cardinal, papier mache on<br />
cardboard. Signed. 13” x 7 3/5”<br />
145: C. SWARTZ (20th C.) Three untitled works of oil on paper.<br />
30” x 22 1/2” (sheet) each
146: DAVID WEST (20th C.) Dancing, Badly, acrylic on canvas, 1995.<br />
Signed, dated and titled. 10” x 14”<br />
147: GLENN DOWNING (20th C.) Hardrock Gunter and the Thunderbirds,<br />
pen and crayon on paper (fr<strong>am</strong>ed), 1991. Signed and dated.<br />
9” x <strong>11</strong> 3/4” (sight)<br />
148: ALEXIS SMITH (American, b. 1949) Playing Cards, poster (fr<strong>am</strong>ed).<br />
Provenance: Holly Solomon Gallery, New York (label on verso).<br />
26 1/4” x 20 1/2” (sheet)<br />
149: GLEN BAXTER (British, 20th C.) I Would Have Chosen Carpet for the<br />
Hall but Brenda Clearly had Ideas of Her Own, nine lithographs in colors,<br />
1988. Signed, dated and numbered 54/75. 26” x 19 3/4” (sheet)<br />
150: JOE BRAINARD (American, 1942-1994) Untitled, mixed media and<br />
collage on board fr<strong>am</strong>ed), 1969. Provenance: Phyllis Kind Gallery, Chicago<br />
(label on verso). Signed and dated. 14” x <strong>11</strong>” (sheet)<br />
151: CONTEMPORARY PRINTS Three works: Ben Shahn exhibition poster<br />
(fr<strong>am</strong>ed), 18” x 25”; Jasper Johns, Leo Castelli Gallery poster (fr<strong>am</strong>ed),<br />
22” x 28”; George Laslo, The Sacred Cow, color woodblock print (fr<strong>am</strong>ed),<br />
10” x 20” image.<br />
152: DAVID BURLUIK (American, 1882-1967) Untitled (Female), mixed<br />
media on wood (fr<strong>am</strong>ed). Provenance: Private Collection, New Jersey.<br />
Signed. 4” x 5”<br />
153: LEON KOSSOFF (American, b. 1926) Resting, etching (fr<strong>am</strong>ed), 1982.<br />
Signed, titled, dated and numbered. 19” x 23”<br />
154: LEONARD BASKIN (American, 1922-2000) Seven lithographs. Signed<br />
155: ROTTENBERG (American-Late 20th C.) Untitled (Shouting Man), oil<br />
on canvas (fr<strong>am</strong>ed), 1988. Signed Rottenberg and dated. 20” x 16”<br />
156: PETER BRAMHALL Blown glass sculpture from the Inferno Series,<br />
1980s. Signed and dated, with additional inscription. 9 1/4” x 8 1/4”<br />
157: VENINI Stoppered inciso glass bottle. Excellent condition. 14 3/4”<br />
157A: MURANO Heavy rectangular dish with clear glass encasing gold<br />
speckles. Unmarked. 4” x <strong>11</strong>” x 6 1/4”<br />
158: FLORIS MEYDAM / LEERDAHM (Holland) Art glass vase of flat<br />
compressed form with blue, green and clear striations. 7 3/4” x 6 1/2”<br />
159: SERGIO ASTI / VENINI Murano glass four-sided vase in jet black.<br />
Signed. 12” x 12” dia.<br />
160: MAC ADAMS (British, b. 1943) Mason (TN138), glass sculpture, 1985.<br />
Signed, dated and titled. 15” high<br />
161: BJORN WINNBLAD Painted glass charger, signed Bjorn Winnblad,<br />
Weihnachten 1977. Together with a Simon teak sculpture of a mother and<br />
child; branded design Simon made in Denmark. Charger: <strong>11</strong> 1/2” x <strong>11</strong> 1/2”<br />
162: BOVANO Eleven en<strong>am</strong>eled metal dishes. Largest: 15 1/4” dia.<br />
163: STYLE OF DUNBAR Lacquered mahogany drop-leaf dining table with<br />
three 9” leaves. Closed: 29” x 40 1/2” x 39”<br />
164–169: NO LOT<br />
170: WITHDRAWN<br />
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171: VAN TEAL Pair of lucite table l<strong>am</strong>ps with red fabric shades. Both<br />
signed Van Teel. 29 1/2” x 16” x 6”<br />
172: MURANO Glass horse head sculpture in smokey topaz. flat 3/4” chip<br />
to top of one ear. Red foil label, “Made in Murano Italy”. 15 1/2” h<br />
173: ART GLASS Pair of tortoise-shell vases. 12” h<br />
174: STUDIO ESSE Table l<strong>am</strong>p with plexiglass plank resting in an<br />
en<strong>am</strong>eled metal base. Studio Esse label. <strong>11</strong> 1/2” x 10 3/4”<br />
175: 1970s Pair of brushed brass banded sconces. 18 1/4” x 14” x 5”<br />
176: SIMES Four bronze wall sconces. Marked SIMES CO NY.<br />
4” x 18 1/4” x 4”<br />
177: FRENCH Pair of white glass sconces with brushed steel supports.<br />
15 3/4” x 13” dia.<br />
178: PH JEAN Brass and lucite wall sconce. 17 3/4” x 14” x 7”<br />
179: SASCHA BRASTOFF, Etc. Two boxes: one cer<strong>am</strong>ic by Sascha Brastoff<br />
with dancing figure on lid, the other in wood with patchwork horn overlay.<br />
First one marked. 1 1/2” x 9 1/2” x 3 1/4” and 5 3/4” x 9 3/4” x 6”<br />
180: UNGEMACH / SOHOLM, Etc. Five assorted cer<strong>am</strong>ic pieces: Ungemach<br />
and Soholm planters, West German vase, and two unmarked hanging<br />
planter inserts. First two marked. Largest: 8” h<br />
181: ITALIAN CERAMICS Large rectangular vase and covered footed<br />
compote with incised decoration; blue center bowl with gold decoration; all<br />
marked Italy. Together with Old Paris cachepot. Tallest: 12”<br />
182: WALLY WARE, etc. Plate inscribed “Wally gets a lucrative government<br />
contract to paint pinups of Mel Gibson on 10% of the F-14 Fleet”, signed, 8”<br />
dia. Also, glass bottle painted with nude, signed K.M, 12 1/2”<br />
183: MODERN LIGHTING Massive l<strong>am</strong>p in red, orange and white mottled<br />
glaze, topped by a large banded shade. Unmarked. 45” overall<br />
184: SCHEURICH (West Germany) Four cer<strong>am</strong>ic pieces including one<br />
pitcher and three vases. Crack to one. All marked. Tallest 20”<br />
185: WITHDRAWN<br />
186: SCHEURICH (West Germany) Large handled vase decorated with a<br />
red horse. Signed W. Germany. 21 1/2”<br />
187: RUSSEL WRIGHT Assorted china in the Iroquois pattern in brown,<br />
including: six dessert plates, five cups and saucers and two serving<br />
platters, together with serving platter, spoon rest and salt shaker in<br />
another pattern. Iroquois platter: 12 1/2” x 9 1/2<br />
188: RUSSEL WRIGHT Seven cer<strong>am</strong>ic pieces including three platters and a<br />
plate hand-decorated dated 1948. Most marked.<br />
189: VERNONWARE Organdie 60+ piece set of dinner and serving ware,<br />
including platters, pitchers, plates, and more. All marked. Water pitcher: <strong>11</strong>”
190: ROYAL HAEGER / LEERDAM Etc. Three pieces: Royal Haeger bottleshaped<br />
vase covered in a white textured glaze, a Leerd<strong>am</strong> opalescent glass<br />
vase, and a Hishokuyani striped vase. All marked. Tallest: 15 1/4”<br />
191: MODERN Studio cer<strong>am</strong>ic vase in white, blue and purple. 5” x 4”<br />
192: PIERRE CARDIN Set of three graduated-size porcelain vases. Signed<br />
Pierre Cardin. Tallest: 10” x 7 1/2”<br />
193: MICHAEL SHERRILL Large zoomorphic teapot in polychrome glazes.<br />
Reglued break to spout. Signed Sherrill. 19” x 18 1/4”<br />
194: MIZUNO Square platter painted in wax-resist with red peppers on<br />
black ground, 1980. Signed Mizuno/80. 1” x <strong>11</strong> 1/4” sq.<br />
195: POTTERY Slab-built cer<strong>am</strong>ic vase with incised decorations covered in<br />
polychrome glazes. 15 3/4” x 4 3/4” x 4 1/4”<br />
196: MODERN LIGHTING Pair of marbleized glass wall sconces in white<br />
and clear. 14 1/2” x 8 1/4” x 3 1/2”<br />
197: FLORENCE KNOLL / KNOLL Conference table with rectangular oak top<br />
on polished chrome pedestal base. 29 3/4” x 72” x 36”<br />
198: MODERN Pair of chrome plated steel armchairs with purple fabricupholstered<br />
seats. 32” x 28” x 30”<br />
199: KNOLL Conference table with walnut top on brass base.<br />
27 1/2” x 77 1/2” x 48”<br />
200: ALVAR AALTO / STYLE OF KNOLL Six pieces: three en<strong>am</strong>eled wood<br />
stools, and three dining side chairs with orange fabric seat pads.<br />
16” x 15 1/2” and 31 3/4” x 19 1/4” x 20”<br />
201: KNOLL Pedestal dining table with ash top on brass base.<br />
28 1/2” x 48”<br />
202: KNOLL Pedestal dining table with ash top and chrome base.<br />
28 1/2” x 48”<br />
203: MODERN Six assorted pieces: pair of daybeds with zebra-patterned<br />
covering, two pedestal tables and two small end tables, most with white<br />
l<strong>am</strong>inate finish. Daybeds: 9 3/4” x 75” x 39”<br />
204: MODERN Five pieces with l<strong>am</strong>inated finish: twelve-drawer dresser,<br />
pair of single-drawer nightstands, wall-hanging cabinet and king-size<br />
headboard, the case pieces all with metal pulls. Dresser:<br />
27 1/4” x 84” x 17 3/4”<br />
205: MODERN Extension dining table entirely-covered in red and pink<br />
l<strong>am</strong>inate, accompanied by matching wall-hanging cabinet with interior<br />
drawers and single shelf. Table has one 28” leaf. Cabinet: 18” x 84” x 18”,<br />
table (closed): 29” x 60” x 40”<br />
206: KNOLL Table with black oval top and metal legs, together with eight<br />
side chairs with aqua fabric upholstery. Chairs have Knoll International<br />
labels. Table: 27 3/4” x 72” x 36”, chairs: 32” x 19 3/4” x 20 1/4”<br />
207: HON Six-drawer en<strong>am</strong>eled metal and chrome desk with walnut top.<br />
Hon paper label. 29 1/2” x 60” x 30”<br />
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208: MODERN OFFICE Two double-pedestal desks, one five-drawer and one<br />
six-, each with walnut veneer top. 29 1/2” x 82 1/2” x 39” and<br />
29” x 74 3/4” x 39 1/4”<br />
209: KNOLL, Etc. Executive chair and drafting stool; executive chair<br />
marked Knoll International. Chair: 39 1/2” x 27” x 23”<br />
210: MODERN Large flat file cabinet and two-drawer filing cabinet. Large<br />
51” x 47” x 37 1/2” and 29 3/4” x 18” x 27”<br />
2<strong>11</strong>: HARRY BERTOIA / KNOLL Four white wire side chairs.<br />
30 1/2” x 21” x 21”<br />
212: HARRY BERTOIA / KNOLL Di<strong>am</strong>ond chair and ottoman with fabric<br />
upholstery on black metal bases. Ottoman has Knoll Associates label.<br />
Chair: 28” x 44” x 33”<br />
213: STYLE OF KATAVOLOS, LITTELL AND KELLEY / LAVERNE Set of ten Tchairs<br />
with black leather sling seats on polished and en<strong>am</strong>eled steel<br />
fr<strong>am</strong>es.<br />
34” x 23” x 24”<br />
213A: CASSINA Pair of brown leather lounge chairs. Cassina labels.<br />
28” x 29” x 30”<br />
213B: CASSINA Pair of brown leather lounge chairs. Cassina labels.<br />
28” x 29” x 30”<br />
214: STYLE OF TOMMI PARZINGER Circular dining table with ivory-colored<br />
top and black lacquered pedestal base; one leaf. 31” x 54” dia.<br />
215: STYLE OF TOMMI PARZINGER Pair of armchairs with black tacked-on<br />
leather upholstery. 29” x 25” x 24”<br />
216: VATINE MOBLER Pair of sling-seat lounge chairs on painted<br />
bentwood fr<strong>am</strong>es, with matching ottomans; Vatine Mobler labels. Chairs:<br />
39” x 31” x 31”<br />
217: INGMAR RELLING Siesta bentwood armchair and ottoman with<br />
leather upholstered cushions. 39” x 28” x 29”<br />
218: VAVASSORI Two-piece leather sofa. 31” x 80” x 34”<br />
219: ITALIAN Bentwood armchair with linen seat. 27 1/2” x 23 1/2” x 27”<br />
220: BRAZILIAN Pair of armchairs with fabric-upholstered seats on<br />
lacquered fr<strong>am</strong>es. 43” x 20 1/2” x 19”<br />
220A: STYLE OF MARSHALL FIELDS Long sofa with tufted boucle<br />
upholstery. 32” x 107” x 31”<br />
221: MODERN Group of four side chairs: set of three with ivory<br />
upholstered cushions with branded signature, and single upholstered chair.<br />
Single: 34” x 18” x 20<br />
222: ITALIAN Four leather covered high-back dining chairs on lacquered<br />
wood fr<strong>am</strong>es. 43” x 18” x 18”<br />
223: ITALIAN Pair of contemporary leather lounge chairs.<br />
39 1/2” x 32” x 34”<br />
224: CONTEMPORARY Set of six dining chairs with bentwood backs. 34” h
225: POSTMODERN Coffee table with burlwood veneer base with ebonized<br />
accents and beveled glass top. 18” x 26” x 22”<br />
226: ROBERTO MATTA Malitte five-piece modular seating unit upholstered<br />
in white suede. 63” x 62” x 22”<br />
227: CONTEMPORARY Glass coffee table with waterfall top, single leg and<br />
revolving circular shelf. 16 1/4” x 51” x 21 3/4”<br />
227A: CARMEN SPERA Double-di<strong>am</strong>ond Stick Pin cocktail table.<br />
17 3/4” x 42” x 48”<br />
227B: CARMEN SPERA Set of three nesting tables painted with a leaf<br />
motif, on metal legs, 1991. Largest signed Carmen Spera 1991. Largest:<br />
17” x 33” x 22”<br />
227C: CARMEN SPERA Table-top mirror resting on a pair of patinated and<br />
gold-leafed plaster cones. 23” x 22 1/2”<br />
228: ITALIAN En<strong>am</strong>eled metal two-light floor l<strong>am</strong>p. 75”<br />
229: MODERN LIGHTING Italian floor l<strong>am</strong>p with chrome shaft banded in<br />
brass; replaced globe. 61”<br />
230: MODERN Steel torchere with smoked glass globe shade. 47”<br />
231: ANDRE DURENCEAU (French 20th C.) Inspirations, folio of 24 screen<br />
printed plates, published by H.C. Perleberg, Woodstock, New York<br />
232: MICHELLE GRIFFITH (20th C. Detail from painting “and when I go I<br />
take nothing but a price”, pencil on paper (fr<strong>am</strong>ed), 1973. Signed, dated,<br />
titled and inscribed “For Horace and Holly.” 18” x 10” (sight)<br />
233: AMERICAN 20TH C. Modernist landscape, mixed media on masonite<br />
(fr<strong>am</strong>ed), 1966. Illegibly signed and dated; 21” x 27” sight<br />
234: A. BROKIE STEVENSON (American, b. 1919) Untitled (industrial<br />
landscape)(fr<strong>am</strong>ed), signed and dated 4.29.1939, 14” x 21”. Together with<br />
George M.Tyler (American, 20th C.) Lands End from the Far Side, 1929,<br />
(fr<strong>am</strong>ed), signed, titled and dated, 8 1/2” x 10 1/2”<br />
234A: MAURICE MILLIERE (French, 1871-1940) Annee Nouveau -<br />
Montmartre, 1923; Gouache and watercolor on board (fr<strong>am</strong>ed); Signed;<br />
13” x 10 1/2” (sight)<br />
235: RUTH GUTMAN (American, 20th Century); Untitled bronze. Signed.<br />
17”, base 1”<br />
236: TOMMI PARZINGER (American, 1903-1981) Untitled (market scene),<br />
gouache on board (fr<strong>am</strong>ed). Signed. 22” x 26”<br />
236A: JORGE (20th Century) The Water Lady, Taos, New Mexico; Acrylic<br />
on canvas (fr<strong>am</strong>ed); Signed; 36” x 36”<br />
237: TOMMI PARZINGER Mixed media painting of a woman’s head in<br />
profile. (In addition to designing furniture, Parzinger was an avid<br />
professional painter.) Signed “Parzinger” in pencil. Fr<strong>am</strong>ed:<br />
31 1/2” x 16 1/2”. Image: 20” x 16 1/2”<br />
238: MODERN PAINTINGS Cubist figures oil on canvas (fr<strong>am</strong>ed), signed<br />
Savina, 24” x 31”; landscape, acrylic on canvas (fr<strong>am</strong>ed), signed Bro,<br />
21” x 31”<br />
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RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
239: SEYMOUR ZAYON (American, b. 1930) Two untitled works (fr<strong>am</strong>ed),<br />
pastel and acrylic on board, signed, 12” x 12” and 18” x 14”. Together with<br />
Edward Paine landscape, watercolor (fr<strong>am</strong>ed), signed, 21” x 27” sight<br />
240: M.Q. ROTHWELL Untitled acrylic on canvas, signed M.Q. Rothwell,<br />
23” x 30”. Together with two signed Dennis: Owl, batik on fabric, 20” x 30”;<br />
and untitled acrylic on canvas, 30” sq.<br />
241: HENRY MOORE (British, 1898-1986) Elephant Skull, etching (fr<strong>am</strong>ed).<br />
Signed and numbered. 9 1/8” x 12 1/8”<br />
242: EDITH KUHNLE (American, b. 1945) Untitled (Black Mountain Series),<br />
acrylic on Paper (fr<strong>am</strong>ed). Provenance: Addison/Ripley Fine Arts,<br />
Washington, DC. 46” x 58”<br />
243: EDITH KUHNLE (American, b. 1945) Untitled acrylic on paper<br />
(fr<strong>am</strong>ed), c. 1978-1980. Provenance: Addison/Ripley Fine Arts, Washington,<br />
DC. Sheet 58 1/2” x 71 1/4”<br />
244: 20th C. AMERICAN PRINTS Eleven works: artists include Andrea<br />
Epstein, two lithographs; Poller, lithograph; Bumbada, etching; Paula<br />
McCardle, intaglio; Hollenbeck, serigraph; Tony Blunt, serigraph; Ruth<br />
Kerkov, etching (fr<strong>am</strong>ed); J. Buchwald, etching; Agnes Mills, etching and J.<br />
Perry, aquatint<br />
245: GEORGES VAN DE VOORDE (Belgian, 1878-1970) Untitled bronze.<br />
Signed “G Vandevoorde / cire perdue”. <strong>11</strong>” high (with base)<br />
246: MARTHA REED WILSON (American 20th C.) Untitled (landscape), oil<br />
on canvas (fr<strong>am</strong>ed), signed, 35” x 24”. Together with untitled (cityscape) oil<br />
on canvas (fr<strong>am</strong>ed), illegibly signed, 24” x 20”<br />
247: RANULPH BYE (American 1916-2003) Untitled (Wooded Landscape),<br />
watercolor (fr<strong>am</strong>ed). Signed. 13” x 20” (sight)<br />
248: PURVIS YOUNG (American, b. 1943) Untitled, house paint on paper<br />
(fr<strong>am</strong>ed). Signed. 18” x 24”<br />
249: NED SMYTHE (American, 20th C.) Untitled mixed media on vellum.<br />
Provenance: private collection, Los Angeles22 1/4” x 20 1/2” (sheet)<br />
250: 20 C. PRINTS Five fr<strong>am</strong>ed prints by various artists: Hugo Lutz<br />
intaglio; Martha Epps lithograph; Cobelle off-set lithograph; serigraph and<br />
lithograph, both illegibly signed<br />
251: CESAR GRASOBANER (20th C.) Untitled (Homage to Joseph Cornell),<br />
mixed media (fr<strong>am</strong>ed), 1992. Publisher: Grassfield Press, Mi<strong>am</strong>i Beach, Fl.<br />
Signed and numbered 24/30. 12 1/4” x 8 3/4”<br />
252: BOB BEDNAWSKI (American, 20th C.) New York Images, lithograph<br />
on paper (fr<strong>am</strong>ed), 1970. Pencil signed, dated and numbered 37/100.<br />
28” x 28”<br />
253: AMERICAN 20th C. prints including etchings and lithographs: artists<br />
Earl Horter (1881-1940); Bertr<strong>am</strong> Goodman (1904-1988); Gerson Lieber;<br />
two Kanoldt<br />
253A: MARY NIMMO MORAN (American 1842-1899) two works of art:<br />
Tween the Glo<strong>am</strong>ing and the Mirk, 1883; Etching on paper (fr<strong>am</strong>ed);<br />
Signed; 7 1/2” x <strong>11</strong> 1/2” plate; Literature: American Etchings of the<br />
Nineteenth Century, Francine Tyler; Plate 68. Untitled; Etching on paper<br />
(fr<strong>am</strong>ed); Signed; 8” x <strong>11</strong> 3/4” plate; Book included with the lot.
254: JOHN WILLENBECHER (American, b. 1936) The Table (18), acrylic and<br />
collage on paper(fr<strong>am</strong>ed), 1974, provenance: A M Sachs Gallery, New York,<br />
signed, titled, and dated, 13 1/2” x 17 1/4”. Together with Siet Zuyderland<br />
(Dutch, 20th C.) untitled pencil drawing on paper (fr<strong>am</strong>ed), 1975, signed<br />
and dated, 7” x 10”<br />
255: 20th C. AMERICAN ART Four untitled works: J. Kuger, acrylic on<br />
canvas (fr<strong>am</strong>ed), 20” x 28”; Willings, watercolor (fr<strong>am</strong>ed), signed, 12” x 16”;<br />
Les Fredericks, landscape, watercolor, signed, 10” x 14; Anonymous,<br />
linoleum cut painted with oil pigment, 8” x 6”<br />
256: DOROTHY DRAPER / HERITAGE Three-drawer chest and wall-hanging<br />
mirror in black with gold trim. Chest marked Heritage. Chest:<br />
31 1/2” x 38” x 20 1/2”, mirror: 41 1/2” x 33 1/4”<br />
257: JOHN SALADINO Pair of armchairs upholstered in sage green velvet.<br />
32” x 27” x 27”<br />
258: WARD BENNETT Set of six ebonized wood armchairs with charcoal<br />
Knoll velvet upholstery. Some marked with Bright Chair Co. paper tags.<br />
32 1/4” x 23 1/2” x 24”<br />
259: CALIFORNIA Pair of leather sling-seat lounge chairs in sculpted wood<br />
fr<strong>am</strong>es. 27” x 23” x 28”<br />
260: BURLWOOD Coffee table with free edge top on root base.<br />
18 1/2” x 36” x 28”<br />
261: HOWARD HELENE Molded pearwood extension dining table with 24”<br />
leaf and six matching armchairs with velvet upholstery. Table:<br />
29” x 60” x 37”; chairs: 40 1/2” x 20” x 24”<br />
262: MODERN Coffee table with plate glass top on steel base with <strong>am</strong>ber<br />
glass details. 16” x 60” x 24”<br />
263: THONET Etc. Two chairs, the first on birch plywood fr<strong>am</strong>e with<br />
webbed canvas seat, 32” x 24” x 24”, and one with caned back, ebonized<br />
fr<strong>am</strong>e and green fabric-upholstered seat, 30” x 18” x 21 1/2”<br />
264: FURNITURE Pair of mahogany armchairs with red upholstery, and<br />
burl veneer occasional table. Table: 27” x 30” x 30”<br />
265: FURNITURE Set of four mahogany occasional tables, together with<br />
etched brass-topped table on wooden base. 16” x 20” x 20” and<br />
19 1/2” x 35” dia.<br />
266: MODERN Magazine stand of perforated metal together with two log<br />
holders, one with steel strapping the other with perforated metal.<br />
Magazine stand: 20 1/2” x 17 1/2” x 7”<br />
267: GUCCI Floor-standing shoe display with metal fr<strong>am</strong>e and reflective<br />
concave “bowl”. 67” x 39 1/2” x 22”<br />
268: KITTINGER, Etc. Small drop-leaf side table, together with an Italian<br />
teacart with floral marquetry, brass hardware and details. Both marked.<br />
Teacart: 30” x 17 1/2” x 30”<br />
269: ROGER CAPRON Tile plaque depicting a stylized griffin. Signed.<br />
19” x 38 1/4”<br />
270: ROGER CAPRON (Attr..) Circular tile-top coffee table with a variety of<br />
embossed designs covered in <strong>am</strong>ber glossy glaze with dark brown border,<br />
on wood legs. Unmarked. 12 1/2” x 37”<br />
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271: JEAN LURCAT Tile-top coffee table on iron base. Signed Dessin/J.<br />
Lurcat/Sant-Vicens/PZ/18-100. 15 3/4” x 48 3/4” x 18 1/2”<br />
272: MODERN Tile-topped coffee table on chrome base.<br />
16” x 55 1/2” x 18 1/2”<br />
273: FRENCH Tile-top coffee table depicting two nudes on iron base, 1962.<br />
Signed Habanux and dated. 16 3/4” x 51 1/2” x 24”<br />
274: FRENCH Tile-top coffee table on flat steel base.<br />
13 1/2” x 45 1/4” x 18 1/4”<br />
275: FRENCH Tile-top coffee table on flat steel base. 14 1/2” x 30”<br />
276: FRENCH ART DECO Console table with marble top. 33 3/4” x 37” x 16”<br />
278: PHILIPPE STARCK Set of three Teletables; some d<strong>am</strong>age to marble.<br />
29” x 16 1/2” x 20”<br />
279: STYLE OF MEMPHIS Armchair and single-drawer desk in multicolored<br />
l<strong>am</strong>inates. Chair: 45” x 32” x 20”; desk: 31” x 80” x 29 3/4”<br />
280: MAX LEIBER Ebonized wood stand, 1990. Signed and dated.<br />
39 3/4” h<br />
281: STYLE OF CORBUSIER Pair of chrome armchair fr<strong>am</strong>es, missing<br />
original leather upholstery. 23” x 25” x 25”<br />
282: ROBERT SONNEMAN Two pairs of floor l<strong>am</strong>ps with conical and<br />
spherical black en<strong>am</strong>eled metal shades. Approx. 71”<br />
283: MODERN Suite of three molded plastic pieces: desk, chair and wallhanging<br />
shelf. Desk: 49” x 40 1/2” x 25 1/4”<br />
284: HADI (Germany) Black molded plastic desk with integrated l<strong>am</strong>p,<br />
three drawers and removable top concealing fitted interior. Embossed<br />
marks. 42 2/3” x 54 1/2” x 23”<br />
285: KARTELL Four plastic storage units; two with doors and shelves, and<br />
two rolling carts. Black cart: 29” x 17” x 16”<br />
286: CHROME CRAFT Set of six smoked lucite chairs with black shag seat<br />
pads and red throw pillows. Chrome Craft paper tags.<br />
28 1/2” x 22 1/4” x 18 1/2”<br />
287: MODERN Five-piece dinette set consisting of four molded plastic<br />
stacking chairs in orange and yellow, and a pedestal table with yellow and<br />
white l<strong>am</strong>inate top. Table: 28 1/2” x 41” dia., chairs: 29” x 17 3/4” x 17 3/4”<br />
288: VICO MAGISTRETTI / ARTEMIDE Studio 100 white fiberglass dinette<br />
table on fluted legs. Embossed mark with faint stenciled number.<br />
28” x 37 1/2” sq.<br />
289: IRONRITE Metal chair with bentwood seat and back, together with a<br />
blue fiberglass egg chair. 27 1/4” x 18” x 16 3/4”<br />
290: FRENCH Smoked lucite molded screen. 63” x 83”<br />
291: EMMA GISMONDI SCHWEINBERGER / ARTEMIDE Four Giano-Giano-<br />
Vano molded plastic storage units in black. Embossed marks.<br />
15 3/4” x 15 3/4”
292: FRENCH Black metal coat rack with en<strong>am</strong>eled wood hangers. 70”<br />
293: FRENCH Metal coatstand and hanging coatrack with spherical<br />
en<strong>am</strong>eled wood hangers. 70 1/2” h, and 30 1/2” x 24 1/2” x 12 1/2”<br />
294: KARTELL, Etc. Four assorted pieces: Kartell molded plastic shelving<br />
unit, two molded plastic mirrors and a three-drawer dresser with white<br />
en<strong>am</strong>eled finish. Dresser: 30 1/4” x 32” x 18”<br />
295: VICO MAGISTRETTI / ARTEMIDE Chimera floor l<strong>am</strong>p. Embossed mark.<br />
72”<br />
296: VICO MAGISTRETTI / ARTEMIDE Chimera table l<strong>am</strong>p and matching<br />
floor l<strong>am</strong>p. Vertical crack to one fold of floor l<strong>am</strong>p. 31 1/4” and 72” h<br />
297: JOE COLUMBO / O LUCE, Etc. Coupe floor l<strong>am</strong>p, together with a<br />
Francesconi arc-shaped table l<strong>am</strong>p. Both marked. 57 1/2” x 15” and<br />
16 1/2” x 24 1/2” x 6”<br />
298: MODERN Wall-hanging metal sculpture of central star-shaped<br />
soldiered medallion surrounded by loose radiating wire strands. 40” x 36”<br />
299: CURTIS JERE Wall sculpture of curling metal leaves in assorted<br />
metals on a textured backing. Signed C Jere 1990. 22” x 22” x 14”<br />
300: HENRY HARVEY Large welded and patinated metal wall-hanging<br />
sculpture. 52” x 61 1/2”<br />
301: GARY MICHAELS (American, 20th C.) Untitled metal; Exhibition:<br />
Emmanuel College, Boston, 197247”, base 12” x 12”;<br />
302: BETTY McGEEHAN (American, b. 1934) Two marble sculptures: Dawn,<br />
provenance: Focus on Art, National Council of Jewish Women, Essex County<br />
Section, 1987 (label attached), signed, 19 1/2” x 24” x 6” (with base); and<br />
untitled, 10 1/4” x 13 3/4” x 8” (with base)<br />
303: AMERICAN 20th C. Anonymous, untitled carved wood sculpture.<br />
32 1/2”<br />
304: MARIEANGELES BLANCO Sculpture of wood, resin and stones, on<br />
pedestal base. Sculpture: 47” x 10 1/2” x 12”<br />
305: ARCH CONNELLY (American, 1950-1993) Untitled mixed media on<br />
candlesticks, 1986. Provenance: private collection, Los Angeles. Signed and<br />
dated. 5” x 4” x 3” (each).<br />
306: SOPHIA CLAIRE EILER Two untitled oils on canvas: landscape,<br />
signed, 24” x 42”; and figure, 36” x 24”. Together with Robert Hart Munnet<br />
untitled oil on canvas (fr<strong>am</strong>ed), signed, 24” x 36”<br />
307: 20th C. ART Tania Window #19, oil on board, 1959. Provenance:<br />
Albert Landry Galleries, New York (label on verso). 29” x 23 1/2”<br />
308: PRINTS Eight works, mostly fr<strong>am</strong>ed: Sergio Gonzalez Tornero<br />
(Spanish, b. 1927) untitled etching, signed and numbered, sheet 16” x 24”;<br />
Diana Ad<strong>am</strong>s Woodruff (American, 20th C.) woodblocks on paper; Barbara<br />
Dunh<strong>am</strong> (American 20th C.) two woodcuts on paper; Benton intaglio; Dick<br />
Swift, intaglio; Ruth Godspeth, Aquatint; Kulik screenprint, 1972, signed.<br />
309: CONTEMPORARY JAPANESE WOODBLOCK Unknown artist woodblock<br />
print in colors (fr<strong>am</strong>ed), 1964. Signed, dated, titled and numbered 157/210.<br />
18 1/2” x 17 1/2” (sight)<br />
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310: RONALD F. LINDER (American, 20th C.) Two mixed media collages,<br />
fr<strong>am</strong>ed: “Evolving Species,” 16” x <strong>11</strong>”, and “Chinese Dragon,” <strong>11</strong> 1/2” x 9”.<br />
Both signed.<br />
3<strong>11</strong>: STUART DAVIS (American 1892-1964) Ivy League, screenprint on<br />
paper (fr<strong>am</strong>ed). Signed. 5 3/4” x 8 1/2” image.<br />
312: FRANCISCO HUNG (Venezuelan, b. 1937) Untitled lithograph in colors<br />
(fr<strong>am</strong>ed). Signed and numbered P/A. 36 3/4” x 26 1/4” (sight)<br />
313: EVERET MENERE (American 20th C.) Untitled landscape, oil on<br />
canvas (fr<strong>am</strong>ed). Signed. 30” x 48”<br />
314: STELLA MERTENS (American, 1896-1986) Untitled acrylic on canvas<br />
(fr<strong>am</strong>ed), 1966. Signed and dated. 24 3/4” x 20 3/4” (sight)<br />
315: JENS JENSEN Untitled watercolor on paper (matted). Signed.<br />
22 1/2” x 17” (sight)<br />
316: ALBERT URBAN (American 1900-1959) Leda screenprint in colors<br />
(fr<strong>am</strong>ed), 1945. Provenance: Estate of the artist. Signed and dated.<br />
22” x 17”<br />
316A: NIVES KAVURIC (Croatian, b. 1938) Three works of art: Zeleni Kruh,<br />
1964; Oil on canvas (fr<strong>am</strong>ed); Signed, dated and titled; 47 1/4” x 39 1/2”;<br />
1+No.8=Promasai, 1964; Oil on canvas (fr<strong>am</strong>ed); Signed, dated and titled;<br />
56 3/4” x 33 1/2”; Untitled; Pencil on paper (fr<strong>am</strong>ed); Signed;<br />
29 3/4” x 19 1/2” (sheet)<br />
317: GINO SEVERINI (Italian, 1883-1966) Untitled lithograph in colors.<br />
Signed and numbered. 25” x 18 1/2” (sheet)<br />
318: LUISA MARISTANY (20th C.) Cinetico, paint on board. Provenance:<br />
Galeria Juana Mordo, Madrid (label on verso). Signed, dated, and titled.<br />
13 3/4” x 13 3/4”<br />
319: ARTIST UNKNOWN (20th C.) Wistrel, embossing, etching and<br />
aquatint on paper, 1971. Signed, dated, titled, and numbered 1/30.<br />
25” x 35 1/2” (sheet)<br />
320: 20th c. AMERICAN Anonymous, nine small works: six serigraph, two<br />
pencil drawings, and one watercolor.<br />
321: AFTER MARIE LAURENCIN (French, 1883-1956) Untitled offset<br />
lithograph on paper. 12 7/8” x 10 3/4” (sheet)<br />
321A: GEORGES BRAQUE (French, 1882-1963) From La liberté des Mers,<br />
lithograph in colors, 1959. Signed and numbered 18/50. 22” x 15” (sheet)<br />
322: JEANETTE KOHN (American 20th C.) “Ad<strong>am</strong>,” color lithograph<br />
(fr<strong>am</strong>ed). Pencil signed lower right, titled and A. P. 18” x 14”<br />
323: SEFF WEIDL (German, 1915-1972) Lashing, wash-drawing (fr<strong>am</strong>ed),<br />
1948. Provenance: Kleemann Galleries, New York. Signed. 15 1/2” x 12”<br />
sight<br />
324: WILLIAM GROPPER (American, 1897-1971) Untitled (figures), etching<br />
on paper (fr<strong>am</strong>ed), signed and numbered, 5 1/2” x 3 3/4”. Together with<br />
Felipe, A Taxco Cat, etching on paper, signed, inscribed and numbered,<br />
5” x 6”
325: OTTO DITSCHER (German American, 1903-1987) Two untitled still<br />
lives, fr<strong>am</strong>ed: oil on canvas, 1947, 24” x 32”; and watercolor, 1984,<br />
20” x 16” (sight). Both signed and dated<br />
326: SIRONI Mixed media on canvas (fr<strong>am</strong>ed). Signed Sironi.<br />
13 1/4” x 10 1/4”<br />
327: LESTA BERTOIA (American, b. 1952) Sahara Swimmers, oil on canvas<br />
(fr<strong>am</strong>ed), 1999. Initial, titled, and dated. 20” x 24”<br />
327A: GEORGE NAKASHIMA Lot of ephemera including four drawings, a<br />
catalog, and price list dated <strong>June</strong> 1969.<br />
328: ART BOOKS Richard Tuttle, Portland Works, 1976, exhibition catalog,<br />
Thomas Segal Gallery; Diane Arbus, Aperture Monograph, 1972; Conrad<br />
Marca-Relli, by H.H. Arnason, Abr<strong>am</strong>s, 1963; Dali, Abr<strong>am</strong>s, 1968; J<strong>am</strong>es<br />
Turrell, Occluded Front, The Museum of Contemporary Art, Los Angeles,<br />
1985<br />
328A: DERRIERE LE MIROIR, five issues: G. Braque, 1959; Miro Peintures<br />
Murales, 1961; Miro Artigas, 1963; Miro Cer<strong>am</strong>ique Murale Pour Harvard,<br />
1961; Miro L'Oiseau Solaire...,1967. Maeght Editeur.<br />
329: ART BOOKS Box lot of twenty-three books on fine art. All in as-is<br />
condition.<br />
329A: ART BOOKS Gem and Gem Materials, E.H. Kraus; Cut & Engraved<br />
Glass, 1771-1905, D. Daniel; Handbook of Old Pottery and Porcelain Marks,<br />
C.J. Thorn; English, Scottish & Irish Table Glass, G.B. Hughes; L’Art Indien,<br />
M.M. Deneck, French text; George Chinnery: His Pupils and Influence, Hong<br />
Kong Museum of Art; Modern Ivory Carving, C.I.A. Ritchie; The Book of<br />
Pottery and Porcelain, W.E. Cox; The World’s Master Potters: Their<br />
Techniques and Art, C.P. Woodhouse; Pottery and Porcelain of All Times and<br />
Nations, Willi<strong>am</strong> C. Prime Ltd., 1879; Chinnery: The Man and The Legend, R.<br />
Hutcheon; Ivories, A. Maskell; Porcelains in the Frick Collection, J.A. Pope<br />
and M. Brunet; Lacquer of The West: The History of a Craft and an Industry,<br />
1550-1950, H. Huth; The Traditional Arts of Japan, H. Batterson Boger.<br />
330: SWEDISH Teak desk of sugar-bin shape with recessed brass pulls.<br />
45 1/2” x 35 1/4” x 19”<br />
331: ALVAR AALTO Assembled set of four stacking stools with bentwood<br />
legs. Largest: 18” x 18” dia.<br />
332: DANISH Modern lounge chair; walnut fr<strong>am</strong>e, elaborately woven seat<br />
and back. 28” x 22 1/2” x 30”<br />
333: JENS RISOM, Etc. Black leather armchair, together with a<br />
Scandinavian teak three-drawer vanity. 43” x 33” x 18”<br />
334: ARNE JACOBSEN / FRITZ HANSEN Black leather Egg chair with<br />
decorative vinyl patches. 42” x 35” x 29”<br />
335: JENS RISOM Walnut veneer occasional table with tapering legs and<br />
lower shelf. Risom Design tag. 24” x 27” x 21”<br />
336: DANISH Three rosewood dining chairs with bentwood backs, tapering<br />
legs and black upholstered seats. 30 3/4” x 18” x 18”<br />
337: GRETA GROSSMAN Walnut drop-leaf, gate-leg dining table. Fully<br />
extended: 29” x 60” x 54”<br />
338: JENS RISOM Sofa upholstered in orange and tan wool. Jens Risom<br />
label. 28” x 62” x 33 1/2”<br />
339: SCANDINAVIAN Teak settee with fabric-upholstered drop-in<br />
cushions. 32” x 80” x 28”<br />
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RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
340: DANISH Five teak dining chairs with spindle backs, conical legs and<br />
black upholstered seats. Danish furniture makers metal tag.<br />
38 3/4” x 21 1/4” x 19 1/4”<br />
341: JENS RISOM Walnut coffee table. Risom paper label. 16” x 40”<br />
342: MAX BILL Pair of ivory en<strong>am</strong>eled torcheres. Made in Switzerland<br />
labels. 64 3/4” h<br />
343: DUNBAR Painted armchair with fabric-upholstered seat.<br />
34” x 26” x 22”<br />
344: DUNBAR Three-seat sofa with oak trim to sides, fully-upholstered in<br />
tan velvet. Marked Dunbar on seat, with factory tag. 28” x 86” x 37 1/2”<br />
345: DUNBAR Bleached mahogany end table with single-door cabinet.<br />
St<strong>am</strong>ped Dunbar. 23” x 23” x 23”<br />
346: DUNBAR Pair of side tables, painted blue. 24” x 29 1/2” x 14”<br />
347: DUNBAR Three mahogany stacking tables. One with paper label, one<br />
with brass D tag. 25” x 27 1/4” x 27 1/4”<br />
348: MODERN Platform sofa with walnut base and integrated end tables<br />
upholstered in striped velvet, on conical legs. 28 1/2” x 123” x 31”<br />
349: NO LOT<br />
350: MIDCENTURY MODERN Wool shag rug in chartreuse with magenta<br />
and purple flower designs. 100” x 85”<br />
350A: EINSTEIN MOOMJY Area rug with starburst pattern in gray and<br />
ivory on black ground. <strong>11</strong>7” x 94 1/2”<br />
351: TWO ART DECO RUGS One hand-woven with green and maroon<br />
geometrics on a beige ground; the other machine-woven with an abstract<br />
design. Largest: 55” x 35 1/2”<br />
352: FLOKATI Two rugs: one natural, one magenta. Natural rug: 128” x 75”<br />
353: JUNE GROFF Six hand-stenciled fabric panels. Largest: 30 1/2” x 36”<br />
354: NICOS ZOGRAPHOS Dining table originally designed for the BMA<br />
building; with chrome X base and wood veneer top. 30” x 32” x 32”<br />
355: KIPP STEWART / DIRECTIONAL Three-seat sofa with brushed red<br />
fabric on polished steel fr<strong>am</strong>e. 30” x 73” x 33”<br />
356: MARCEL BREUER / ISOKON PLUS Pair of lounge chairs with birch ply<br />
fr<strong>am</strong>es together with a matching table. All tagged Designed by Marcel<br />
Breuer/Isokon Plus/Made in England. Chair: 31 1/2” x 33” x 37”<br />
357: MARCO ZANUSO Lounge chair with ivory velour upholstery on steel<br />
legs. 30” x 32” x 26”<br />
358: IMTREX Two tables: one circular with ash veneer covering, the other<br />
with lacquered ivory finish.<br />
359: MODERN LIGHTING Chrome floor l<strong>am</strong>p with two adjustable arms.<br />
61 1/2” x 37”
360: MODERN LIGHTING Polished chrome arc floor l<strong>am</strong>p with weighted<br />
base. 70” x 90”<br />
361: MODERN Six-piece bedroom set in burlwood, chrome and black<br />
en<strong>am</strong>eled finish: three-piece wardrobe wall unit, pair of two-door<br />
nightstands, two-door low cabinet with three drawers, and a king-size<br />
headboard. Wardrobe unit: 79 1/2” x 107” x 19”, headboard: 39” x 77 1/2”<br />
362: MODERN Bent plywood serving cart with tiered cup holders and<br />
banded handle. 26 1/2” x 25 1/2” x 18”<br />
363: ITALIAN Lacquered and painted maple serving cart.<br />
25 1/2” x 31” x 17”<br />
364: HEYWOOD WAKEFIELD Platinum coffee table with whalebone legs.<br />
Branded mark. 16” x 32” dia.<br />
365: HEYWOOD WAKEFIELD Pair of settees with bentwood arms and legs;<br />
vinyl upholstery. 32” x 41” x 19 1/2”<br />
366: HEYWOOD WAKEFIELD Rare club chair with almond-shaped arms and<br />
maple feet. Heywood Wakefield tag. 32” x 32” x 32”<br />
367: FRANK PARISH / HEYWOOD WAKEFIELD Chest with t<strong>am</strong>bour doors<br />
and interior drawers. 32 1/2” x 34 1/2” x 19<br />
368: HEYWOOD WAKEFIELD Room divider, a vanity with mirror, and an<br />
upholstered vanity chair. Room divider: 53” x 82” x 12”, vanity:<br />
62” x 51” x 19”<br />
369: HEYWOOD WAKEFIELD Four-piece porch set consisting of two tiered<br />
end tables, sofa and platform rocker in maple and bent oak with rattan<br />
lacing, no cushions. End tables branded Heywood Wakefield. Sofa:<br />
31 1/4” x 71 1/4” x 29 1/2”<br />
370: WITHDRAWN<br />
371: RUSSELL WOODARD Pair of wire lounge chairs. 28 1/2” x 32 1/2” x 27”<br />
372: RUSSELL WOODARD Pair of white wire lounge chairs.<br />
28 1/2” x 32 1/2” x 27”<br />
373: RUSSELL WOODARD Black wire mesh sofa. 28” x 72 1/2” x 29”<br />
374: RUSSELL WOODARD Black wire mesh sofa. 28” x 72 1/2” x 29”<br />
375: STYLE OF RUSSELL WOODARD Three-piece metal set: two-seat<br />
glider, armchair and table; in beige wire mesh with plastic banding.<br />
31” x 50” x 31”<br />
376: GARDEN Constructivist rocker with structural steel fr<strong>am</strong>e and<br />
wooden slats. 39” x 27” x 27”<br />
377: RICHARD SCHULTZ Pair of armchairs in painted metal with fabric<br />
mesh seats. 26” x 26” x 27”<br />
378: WICKER Three-piece set in white consisting of a sofa, matching<br />
armchair, and rocker, with fabric-upholstered cushions. Sofa: 34” x 81” x 28”<br />
<strong>11</strong><br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
379: GARDEN Cast iron planter supported by a caryatid base; white wire<br />
plant stand; cast iron bracket decorated with icanthus leaves. Planter:<br />
41” x 49” x 12 1/2”<br />
379A: WITHDRAWN<br />
380: CHINESE CERAMIC Tang-style garden pagoda lantern, 20th C.<br />
Several chips. Approx. 6’9” x 2’6”<br />
381: BRONZE CRANES Pair, in an orn<strong>am</strong>ental style, with one leg raised on<br />
both. Tallest: 38”<br />
382: SATSUMA Vase decorated with blue, black, and white cranes on a<br />
beige background. 6 1/2” x 4 1/2”<br />
383: ROSE MEDALLION Sixteen pieces: a vase (restored), a bowl, two<br />
covered boxes, a cup and eleven plates. Small chips and wear. Vase: 13 3/8”<br />
384: ASIAN Three items: Chinese porcelain f<strong>am</strong>ille rose vase and rose<br />
medallion bowl with an archaic-style bronze vase. Tallest: <strong>11</strong> 1/2”, bowl:<br />
10 1/2” x 4”<br />
385: CHINESE 20th C. Hand-painted vase with peonies, birds and phoenix,<br />
signed on base, 12”. Together with pair of fu dog incensers with remnants<br />
of blue glaze, chips and wear, 6 1/2” x 2 1/2” x 3”<br />
386: CHINESE PORCELAIN Vase painted with underglaze blue with birds<br />
and flowers. <strong>11</strong> 1/8” x 4 7/8 dia.<br />
387: ASIAN PORCELAIN Pillow vase painted with peonies, charger with<br />
Prunus tree and house in a mountainous landscape and polychrome ginger<br />
jar missing lid. Together with cloisonne jar. Charger: 12 3/4” dia.<br />
388: CHINESE Blue and white porcelain plate. Signed. 12” dia.<br />
389: IMARI Tea set with burgundy and blue decoration; includes teapot,<br />
cre<strong>am</strong>er, eight tea cups and saucers. Some losses. Teapot: 6 1/2”<br />
390: CERAMIC BUDDHA 20th C. 14” x 13 1/2” x 8 1/2”<br />
391: CHINESE Monochrome vase in blue fl<strong>am</strong>bé glaze turning grey at top<br />
of flaring neck with crazing, unglazed base, 18th-19th C. Old repair to side<br />
of rim, small chips around footring. 8” x 4 1/4”<br />
392: CHOZAEMON OKI (Attr..) Japanese tea bowl with ochre glaze, large<br />
reglued break to one side, in original wooden presentation box. Cipher<br />
mark. Bowl: 3” x 4 3/4”<br />
392A: JAPANESE IVORY Two carved okimono, Meiji period: stained, finelycarved<br />
ivory caparisoned elephant with figures loading bales of rice on its<br />
back, signed on bale, base with himotoshi, 2” x 2 1/4” x 1 3/4”; octopus<br />
cradled in a basket, one eye missing, 1 3/4” x 2 1/4” x 1 1/2”. Together with<br />
a carved ivory stand with lotus leaves, 3/4” x 1 1/2”<br />
392B: CHINESE SNUFF BOTTLE Spade-shaped bottle of jade carved with<br />
quail and millet on one side, Buddhistic lion mask handles on shoulders;<br />
with stopper, 19th C. 2 3/8”<br />
393: ASIAN Vase in crackled green glaze. Signed on base. 8 1/2”
394: CHINA PAINTED SATSUMA Large pitcher painted with iris on a green<br />
ground, early 20th C. Slight scratches and loss of paint. 13”<br />
395: NORITAKE / WOODBLOCK PRINTS Pair of bone china vases, each<br />
marked, 9 1/2”. Together with three Hiroshige prints, 14 1/2” x 9”<br />
396: ASIAN Print, fr<strong>am</strong>ed. Signed in characters. 19” x 16” fr<strong>am</strong>e<br />
397: JAPANESE 20 C. Two untitled paintings: Geisha in a landscape, ink<br />
and watercolor on silk (fr<strong>am</strong>ed). Signed. Each 9 1/2” x <strong>11</strong>” sight<br />
398: JAPANESE PRINTS Three prints: S<strong>am</strong>baso dancer holding a fan,<br />
sheet cut irregularly, several small tears around edges, crease down center,<br />
stained, signed, 6 3/4” x 14” (irregular) sheet, 15” x 22” fr<strong>am</strong>e; other by<br />
Toyokuni, geisha playing a koto, several pin and worm holes, signed and<br />
sealed on image, 10 x 14 1/2” sheet; S<strong>am</strong>urai in action, signed and sealed<br />
on image, restored wormholes, irregular borders, 14” x 10”<br />
399: JAPANESE PAINTINGS Collection of sixteen paintings on silk, ten<br />
depicting views of Japan and six of religious figures. Together with a<br />
watercolor (fr<strong>am</strong>ed), signed. Silk: approx. 18” x 15”<br />
400: JAPANESE Three oban woodblock prints (fr<strong>am</strong>ed), 13 3/4” x 9 3/4”<br />
sight. Together with a scroll painted with a Geisha, signed lower right,<br />
77” x 22” total.<br />
401: KAMA SUTRA Two erotic drawings. 6” x 3 3/4” sight, fr<strong>am</strong>es:<br />
13 1/2” x 10 1/2”<br />
401A: INDIAN BRONZES Comprising a pair of lions on rectangular<br />
pedestals, a Mukalinga, two standing figures and one figure seated on the<br />
back of a lion. Lions: 7 1/2”<br />
402: JAPANESE 20th C. Goldfish, lacquer on wood panel. 40” x 20”<br />
403: CHINESE LACQUER Carved cinnabar box, 5 7/8” x 4 1/8” x 2”.<br />
Together with a round sweetmeat box inlaid with mother-of-pearl, fitted<br />
interior, some losses, 12 7/8” x 2 1/8”<br />
403A: TIBETAN METALWARE Comprising thighbone trumpet with leather<br />
and copper fittings, bell, hand drum, long pen case inlaid with various<br />
metals, two spoons, two vajras, five varying cups and several other<br />
implements. Pen case: 14 1/2”<br />
403B: TIBETAN METALWARE Comprising an iron box with cover and<br />
handles, two copper kettles with applied silver metal and turquoise beads,<br />
together with various brass and copper bowls with h<strong>am</strong>mered and chased<br />
decoration. Copper bowl: <strong>11</strong> 1/4” dia.<br />
404: KOREAN Elm document box with brass fittings, 15 1/2” x <strong>11</strong>” x 4”.<br />
Together with a carved celadon cup, chips and cracks, 3 5/8 dia. x 3”<br />
404A: SOUTHEAST ASIAN BOXES Group of three rectangular carved<br />
wooden boxes with domed lids, together with a carved wood fragment.<br />
Fragment: 14 1/2”<br />
405: CHINESE STYLE Occasional tables. 18” x 32” x 20”<br />
405A: CHINESE Hongmu wood Kang table with ball and claw feet, 19th C.<br />
Shrinkage to top appropriate to age. 10” x 30” x 16 1/4”<br />
406: YOKEBACK Chinese chairs. 42” x 22” x 18”<br />
12<br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
407: KOREAN Storage chest with elaborate brass fittings.<br />
18” x 48 3/4” x 22 3/4”<br />
408: KOREAN Chest on stand with brass fittings and recessed top, ca.<br />
1900. 56 3/4” x 42 1/2” x 19”<br />
409: ASIAN Japanese bronze vase with frogs, together with an internally<br />
painted glass Chinese snuff bottle. Vase: 15 3/8”; bottle: 4 1/4”<br />
410: ASIAN Indian watercolor on silk in grained wood fr<strong>am</strong>e, 19th-20th C.,<br />
23 1/2” x 19 1/2”. Together with a 19th C. woven metal basket with<br />
simulated b<strong>am</strong>boo feet and attached crabs, restored and distressed<br />
condition, 7 1/4” x 7 1/2” dia.<br />
4<strong>11</strong>: CHINA: ITS COSTUME, ARTS AND MANUFACTURES &C. Combined vol.<br />
1 & 2. Copyright 1824 by M. Breton. Published Howlett & Brimmer, London.<br />
Distressed binding<br />
412: ART REFERENCE BOOKS: Genuine Antique Furniture, Arthur De Bles,<br />
1929; The Furniture Treasury, 2 vol., Wallace Nuttig, 1962; The Furniture of<br />
our Forefathers 2 vols. 1-4, 5-8; bound magazines, Esther Singleton, 1901;<br />
American Furniture, Helen Comstock, 1962 (not pictured)<br />
412A: CHINESE ART BOOKS Chinese, Corean and Japanese Potteries,<br />
Japan Society, exhibition at the Galleries of M. Knoedler & Co., March 2-21,<br />
1914; limited edition 1914, five numbered copies out of 1500 copies<br />
printed, wear consistent with age. Together with four copies of Eastern Art:<br />
A Quarterly, Memorial Hall, Philadelphia, comprising: July 1928, October<br />
1928, January 1929 and April 1929.<br />
412B: ANCIENT CHINESE GOLD, by Han Wei and Christian Deydier, Les<br />
Editions D’Art Et D’Histoire, Paris, 2001. With dust jacket in hardboard<br />
slipcase.<br />
413: ASIAN LAMPS Set of three includes: ginger jar covered in celadon<br />
glaze with brass fittings, Moriage vase on wood plinth with single socket<br />
and faience urn. Tallest: 21”<br />
413A: SOUTHEAST ASIAN GARMENTS Brocade jacket with fur trim,<br />
together with two smaller jackets with applied shells<br />
414: CHINESE WOOL MATS Group of four rugs primarily in cre<strong>am</strong>s and<br />
blues. Largest: 66” x 34”<br />
415: CHINESE WOOL MATS Group of three rugs: two with blue grounds,<br />
one in olive. Largest: 72” x 36 1/2”<br />
416: NATIVE AMERICAN Two pots with painted geometrics in black, white<br />
and orange. One signed. 3 1/2” x 4 1/2”, 3” x 5 1/2”<br />
417: NATIVE AMERICAN Southwestern polychrome painted utility jar with<br />
holes for hanging. Fire cloud, one small chip to rim and flecks.<br />
3 1/2” x 3 1/2”; mouth opening: 2 1/2”<br />
418: NATIVE AMERICAN Philosophical scroll titled “Lifafe Zidghi” about<br />
Saint Mary, possibly 17th C.<br />
418A: NATIVE AMERICAN Moccasins and catlinite pipe.
419: SWORDFISH BILL Mounted on a carved wooden base, with incised<br />
decoration of a swordfish on one side. Tip of bill broken and with several<br />
cracks, some losses. 32 1/2” tall<br />
420: INUIT SCULPTURE Marbled dark green soapstone sculpture of a bird.<br />
Loss to left foot. Signed Kud Lou, <strong>11</strong>276-2 E5217. 3 3/4” x 2 1/2” x 3 1/2”<br />
420A: KRIS KNIVES ETC. Collection of various knives including: three kris<br />
and various other Middle Eastern knives<br />
421: NATIVE AMERICAN Four Native American and Mexican blankets<br />
422: NATIVE AMERICAN Rug in hues of red, orange and brown. Fraying at<br />
edges, few holes. 7’2” x 3’10”<br />
423: AMERICANA American flag with thirteen stars and stripes.<br />
Discoloration commensurate with age, several small holes. 28” x 37”<br />
424: AMERICANA Enterprise Coffee Grinder #12 Painted red with floral<br />
decoration. Eagle finial on lid has been restored, partially repainted. 32 1/4”<br />
425: MILITARY Sword with elements of a typical United States Cavalry<br />
sword, its hilt with three branches and a leather-wrapped grip. Wear to<br />
blade and scabbard. Blade marked. 42”<br />
426: MILITARY Two serrated swords with figural pommels, one of rooster<br />
(blade marked) other of an eagle. Wear to blades and scabbards.<br />
Longest: 37”<br />
427: CAST IRON Two animal figures, ca. 1920: Dachshund boot scrape and<br />
Boston terrier door stop. Both with original paint. Dachshund: 23”<br />
428: FULPER Two-gallon stoneware crock with cobalt decoration. Several<br />
small chips to interior of mouth, one larger to rim; glaze chips to right<br />
handle. Marked Fulper Bro., Flemington, N.J, 2. 9” x 10”<br />
429: STONEWARE Two-gallon one-handled jug. Chip to mouth and one to<br />
handle. Impressed “A.J. Butler Manufacturer New Brunswick, N.J.”<br />
highlighted with blue cobalt, painted “2”. 12” x 9 1/2”<br />
430: STONEWARE Two pieces: single-armed jug, painted in script “W.A.<br />
Quinn. Trenton. N.J.”, 12”; four-gallon crock with cobalt decoration of a bird,<br />
st<strong>am</strong>ped 4F, several small chips and spider cracks, <strong>11</strong>” x <strong>11</strong> 1/4”<br />
431: STONEWARE Crock with cobalt decoration. Two hairline cracks by left<br />
handle, three small chips to interior of mouth. Marked J.M. Pruden,<br />
Manufacturer, Elizabeth-N.J. 7 1/2” x 8 1/4”<br />
432: FOLK ART Two items, 19th-20th C.: painted wood firkin, <strong>11</strong>” x 10 1/2”;<br />
carved and stained primitive sculpture of a bird, <strong>11</strong>” x 12”<br />
433: JEWELRY AND GAME BOXES Two items, 19th C.: bone and quill g<strong>am</strong>e<br />
box with cribbage top, card storage and small pull-out drawer with cribbage<br />
counters, India, 3” x 9 1/4” x 3 5/8”; inlaid marquetry jewelry box with<br />
carved grotesques and interior oval beveled mirror, missing interior<br />
compartments, 6” x 12 1/4” x 9”. Both with losses.<br />
434: TRAMP ART Two-handled box, green painted with shadowbox inset<br />
postcards and prints on the sides. Some losses. 20” x 13” x <strong>11</strong> 1/2”<br />
434A: PAINTING Artist unknown, oil on canvas (fr<strong>am</strong>ed). Unsigned.<br />
14 3/4” x 15 3/4”<br />
13<br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
435: AMERICAN FOLK ART 20th C. Marquetry ‘painting’ of a theatre<br />
proscenium in a fr<strong>am</strong>e decorated with flowers and birds; can be removed<br />
from fr<strong>am</strong>e. 26” x 27 2/3” x 1 1/2” with fr<strong>am</strong>e.<br />
436: FOLK ART GROUP Includes 19th C. two-handled bulbous field basket;<br />
decorative elephant with stitching detail; early 20th C. glass eyed decoy.<br />
Basket: 12 1/2” x 15” dia.<br />
437: GROUP LOT Includes: two slate g<strong>am</strong>e boards painted in polychrome,<br />
marble mosaic depicting a lighthouse and sailboat, pair of marble obelisks,<br />
three decorative wooden boxes with brass fixtures, two brass collection<br />
plates and cabbage slicer. Obelisks: 15”<br />
438: AMERICANA Two brass buckets with wrought iron handles; one with<br />
hook for hanging. Together with a cer<strong>am</strong>ic mortar and pestle. Largest 12”<br />
439: VINTAGE TOY Mobo Bronco ride-on horse, England ca. 1947. Original<br />
label, marked MADE IN ENGLAND. 30” x 27” x 8”<br />
439A: VINTAGE TOYS Two marionettes in knight costume, with pressed<br />
tin armor and cloth vestments. 24” long<br />
440: VINTAGE TOYS Doll parts including two heads, torsos, arms and legs;<br />
also doll some clothing in as-is condition<br />
441: MACHINE MINIATURES Two models: Weeden Mfg. Co. ste<strong>am</strong> engine<br />
model, trademark plaque, 7” x 7 1/4” x 6 1/2”; other, 16” x 6” x 6”<br />
442: METAL GROUP Including: two Burkhard two-handled copper boiler,<br />
triangular copper lantern with ruby glass inset, and a belt of graduated<br />
sleigh bells. Boiler: 9” x 17 1/4” dia.<br />
443: WROUGHT IRON Etc. Griffin plant stand painted white; cast iron<br />
ashtray stand; copy of Art Deco bronze; round oak fr<strong>am</strong>e; three fr<strong>am</strong>ed<br />
prints, one by Emily Lawless; and two wood plaques with pyrography<br />
decoration, one titled ‘The Hungry Quartet’, the other with a rendition of<br />
the Femme a la Marguerite after Jane Atcher. Planter: 27 1/2” x 26”<br />
444: METAL GROUP Includes: scale (not pictured) with two weights,<br />
Dallan developing tank, cow bell, tin horn and Supreme lantern. Lantern:<br />
13” x 7”<br />
445: FRAME Oak with reeded edge, impressed ivy, and the caption “Her<br />
own works praise her”. 44” x 32”<br />
446: WEATHERVANE Cast copper full-body eagle with original directionals,<br />
verdigris patina, early 20th C. Missing one foot. 22” wingspan, 16” length<br />
447: ADVERTISING Coca-Cola advertising tray showing a lady with bottle,<br />
dated 1938, minor scratches and rusting to edges, 13 1/4” x 10 1/2”.<br />
Together with Horn & Hardart Coffee tin and Maybeck’s Mothball Vaporizer<br />
tin.<br />
448: LAUREL & HARDY Signed press photography (signature<br />
questionable), fr<strong>am</strong>ed. <strong>11</strong> 1/4” x 14” fr<strong>am</strong>e<br />
449: PHOTOGRAPH COLLECTION Seven photos: Eugene Herbert Reiner<br />
(American, 20th C.) Untitled (fashion), c. 1940, silver emulsion print,<br />
signed, 14” x 10”; RKO stock photo, silver emulsion print, 8” x 10”; Untitled<br />
(fashion), c. 1940, silver emulsion print, 14” x 10”; Diano Pitochelli<br />
(American, 20th C.) Olive Trees - Assisi, 1976, silver emulsion print<br />
(fr<strong>am</strong>ed), signed, titled and dated, 8” x 10” sheet; three silver emulsion<br />
prints by Martin; landscapes, c. 1952, each <strong>11</strong>” x 14”
450: AMELIA EARHART Vintage photograph, fr<strong>am</strong>ed. Corners with<br />
d<strong>am</strong>age. <strong>11</strong> 3/4” x 9 3/4” sight<br />
451: CHARLES LINDBERGH The Spirit of St. Louis, Jaquard loom tapestry<br />
(fr<strong>am</strong>ed). 18” x 60”<br />
452: VINTAGE MOVIE POSTER “Hand of Death,” 1962, starring John Agar,<br />
Paula Raymond and Steve Dunne, 20th Century-Fox. Several small tears.<br />
22” x 28”<br />
453: CIRCUS Twenty-one assorted circus posters, including: Royal<br />
Hanneford, Lewis Bros, King Bros.-Cole, Polack Bros, Clyde Beatty Cole Bros.<br />
and others. Pin holes, tears and wear. All: approx. 23” x 14”<br />
454: AMERICAN BALLET posters, twelve pieces (four fr<strong>am</strong>ed)<br />
455: POLITICAL / ADVERTISING Collection of pins, badges, bookmarks and<br />
buttons, 19th and 20th C.<br />
456: SOUVENIR LETTER OPENERS Approx. seventy-two letter openers,<br />
many with carved tribal motifs, some brass, some with stone handles, some<br />
figural. Largest: 15”<br />
457: ANTIQUARIAN IRISH BOOK “The Great Leaders of an Oppressed But<br />
Brave People,” Gay Brothers & Co., New York, 1892. 10” x 8” x 2 3/4”<br />
458: 19TH C. MINING LEDGER Leather-bound with marbleized<br />
frontispiece, 798 pages, partially filled. Distressed condition.<br />
18 1/2” x 12 1/2” x 2 3/4”<br />
459: STYLE OF WILLIAM MORRIS Runner. 2’4” x 7’7”<br />
460: STYLE OF WILLIAM MORRIS Area rug in brown and green. 6’1” x 8’10”<br />
461: STYLE OF WILLIAM MORRIS Area rug in brown and green. 4’1” x 6’<br />
462: KAZAK RUG With two geometric medallions enclosed by multiple<br />
borders. 48” x 82”<br />
463: RUGS One hooked with floral design inside multiple borders; one<br />
Persian long rug with repeating medallions; one Persian with central<br />
medallion enclosed by multiple borders. Longest: 134” x 40”<br />
464: RUGS Two Persian carpets together with a round needlepoint rug.<br />
465: TABLE LINENS Box lot includes: lace, pierced and embroidered and<br />
some with printed decoration<br />
466: LIFETIME Ladderback armchair with long underarm corbels. Lifetime<br />
paper label. 41 1/4” x 27 1/4” x 26 1/2”<br />
467: CHARLES STICKLEY Paddle armed rocker with corseted crest rail and<br />
four vertical back slats. 34 1/2” x 29” x 28 1/2”<br />
467A: L & JG STICKLEY Single drawer library table with faux b<strong>am</strong>boo legs<br />
and vertical slats. “Work of...” label; 30” x 54” x 30”<br />
468: WITHDRAWN<br />
469: ENGLISH ARTS AND CRAFTS Pair of twin beds (one shown) with<br />
marquetry and string inlay, decorated tiles and cabochons.<br />
48 1/2” x 79 1/2” x 40”<br />
14<br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
470: OAK CRAFT Open armed rocking chair with panel back and two slats.<br />
37” x 27 1/2” x 24”<br />
471: ARTS & CRAFTS Barrel chair with quarter-sawn oak veneer and ball<br />
feet. Unmarked. 36 1/2” x 25 1/2” x 22 1/2”<br />
472: GRAND RAPIDS Fallfront desk of quarter sawn oak, two drawers and<br />
brass ring pulls. 43 3/4” x 40” x 15 3/4”<br />
473: ARTS AND CRAFTS Dropleaf dining table. Signed Kittering Bungalow.<br />
Closed: 28 1/2” x 40” x 18 1/4”<br />
474: ARTS AND CRAFTS Desk with single drawer flanked by slatted<br />
shelves. Together with a paddlearm maple lounge chair. Desk:<br />
30” x 40” x 26”<br />
475: PYROGRAPHY Two pieces: a four-sided pyrographic umbrella stand<br />
with stylized designs, and a pipe rack, its back panel decorated with a<br />
sailboat. Stand: 27 1/2”<br />
476: ARTS & CRAFTS Magazine stand with slatted sides.<br />
47” x 12 1/4” x 13 1/4”<br />
477: ARTS AND CRAFTS Four panel screen with arching tops and<br />
h<strong>am</strong>mered copper trim. 20” panels<br />
478: ARTS AND CRAFTS Walnut room divider, each leaf with gridded mica<br />
panel. Panel: 72 3/4” x 22”<br />
479: STYLE OF LIMBERT Oak stand with cutout uprights and lower shelf.<br />
Recent vintage. 26” x 16”<br />
480: STYLE OF GUSTAV STICKLEY Oak long mirror with arched crest rail.<br />
Recent vintage. 20” x 65”<br />
481: ARTS & CRAFTS Three pieces: a mission oak clock (functional), a<br />
stained glass window in fr<strong>am</strong>e, and an oak fr<strong>am</strong>e. Fr<strong>am</strong>e: 15 1/2” x 46”<br />
482: MORAVIAN TILE WORKS Tile-top wrought-iron table.<br />
19” x 16 1/2” x 29”<br />
483: MORAVIAN TILE WORKS Pair of tile sconces with birds and fleur-delys<br />
on a blue ground. A few minor nicks around edges. Unmarked.<br />
10 1/2” x 4 1/2” each<br />
484: MORAVIAN TILE WORKS Pair of tile sconces, a lidded box (significant<br />
d<strong>am</strong>age), and three tiles. Unmarked. Sconces: 4 1/2” x <strong>11</strong>” each<br />
485: MORAVIAN TILE WORKS Five letter tiles in blue or green glaze.<br />
Unmarked. Largest: 2 1/2” sq.<br />
486: ROOKWOOD Vase carved by A. M. Valentien with stylized yellow and<br />
pink designs on a green ground, 1901. Line through body. Fl<strong>am</strong>e<br />
mark/artist’s mark. 4 1/2” x 6”<br />
487: ROOKWOOD Pair of production water lily candlesticks covered in rose<br />
glaze, 1929. Fl<strong>am</strong>e mark.<br />
488: ROOKWOOD Two Production vases, one brown with a band of flowers,<br />
1920, the other in mottled pink and green, 1914. Hairline and large bruise<br />
to base of smaller. Both marked. 8 1/2” and 6 1/4”
489: ROOKWOOD Vellum vase painted by Ed Diers with light pink roses on<br />
a pearl gray ground, 1904. Some peppering and firing separations to slip.<br />
Fl<strong>am</strong>e mark/IV/1045/ED. 5 1/4” x 4 1/4”<br />
490: ROOKWOOD Jewel Porcelain l<strong>am</strong>p base painted by Loretta Holtk<strong>am</strong>p<br />
with yellow daffodils, 1951. Artist signed/2984B. Vase: 14 1/4” x 6 1/2”<br />
491: ROOKWOOD / ROYCROFT Three pieces: two Rookwood Production<br />
vases, one with flowers under a blue glaze, the other with cattails, and a<br />
Roycroft jug (small nicks). All marked. Tallest: 6 1/2”<br />
492: ROOKWOOD FAIENCE Tile with a stylized flower under a green, rose,<br />
<strong>am</strong>ber, and blue glaze. St<strong>am</strong>ped ROOKWOOD FAIENCE 1718Y. 6” sq.<br />
493: FULPER Pair of tall twisted candlesticks covered in speckled brown<br />
glaze. Line to one. Both marked. <strong>11</strong> 1/2” each<br />
494: FULPER Seven pieces including a pair of candlesticks covered in blue<br />
crystalline glaze, a turquoise bowl, a blue crystalline swan figure, and three<br />
others. Marked. Sticks: 4 1/4”<br />
494A: FULPER Etc. Two pieces: a Fulper vase covered in Flemington Green<br />
fl<strong>am</strong>be glaze, and a C. H. Brannan for Liberty & Co. squat vessel. Both<br />
marked. Vase: 8 1/4”<br />
495: TECO Squat bowl with lobed sides, covered in mottled green glaze.<br />
Minor grinding flecks. No visible mark. 2 1/4” x 6 1/2”<br />
496: VAN BRIGGLE Two handled vase embossed with flowers, covered in a<br />
turquoise glaze. Tight line to one handle. Incised Van Briggle mark.<br />
9 3/4” x 7 1/2”<br />
497: VAN BRIGGLE / HAMPSHIRE Ten pieces: nine Van Briggle in Persian<br />
Rose or turquoise glaze, and one H<strong>am</strong>pshire with stylized floral design. All<br />
marked. Tallest: 8”<br />
498: ARTS & CRAFTS Large Van Briggle vase, 1916, (small chips to base,<br />
lines to body), Roseville brown Freesia teapot, 6-T, (restoration to lid), The<br />
Roycroft Reminder book, 1908 (as-is condition). Tallest: 14 1/2”<br />
499: DEDHAM Two Crackleware plates in the Horse Chestnut pattern. Line<br />
to larger, chip (factory?) to base ring on each. Blue st<strong>am</strong>p marks. 7 1/2” and<br />
8 1/2” dia.<br />
500: DEDHAM Crackleware plate in the Clockwise Rabbit pattern. Blue<br />
st<strong>am</strong>p mark. 8 1/4” dia.<br />
501: DEDHAM Two Crackleware plates in the Clockwise Rabbit pattern.<br />
Both marked. 7 1/2” dia. each<br />
502: MARBLEHEAD Squat vessel covered in a speckled blue glaze.<br />
Impressed ship mark. 3 1/2” x 5”<br />
503: BUFFALO POTTERY Plate “The Fallowfield Hunt, The Death”. St<strong>am</strong>ped<br />
mark. 8” dia.<br />
504: HAVILAND & CO. Vase by Ernest Chaplet with butterflies and leafy<br />
branches against a brown ground. Line from rim. St<strong>am</strong>ped mark. 8 1/4”<br />
505: ALBERT SCHNEIDER / RAMBERVILLERS Pair of double-handled Art<br />
Nouveau vases covered in lustered green glaze. Signed A. Schneider.<br />
18” x 7” x 5”<br />
15<br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
506: ROYAL DUX Art Nouveau vase with ginkgo leaves and flowers in high<br />
relief, highlighted in green and gold. Marked on base with a pink triangular<br />
raised tablet and the numerals 3214. 21 1/4” x 10 1/2”<br />
507: TRENTON BELLEEK Bowl painted with a band of fern fronds. Red<br />
st<strong>am</strong>p mark. 4” x 9 3/4”<br />
508: MAJOLICA Two pitchers, one with barley and flowers, the other with<br />
lilypad design. Firing lines to handle of one, nick to handle of the other.<br />
Unmarked. 6 1/4” and 7 1/4”<br />
509: PALISSY WARE Footed compote decorated with leaves, morning<br />
glories and shells in polychrome. Unmarked. 5 1/4” x 10” x 6 1/2”<br />
510: PETERS AND REED Shadow Ware covered jar. Nick to edge of lid.<br />
Unmarked. 7 3/4”<br />
5<strong>11</strong>: PETERS AND REED / McCOY Two brown-glazed pieces, one Peters &<br />
Reed with cherries, the other McCoy with trumpet flowers (rim nicks). Both<br />
unmarked. 9 1/4” and 6 1/2”<br />
512: PETERS AND REED Bowl embossed with banded berry and leaf design.<br />
Unmarked. 10” dia.<br />
513: PHOENIX ART GLASS / McCOY Nine piece grouping, including: three<br />
McCoy art pottery pieces, a Phoenix Art Glass vase, copper and porcelain.<br />
514: OHIO POTTERY Large matte green umbrella stand with embossed<br />
gate-like designs, possibly by Peters & Reed. Unmarked. 20 1/2”<br />
515: McCOY Etc. Twenty pieces of miscellaneous pottery including several<br />
by McCoy. Some small chips and lines overall. Some marked.<br />
516: RED WING Box lot of fifteen pieces, including a tall red vase and a<br />
figure of a deer. A few small chips.<br />
517: POTTERY Two vases fitted as l<strong>am</strong>p bases, one Clifton and one<br />
Rookwood or Weller painted with pine cones. Scratches to brown-glazed<br />
piece. Fittings not removed to check for marks/d<strong>am</strong>age. Pottery only: 9”<br />
and 9 3/4”<br />
518: LONHUDA Tall bottle-shaped vase painted by Helen M. Harper with<br />
yellow flowers, green leaves, and buds. Restoration to drill-hole under base,<br />
artist’s initials possibly re-incised after repair. Impressed mark. 13” x 6”<br />
518A: BOCH FRERES Ovoid vase incised with stylized peacock feather<br />
decoration. Factory drill hole. St<strong>am</strong>ped mark. 13” x 5”<br />
519: GOUDA Three vessels: Dorotte floriform footed dish (hairlines),<br />
Regina pitcher, and Vannis baluster vase (chip to base). All marked.<br />
3 1/2”, 5 1/2”, 8 1/4”<br />
520: KERAMIS Vase painted with yellow and blue flowers. Ink st<strong>am</strong>p.<br />
9 1/2”<br />
521: GOUDA L<strong>am</strong>p base with orange and blue floral decoration on a yellow<br />
and black ground. No visible mark. 22” overall.<br />
522: HEINTZ Sterling-on-Bronze trophy with stylized design and<br />
inscription. Dent to base edge. Marked. 7 1/2” x 8”
523: WMF, Etc. Three decorated metal pieces: small vase by WMF with<br />
branches of leaves, and h<strong>am</strong>mered copper tray and bowl with geometric<br />
pattern (latter marked MW). Tray: <strong>11</strong> 1/2” dia.<br />
524: MOE BRIDGES Ceiling fixture with foliate designs. Missing globe.<br />
Marked MOE BRIDGES. 22 1/2” overall.<br />
525: TRENT 250+ tiles which form a fireplace surround, each covered in a<br />
green, brown, and ivory majolica-type glaze, in two sizes, 3” x 1 1/2” and<br />
1 1/2” sq. Some with minor d<strong>am</strong>age from previous installation.<br />
526: KARLSRUHE / RUSCHA Five German tile plaques with angelfish,<br />
butterfly, flowers, parrot, and flowers. Most marked. Largest: 10” x 14”<br />
527: EDWARD BYRNE STUDIO Etc. 150+ group lot of tiles including a<br />
three-piece figural madonna tile, 87-3” tiles in yellow, blue, and green, 22-<br />
4” tiles, 4 triangular tiles, 12 rope edge tiles, and several others.<br />
528: MUELLER 185 1” decorated tiles with various designs in blue, green,<br />
and gold. Unmarked.<br />
529: HARRIS STRONG fifteen-tile panel mounted in the original studio<br />
fr<strong>am</strong>e. 36” x 24”<br />
530: TIFFANY STUDIOS (Attr.) Hanging gilt metal light fixture with<br />
Favrile glass insert. Unmarked. Overall: 18”<br />
531: ART GLASS Two Austrian vases in green and pink. Tallest: 5 1/2”<br />
532: DAUM Set of four seasons plates, each in box with certificate.<br />
10 1/2” dia.<br />
533: ART GLASS Bulbous yellow vase decorated with thistle. Several<br />
small chips to base. Unmarked. <strong>11</strong>” x 8”<br />
534: BOHEMIAN GLASS Art Nouveau green glass bowl with bronze holder<br />
535: D’ARGENTAL Purple c<strong>am</strong>eo glass vase with corseted, bulbous form.<br />
5” x 1 1/2” dia.<br />
536: STYLE OF HANDEL Two l<strong>am</strong>ps with reverse-painted shades, one with<br />
a plain glass sunset landscape design, 14 1/2” shade and 20 1/2” base with<br />
swags and fluted design; the other with a landscape and windmill design<br />
with textured glass, 15 1/2” shade, 18” flaring base with maple leaves<br />
537: VICTORIAN LIGHTING Table l<strong>am</strong>p with white metal armature and<br />
base. St<strong>am</strong>ped M.L.CO 242. 28” tall<br />
538: VICTORIAN LIGHTING Art Nouveau table l<strong>am</strong>p with honeycomb<br />
stippling and a slag glass shade. 17 3/4” dia., 24 3/4”<br />
539: JEFFERSON Table l<strong>am</strong>p, its hemispherical etched glass shade<br />
reverse-painted with red and gold flowers on an <strong>am</strong>ber ground, over a two<br />
socket classical bronzed base (possibly Handel). Shade in as is condition,<br />
base with wear. Shade st<strong>am</strong>ped Jefferson. Shade: 18 1/2”, base: 23”<br />
540: LIGHTING AND MISCELLANEA Brass table l<strong>am</strong>ps, one marked THE<br />
GREIST; another by Bussmann; two copper wall lanterns; white metal wall<br />
sconce; metal table l<strong>am</strong>p; hand h<strong>am</strong>mered square copper tray; porcelain<br />
tray with pewter gallery and ball feet, st<strong>am</strong>ped Made in Germany 1902-A;<br />
round copper tray marked Manning Quality Bowman, Meriden Conn., and<br />
patent date May 14 1912. Tray: 17 1/8”<br />
16<br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
541: STAINED GLASS Large hanging l<strong>am</strong>p shade with red irises on a blue<br />
ground. Unmarked. 15 1/2” x 15”<br />
542: ZSOLNAY Two Eosin pieces: a bowl with reticulated design, and a<br />
lidded box. Two nicks to rim of box. Both marked. Bowl: 4 1/2” x 7 3/4”<br />
543: ZSOLNAY Three vases, two lobed with ruffled rim, one ovoid. All<br />
marked. 6 1/4” and 5 1/2”<br />
544: ZSOLNAY Six Eosin figural pieces including a frog, giraffe, owl,<br />
elephant, and two others. Chips to deer and nick to top of giraffe. Most<br />
marked. Tallest: 7 1/2”<br />
545: ZSOLNAY Five Eosin figures including two dogs and three foxes. All<br />
marked. Tallest: 7 1/4”<br />
546: ZSOLNAY Pair of Eosin eagle figures. Unmarked. 7” each<br />
547: ZSOLNAY Two Eosin figures: polar bears and a bison. Both marked.<br />
Taller: 6 1/2”<br />
548: ZSOLNAY Four Eosin pieces: three figural vases/jugs, and a small<br />
dish with lobster. Tallest: 9 1/2”<br />
549: ZSOLNAY / ROYAL DUX Etc. Nine porcelain pieces: panda bear, bird,<br />
elephant (loss to tusk), bear, and four various female figures. Most marked.<br />
Tallest: 12 1/4”<br />
550: ART POTTERY Five pieces: Kailer vase signed HAK (nick to rim);<br />
Zsolnay cat figurine (chip to one ear); one Etna German crystalline vase;<br />
Rouse bottle-shaped vase; large green to gunmetal crystalline-glazed vase<br />
551: ROSEVILLE Green Fuchsia basket with built-in flower frog, 350-8”.<br />
Impressed mark.<br />
552: ROSEVILLE Green Snowberry floor vase, IV-18”. Restoration to small<br />
area of rim. Raised mark.<br />
553: ROSEVILLE Pair of brown Zephyr Lily bookends. Marked.<br />
554: ROSEVILLE Two Zanesville pieces, a blue Roseville Magnolia<br />
jardiniere, 665-4”. Together with a brown bowl with embossed floral band,<br />
possibly Weller. Tight hairline and small chip to Magnolia. Bowl: 4 1/4”<br />
555: ROSEVILLE Five pieces: tall green Snowberry vase, IV-15”<br />
(restoration to rim); Raymor covered casserole; blue Magnolia ewer, 15-15”<br />
(missing rim); blue Bushberry ewer, 3-15” (restoration to base, missing<br />
rim); pink Peony vase 70-18” (large break to rim, nicked base).<br />
556: POTTERY Group of five reproduction Roseville pieces including a<br />
white Panel wall pocket; Fuchsia wall pocket; pair of Pine Cone flaring<br />
vases; Jonquil vase.<br />
557: WELLER Rare flower frog with water lilies. Two flat chips to edge,<br />
possibly factory. Unmarked. 4 1/2” dia.<br />
558: WELLER Group of seven Clinton Ivory pieces: tankard and pair of<br />
matching mugs, corseted vase, small Knifewood-style planter with swans<br />
and two jardinieres with panels of flowers. Small chip to base of tankard,<br />
bruise to rim of one mug, line from rim of the other. Some marked.<br />
Tallest: 9 3/4”
559: WELLER / VAN BRIGGLE Etc. Four pieces: a Weller Aurelian vase<br />
painted with daffodil (flaking around rim), a pair of Van Briggle double bud<br />
vases, and a Bybee blue ruffled bowl. All marked. Weller: 8 1/2”<br />
560: ROSEVILLE Etc. Boxed lot of pottery including three Rookwood, four<br />
Roseville, two Van Briggle, one Moorcroft and several others. Some marked.<br />
Minor d<strong>am</strong>age to a few.<br />
561: WELLER Nine pieces including two teapots, an Atlas bowl, two<br />
planters, two bowls, a Pierre mug and one figural frog dish. Most marked.<br />
562: YELLOWWARE Fourteen pieces including molds, custard cup, mug,<br />
pitchers, cookie jar, Keeler handled bowl, and crocks. Some chips.<br />
Unmarked.<br />
563: YELLOWWARE Lot of thirty three assorted mixing bowls and pie<br />
plates, many painted with blue or brown, or white bands. Some chips.<br />
Unmarked.<br />
564: FILIGREE WEDDING RING SET ca. 1920. Engagement and wedding<br />
rings, 30 pt. di<strong>am</strong>ond.<br />
565: GEMSTONE RINGS Three yg rings with gemstones, rubies, garnets or<br />
emeralds; some di<strong>am</strong>onds<br />
566: GEMSTONE RINGS Two large gemstone and 14k yg rings ca. 1940-<br />
1950. One a rectangular cut brown quartz, the other an oval cut <strong>am</strong>ethyst<br />
567: RUBY RING 18k yg with emerald-cut ruby flanked by baguette-cut<br />
Ruby: approx. 3 ct.<br />
568: M & J SAVITT 14k yg and di<strong>am</strong>ond band, slightly tapered, pavé set.<br />
Di<strong>am</strong>onds: approx. 1.05 cts. TW. Size 6.<br />
569: COCKTAIL RING With di<strong>am</strong>onds in 14k yg; approx. .75 ct. TW<br />
570: ETERNITY BAND In wg with approx. 1.25 ct. TW prong set di<strong>am</strong>onds<br />
570A: MODERN JEWELRY In 14k yg. Includes: two rings, one with<br />
di<strong>am</strong>onds and one with topaz and a pearl and a colored stone necklace;<br />
42.4 gs. GW<br />
571: MABE PEARL EARRINGS 14k yg with wg and di<strong>am</strong>ond orn<strong>am</strong>ent; lever<br />
backs for unpierced ears; dia. 1”. Di<strong>am</strong>onds: .24 cts. TW; 26.1 gs. GW<br />
572: BROOCHES Three 14k or 18k yg brooches, some with di<strong>am</strong>onds or<br />
gemstones. Together with a gold ‘taurus’ charm. 28.6 gs. GW<br />
573: JADE BUTTERFLY BROOCH With pearls and rubies in 14k yg; Chinese<br />
export; 2” x 2 1/4”<br />
573A: SCORPION BROOCH ca. 1965. In 18k yg with di<strong>am</strong>onds, en<strong>am</strong>el and<br />
sapphires; Italy; 2 1/4”; 22.4 gs GW<br />
574: BROOCH 14k yg in a circular cluster of blossoms, each set with a<br />
sapphire, ruby or emerald; 10.4 gs. GW; 1 1/3”<br />
575: ITALIAN Textured tri-colored 14k yg fringe necklace. 42.6 gs.; 16”<br />
576: FRESHWATER PEARL NECKLACE Seven strand Torsade necklace with<br />
14k yg antique en<strong>am</strong>el and di<strong>am</strong>ond pansy clasp<br />
17<br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
577: NECKLACE In 14k yg with intricate links. 42.4 gs.; 30”<br />
578: GOLD BEAD NECKLACE With removable red coral and di<strong>am</strong>ond<br />
Buddha head enhancer. Di<strong>am</strong>ond: .32 ct. TW; 40 gs. GW; necklace 14 1/2”<br />
579: PENDANT ON CHAIN In 18k yg; 30.9 gs. GW. Pendant: 1 3/8”;<br />
chain: 25”<br />
580: MID 20th C. JEWELRY Assortment of jewelry including: Art Deco<br />
style sodalite and marcasite suite in sterling, bakelite cuff, stone scarab<br />
and gold filigree link bracelet<br />
581: 20th C. COSTUME JEWELRY Forty-four pieces including lucite, wood,<br />
sterling silver, as well a collection of sterling bangles and a Christian Dior<br />
belt.<br />
582: COSTUME JEWELRY Seventy-five pieces with rhinestones, including<br />
necklaces, brooches, bracelets, clips, and earrings, some signed Bogoff or<br />
Weiss.<br />
583: JEWELRY Six pieces: turquoise and silver large beaded necklace, a<br />
silver necklace with yellow stone, large beaded Indian chain, gold chain<br />
with mother of pearl perfume holder or vial; compass necklace, pin with<br />
photo of man. Together with 2 silver spoons, silver netting pouch, and<br />
Napoleon letter opener.<br />
584: CORAL Three coral necklaces. Longest: 70”<br />
585: HINGED BANGLE In 14k yg; front set with alternating di<strong>am</strong>onds and<br />
sapphires. Di<strong>am</strong>onds: .50 ct. TW; 14 gs. GW<br />
586: BANGLE BRACELETS Twelve yg filigree bangle bracelets ca. 1880-<br />
1960. Together with a Renaissance Revival style garnet glass necklace<br />
587: RING AND BANGLE 14k yg and garnet ring together with a similar<br />
hinged bangle; 23.8 gs. GW<br />
588: JEWELRY Liberty 2 1/2 dollar coin, en<strong>am</strong>el decorated and set in<br />
pendant fr<strong>am</strong>e, dated 1910; 14k yg hinged bangle; mesh purse. Gold:<br />
16.3 gs. GW<br />
589: JEWELRY Two pieces in 14k yg.: a hinged bangle with green en<strong>am</strong>el<br />
and a ring with rubies. 12.8 gs. GW<br />
590: ROLEX Ladies’ watch in 14k wg; octagonal case on gold filigree<br />
bracelet. Together with a 14k yg stylized heart motif ring. Ring: 15.5 gs.<br />
591: REUGE (Switzerland) Silver open-faced musical automaton pocket<br />
watch, 17-jewel Pontifa movement, silver chain, Lyre form key, second-half<br />
20th C. 2 1/4” dia.<br />
592: AGASSIZ NAVY WATCH Chronograph with sterling open-face case, 18<br />
jewels, 6 adjustments. Model number 245447, case incised US Navy N<br />
1425.<br />
593: MEN’S JEWELRY Two Tiffany & Co. 14k yg collar buttons; sterling<br />
watch chain; four stick pins; Elgin keywind pocket watch for S & T Child,<br />
Philadelphia, ca. 1881; coin silver hunt case; Huguenin & Co. silver<br />
huntcase pocket watch<br />
594: LUOVIC SWISS WATCH Working stainless steel and di<strong>am</strong>ond Mystery<br />
watch in square case, ca. 1950
595: STERLING SILVER 9 Gorh<strong>am</strong> ‘Italian’ pattern spoons, Homeric pattern<br />
butter knife by Ball Black & Co., sterling bachelor’s coffee pot, silver plate<br />
turned rim vase with repousse grape decorations<br />
596: STERLING SILVER Three items: a Poole cl<strong>am</strong>-shaped footed bowl, a<br />
Preisner small pitcher, and a chafing dish with lidded sterno (pieces of dish<br />
not a perfect fit). Two marked. Footed bowl: 2 1/2” x 14” x 12 1/2”<br />
597: SILVER FLATWARE Twenty-one pieces of American, English, and<br />
Danish flatware: fifteen pieces of American Repousse, most in the Steiff<br />
Rose pattern; Hans Hansen hollow handled fish knife; five English fiddle<br />
back pattern salt spoon with Birmingh<strong>am</strong> marks 1946; GW weighable silver<br />
32 ozs.tr<br />
598: STERLING FLATWARE Serving set with scalloped spoon and fork and<br />
two unmatched teaspoons, one with handle decorated with Priscilla, the<br />
other with Standish. Serving spoon 9”<br />
599: STERLING FLATWARE Eight pieces by assorted makers, including R.A.<br />
Hubbard, Tiffany & Co., J. Wiss & Sons and others. Longest: 9 3/4”<br />
599A: STERLING SILVER Twelve piece service with mother-of-pearl<br />
handles. Marked. Six knives: 7 3/4” long; six forks: 6 1/2” long.<br />
600: STERLING DRESSER SET Assembled, ca. 1900: large cut crystal jar<br />
with sterling lid, two crystal perfumes with sterling stoppers, mirror and<br />
three brushes. Crystal jar: 6 3/4” x 4”<br />
601: GORHAM, CALDWELL ETC. A collection of silver flatware and<br />
holloware including: some silverplate silver candlesticks for JE Caldwell;<br />
Gorh<strong>am</strong> candlesticks; Gorh<strong>am</strong> sterling 10” bowl; silver salt & pepper shake;<br />
forty-one pieces of Gorh<strong>am</strong>, Whiting, Towle, etc. Approx. 42 ozs. wieghable<br />
silver<br />
602: RICHARD PEARCE (London) Partial tea service, 1824. Acanthus<br />
handles and feet, flower finial, teapot with elaborate handle. Some dents to<br />
teapot. Teapot: 5 1/2” x <strong>11</strong> 1/4”, sugar bowl: 4” x 8”, cre<strong>am</strong>er: 3 1/4” x 6”. 40<br />
ozs. troy GW.<br />
603: STERLING, Etc. Seventeen-piece group of sterling, glass, china,<br />
tintype and hand-colored prints, including: Dominick & Haff, Gorh<strong>am</strong>,<br />
R<strong>am</strong>irez, J.E. Caldwell & Co., Whiting & Co. and others.<br />
604: ROGERS SMITH & CO. Silver-plate presentation ice water pitcher,<br />
engraved with swags of ivy and dated 1870, marked ROGERS SMITH & CO.<br />
NEW HAVEN CT. 13” x 10 1/2”. Together with a two-handled silver on copper<br />
tray, decorated with grapevines in relief, marked, 24 1/2” x 14 3/4”<br />
604A: SILVER PLATE Coffee and tea service with applied swags; includes<br />
coffee pot, tea pot, sugar bowl and cre<strong>am</strong>er on matching stand.<br />
Coffee pot: 10 1/2” high<br />
605: ROBERTS & BELK Silver-plated fish-serving set with a fork and knife,<br />
both with reticulated floral design. Hallmarks. Knife: 12 1/4”<br />
606: PEWTER LOT Seven pieces of 19th-20th C. pewter: jug marked “HG”<br />
on top of handle; ladle; three plates; covered sugar bowl and cre<strong>am</strong>er.<br />
Various makers. Jug: 6 1/2” x 3 1/2” dia.<br />
607: CRYSTAL STEMWARE SERVICE Partial cut, ca. 1900. Thirty-one<br />
pieces includes ten aperitifs, nine wine glasses, nine coupes and three<br />
bowls<br />
608: DRINKING GLASSES Forty-seven glasses with gilt rim, most faceted<br />
with white garland design: ten cordials, ten goblets, ten ch<strong>am</strong>pagnes, three<br />
tall flaring, and twelve sherry, and one flaring candy dish. Unmarked.<br />
Tallest: 8 3/4”<br />
609: CHRISTOFLE ETC. Woven silver-plated wine basket; eight<br />
monogr<strong>am</strong>med crystal snifters; sherry decanter with ten glasses, all with<br />
pink airtwist stems. Decanter: <strong>11</strong> 1/2” tall<br />
18<br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
610: EDWARDIAN BOX TANTALUS Fitted with cognac and curacao<br />
decanters and six stemmed glasses, elaborate brass fittings. <strong>11</strong>” x 12” x 10”<br />
6<strong>11</strong>: DEPRESSION GLASS Twenty-two pieces, mostly in pink, consisting of<br />
glasses and pitchers, some with patterns. Tallest pitcher: 8” h<br />
612: DEPRESSION GLASS Twenty-one pieces, mostly in pink, consisting of<br />
plates, bowls, and cakestands, some with patterns. A few small chips.<br />
Largest bowl: 4 1/2” x 10 1/2”<br />
613: DEPRESSION GLASS Twenty-three pieces in green primarily<br />
consisting of glasses, plates, and bowls, some with patterns. A few small<br />
chips. Plates: 9 1/2” dia.<br />
614: STEUBEN ETC. Colorless glass lot including: Steuben covered and<br />
footed candy dish; English footed bowl; pair of blown wine pitchers; Webb<br />
Corbett crystal vase and bowl; heavy cut crystal bowl; seed glass bowl with<br />
fluted rim. Tallest: 9”<br />
615: STEUBEN AND CUT CRYSTAL Steuben clear glass candy dish<br />
together with cut crystal assortment including: stoppered decanter, footed<br />
vase, large bowl, cordial glasses, etc. Tallest: 12”<br />
616: STEUBEN Vase in clear glass with double scroll pedestal,<br />
7 3/4” x 4 3/4”. Together with bronze l<strong>am</strong>p with square base to a fluted<br />
vine-draped column, 19 1/2” to socket<br />
617: CUT GLASS Four pieces, two bowls and two vases. Spherical vase<br />
with several small chips. Tallest vase: 13 3/4”, largest bowl: 8” dia.<br />
618: CUT CRYSTAL Ice cre<strong>am</strong> set of large bowl and twelve plates. Bowl:<br />
8 1/4” x 3 1/2”, plates: 5 5/8”<br />
619: PRESSED GLASS Including: serving bowl; seven dishes; covered<br />
candy dish; fluted vase with gilt decoration. Tallest: 9 5/8”<br />
620: BACCARAT / ORREFORS Etc. Four pieces: Baccarat covered candy<br />
dish, Austrian vase with pulled design, Orrefors lobed vase, and a triangular<br />
candlestick. Two marked. Vase: 9”<br />
621: BAROVIER (Attr.), Etc. Three glass pieces: figural candlestick<br />
attributed to Barovier (re-glued head), bell-shaped decanter, and free-form<br />
bowl. Largest: 13” h<br />
622: FERRO-TOSO/GIANNI TOSO Two figural glass sculptures: the first in<br />
red, black, and clear with gold foil and applied details (part of handle<br />
probably missing); the other of a whimsical man with glasses and<br />
moustache in polychrome, break to one hand, unmarked. 10” x 6” and<br />
9” x 2 1/4”<br />
623: VENETIAN Ten assorted glasses, all with applied decoration. Tallest:<br />
9 1/4” h<br />
624: VENETIAN Six assorted glass pieces including a pair of candlesticks<br />
with attached bobeches. Small break to flower petal on one piece.<br />
Candlesticks: 12 1/2” h<br />
625: ART GLASS Fifteen assorted pieces, many with figural motifs. Break<br />
to tail of blue glass fish, and to swan. Largest: 10” x 4 3/4”<br />
626: VENETIAN GLASS Ceiling fixture with applied flowers. Some losses.<br />
Unmarked.
627: BOHEMIAN GLASS Nine pieces, including: a decanter, bowls, glasses<br />
and a vase.<br />
628: SATIN GLASS Four pieces: one open palms, chip to base, marked on<br />
bottom, 6 1/2” x 4 3/4”<br />
629: ART GLASS Compote of opalescent blue-green glass, unmarked,<br />
5 3/4” x 8 1/2”. Together with eight glass bead shades, approx. 4” x 3”<br />
630: CARNIVAL GLASS Two pitchers, one with pink and white dots and<br />
ruffled rim, the other <strong>am</strong>ber to red. Unmarked. 8 1/4” each.<br />
631: CRANBERRY GLASS Epergne centerpiece with twisted clear glass<br />
rods supporting small baskets, the central vase with applied clear ribbon.<br />
Losses.<br />
632: VICTORIAN GLASS Including: converted oil l<strong>am</strong>p painted with<br />
pansies, opaline carnival glass, two ruffled pitchers with matching glasses<br />
and hobnail vase. Tallest: 10 3/4”<br />
633: GLASS BASKETS Group of nine. Largest st<strong>am</strong>ped Fenton 9. 10”<br />
634: STYLE OF MARY GREGORY Five painted items: four vases and one<br />
covered jar. Tallest vase: <strong>11</strong>”<br />
635: GLASS Collective group of fifteen pieces, including: Victorian, art<br />
glass and cordials.<br />
636: VICTORIAN-STYLE LIGHTING Blue glass l<strong>am</strong>p/lantern painted with<br />
flowers and birds.<br />
637: CRYSTAL CHANDELIER With hurricanes, bobeches and pendant<br />
prisms.<br />
638: VENETIAN STYLE Crystal chandelier with tiered pendants<br />
terminating in a ball finial. Complete with chain and ceiling cap.<br />
27 1/2” x 14”<br />
639: NEO-CLASSICAL Twelve arm chandelier with foliate arms and<br />
elaborate center finial. Fixture: 30” x 22” dia.<br />
639A: NEO-CLASSICAL Pair of electrified five-light candelabrum, bases<br />
inscribed in German and dated 1897. One foot marked WMF.<br />
639B: NEO-CLASSICAL Brass tazza.<br />
640: ART DECO Ceiling fixture purportedly from the Locust Street<br />
Theatre, Philadelphia. Painted metal fr<strong>am</strong>e with six glass cabochons and<br />
convex dome studded with clear plastic glass beads and hanging glass<br />
prisms. 16” x 10”<br />
641: SILVER LANTERN Silver-plated hanging lantern with three cherubs,<br />
suspended by chains, terminating in a crown finial, 20th C. Total length:<br />
48”, widest point: 15”<br />
642: ART GLASS Sixteen milk glass shades. Unmarked. 6 1/2” dia.<br />
643: LIGHTING Set of four alabaster shades. 4 1/2” x 7”<br />
644: LIGHTING Two alabaster torchere shades. 15 1/2” and 18” dia.<br />
19<br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
645: LIGHTING Pair of porcelain Commedia Dell’arte figurines mounted as<br />
l<strong>am</strong>ps. Together with Chinese 20th C. large green crackled-glaze jar drilled<br />
and mounted as a l<strong>am</strong>p, repaired finial. Tallest 23 1/2”<br />
646: CERAMIC LAMP On a bronzed base both decorated with irises and<br />
tall leaves, possibly European. 20 1/2” to cap.<br />
647: DAVID STIRLING (American, 1887-1971) Autumn Day, Estes Park, oil<br />
on canvas (artist made fr<strong>am</strong>e). Signed, dated, and titled. 34” x 45”<br />
647A: GEORGE HOWELL GAY (American, 1858-1931) Two untitled<br />
watercolors on paper (fr<strong>am</strong>ed). Signed. 12” x 24” ea.<br />
648: CHARLES H. CHAPIN (American 1830-1889) Waterlilies, watercolor<br />
and gouache on paper (fr<strong>am</strong>ed). Signed. 21 1/4” x 29 1/2”<br />
649: AMERICAN SCHOOL 19th C. Large Elms and Clouds, Simsbery, Conn.<br />
1866, graphite and white chalk on tan paper (fr<strong>am</strong>ed). Titled and dated.<br />
Sight 13 1/2” x 16”<br />
650: GEORGE HERBERT McCORD (American 1848-1909) Study of a Barn,<br />
watercolor and pencil on paper (fr<strong>am</strong>ed). Signed. 8 1/2” x <strong>11</strong> 1/2”<br />
651: OSSIP DE PERELMA Untitled oil on canvas (fr<strong>am</strong>ed), 1936. Signed<br />
and dated. 20” x 28”<br />
652: LOUIS ICART ‘My Secret Love’ print (fr<strong>am</strong>ed). Pencil signed lower<br />
right, numbered 487 on margin. Overall size 20 3/4” x 24 3/4”<br />
653: SZANTHO MARIA (Hungarian, 1898-1984) Untitled (Sleeping Nude),<br />
oil on canvas (fr<strong>am</strong>ed). Signed. 20” x 29”<br />
654: NEW JERSEY IMPRESSIONISTS Edith Hodge Pletzner, Nude, oil on<br />
canvas (fr<strong>am</strong>ed), signed, 30” x 20”; Margaret Louise Slade (b. 1949)<br />
Seascape, oil on canvasboard, signed, 12” x 16”<br />
655: JOHN RAMSEY CONNOR (American, 1869-1952) The Fisherman<br />
(Study for a mural Pennsylvania Academy of Fine Arts), oil on<br />
canvas(fr<strong>am</strong>ed). Provenance: Collection of Walter E. and May Baum, 1946.<br />
Inscribed: The Fisherman by John R, Conner owned By Walter E. Baum and<br />
wife M 1946” on verso. Signed. 32” x 25”<br />
656: ROBERT HOGG NISBET (American 1879-1961) Nude, oil on canvas<br />
(fr<strong>am</strong>ed). 24” x 18”<br />
657: WALLACE NUTTING Etc. Three fr<strong>am</strong>ed Wallace Nutting prints, all<br />
pencil signed lower right. Together with a primitive oil on board of a cabin<br />
by a lake, fr<strong>am</strong>ed; a small oil on board, woman with cows, illegibly signed<br />
lower right, fr<strong>am</strong>ed; small oil on board portrait titled on the back<br />
“Madonna” 1964, Steve Churdova NJ; etching of bathers titled ‘Summer’<br />
numbered 3/20 and illegibly signed, unfr<strong>am</strong>ed; etching of a cathedral; two<br />
black and white woodcuts, one of a cafe, one of a church, fr<strong>am</strong>ed; and a<br />
colored lithograph of a castle. Largest: 14 3/4” x 12”<br />
658: HENRY ALKEN (British, 1785-1851) Engravings: Full Cry, Getting<br />
Away, Gone Away, The Leap; and four color aquatints (fr<strong>am</strong>ed), foxing<br />
throughout, some fading. Along with two hand-colored engravings.<br />
659: GARTH HOWLAND Winter landscape oil on board, signed and dated<br />
lower left; 19 1/2” x 15 1/2” sight. Together with a woodland landscape oil<br />
on board, unsigned, 14” x <strong>11</strong>” sight
660: LEONID GECHTOFF Two fr<strong>am</strong>ed still-life paintings: A Composition of<br />
Flowers, oil on canvas, 1940, signed and dated, 25” x 30”; and untitled oil<br />
on canvas board, 20” x 24”<br />
661: ROSENTHAL KAROLY (Hungarian, 20th C.) Untitled (Still Life), oil on<br />
canvas(fr<strong>am</strong>ed). Signed. 20” x 24”<br />
662: R. DeMICHELIS (American, 20th C.) Seascape, oil on canvas (fr<strong>am</strong>ed),<br />
signed, 19” x 27”. Together with Patrick Civale (American, 20th C.)<br />
Seascape, oil on board, signed, 16” x 20”<br />
663: PAINTINGS Watercolor desert scene with c<strong>am</strong>el, signed lower left C.<br />
Gibson, fr<strong>am</strong>ed, 23 1/2” x 14”; seascape oil on canvas, unfr<strong>am</strong>ed, 29” x 13”;<br />
fr<strong>am</strong>ed oil on canvas Pierrot with ballerina, paint loss, scratches,<br />
37 3/4” x <strong>11</strong> 1/2”; oil on canvas board mother and child, signed lower left<br />
Parretta, unfr<strong>am</strong>ed, 24” x 20”; print of young boy with horses, titled<br />
‘Cooling off at the Brook’, in a painted fr<strong>am</strong>e, 33 1/2” x 19 3/4”<br />
664: PAUL E. HARNEY (American 1850-1915) Portrait of a Monk, oil on<br />
canvas (fr<strong>am</strong>ed), 1909. 12” x 9”<br />
665: LINN B. BALL (American, b. 1891) Untitled (Portrait of a Woman),<br />
gouache on paper (fr<strong>am</strong>ed), 1949. Signed and dated. 14” x <strong>11</strong>”<br />
667: GEORGE PEIXETTO Oil on canvas painting of a young lady, c. 1900.<br />
Fr<strong>am</strong>ed. Signed lower left. Sight: 18” x 12 1/4”<br />
668: EUROPEAN SCHOOL Portrait of a lady, oil on panel (fr<strong>am</strong>ed), 19th C.<br />
10 3/4” x 8 1/2”<br />
669: CURRIER & IVES Two prints, Little Sister and Little Brother, handcolored<br />
engravings (fr<strong>am</strong>ed). Each image <strong>11</strong>” x 8”<br />
670: AMERICAN SCHOOL Two early 20th C. oil on canvas seascapes,<br />
fr<strong>am</strong>ed, one with ships signed Maretti, 24” x 36”; the other unsigned,<br />
21” x 34”<br />
671: H.F. CHAUNDY Untitled oil on canvas (fr<strong>am</strong>ed). Provenance: private<br />
collection, New Hope. Signed. <strong>11</strong>” x 16”<br />
672: WEDWORTH WADSWORTH (American, 1846-1927) The Scented<br />
Fields, watercolor (fr<strong>am</strong>ed), 1892. 10” x 20” sight<br />
673: 20 C. PRINTS Two untitled prints, fr<strong>am</strong>ed: L.A. King landscape<br />
engraving on paper, and serigraph on paper by unknown artist, 1963. Each<br />
signed, latter dated. 20” x 15” ea.<br />
673A: ART Group lot including prints of ships and George Washington and<br />
still lifes in oil and watercolor.<br />
674: CONTINENTAL PORCELAIN Pair of flower vases with raised and gilt<br />
decoration and attached bisque figurines. Wear to gilt. 12 1/4”<br />
675: CONTINENTAL PORCELAIN Eighteen-piece grouping of plates, bowls<br />
and covered boxes, including: T & V France; Limoges; and others. Wear and<br />
some with small chips. Some marked.<br />
676: CONTINENTAL PORCELAIN Fifteen piece grouping of figures and<br />
novelty shoes, including: Lladro, parian ware, pieces marked Germany and<br />
others, 20th C. Wear and some with small chips. Some marked.<br />
20<br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
677: CONTINENTAL PORCELAIN Thirty-one piece grouping of plates,<br />
bowls, cups and saucers, including: Limoges, Austrian, German and others.<br />
678: CONTINENTAL PORCELAIN Limoges plate painted with still life of<br />
fruit, gilt border, signed Dubois. Together with a pitcher and a vase, both<br />
marked. All 19th/20th C. Plate: 15”<br />
679: CONTINENTAL PORCELAIN Four items: Limoges charger with morning<br />
glories; Limoges bottle shaped vase painted with roses and cherubs;<br />
Teplitz spill painted with roses and light green bulbous body; Ginori<br />
stoneware urn. Charger: 12” dia.<br />
680: LIMOGES PORCELAIN Service for twelve (nearly complete), including<br />
some serving pieces, all with blue and gilt banded designs: one large<br />
serving platter, two covered soup tureens, a tea pot, a four-sided flaring<br />
dish, a three-part covered cheese dish, three ashtrays, a covered sugar<br />
dish, twelve saucers, eleven tea cups, twelve fruit bowls, twelve soup<br />
bowls, twelve dessert plates, twelve lunch plates, and eleven dinner plates.<br />
Some with chips/breaks. Marked Hutshenreuther Gelb. LHS BAVARIA,<br />
Limoges Decor Hand Painted Warranted 22Kt. Gold. Dinner plate: 10” dia.<br />
Together with three serving plates, two marked Warwick, U.S.A with red<br />
and gold floral design; the third marked Eggshell Nautilus U.S.A with<br />
pastel floral and gold design. Largest: 15”<br />
681: HAVILAND & CO. Large bowl with floral transfer and gilt decoration.<br />
Marked HAVILAND & CO. L FRANCE and HAVILAND & CO. POUR WRIGHT<br />
TYNDALE & VAN RODEN PHILADELPHIA. 6 3/4” x 16”<br />
682: ROYAL WORCESTER / LIMOGES Two bone china leaf dishes together<br />
with eight lidded Limoges pots de creme on matching tray. Tray: 10” dia.<br />
683: ART NOUVEAU Porcelain vase with figural high relief of a woman<br />
<strong>am</strong>ong flowers. Incised mark. 12”<br />
684: LIMOGES PORCELAIN Partial and assembled porcelain tea set with<br />
transfer floral decoration, 20th C. Some losses. Majority of pieces marked<br />
“G.D. & Cie”. Plate: 10” dia.<br />
685: GRAND TOUR LOT Includes: Amphora jardiniere with basket weave<br />
pattern and applied putto; porcelain figural group of a courting pair;<br />
bronze candlestick and sculpture and a gilt bracket shelf with Palladio<br />
metal tag. Tallest: 12 1/4”<br />
686: CHINESE ROSE CERAMIC WARE 5 small plates; gravy boat and dish;<br />
small serving dish and plate; 13 dessert plates; 4 nested serving dishes.<br />
Major staple repair to large serving dish, some chips and nicks. Unmarked.<br />
Largest 15 1/2”<br />
687: PICKARD Asian motif teaset comprised of teapot, covered sugar,<br />
cre<strong>am</strong>er and ten cups and saucers. All marked HANDPAINTED PICKARD<br />
CHINA. Teapot: 10 1/2”, saucers: 4 3/4” dia.<br />
688: NIPPON, Etc. Eight piece group of Nippon and Japanese china,<br />
including vases, a teapot, bowls and covered jars. All marked.<br />
689: NIPPON 55 pieces of hand-painted Nippon china by various makers,<br />
in different patterns, including cups, saucers, chocolate pot, and a set of<br />
salt & pepper shakers. Tallest: 9 1/8”<br />
690: NIPPON Footed urn in cobalt glaze with gilt decoration and floral<br />
medallion, together with a Victorian style transferware urn. St<strong>am</strong>ped<br />
Nippon, 8 1/4”
691: POTTERY Four pieces: Noritake lidded jar, Irish porcelain squat<br />
vessel, German hand-painted bowl, and Bell of California fish platter. All<br />
marked. Platter: <strong>11</strong> 1/2” x 16”<br />
692: VINTAGE CHRISTMAS DECORATIONS Eight glass tree orn<strong>am</strong>ents.<br />
Together with porcelain items by Lenox, Wedgwood and Haviland.<br />
693: BAVANT STYLE CATS Two tin-glazed roof orn<strong>am</strong>ents or “Faitage”<br />
modeled as cats with glass eyes. Repair to tail of black cat. 9 1/2” x 13 1/2”<br />
694: DECORATIVE ARTS Five D’Arceau-Limoges commemorative plates in<br />
new fr<strong>am</strong>es; European tourist ware duck box; Greek sterling silver egg with<br />
panels of figures and animals; two ice-lip pitchers by Hall’s and Lu-Ray.<br />
695: CHINA Box lot of miscellaneous dinnerware including vintage<br />
Hermes, Japanese import ware, glassware, and hand-painted china. Most<br />
marked.<br />
696: ART POTTERY Three plates, one painted with a bridge in brown<br />
tones, restored condition; one painted with stylized flowers and vase; one<br />
with a cobalt sheep. Largest: 16”<br />
697: FOLK ART Etc. Three pieces: painting depicting Jesus in shadowbox<br />
fr<strong>am</strong>e (break), 6” tile painted with cherub, and a wooden fr<strong>am</strong>e (missing<br />
back). Fr<strong>am</strong>ed painting: 12 1/4” x 9 1/4” x 2 1/2”<br />
698: IRON ‘PICTURE’ AND FRAME Cast iron plaque with battle scene in<br />
high relief with green en<strong>am</strong>el mounted in like fr<strong>am</strong>e. 19 1/4” x 23 1/2”<br />
699: RUSSIAN ICONS Two icons, painted oil on wood, 19th C.: one depicts<br />
Saint Paul with brass fascia glazed in gilt wood fr<strong>am</strong>e, 10 1/2” x 8 1/4”;<br />
other with Saint Paul in scenic setting with angel, shadow box fr<strong>am</strong>e, silver<br />
fascia St. Petersburg 1895, 6 1/2” x 5”<br />
700: RENAISSANCE REVIVAL Bookcase with elaborately carved crestrail<br />
and stiles and two drawers on bun feet. Together with single drawer<br />
console table of similar design. 60” x 48” x 14 1/4”<br />
701: RENAISSANCE REVIVAL style chest on stand with single door<br />
cupboard above a single drawer stand. 60” x 34” x 21”<br />
702: JACOBEAN STYLE Armchair with elaborately carved crest rail and<br />
cross stretcher, caned seat and back. 46 1/2” x 29” x 27”<br />
703: SHERATON STYLE Pair of high-back upholstered wing chairs with<br />
fluted front legs. 39 1/2” x 23 1/4” x 23 1/2”<br />
704: EDWARDIAN STYLE Two-door oak bookcase with carved gallery top,<br />
barley twist stretchers and paw feet. 58 1/2” x 41 1/4” x <strong>11</strong> 1/2”<br />
705: CHIPPENDALE STYLE Mahogany side chair with carved and shaped<br />
crest rail, pierced back splat and carved cabriole legs terminating in ball<br />
and claw feet. 40” x 23” x 19”<br />
706: VICTORIAN MAHOGANY Server with string inlay, marble top and<br />
mirrored gallery together with a dropleaf dining table. Server:<br />
48 1/4” x 18” x 42 1/4”<br />
707: EMPIRE MAHOGANY Four-drawer stand, together with an inlaid<br />
prayer chair. Stand: 29 3/4” x 24 1/2” x 21 1/4”<br />
21<br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
708: QUEEN ANNE Wing chair with carved cabriole legs and crewel<br />
upholstery. Together with another wing chair upholstered in equestrian<br />
fabric. 41”x 34”x 22”<br />
709: MIRRORS Two hanging mirrors in gilt fr<strong>am</strong>es, one three-part Pier<br />
glass. 26” x 70”<br />
710: FRENCH SEATING Diminutive bergere and slipper chair, each with<br />
carved walnut fr<strong>am</strong>e and Scal<strong>am</strong>andre silk upholstery. Bergere:<br />
30 1/4” x 23” x 28”<br />
7<strong>11</strong>: FRENCH STYLE Settee with wicker back and cheetah print cushion.<br />
39 1/4” x 46” x 21”<br />
712: BAROQUE STYLE Console table with two female Caryatids, paw feet,<br />
partially gessoed, 20th C. 61 1/4” x 23” x 36 1/4”<br />
713: FRENCH STYLE Settee with painted wood and shell design,<br />
upholstered in striped fabric. 48” x 29 1/2”<br />
714: REGENCY STYLE Settee with ebonized wood fr<strong>am</strong>e together with a<br />
brass floral girandole. Settee: 36 1/2” x 43” x 27”<br />
715: THONET Bentwood rocker with trimmed rockers. 41” x 20” x 40”<br />
716: CLOISONNE Table base.<br />
717: LIGHTING Acid-etched glass torchere with mirrored base and gilded<br />
floral decoration. 61 1/2”<br />
718: OCCASIONAL FURNITURE Including a tea cart, set of four Asian<br />
nesting tables and a single-drawer candle stand. Tea cart: 26” x 33” x 24”<br />
719: SEATING Organ players bench, together with vanity stool with tufted<br />
seat and curule-style mahogany veneer base. Bench: 48” x 28” x 15 1/4”<br />
720: ASIAN STYLE Walnut-veneer breakfront with pagoda-shaped top, its<br />
doors and drawers carved with Asian scenes. 94” x 72” x 19 3/4”<br />
721: ROBERT MUNRO (Scottish, 19th c.) Sheep in the Highlands, oil on<br />
canvas (fr<strong>am</strong>ed), 1884. Signed and dated. 18” x 24”<br />
722: EUROPEAN SCHOOL Two landscape oil paintings, fr<strong>am</strong>ed, 19th C.:<br />
Stag in the Moonlight, 1859, oil on panel, 7” x 12 1/2”; L. Bauer, Woods of<br />
Vienna, oil on canvas, 24” x 36”. Both signed.<br />
723: ANN HUNT SPENCER (American, b. 1914) Untitled (Paris Street<br />
Scene), oil on board (fr<strong>am</strong>ed), ca. 1930. 7” x 9”<br />
724: ERWIN STARKER (German 1872-1938) Untitled (Seascape), oil on<br />
canvas (fr<strong>am</strong>ed). Signed. 10” x 16”<br />
725: OTTO DITSCHER (German American, 1903-1987) Two oils on canvas;<br />
still life and landscape, 1974 and 1969. Both fr<strong>am</strong>ed, signed and dated. 20”<br />
x 26” and 20” x 30”<br />
726: OTTO DITSCHER (German American, 1903-1987) Two oil paintings,<br />
fr<strong>am</strong>ed: Rheinbrucke Du Manheim, 1930, oil on board, 18” x 20”; Untitled,<br />
1933, oil on canvas, 28” x 23”. Both signed and dated, first also titled
727: SUSAN WHITTING TALCOT (American, 1852-1936), Still Life,<br />
watercolor on board (fr<strong>am</strong>ed), 1930, signed and dated, 20” x 24”. Together<br />
with another still life by unknown artist (American, late 19th-early 20th<br />
C.), pastel on board (Eastlake fr<strong>am</strong>e), 12” x 14” sight.<br />
728: CATHERINE R. WARRINGTON (American 19th C.) Untitled (still life<br />
with violin), watercolor (fr<strong>am</strong>ed), 1888. Signed and dated. 18” x 24” (sight)<br />
729: WILLIAM DOVENER (American 1869-1954) Still Life, oil on canvas<br />
(fr<strong>am</strong>ed). (Note: Still life image on verso incomplete.) Signed. 14 1/2” x 27”<br />
730: BEN SOLOWEY Nude study on the female. Signed lower right Ben<br />
Solowey in sepia. 19 1/2” x <strong>11</strong>”<br />
731: BURTON SILVERMAN (American, b. 1928) Untitled charcoal on paper<br />
(fr<strong>am</strong>ed). Signed. 15” x 12” sight<br />
732: AMERICAN SCHOOL Woman Waiting, oil on canvas board (fr<strong>am</strong>ed),<br />
1954. Illegibly signed. 20” x 14”<br />
733: MALVINA CORNELL HOFFMAN (American 1887-1966) Untitled<br />
(Portrait of father at the piano), pastel on paper (fr<strong>am</strong>ed), 1909. Signed<br />
and dated. 27” x 36”<br />
734: 20th C. Anonymous portrait, charcoal on paper (fr<strong>am</strong>ed). 12” x 8”<br />
734A: AMERICAN SCHOOL Portrait of a boy (fr<strong>am</strong>ed), 1882. Initialed<br />
H.G.H. (?) and 82, lower right. 19 1/2” x 15 1/2”<br />
735: FRANK H. SMITH (American) Untitled (Native American), oil on<br />
canvas, signed; and American School, 20th C., untitled illustration, oil on<br />
canvas, approx. 28” x 40”. Neither mounted on stretchers<br />
736: RUSSELL CARTER (American 20th C.) Untitled (Native horsemen in a<br />
Western landscape), oil on canvas (fr<strong>am</strong>ed). Signed. 24” x 30”<br />
737: CHARLES J. BURDICK (American, 20th C.) Three untitled oils on<br />
board, fr<strong>am</strong>ed: Horses, sight 9 1/2” x 23 1/2”; Nude with Cat, 7”x 9”; Nude<br />
with Cherub, 8” x 12”. All signed.<br />
738: GEORGE FORD MORRIS (American, 1873-1960) “Returning to the<br />
Stable”, lithograph on paper, ca. 1935. Associated American Artist, Inc.<br />
edition; provenance: Estate of Maurice Liederman, co-founder of Associated<br />
American Artists, Inc. Signed. 16” x 12” (sheet)<br />
739: RON FRESCORO BLEWBURY (American, 20th C.) Horse-racing off-set<br />
lithograph (fr<strong>am</strong>ed). Signed Ron Frescoro Blewbury ‘73. 15” x 20”<br />
740: NATHANIEL CURRIER (American, 1813-1888) The Last War Whoop,<br />
hand-colored lithograph, 1856, (poor condition), 23” x 30”. Together with<br />
American 19th C. untitled seascape, chromolithograph (fr<strong>am</strong>ed), 20” x 24”<br />
741: 20th C. AMERICAN ART Two oils on canvas by unknown artists,<br />
fr<strong>am</strong>ed: Scotsman, signed Jackson, 30” x 23”; Dunstaffnagle Castle, signed<br />
Yonkers, 10” x 17 1/2”<br />
742: JOSEPH ALEXANDER GOETHE (American, b. 1912) Tug Boats and<br />
Barges, watercolor on paper(fr<strong>am</strong>ed), 1938. Signed, dated and titled.<br />
8 1/2” x 12”<br />
743: STEPHEN PARRISH (American, 1846-1938) Untitled (Seascape),<br />
engraving (fr<strong>am</strong>ed). Signed. 24” x 36”<br />
22<br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
744: HUNTING PRINT 20th C. The Meeting of Her Majesty’s Stag Hounds<br />
On Ascot Heath, colored lithograph (fr<strong>am</strong>ed). Overall 34 1/2” x 24”<br />
745: CURRIER & IVES Winter in the Country, hand-colored lithograph,<br />
(trimmed to the image, crimps and losses on bottom margin), 23” x 27”.<br />
Together with a watercolor landscape and an oil on canvas still-life.<br />
746: ABRAM TROMKA (American 1896-1954) Landscape,<br />
silkscreen(fr<strong>am</strong>ed), signed, 9 1/2” x 13 1/2” sight. Together with Third<br />
Avenue at A St., NYC, watercolor and ink (fr<strong>am</strong>ed), 1956, illegible<br />
signature, titled and dated, 10” x 13 1/2” sight<br />
746A: MENGALS (20th C.) Untitled; Oil on canvas (fr<strong>am</strong>ed); Signed;<br />
21 1/2” x 29 1/2”<br />
747: BERNARD FUCHS (American, b. 1932) Untitled gouache on paper<br />
(fr<strong>am</strong>ed), signed, 21” x 14”. Together with Webster (American, 20th C.) The<br />
Idle Rich, 1924, ink on board(fr<strong>am</strong>ed), signed, 16” x 12”<br />
748: CLARICE CLIFF / ROYAL STAFFORDSHIRE Tonquin transferware<br />
service for eight, with dinner, dessert and soup plates, cups and saucers,<br />
serving bowl and platter, sugar bowl and cre<strong>am</strong>er. All marked Royal<br />
Staffordshire by Clarice Cliff. Dinner plate: 10”<br />
749: STAFFORDSHIRE Tea set comprising a tea pot, a covered sugar dish,<br />
a cre<strong>am</strong>er, five tea cups and saucers, and eight luncheon plates. A few<br />
minor nicks/chips overall. All with green st<strong>am</strong>p mark CROWN<br />
STAFFORDSHIRE MADE IN ENGLAND. Plate: 8” dia.<br />
750: WEDGWOOD STYLE Biscuit tin with hunting scene. Missing top.<br />
Impressed with “Ad<strong>am</strong>s Est. 1657,” nickel silver rim marked, “AB.” 9” x 5 1/4”<br />
751: DOULTON BURSLEM Set of nine dessert plates, each with reticulated<br />
rim and gilt decoration painted with various flowers including peonies,<br />
hibiscus, dogwood, iris, jonquil etc. Each marked Doulton Burslem;<br />
9 1/2” dia.<br />
752: MINTON / LENOX China group with monogr<strong>am</strong>med gilt-decorated<br />
teapot and matching sugar bowl. Together with six sterling demitasse cups<br />
with Lenox inserts and Lenox fruit saucer. Teapot: 4 1/4” tall<br />
753: ROYAL CROWN DERBY Porcelain assembled set of luncheon and<br />
dessert plates in cobalt and orange, ca. 1800. Together with matching fruit<br />
knives. Largest plate: 8 3/4” dia.<br />
754: ROYAL CROWN DERBY Four Tudor Rose commemorative trays: three<br />
from 1985; one from 1992. Together with a cobalt egg and stand with gilt<br />
decoration. All marked. Egg and stand: 6”<br />
754A: RICHARD GINORI Partial china set in Castello pattern: six dinner<br />
plates, 10 1/4”; two large soups, 9 1/2”; four small soups, 8”; six salads,<br />
7 3/4”; two cups and saucers, 5 1/4”. Together with two Royal Crown Derby<br />
Imari pattern plates.<br />
755: CAULDON PORCELAIN Eleven cre<strong>am</strong> soups in burgundy and gilt.<br />
9 1/2” dia.<br />
756: ROYAL CROWN DERBY Commemorative plaque, Coronation of<br />
Elizabeth II, edition of 250 in original box, 14 1/2” long. Together with Royal<br />
Doulton by Webb corbett crystal paperweight from Knoxville World’s Fair<br />
1982, in original case
757: ROYAL COPENHAGEN Tea set with two pots with reticulated covers;<br />
eight tea cups; seven saucers; two platters with reticulated rims; two<br />
square serving bowls. Each marked Royal Copenhagen Denmark. Serving<br />
platter: 13” dia.<br />
758: ROYAL COPENHAGEN Assembled set including: two compotes, two<br />
covered jars, each surmounted by a cherub, assorted serving plates and<br />
covered chocolate cup. All marked Royal Copenhagen Denmark. Compotes:<br />
6 3/4”<br />
759: DELFT Assorted pieces including: serving bowl, sugar bowl and<br />
cre<strong>am</strong>er on matching stand, six master salts and a covered bowl. All<br />
marked Delft. Serving bowl 3 1/2” x 9”<br />
760: PORCELAIN GROUP Includes: two Meissen figural groups, two<br />
Satsuma finger bowls, Shelley sugar bowl and cre<strong>am</strong>er, and a Royal<br />
Worcester cre<strong>am</strong>er. Tallest: 6 3/4”<br />
761: DANISH PORCELAIN FIGURINES Two children reading; child and ball;<br />
girl and suitor. All marked B&G Denmark. Together with a Wade porcelain<br />
turtle box. Girl and suitor: 7 1/4”<br />
762: DELFT AND LIMOGES Blue and white Delft charger depicting a<br />
farmyard scene, together with a Limoges plate decorated with blue and gilt<br />
edge and two putti. Charger: 15 1/2” dia.<br />
763: HUMMEL Madonna and child figurine, polychrome, ca. 1960. Stylized<br />
bee mark. 10 1/3”<br />
764: DERUTA Pair of coiled snake handled vases, each with a portrait of a<br />
man. Marked Deruta Italy Paul’s 3820. 12 1/2” x 6 1/2”<br />
765: IVORY PORTRAIT MINIATURES Pair, one depicting a man in 18th C.<br />
dress, the other a woman in similar style. 5 3/4” x 5”<br />
766: FRAMED WALL HANGINGS Three in shadowbox style with Roman<br />
images on paper backing images reverse printed on glass. 17” x 9”<br />
767: EARLY PHOTOGRAPH ALBUM With twenty-five tin types and<br />
seventeen paper prints; binding and cover in distressed condition.<br />
5” x 4” x 2 1/2”<br />
768: BRONZE PLAQUE Depicting Biblical scene in architectural setting,<br />
fr<strong>am</strong>ed. Plaque: 3” x 5 1/4”, fr<strong>am</strong>e: 9” x 13”<br />
769: ALABASTER Small gadrooned urn with two grotesques. Large chip<br />
and small ding on base. 9” x 10 3/4”<br />
770: ALABASTER Figural l<strong>am</strong>p with illuminated alabaster base carved with<br />
sailboats, topped by a painted spelter figure of a mariner or a pirate. Minor<br />
paint loss. Carved MADE IN ITALY 666. 12 1/2” x 5”<br />
771: PAIRPOINT Pair of brass Gothic-style candlesticks with trefoil bases.<br />
Marked Pairpoint Manufacturing Co. B6147. 4 7/8”<br />
772: BRADLEY & HUBBARD, Etc. Cast iron oil l<strong>am</strong>p adapted for electricity,<br />
st<strong>am</strong>ped on the base B&H MF’G CO. Together with two-light brass<br />
girandoles, losses. Oil l<strong>am</strong>p: 20” tall<br />
773: SEASHELL WALL SCONCE Two light sconce centered by a faux turtle<br />
shell, overall coverage with various seashells. Losses. 32 1/2” x 24 1/2”<br />
23<br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
774: GORHAM Bronze ashtray and match holder, marked on the base<br />
Gorh<strong>am</strong> with an acorn and the numbers 0<strong>11</strong>728, and marked on either side<br />
of the match safe Fourteen East Sixtieth Street. Together with hand<br />
h<strong>am</strong>mered match safe monogr<strong>am</strong>ed MR; bronze ashtray with tiger made by<br />
General Bronze Corporation and the numbers 12-5-47; pewter matchsafe<br />
marked Barker House Boston; copper bowl marked Apollo Studios New<br />
York; copper bowl marked Ch<strong>am</strong>bers; stainless steel ashtray; stainless<br />
steel cigarette and match holder; hard stone covered urn; two simulated<br />
bronze plaster cats marked DeWitt on the side; art glass vase, several<br />
chips on rim. Vase: 8 3/4”<br />
775: GERMAN FOLK ART Black Forest carved slide lid box of a cat with<br />
ball, 20th C. Portion of tail missing. 5” x 7”<br />
776: LE BLANC FRERES Sculpture of two dogs fighting over a hat. Base<br />
detached. Sculpture: 8 3/4”<br />
777: WILLIAM AND MARY Set of four spindle-back chairs, possibly 18th C.<br />
36 1/2” x 18 3/4” x 16 1/2”<br />
778: AMERICANA Rhode Island continuous back Windsor (d<strong>am</strong>age to top<br />
rail, water d<strong>am</strong>age to seat), 36 1/2” x 22 1/2”. Together with painted<br />
Hitchcock chair, 19th C., 36” x 17 1/4”<br />
779: AMERICANA Painted chair with wicker seat (distressed condition)<br />
and tilt-top candle stand. Chair: 32 3/4” x 17 1/2”, stand: 25” x 22” dia.<br />
780: ENGLISH VICTORIANA Two Windsor tavern chairs, one with replaced<br />
back slat, repairs and losses on both. Tallest 43 1/2” x 19 3/4” x 15 1/2”<br />
781: JACOBEAN STYLE Three tavern chairs, together with a child’s barrel<br />
chair, one side chair cut down. Tavern chair 36” x 18 1/2” x 14 1/2”<br />
782: COLONIAL REVIVAL Pair of stools and occasional table with turned<br />
bases. Table 17 3/4” x 13 “ dia.<br />
783: SHAKER STYLE Maple stand with single drawer.<br />
30” x 21 1/4” x 21 1/2”<br />
784: BELTER STYLE Victorian chair. Together with a fr<strong>am</strong>ed print depicting<br />
the chair and a child. Chair: 40” x 18 1/2” x 19”, print: 33” x 29” fr<strong>am</strong>e.<br />
785: A.B. CHASE Vertical mahogany spinet piano with shaped octagonal<br />
legs. Alligatoring, wear to legs. Sound board marked 103483.<br />
36” x 57 3/4” x 24”<br />
786: SONORA Floor standing Victrola. 46” x 20 1/2” x 20 1/2”<br />
787: VICTORIAN Burlwood veneer demi-lune g<strong>am</strong>e table with string inlay.<br />
Together with a hall bench with mirrored back and fliptop seat, later coffee<br />
table and rolling cart. Table: 30” x 36” x 18 1/4”<br />
788: VICTORIAN Bentwood easel. 61” x 18 1/2” x 17 1/2”<br />
789: VICTORIAN STYLE Brass bed with lacquered finish. 60” x 51” x 82”<br />
790: VICTORIAN Oval marble top table. 31 1/2” x 28 1/2” x 22 1/2”<br />
791: VAN ARCO Oak shoe-shine box, together with a rosewood and<br />
mahogany tilt table. Table: 28” x 27 1/2” x 19 1/2”
792: CHAIR GROUP Including Eastlake style side chair; Biedermeier style<br />
armchair with rush seat; walnut folding chair with caned seat and back and<br />
Prince of Wales feather decoration. Losses. 6 1/2 x 19” x 17”<br />
793: HUNZINGER Folding chair with turned legs and cross stretchers.<br />
Branded mark, 1866. 36 1/2” x 32” x 24”<br />
794: VICTORIAN Bentwood easel. 24” x 44” x 48”<br />
795: MIRRORS Pair of mirrors in gilded floral design recessed fr<strong>am</strong>es.<br />
29 3/4” x 39 3/4” x 3 1/2”<br />
796: COUNTRY Pine cupboard with glass doors over two drawers and<br />
cabinets. 55” x 48 1/2” x 17”<br />
797: DRAFTING TABLE With pine top and fully adjustable oak base.<br />
34 1/2” x 60” x 35 3/4”<br />
798: COUNTRY Deacon’s bench with antiqued green finish, and<br />
upholstered seat cushion (not shown). 34” x 72 3/4” x 23”<br />
799: DANIEL THOUROUDE DE LOSQUES (French, 1880-1915) Mistinguett,<br />
offset lithograph (fr<strong>am</strong>ed), ca. 1912. Printer: H. Chahoin, Paris.<br />
73” x 40” (sight)<br />
800: WILLIAM J. STEINIGANS The Way of the Transgressor, print, period<br />
oak fr<strong>am</strong>e. Together with fr<strong>am</strong>ed print of a woman and child on a rocking<br />
chair in period oak fr<strong>am</strong>e; photograph of the J.B King and Co. employees,<br />
Silver Lake S.I. Sept 12, ‘09 in period oak fr<strong>am</strong>e; oil on canvas landscape<br />
view in painted gesso fr<strong>am</strong>e; oil on board with watermill, signed lower right<br />
A.R Gillion. Largest: 31” x 12 1/4”<br />
801: ARTIST UNKNOWN (European, Late 19th Century) Untitled (Friar<br />
with Cabbages and Apples), gouache on board (fr<strong>am</strong>ed). 20 1/4” x 12”<br />
802: LITHOGRAPHS Four lithographs of continental views: farmhouse<br />
with ducks, signed, numbered 105/350, 29 1/2” x 25 3/4”; landscape with<br />
architectural ruins, signed, artist proof, 26 1/2” x 21 1/2”; cityscape with<br />
bridge, signed, numbered 26-350, 20 1/8” x 22 1/4”; French landscape with<br />
chateau, signed Alex, <strong>11</strong> 3/4” x 14 1/2”<br />
803: 20th C. AMERICAN ART Fifteen academic drawings by various<br />
artists, some signed. 24’ x 36” average size.<br />
804: HANS FIGURA Group of five prints in polychrome depicting European<br />
scenes, signed Hans Figura. Together with two tin Vienna art plates each<br />
depicting a woman in elaborate gilt fr<strong>am</strong>es. Largest: 18” x 20”<br />
805: AFTER AUGUSTE RENOIR (French, 1841-1919) Two etchings, fr<strong>am</strong>ed:<br />
Girl with a Hat, 4 3/4” x 3”; The Bathers, 4 3/4” x 3”<br />
806: AFTER FERNAND LEGER (French 1851-1955) “La Ville II,” lithograph<br />
(fr<strong>am</strong>ed), signed in the plate, numbered 239/300, sight 18” x 14”; After<br />
Georges Braque (French 1852-1963), Corbeille de Fruits, lithograph<br />
(fr<strong>am</strong>ed), signed in the plate, 16” x 22”<br />
807: AFTER HENRI DE TOULOUSE-LAUTREC (French 1864-1901) Untitled<br />
figure off-set print (fr<strong>am</strong>ed). 20” x 15”<br />
807A: HENRI DE TOULOUSE-LAUTREC (French, 1864-1901) Two works of<br />
art: La Matin Au Pied L'Echaufaud, 1893; lithograph in colors (fr<strong>am</strong>ed); 10<br />
1/2” x 7 1/4” (image); Caudieux, 1893; lithograph in colors (fr<strong>am</strong>ed); <strong>11</strong>” x 8”<br />
808: DRAWINGS Pencil drawing of elderly man, signed, 10” x 6 1/2” sheet;<br />
pastel of a religious scene, 6 /14” x 4 3/4” sight. Both fr<strong>am</strong>ed.<br />
24<br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
809: AMERICAN SCHOOL 20th C. Four works: oil on artist board (fr<strong>am</strong>ed);<br />
one signed McGinn others unsigned; sizes 10” x 14”; 12” x 16”;<br />
8” x 10”, 10” x 14”<br />
809A: JAMES H. BURRES (American, 1894-1955) Untitled; Oil on canvas<br />
(fr<strong>am</strong>ed); Signed; 34” x 42 1/4”<br />
810: GEORGE T. HOBBS (American 1896-1929) Forest Clearing, oil on<br />
canvas(fr<strong>am</strong>ed). Signed and titled. 10” x 14”<br />
8<strong>11</strong>: A. H. ROSE Landscape, oil on canvas mounted on board (fr<strong>am</strong>ed),<br />
signed and titled (illegible), 14” x 18”<br />
812: J&J BOYDELL Two prints, fr<strong>am</strong>ed: Battersea, Chelsea, & London from<br />
M. Rucker’s Villa, and Putney Bridge. 13 1/2” x 10 3/4” sight ea. Together<br />
with a folk art painting of a hunting still life, signed S.M. Shaw,<br />
19 3/4” x 23 3/4” sight.<br />
813: THOMAS KING HANNA (American 1872-1951) Darius and Alexander,<br />
gouache on paper (fr<strong>am</strong>ed), 1914, signed and dated, 18” x <strong>11</strong>”. Together with<br />
N.A. Wells, Arc De Triomphe, Paris, Early Twilight, Nov. 1896, colored pencil<br />
on vellum (fr<strong>am</strong>ed), signed, dated, titled, and inscribed, 9” 1/4” x 7 1/4”<br />
sight<br />
814: HENRY FARRER (American 1843-1903) Studies of a Ship, watercolor<br />
and pencil on paper (fr<strong>am</strong>ed), 8” x <strong>11</strong>”<br />
815: GEORGE JOANITZ Untitled watercolor, signed “George [surn<strong>am</strong>e<br />
illegible]”. <strong>11</strong> 3/4” x 16” sight, 21 1/8” x 24 1/8” fr<strong>am</strong>e<br />
816: WILLIAM DOVENER (American 1869-1954) Dock Scene, oil on canvas<br />
(fr<strong>am</strong>ed). Note: Still life image on verso incomplete. Signed. 14” x 16”<br />
817: L.S. REMINGTON (American 20th C.) Landscape, oil on<br />
canvas(fr<strong>am</strong>ed). Signed L. S. Remington. 12” x 14”<br />
818: WESLEY WEBBER (American, 1939-1914) Pastoral scene, oil on<br />
canvas (fr<strong>am</strong>ed), signed, 30” x 38”. Together with unknown artist, pastoral<br />
scene, oil on canvas(fr<strong>am</strong>ed), 17 1/2” x 20”<br />
819: GODFREY F. BIEHL (American, b. 1879) Untitled (landscape with oak<br />
and Spanish Moss), oil on canvas mounted in gitwood Impressionist-style<br />
fr<strong>am</strong>e. Signed. 24” x 30”<br />
820: EDMUND DARCH LEWIS (American 1835-1910) Mother and Child,<br />
watercolor on paper (fr<strong>am</strong>ed), 1892. Signed and dated. 9 1/2” x 19 1/2”<br />
821: ANNE RICE (American, 20th C.) Untitled dog and cat, pencil on paper<br />
(fr<strong>am</strong>ed). Signed. 18” x 22”<br />
822: DURR FREEDLEY (American 1888-1938) Untitled portrait, pencil on<br />
tracing paper (fr<strong>am</strong>ed). 10 1/2” x 6 1/2”<br />
823: FASHION SKETCHES Four watercolor and pencil drawings, two signed<br />
by Violet Alexander, dated April 1, 1931, overall 16 1/2” x <strong>11</strong> 5/8”; one<br />
initialed VZA, 13 1/2” x 10 1/8”; one unsigned, 12 5/8” x 10 1/8”. Together<br />
with a watercolor still-life, signed, 19 1/2” x 17 1/2”<br />
824: ALICE M. DOWELL (American, Mid-20th C.) Illustration artist<br />
portfolio, 1940s, including more than forty original watercolor and gouache<br />
on board fashion illustrations. Signed. Average size 20” x 15”<br />
825: FIGURAL CLOCK Mounted on a wooden base and back, flanked by two<br />
white metal figures, one with a rifle, the other draped with a fishing net,<br />
centered by a mirror. 16 3/4” x 13 1/4” x 6”
826: JE CALDWELL black slate and marble clock incised and gilded. Hinge<br />
to glass door is broken, missing minute hand, marble overlays loose.<br />
Marked Philadelphia on clock face and JE Caldwell & CO. Philadelphia 1882<br />
on the movement. 18” x <strong>11</strong> 1/4” x 6 1/4”<br />
827: GRANDMOTHER’S CLOCK. 74” x 10” x 7”<br />
828: CYLINDER MUSIC BOX, 19th C. 4” x 10 1/4” x 5”<br />
829: REBAJES Copper leaf tray, together with a brass s<strong>am</strong>ovar with<br />
matching tray and bowl, and two volumes of Longfellow poems. Tray<br />
marked Rebajes. 12 1/2” x <strong>11</strong> 1/2”<br />
830: BRASS TABLETOP Tray with raised border with scrolled corners and a<br />
handle on each end. 51” x 27”<br />
831: FIREPLACE TOOLS Brass poker and tongs, ca. 1900. Each: 30” long<br />
832: MIDDLE EASTERN Four brass and copper plates, including one<br />
octagonal with silver overlay and incised decoration, India, 19th C. Together<br />
with a brass oil l<strong>am</strong>p, Middle East. Largest: 17 3/4”<br />
RAGO <strong>AUCTION</strong>S<br />
Auction Management:<br />
MIRIAM TUCKER<br />
JOHN SOLLO<br />
DAVID RAGO<br />
SUZANNE PERRAULT<br />
Cataloguers:<br />
CAROL CRUICKSHANKS, HEATHER GIBSON,<br />
DENISE RAGO, AMANDA SMITH,<br />
AMY STRZELEC, KRISTINA WILSON<br />
Chief Executive Officer:<br />
MIRIAM TUCKER<br />
Chief Operating Officer:<br />
MICHAEL INGHAM<br />
Chief Administrative Officer:<br />
ELIANE M. TALEC<br />
Art Director:<br />
ANTHONY BARNES<br />
Photographer:<br />
LYNNETTE MAGER<br />
25<br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
832A: MIDDLE EASTERN BRASS Set of three vessels in graduated sizes.<br />
Each with an inscribed circular medallion and incised script below. Tallest:<br />
8” x 7” dia.<br />
833: TIFFANY & CO. Angelus desk clock. Marked. 7” x 6 1/2”<br />
834: ARCHITECTURAL SALVAGE Cast iron fireplace surrounds, coal grates,<br />
firebacks and vent covers in assorted finishes. Largest: 30 1/2” x 30 1/2”<br />
835: ARCHITECTURAL SALVAGE Gothic style painted wood mantle.<br />
48” x 70 1/2” x 9 3/4”<br />
836: ARCHITECTURAL SALVAGE Two pairs of Eastlake style pocket doors<br />
of grain painted yellow pine. One pair: 96 1/2” x 33 1/4”; other pair:<br />
95 3/4” x 30 5/8”<br />
837: BRONZE Four large 19th C. door hinges of stylized form with green<br />
patina. 26 1/4”f<br />
838: WOODEN SHIP’S WHEEL With brass fittings. Alligatored finish.<br />
45” dia.<br />
Coordinator of Client Services:<br />
KAREN DAVIES<br />
Shipping/Transportation Services Administrator:<br />
TODD WALLACE<br />
Art Handlers and Movers:<br />
CASSIDY ENOCH–REX (foreman)<br />
CHARLES CHAMBERLIN<br />
KEVIN LOFARO<br />
RICHARD PALLESCHI<br />
Controller:<br />
LISA KOLVA<br />
Administrative Assistant:<br />
NANCY ATKINS<br />
Public Relations:<br />
ERIKA OMAN<br />
Our thanks to the entire auction staff.
TERMS OF SALE<br />
clears. If you are successful and do not remit payment within thirty (30)<br />
days, the balance will be charged to your credit card together with such<br />
THIS IS AN "AS-IS, WHERE-IS"<br />
charges set forth in these terms of sale. The auctioneer reserves the right<br />
to refuse participation by any bidder, whether on premises or participating<br />
ABSOLUTE <strong>AUCTION</strong>. NO RETURNS.<br />
on-line or by telephone, whom the auctioneer deems in its discretion to be<br />
or have been disruptive of the bidding or auction process, or otherwise<br />
David Rago Auctions, Inc.<br />
609-397-9374 (p) / 609-397-9377 (f)<br />
deemed affect the integrity of the process.<br />
(Hereafter referred to as "the Auction House")<br />
5. Absentee Bids<br />
All bidders are responsible for reading and understanding these Terms of<br />
Sale, as well as any supplemental notices. If you have any questions after<br />
having read the Terms of Sale, please contact the C.E.O., Miri<strong>am</strong> Tucker, at<br />
mtucker@ragoarts.com or 609.397.9374, extension 141.<br />
We accept absentee bids by phone, by mail, in person, or by fax. Absentee<br />
bids are requested by no later than 6:00 p.m. on the business day before<br />
the auction. If you fax your absentee bids, please call us to confirm receipt.<br />
All absentee bidding is handled as though you are in attendance. We buy<br />
all designated lots for you one bidding increment above where competition<br />
stops. Please check and comply with these increments. In case of failure to<br />
1. General<br />
comply, we will reduce each off-increment bid to the next lower figure.<br />
ALL PROPERTY IS SOLD "AS IS". THE CONSIGNOR MAKES NO WARRANTIES<br />
OR REPRESENTATIONS OF ANY KIND WITH RESPECT TO ANY PROPERTY<br />
OFFERED FOR SALE. THE <strong>AUCTION</strong>EER MAKES NO WARRANTY OF TITLE,<br />
WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR<br />
PURPOSE, OR ANY OTHER WARRANTY OR REPRESENTATION OF ANY KIND<br />
OR NATURE WITH RESPECT TO THE PROPERTY. In no event shall either be<br />
responsible for the correctness of descriptions, nor deemed to have made<br />
any representation or warranty of description, genuineness, attribution,<br />
provenance or condition of the property and no statement by anyone or in<br />
the catalogue, in any advertisement, or which is made at the sale, in the<br />
bill of sale or invoice, or elsewhere, shall be deemed such a warranty or<br />
representation or an assumption of liability. All bidders acknowledge their<br />
right to have made full inspection of any and all properties prior to sale<br />
"Plus" bids: Because of our structured bidding increments, it is more likely<br />
that several people will leave identical bids. Since an earlier bid left with<br />
the auction house wins in the event of a tie, a later bid with an added<br />
"plus" bid to the next increment would win the piece. All absentee bidder<br />
n<strong>am</strong>es and bids are held in strictest confidence, disclosed only in the event<br />
of a question after the sale. Absentee bidding is a convenience offered to<br />
our customers and, while we will make every effort to execute your<br />
instructions, the Auction House is not liable or responsible for any errors or<br />
failure to do so. If you place absentee bids with the Auction House, then<br />
choose to attend in person, bid by phone or any other means, it is solely<br />
your responsibility to cancel any or all absentee bids prior to the start of<br />
the auction.<br />
and agree to be charged with all matters such inspection may have<br />
6. Telephone Bids<br />
disclosed or indicated. The Auction House retains all rights to copyright<br />
and other intellectual property contained in this catalogue.<br />
Lines are available on a first-come, first-served basis - please reserve as<br />
soon as you are able. We want to hear from you no later than 12 noon on<br />
the business day before the auction. Please call to set up all phone line<br />
2. Buyer’s Premium, Purchase Price, Taxes, and Billing<br />
requests. Do not fax phone line requests. If you are unsure of where you or<br />
Upon the fall of the auctioneer’s h<strong>am</strong>mer, the successful bidder becomes<br />
the buyer and owner of the property and is responsible for the property,<br />
the <strong>am</strong>ount of the successful bid, the buyer’s premium, applicable taxes,<br />
and other charges provided for in the Terms of Sale in U.S. Dollars, payable<br />
immediately.<br />
Buyer's Premium/Purchase Price: A buyer’s premium in the <strong>am</strong>ount of 20%<br />
of the successful high bid will be added to the <strong>am</strong>ount of the successful bid<br />
price regardless of payment method. All bidding at auction and all<br />
purchases will be in U.S. Dollars.<br />
your agent will be during the sale, we recommend you leave absentee bids.<br />
All requests for overseas telephone lines must be accompanied by<br />
absentee bids, which will be executed on the buyer's behalf, should there<br />
be any problems with telephone connections. Bids are placed on the<br />
telephone at the discretion of the Auction House and at the caller’s risk.<br />
Telephone bidding is a convenience offered to our customers and, while we<br />
will make every effort to execute your instructions, the Auction House is<br />
not liable or responsible for any errors or failure to do so. If you place<br />
absentee bids with the Auction House, bid in person, by phone or any other<br />
means, it is solely your responsibility to cancel any or all absentee bids<br />
Taxes: Applicable taxes shall include New Jersey sales tax (7%), use tax, prior to the start of the auction. If you do not or cannot, regardless of<br />
excise tax, and other taxes or levies. Only valid resale certificates are<br />
accepted as proof of exemption from New Jersey sales tax by U.S. dealers.<br />
reason, you will be held responsible for the property's purchase.<br />
No New Jersey sales tax is charged for purchases shipped out of state.<br />
Billing: Payment is due upon receipt, unless special arrangement has been<br />
made with the Auction House. All successful telephone and absentee<br />
bidders will be sent invoices the Monday after the auction.<br />
7. Auctioneer’s Determination Final<br />
A lot will be sold to the highest bidder as determined in the sole and<br />
exclusive judgment of the auctioneer. The auctioneer will also have the<br />
sole and exclusive power and authority to a) resolve any disputes between<br />
bidders, b) determine whether to pass or re-offer a lot for sale, c) reject or<br />
3. Methods of Payment and Fees<br />
challenge any bid or advance in the bidding, d) exclude any bidder from the<br />
Cash. Check. Wire Transfers. Visa. MasterCard. Discover. PayPal. All<br />
premises and e) otherwise regulate the bidders, the bidding and its<br />
payments are due immediately upon receipt of invoice. We reserve the<br />
right to hold all goods paid for by check until payment has cleared.<br />
increments.<br />
4. Qualifying to Bid<br />
8. Withdrawal of Property from Sale<br />
The Auction House reserves the right to withdraw property from the sale<br />
Bidding Numbers: All bidders must register and receive a bidding number<br />
for any reason and with no liability whatsoever for such withdrawal.<br />
from the Auction House prior to bidding at the auction.<br />
9. Rescission by the Auction House<br />
New Buyers: If we do not know you, you will be asked to furnish<br />
In the event the Auction House receives notice of an adverse claim with<br />
identification, a valid credit card number, and, possibly, credit references. If respect to purchased Property, the Auction House shall have the right (but<br />
you are acting as another’s agent or principal, we may request a letter of not the obligation), in its sole and absolute discretion, to rescind the sale<br />
authorization. If paying by check, you must establish credit with the C.A.O., to the buyer, upon written notice to the buyer. Upon such notice, the buyer<br />
Eliane Talec, extension <strong>11</strong>8, at least three (3) business days prior to the will promptly return the purchased property to the Auction House’s<br />
auction. A letter from your bank, presented before the sale, may also be premises in the s<strong>am</strong>e condition as when purchased. The Auction House will<br />
accepted, at our discretion, although we will retain your purchase(s) until then promptly refund the purchase price, including the buyer’s premium<br />
the check<br />
and applicable taxes paid. Buyer will have no further recourse against the<br />
26<br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER >
Auction House or the consignor, and the Auction House and the consignor Auction House’s possession to reduce or satisfy the buyer’s obligations.<br />
shall not be liable for any d<strong>am</strong>ages of any nature suffered by the buyer. - Security Interest: As security for full payment to the Auction House and<br />
the consignor of all <strong>am</strong>ounts due, the buyer grants the Auction House the<br />
10. Payment, Collection, and Shipping Responsibilities of Buyer<br />
right to retain a security interest in the Property purchased at auction and<br />
- Buyer Obligations: On the fall of the auctioneer’s h<strong>am</strong>mer, title to the<br />
property immediately transfers to the successful bidder who, in turn,<br />
becomes the buyer of the Property. The buyer assumes full risk and<br />
responsibility for the purchased Property, including all costs and expenses<br />
of handling, shipping, insurance, taxes, export, and otherwise, and is liable<br />
for the full purchase price, plus the buyer’s premium, applicable taxes, and<br />
any other associated expenses.<br />
in any other property or money of buyer in the Auction House’s possession<br />
or coming the Auction House’s possession (collectively, "collateral.") The<br />
Auction House shall have the rights of a secured creditor as provided by<br />
the Uniform Commercial Code and other applicable law. Such security<br />
interest in the Property or other collateral will cease when the Property is<br />
physically delivered to the buyer or the buyer’s agent.<br />
- Collection of Property and Storage Charges: The buyer will pay for the 12. Governing Law and Forum for Disputes<br />
purchased Property immediately and remove it from the premises of the The laws of New Jersey shall govern the auctions of the Auction House.<br />
Auction House except by prior arrangement with the Auction House. The Any disputes that may arise in connection with the auction and/or any<br />
Auction House may, at its discretion, remove the purchased Property to auction purchase, and all of the terms and conditions set forth herein<br />
public storage at the buyer's risk and expense. Those with permission to above, shall be governed by and construed in accordance with New Jersey<br />
pick up their property from the Auction House following the sale must call law. Any one who participates in the auction and/or makes auction<br />
24 hours in advance to arrange pick-up. Normal pick-up hours are Monday- purchases agrees to submit to the jurisdiction of the courts of the State of<br />
Friday, 9:00 a.m. - 5:00 p.m., excepting the hour between 12:00 and 1:00 New Jersey with respect to any dispute arising in connection with the<br />
p.m. Property purchased and left at the auction house for two weeks will be auction and/or any auction purchases. In the event that the Auction House<br />
sold or donated for you.<br />
needs to bring an action to enforce the terms and conditions herein and/or<br />
- Packing and Shipping: The buyer is responsible for the shipment of all to collect any sum due and owing to it the Auction House shall be entitled<br />
purchased Property. As a convenience to the buyer, the Auction House will, in addition to collect its reasonable attorney's fees, collection agency fees,<br />
if requested, give your property to Masterpiece Shipping in Buckingh<strong>am</strong>,<br />
PA. This company will pack and ship or arrange shipment for you via UPS,<br />
and cost of suit.<br />
FedEx or other carrier, fully insured, for a fee payable in advance by credit<br />
card. Shipments are made within a few days after payment has been<br />
received. (If you have any shipping preference for any reason, please make<br />
sure your shipper carries insurance. We are not responsible for any d<strong>am</strong>age<br />
or loss that occurs while your objects are in another's care. We will also not<br />
13. Limitations of Liability<br />
The Auction House acts only as the agent for the consignor and in no event<br />
will be liable for any breach or default by the consignor.<br />
be responsible for any d<strong>am</strong>age or loss that occurs if you choose a shipping 14. Severability and Waiver<br />
method that we have advised against and we will require a waiver from you<br />
acknowledging this.) All international customs, duties, and other tariffs are<br />
the responsibility of the Buyer. The Auction House and Masterpiece<br />
Shipping will declare the selling price as the value in all cases. Shipping<br />
larger items: Larger items are objects such as furniture, andirons, floor<br />
vases, or any other item whose safe packing will exceed the limits of<br />
common carriers. The Auction House can arrange delivery by freight almost<br />
anywhere in the United States, fully insured, for a fee. The delivery of large,<br />
If any provision of portion of these Terms of Sale shall be deemed unlawful,<br />
void, or unenforceable under applicable law, that provision or portion shall<br />
be stricken and severed from the remaining provisions, which shall remain<br />
in full force and effect. Failure to enforce any of the provisions in these<br />
Terms of Sale shall not be deemed a waiver of the right to enforce any<br />
other provisions of these Terms of Sale.<br />
heavy, or expensive objects is not an inexpensive proposition and we urge 15. No Assignment<br />
you to consider this before bidding. We will work with any shipper of your<br />
choosing.<br />
Unless the Auction House consents in writing, buyers may not assign their<br />
rights or any of their obligations related to an auction or other sale by the<br />
Auction House.<br />
<strong>11</strong>. Buyer Default<br />
- Remedies: If any of the Terms of Sale are not fully complied with by the<br />
buyer, the buyer will be in default without need of notice by the Auction<br />
House. The buyer shall be liable to the Auction House and the consignor<br />
for the total purchase price, including all premiums, charges, and expenses<br />
specified in the Terms of Sale. Interest shall accrue at the rate of 18% per<br />
annum commencing with the date of the auction. In addition to other<br />
remedies available to the Auction House by law, the Auction House may, at<br />
its option, a) cancel the sale of the lot(s) on which the buyer defaulted and<br />
of any other lots sold to the defaulting buyer at the s<strong>am</strong>e or any other<br />
auction(s) and retain as liquidated d<strong>am</strong>ages all payments made by the<br />
buyer, b) resell the purchased Property, whether at public auction or<br />
private sale, or c) pursue any combination of a) and b) above. In event of<br />
default, the buyer will be responsible to the Auction House and the<br />
consignor for any deficiency, any and all costs and expenses, including<br />
reasonable attorneys’ fees, collection fees and expenses, late charges, and<br />
other d<strong>am</strong>ages. The Auction House may, at its discretion, apply any<br />
proceeds of sale otherwise due to the buyer or monies of the buyer in the<br />
27<br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
16. No Modifications<br />
These Terms of Sale may not be changed unless the Auction House and<br />
buyer have agreed to do so in a written agreement signed by both parties.<br />
17. Miscellaneous<br />
Export or Import: An export license may be required for the export of<br />
certain materials. Some countries prohibit the importation of certain<br />
materials. It is the sole responsibility of buyers to f<strong>am</strong>iliarize themselves<br />
with any required license and import/export requirements. The Auction<br />
House will have no responsibility with regard to these matters.<br />
Private Sales: These Terms of Sale shall apply to both auction and private<br />
sales of property.<br />
Paragraph Headings: Paragraph and subheadings are included in these<br />
Terms of Sale for ease of reference and should not be used to interpret the<br />
meaning of the substantive provisions.
ABSENTEE BIDDING FORM – 06/07 <strong>DISCOVERY</strong><br />
Please phone or fax any bids, in addition to sending us this form,<br />
to assure our receiving them as early as possible.<br />
Please review bidding procedures and the Terms of Sale in the catalogue.<br />
DO NOT fax phone line requests, please.<br />
N<strong>am</strong>e _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Business N<strong>am</strong>e _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
Address _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
City _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ State _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
Zip Code _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ E-mail _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
Telephone (home) _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ (work) _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ F a x _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
Resale/Tax Identification_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ State _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
On every individual lot, a buyer’s premium in the <strong>am</strong>ount of 20%<br />
of the successful high bid will be levied up to and including<br />
$500,000 and a buyer’s premium of 12% thereafter on any <strong>am</strong>ount<br />
in excess of $500,000, regardless of payment method.<br />
Lot# Description Bid<br />
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ $ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
Auction house or other reference and a valid credit card number (if a first-time bidder)<br />
Reference Company N<strong>am</strong>e _ Contact N<strong>am</strong>e _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Visa/MC/Disc.<br />
PLEASE ADHERE TO THE BIDDING INCREMENTS<br />
$10 until $100 is reached $500 until $10,000 is reached<br />
$25 until $500 is reached $1,000 until $30,000 is reached<br />
$50 until $1,000 is reached $2,500 until $50,000 is reached<br />
$100 until $3,000 is reached $5,000 until $100,000 is reached<br />
$250 until $5,000 is reached $10,000 over $100,000<br />
Telephone _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Exp. Date _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
I hereby confirm that I have read and <strong>am</strong> bound by the “Terms of Sale” for the auction. If I place absentee bids, then choose to attend in<br />
person, bid by phone, or by any other means, it is solely my responsibility to cancel any or all absentee bids prior to the start of the<br />
auction.<br />
_ Signed (Signature required to execute your bids) Date<br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
333 North Main Street • L<strong>am</strong>bertville, NJ 08530 • 609.397.9374 • fax 609.397.9377 • www.ragoarts.com
CONDITION REPORT FORM – 06/07 <strong>DISCOVERY</strong><br />
We are happy to provide you with condition reports on all lots as requested. Note that we are neither professional restorers nor<br />
conservators and specialist opinions are subjective and not a statement of fact. Therefore, we do not guarantee the content of the<br />
written or verbal condition report. Not withstanding this report, all lots are offered and sold in accordance with Paragraph 4 of the<br />
Conditions of Sale listed in the catalogue.<br />
Lot Number Description Specific Questions<br />
N<strong>am</strong>e: ______________________________________________________________________________________________________________________________________________________________________________<br />
Daytime Telephone #: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Hours: _ _ _ _ _ _ _ _ _ _ _ _ _ to _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
Evening Telephone #: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Hours: _ _ _ _ _ _ _ _ _ _ _ _ _ to _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
E-mail: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _<br />
RAGO ARTS AND <strong>AUCTION</strong> CENTER ><br />
333 North Main Street • L<strong>am</strong>bertville, NJ 08530 • 609.397.9374 • fax 609.397.9377 • www.ragoarts.com