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20th / 21st century design - Freeman's Auctioneers

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Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia Pennsylvania 19103<br />

Tel-215.563.9275 Fax-215.563.8236 e-mail: info@freemansauction.com<br />

www.freemansauction.com<br />

05/17/08<br />

<strong>20th</strong> / <strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong><br />

<strong>design</strong><br />

05/17/08


11979_CVR:11979_CVR 4/17/08 4:37 PM Page 2


<strong>20th</strong> / <strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

Auction:<br />

Saturday, May 17th at 12pm<br />

Sale 1305<br />

Exhibitions:<br />

Wednesday, May 14th through<br />

Friday, May 16th<br />

10am–6pm<br />

Inquiries:<br />

alexandra jaccard ext. 3087<br />

ajaccard@freemansauction.com<br />

Bidding:<br />

bids department<br />

215.563.9275 ext 3006<br />

bids@freemansauction.com<br />

Fax 215.599.2240<br />

Catalogue $30<br />

Inside Front Cover: Lot 103<br />

Inside Back Cover: Lot 205<br />

Spine Image: Lot 97<br />

Samuel T Freeman & Co.<br />

1808 Chestnut Street<br />

Philadelphia, PA 19103<br />

Telephone: 215.563.9275<br />

Fax: 215.563.8236<br />

www.freemansauction.com<br />

126 Garrett Street<br />

Charlottesville, VA 22902<br />

Telephone: 434.296.4096<br />

Fax: 434.296.4011<br />

www.freemanssouth.com<br />

Color images of every lot are<br />

available from April <strong>21st</strong> at<br />

www.freemansauction.com<br />

Printing by Bentley Graphics, Inc.<br />

Pottstown, Pennsylvania


Important Information<br />

for Buyers<br />

Registration<br />

Buyer’s Premium<br />

Sales Tax<br />

Catalogue Descriptions<br />

Bidding<br />

Payment<br />

Removal of Purchases<br />

Shipping and Packing<br />

All potential buyers must register for the sale prior to placing a bid.<br />

Registration information may be submitted in person at our reception desk,<br />

by fax or through our website at www.freemansauction.com. We will require<br />

proof of identification and residence and may require a credit card and/or a<br />

bank reference. By registering for the sale, the buyer acknowledges that he<br />

or she has read, understood and accepted Freeman’s Terms and Conditions<br />

of Sale.<br />

A Buyer’s Premium will be added to the successful bid price and is payable<br />

by the buyer as part of the total purchase price. The Buyer’s Premium shall<br />

be: 25% on the first $20,000 of the hammer price of each lot, 20% on the<br />

portion from $20,001 through $500,000, and 12% on the portion of the<br />

hammer price exceeding $500,000.<br />

All items in the catalogue are subject to the 7% Pennsylvania and<br />

Philadelphia sales tax. Dealers purchasing for resale must register their tax<br />

numbers on current PA forms. Forms should be submitted to our Client<br />

Services office on the second floor.<br />

All item descriptions, dimensions and estimates are provided for guidance<br />

only. It is the buyer’s responsibility to inspect all lots prior to bidding to<br />

ensure that the condition is to their satisfaction. If potential buyers are<br />

unable to inspect lots in person, our specialists will be happy to prepare<br />

detailed Condition Reports on individual lots as quickly as possible. These<br />

are for guidance only, and all lots will be sold “as is” as per our Terms and<br />

Conditions of Sale.<br />

At the sale Registered bidders will be assigned a bidder number and given a<br />

paddle for use at the sale. Once the first bid has been placed, the<br />

auctioneer asks for higher bids in increments determined by the auctioneer.<br />

To place your bid, simply raise your paddle until the auctioneer<br />

acknowledges you. The auctioneer will not mistake a random gesture<br />

for a bid.<br />

By phone A limited number of telephone lines are available for bidding by<br />

phone through a Freeman’s representative. Phone lines must be reserved in<br />

advance. Requests must be submitted no later than 24 hours prior to the<br />

scheduled start of the sale.<br />

In writing Bid forms are available in the sale room and at the back of the<br />

catalogue. These should be submitted in person, by mail or by fax no later<br />

than one hour prior to the scheduled start of the sale. The auctioneer will<br />

bid on your behalf up to the limit indicated, but is not responsible for errors<br />

or failure to execute bids.<br />

On the internet A fully-illustrated catalogue is available on-line at<br />

www.freemansauction.com. Registered bidders may leave absentee bids<br />

through the web site and will receive email confirmation of their bid.<br />

Freeman’s is not responsible for errors or failure to execute bids.<br />

Goods purchased will not be released until we have received full payment.<br />

Payment may be made in cash, by check, money order, or debit card.<br />

Payments by check must clear the bank before goods will be released.<br />

Deliveries will not be made during the time of the sale unless otherwise<br />

indicated by the auctioneer. All items must be paid for and removed by May<br />

30th at 3pm. Purchases not so removed may be turned over to a licensed<br />

warehouse at the expense and risk of the purchaser.<br />

Responsibility for packing, shipping and insurance shall be exclusively that<br />

of the purchaser. Upon request, Freeman’s will provide the purchaser with<br />

names of professional packers and shippers known to us.


Saturday, May 17th, 2008<br />

at 12:00pm<br />

<strong>20th</strong> / <strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

lots: 1–34<br />

lots: 35–72<br />

lots: 73–80<br />

lots: 81–176<br />

lots: 177–190<br />

lots: 191–205<br />

glass<br />

ceramics<br />

metal<br />

wood & furniture<br />

lighting<br />

misc.


glass<br />

The following eleven lots (1–11)<br />

were created by Italian <strong>design</strong>er<br />

Fulvio Bianconi (1915–1996).<br />

Bianconi began his career in glass in 1947 when he met Paolo<br />

Venini in Murano, Italy. While working at Venini’s Cappellin<br />

Venini & Co. (established in 1925) Bianconi developed and<br />

perfected his skills and techniques of glass blowing. The<br />

relationship was so successful that Bianconi stayed at<br />

Venini’s furnaces for over fifty years. Bianconi’s and Venini’s<br />

<strong>design</strong>s are still synonymous with style and creativity and<br />

remain extremely popular.<br />

1<br />

FULVIO BIANCONI (VENINI)<br />

(italian 1915-1996)<br />

Glass figurine<br />

Blue and milk glass (lattimo) figure<br />

atop a black glass base. Possibly<br />

<strong>design</strong>ed after one of the band<br />

members of The Beatles.<br />

H: 15 1/2 in.<br />

$1,000-1,200


3<br />

FULVIO BIANCONI (VENINI)<br />

(italian 1915-1996)<br />

Glass vase<br />

Of squared form in clear glass with<br />

two recesses for holding flowers.<br />

H: 7 1/4 in., W: 8 in.<br />

$1,000-1,200<br />

5<br />

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2<br />

FULVIO BIANCONI (VENINI)<br />

(italian 1915-1996)<br />

Chicken figurine<br />

White (lattimo) glass body<br />

decorated with applied yellow feet<br />

and beak, black wings, and red<br />

wattles all atop black circular base.<br />

Circa 1950.<br />

H: 5 in.<br />

$1,200-1,500<br />

4<br />

FULVIO BIANCONI (VENINI)<br />

(italian 1915-1996)<br />

Art glass dish<br />

Free form dish in the shape of a leaf,<br />

with applied brown swirl decoration.<br />

H: 2 1/4 in., W: 5 1/2 in.<br />

$800-1,000


6<br />

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5<br />

FULVIO BIANCONI (VENINI)<br />

(italian 1915-1996)<br />

Glass figurine<br />

White glass (lattimo) figure<br />

resembling a musician in<br />

traditional Italian costume.<br />

Signed ‘Bianconi’ on the base.<br />

H: 7 in.<br />

$1,200-1,500<br />

6<br />

FULVIO BIANCONI (VENINI)<br />

(italian 1915-1996)<br />

Circular plate<br />

Blue glass center surrounded by a<br />

wide rim of amethyst colored glass.<br />

Diam: 13 in.<br />

$1,000-1,200


7<br />

FULVIO BIANCONI (VENINI)<br />

(italian 1915-1996)<br />

Clear glass form<br />

Bottled-shaped blown glass form<br />

with applied green circular dots and<br />

green lines.<br />

H: 7 1/2 in., W: 3 1/2 in.<br />

$1,000-1,200<br />

7<br />

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8<br />

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05/17/08<br />

8<br />

FULVIO BIANCONI (VENINI)<br />

(italian 1915-1996)<br />

Vase<br />

Free form shape with central spiral<br />

<strong>design</strong> using both green and<br />

white glass. Three recesses located<br />

in the center of the vase used to<br />

place flowers. Signed ‘Fulvio<br />

Bianconi’ on base.<br />

H: 10 1/2 in.<br />

$1,000-1,200<br />

9<br />

FULVIO BIANCONI (VENINI)<br />

(italian b. 1915 - 1996)<br />

Sorrisi vase<br />

Cylindrical yellow murano glass with<br />

free form applied red and white lip.<br />

Signed ‘Venini 1994 Fulvio Bianconi.’<br />

H: 10 3/4 in.<br />

$2,500-3,000


10<br />

FULVIO BIANCONI (VENINI)<br />

(italian 1915-1996)<br />

Large cylindrical vase<br />

Green rim gradually fading into clear<br />

glass body. Signed ‘Bianconi 1963’<br />

on the base.<br />

H: 10 in., Diam: 6 1/2 in.<br />

$1,000-1,200<br />

11<br />

FULVIO BIANCONI (VENINI)<br />

(italian 1915-1996)<br />

Fasce Verticali vase<br />

Vertical strips of polychrome<br />

colored glass, circa 1950.<br />

H: 6 1/2 in.<br />

$1,000-1,200<br />

9<br />

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05/17/08


10<br />

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05/17/08<br />

12<br />

ATTRIBUTED TO CARLO<br />

SCARPA FOR VENINI<br />

(italian 1906-1978)<br />

Murano glass ‘Filigranna’<br />

globe vase.<br />

Ball vase with swirl pattern in green<br />

and aqua cased in clear glass.<br />

Unmarked, polished bottom.<br />

H: 5 1/2 in. D: 5 in.<br />

Opening D: 1 1/4 in.<br />

$200-300<br />

Not illustrated<br />

14<br />

VENINI<br />

(italian)<br />

Bottle with stopper<br />

Amethyst glass of ovoid form with<br />

green foliate form stopper. Signed<br />

‘Venini ‘96’.<br />

H: 5 1/4 in.<br />

$300-500<br />

13<br />

VENINI<br />

(italian)<br />

Bottle with stopper<br />

Cobalt glass of squat-ovoid form<br />

with clear circular stopper with<br />

applied amber beading. Signed<br />

‘Venini ‘96’.<br />

H: 5 1/2 in.<br />

$300-500<br />

14<br />

15<br />

VENINI<br />

(italian)<br />

Bottle with stopper<br />

Emerald green glass, of ovoid form<br />

with red organic form stopper.<br />

Signed ‘Venini ‘96’.<br />

H: 4 1/2 in.<br />

$300-500<br />

13<br />

15


16<br />

VENINI<br />

(italian)<br />

Bottle with stopper<br />

Amber glass, of elongated tear-drop<br />

shape with ‘s’ form leaf decorated<br />

stopper. Signed ‘Venini 1995’.<br />

H: 6 in.<br />

$300-500<br />

17<br />

VENINI<br />

(italian)<br />

Alessandra vase, 1996<br />

Blue murano glass, of baluster form<br />

with flared foot and lip, signed by<br />

artist on base.<br />

H: 11 in.<br />

$1,500-2,000<br />

11<br />

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12<br />

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18<br />

BERTIL VALLIEN<br />

(swedish b. 1938)<br />

‘Galaxy Blue’ glass vase<br />

Designed for Kosta Boda in 1980.<br />

Signed by artist with serial number<br />

on base.<br />

$150-250<br />

Not illustrated<br />

19<br />

UNKNOWN<br />

late <strong>20th</strong> <strong>century</strong><br />

Studio glass with ovoid shape with<br />

organic, free form <strong>design</strong>s with<br />

applied iridescent glaze.<br />

H: 4 1/2 in<br />

$100-150<br />

Not illustrated<br />

20<br />

late <strong>20th</strong> <strong>century</strong><br />

Three perfume bottles<br />

One of compressed spherical form,<br />

ovoid form with etched geometric<br />

patterns, and an art deco form with<br />

arched stopper.<br />

H: 7 in. with stopper, H: 5 1/2 in.<br />

with stopper, H: 8 in. with stopper<br />

$200-300<br />

Not illustrated<br />

21<br />

ALESSANDRO PIANON<br />

(italian )<br />

‘Pulcino’<br />

Designed in 1960 for Vetreria<br />

Vistosi. Blown glass body with<br />

copper legs.<br />

H: 9 1/2 in. W: 6 in. D: 3 1/2 in.<br />

$1,200-1,500<br />

22<br />

ATTRIBUTED TO STEUBEN<br />

Solid crystal ball on black<br />

plinth base.<br />

H: 5 in. (including plinth), L: 9 in.<br />

(plinth), Diam: 3 1/2 in.<br />

$500-1,000<br />

Not illustrated<br />

23<br />

ATTRIBUTED TO<br />

CARTER/STEUBEN<br />

BLUE CRYSTAL CANDY COMPOTE<br />

Barbed rim atop slender,<br />

tapering pedestal.<br />

H: 7 in., Diam: 7 in.<br />

$200-300<br />

Not illustrated<br />

21


24<br />

PERRY COYLE<br />

Crystal vase<br />

Of baluster form with wide neck<br />

and flared mouth, decorated with<br />

etched crane in circular medallion<br />

and geometric <strong>design</strong>s, signed<br />

“Perry Coyle”.<br />

H: 14 1/2 in., Diam. 8 1/2 in.<br />

$500-700<br />

25<br />

SCHNEIDER<br />

(french)<br />

Tazza<br />

White and coral glass, signed and<br />

bears original gold foil label,<br />

“Objects d’Art, Marcel Roche Lyon”.<br />

H: 5, Diam: 14 in.<br />

$300-500<br />

Not illustrated<br />

26<br />

THOMAS WEBB & SONS<br />

circa 1930<br />

Cameo glass vase<br />

Amethyst glass cut to clear to show<br />

stylized floral decoration. Signed<br />

“Webb”.<br />

H: 6 1/4 in.<br />

$200-300<br />

Not illustrated<br />

13<br />

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05/17/08<br />

24


14<br />

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27<br />

DAUM<br />

(french)<br />

Dish with lid<br />

Enameled and etched winter scene.<br />

Matching winter scene on the lid<br />

aligns with <strong>design</strong>s on the base.<br />

Circa 1920s. Signed ‘Daum Nancy.’<br />

Diam: 6 in.<br />

$1,000-1,200<br />

28<br />

DAUM<br />

(french)<br />

Elongated crystal bowl<br />

Together with a pair of crystal<br />

candlesticks, all free-form with<br />

etched signature ‘Daum France.’<br />

Bowl H: 4 1/2 in., W: 25 in. D: 6 in.,<br />

Candlesticks H: 4 1/2 in. D: 4 in.<br />

$800-1,200<br />

Not illustrated<br />

29<br />

DAUM<br />

(french)<br />

Glass bowl<br />

Gilt rim with quatrefoil shape.<br />

Applied floral motifs arranged<br />

randomly throughout bowl. Signed<br />

‘Daum Nancy.’<br />

H: 4 in. Diam: 4 in.<br />

$1,000-1,200


30<br />

ATTRIBUTED TO<br />

HAWKES/STEUBEN<br />

CRYSTAL FAN FORM VASE<br />

Crystal vase with etched vines and<br />

leaf patterns.<br />

H: 9 in., Diam. 6 1/2 in.<br />

$200-300<br />

Not illustrated<br />

31<br />

FREDERICK CARTER FOR<br />

STEUBEN<br />

(british 1863-1963)<br />

Ribbed green glass center bowl,<br />

c. 1920.<br />

H: 4 1/2 in., Diam: 12 in.<br />

$300-500<br />

Not illustrated<br />

32<br />

ATTRIBUTED TO STEUBEN<br />

Crystal bowl with wide lip<br />

Decorated with leaf motif.<br />

H: 8 in., W: 12 in.<br />

$300-500<br />

Not illustrated<br />

33<br />

ANNE NILSSON<br />

(swedish)<br />

Glass vase from Expo collection<br />

Designer at Orrefors in 1980s-90s.<br />

Signed ‘Orrefors 100 Expo 5034-25’<br />

H: 13 1/2 in.<br />

note:<br />

Accompanied by original<br />

Expo certificate.<br />

$200-300<br />

34<br />

late <strong>20th</strong> <strong>century</strong><br />

Four perfume bottles<br />

Pink ovoid form with encased<br />

flowers, green inverted triangle<br />

with hummingbird stopper, free<br />

form with fish stopper, and pink<br />

flower form.<br />

H: 5 1/2 in. with stopper, H: 7 in.<br />

with stopper, H: 5 in. with stopper,<br />

H: 4in. with stopper<br />

$200-300<br />

Not illustrated<br />

33<br />

15<br />

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ceramics<br />

35<br />

BEATRICE WOOD<br />

(american 1893-1998)<br />

Luster glazed ceramic bowl<br />

Rounded bowl form raised on a<br />

cylindrical stand, with metallic teal<br />

glaze. Signed ‘BEATO.’<br />

H: 4 1/2 in. D: 4 3/4 in.<br />

$1,200-1,800<br />

36<br />

ROSE CABAT<br />

(american b. 1914)<br />

Large “feelie” pottery vessel<br />

Mustard yellow glaze, late <strong>20th</strong><br />

<strong>century</strong>. Of tall shouldered ovoid<br />

form with unglazed ceramic base<br />

and narrow, nearly closed neck.<br />

Signed by the artist and inscribed<br />

“UMCAOIO.”<br />

H: 5 in. D: 3 3/4 in.<br />

provenance:<br />

From the Private Collection of<br />

William Lipton<br />

$1,200-1,500<br />

37<br />

ROSE CABAT<br />

(american b. 1914)<br />

Small “feelie” pottery vessel<br />

Creamy white glaze, late <strong>20th</strong><br />

<strong>century</strong>. Of spherical form with<br />

unglazed ceramic base and narrow<br />

neck. Signed by the artist.<br />

H: 3 in. D: 3 in.<br />

provenance:<br />

From the Private Collection of<br />

WIlliam Lipton<br />

$800-1,200


17<br />

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38<br />

Large porcelain art deco vase<br />

White, with molded vertical bands<br />

and flower petal motif, marked<br />

“Schumann Arzberg Germany”.<br />

H: 20 1/2 in.<br />

$200-300<br />

Not Illustrated<br />

39<br />

PAULA WINOKUR<br />

(american b.1935)<br />

Pottery sculpture<br />

Abstract form, resembling television<br />

and radio, modeled in brown clay.<br />

H: 7 in., D: 5 in.<br />

$500-800<br />

40<br />

PAULA WINOKUR<br />

american (b. 1935)<br />

Stoneware sculpture<br />

Organic form with undulating<br />

curves, covered with a light green<br />

glaze, signed on back ‘Paula<br />

Winokur 1977’,<br />

H: 11 in. L: 19 1/2 in. D: 8 1/2 in.<br />

$500-800


18<br />

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05/17/08<br />

43<br />

BERNDT FRIBERG<br />

(swedish 1899-1981)<br />

Vase, ceramic<br />

Designed for Gustavsberg, Sweden,<br />

1960s. Egg-shaped pottery vessel<br />

with creamy tan flecked glaze.<br />

Unglazed bottom signed by the<br />

artist and marked with Gustavsberg<br />

“hand” symbol.<br />

H: 3 1/2 in. D: 2 1/4 in.<br />

$200-300<br />

41<br />

TOSHIKO TAKAEZU<br />

(american b. 1922)<br />

Untitled ceramic vessel<br />

Of cylindrical form with flat base,<br />

with narrow, nearly closed mouth.<br />

Glazed in shades of white, brown<br />

and green. Signed on the bottom<br />

with the artist’s opposed T’s.<br />

H: 11 in. D: 8 in.<br />

$1,200-1,400<br />

42<br />

TOSHIKO TAKAEZU<br />

(american b. 1922)<br />

Untitled ceramic vessel<br />

Of spherical form with flat base,<br />

with narrow, nearly closed mouth.<br />

Glazed in shades of white, brown<br />

and green. Signed on the bottom<br />

with the artist’s inverted T’s.<br />

H: 6 in. D: 5 in.<br />

$1,000-1,500


45<br />

ROSEVILLE<br />

circa 1924-1928<br />

‘Florentine’ pattern bowl<br />

Short circular bowl of shouldered<br />

form, square handles flanking a wide<br />

mouth above narrow decorative<br />

banding and applied grape bunches<br />

under a rust-colored crackle glaze.<br />

Plain glazed interior, stamped with<br />

blue-ink “Rv” to base.<br />

H: 2 1/2 in. D: 8 in.<br />

$150-250<br />

44<br />

ROSEVILLE<br />

Jardiniere on pedestal<br />

Dahlrose pattern, large ovoid pot<br />

with square handles flanking the<br />

mouth. Green and yellow glazed<br />

daisies sweep around the rim.<br />

Separate matching turned pedestal<br />

with flared base and beaded rim.<br />

Base H: 20 in. D: 12 in. Pot H: 10 in.<br />

D: 13 in.<br />

$1,200-1,800<br />

19<br />

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20<br />

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46<br />

PIETER STOCKMANS<br />

(belgian, b. 1940)<br />

Dish with Beakers<br />

Large translucent porcelain dish with<br />

fifteen matched cups, each signed<br />

‘PS 2001.’<br />

Dish H: 2 1/2 in. D: 11 in.<br />

Cup H: 2 1/2 in. D: 2 1/2 in.<br />

$600-900<br />

47<br />

FULPER POTTERY<br />

circa 1909-1916<br />

Pottery bowl<br />

Fluted seven-sided bowl, over round<br />

base. Matte purple glazed body with<br />

a deep blue and green high-gloss<br />

glaze to interior. Ink “Fulper” stamp<br />

to base.<br />

H: 3 in. D: 6 in.<br />

$150-250<br />

Not illustrated<br />

46


48<br />

BETTY WOODMAN<br />

(american b. 1930)<br />

Winged vessel<br />

Glazed ceramic vessel with shelf<br />

support and flanking detail pieces.<br />

Seven pieces.<br />

Largest H: 26 in. W: 26 in. D: 9 in.<br />

$10,000-15,000<br />

21<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08


22<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

49<br />

POSSIBLY SHOJI HAMADA<br />

(japanese 1894-1978)<br />

Pottery Bowl<br />

Clay bowl with three flowers along<br />

the rim with gray and taupe glaze.<br />

H: 5 in., Diam: 9 in.<br />

$1,200-1,800<br />

50<br />

WILLIAM PERRY<br />

Pottery vase<br />

Free form clay vase, with green<br />

glaze, signed ‘WP’ on bottom.<br />

H: 6 in.<br />

$300-500


51<br />

VAN BRIGGLE<br />

Pair of ‘Bird of Paradise’ bud vases<br />

Oval flared bases issue a lily-shaped<br />

fluted body <strong>design</strong>ed to hold either<br />

candles or flowers. Blue-green<br />

crackle glaze, signed ‘Van Briggle /<br />

Colo. Spgs.’ with trademark<br />

conjoined ‘A’s.’<br />

H: 9 in. W: 4 in. D: 2 in.<br />

$150-250<br />

23<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

52<br />

VAN BRIGGLE<br />

mid <strong>20th</strong> <strong>century</strong><br />

Pair of bowls<br />

Of compressed ovoid form with<br />

applied leaf decoration in a bluegreen<br />

crackle glaze. Signed ‘Van<br />

Briggle / Colo. Spgs,’ with trademark<br />

conjoined ‘A’ symbol.<br />

H: 4 1/2 in. D: 5 in.<br />

$200-300


24<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

54<br />

VAN BRIGGLE<br />

Two lamps<br />

Figural owl night light shown<br />

perched on a stone with inset eyes<br />

and ring handle, electric conversion.<br />

Together with a small lamp of<br />

pinched spherical form with fluted<br />

neck. Signed “Van Briggle / Colo.<br />

Spgs. OVI9” to ring base. Both with<br />

blue-green crackle glaze.<br />

Owl H: 11 in. Small lamp H: 3 1/2 in.<br />

$200-300<br />

53<br />

VAN BRIGGLE<br />

Two small mulberry glazed pots<br />

Shouldered ovoid pot with applied<br />

leaf decoration below the wide rim.<br />

Mulberry and deep blue glaze.<br />

Signed “Van Briggle” with trademark<br />

conjoined “A’s.” Together with a<br />

short, rounded pot with tapering<br />

sides. Deep blue butterflies applied<br />

to a mulberry glazed body. Signed<br />

“Van Briggle / Colo. Spgs.” with<br />

trademark conjoined “A’s”.<br />

Leaf pot H: 4 in. D: 4 1/2 in.<br />

Butterfly pot H: 3 in. D: 4 in.<br />

$150-250


62<br />

25<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

55<br />

VAN BRIGGLE<br />

‘Tulip’ centerpiece bowl<br />

Long rounded rectangular bowl with<br />

applied tulip and leaf decoration,<br />

blue-green crackle glaze. Signed<br />

‘Van Briggle / Colo. Spgs.’ and<br />

trademark conjoined ‘A’s.’<br />

H: 3 in. L: 8 in. D: 5 in.<br />

$100-200<br />

56<br />

VAN BRIGGLE<br />

second quarter <strong>20th</strong> <strong>century</strong><br />

Two small vases<br />

Taller gourd-form cabinet vase with elongated neck and applied leaf<br />

decoration, <strong>design</strong>ed in 1907 by Emma Kinkead. Short shouldered pot with<br />

flared rim and applied butterflies. Both with blue-green crackle glaze, marked<br />

with trademark conjoined ‘A’s.’<br />

Vase H: 4 1/2 in. Vase D: 3 in.<br />

Pot H: 3 in. Pot D: 3 in.<br />

$150-250


57<br />

VAN BRIGGLE<br />

circa 1950-1970<br />

Moonglo lamp<br />

Tall, flared cylindrical body with<br />

ribbed banding and applied flowers<br />

at neck and base. White ‘Moonglo’<br />

glaze, marked with Van Briggle logo<br />

on body, signed ‘B’ to represent<br />

finisher Billie Bignell.<br />

H: 10 in. D: 5 in.<br />

$100-200<br />

60<br />

VAN BRIGGLE<br />

‘Lotus’ dish<br />

Floral form bowl with five foliate<br />

petals radiating from he circular base.<br />

Blue-green crackle glaze, signed ‘Van<br />

Briggle / Colo. Spgs. Colo.’ with<br />

trademark conjoined ‘A’s.’<br />

H: 3 in. D: 5 1/2 in.<br />

$100-200<br />

58<br />

VAN BRIGGLE<br />

circa 1950<br />

‘Lotus’ centerpiece bowl<br />

Round bowl of compressed<br />

spherical form with raised foliate<br />

form rim. Blue-green crackle glaze,<br />

signed ‘Van Briggle / Colo. Spgs’<br />

with trademark conjoined ‘A’s’ and<br />

capital ‘D.’<br />

H: 5 in. D: 6 in.<br />

$100-200<br />

59<br />

VAN BRIGGLE<br />

‘Philodendron Leaf’ bowl<br />

Small pot of shouldered ovoid<br />

form and band of reticulated leaves<br />

around rim. Blue-green crackle<br />

glaze, signed ‘Van Briggle / Colo.<br />

Spgs.’ with trademark conjoined ‘A’s.’<br />

H: 4 in. D: 4 1/2 in.<br />

$100-200


63<br />

VAN BRIGGLE<br />

late <strong>20th</strong> <strong>century</strong><br />

Three small pieces of pottery<br />

Creamer with ribbed ovoid body,<br />

ring handle and pointed spout,<br />

marked with an ‘A’ to represent<br />

finisher Alice Offut. Small vase of<br />

flattened fan form raised on a flared<br />

base. Short round bowl with applied<br />

decorative band in a deep blue glaze<br />

below a wide mouth. Each in bluegreen<br />

crackle glaze, all signed ‘Van<br />

Briggle / Colo. Spgs.’ with trademark<br />

conjoined ‘A’s.’<br />

Creamer H: 4 in. Fan H: 5 in.<br />

Bowl H: 2 in.<br />

$150-250<br />

61<br />

ANNA VAN BRIGGLE<br />

Pair of candlesticks<br />

Two tulip-form candle holders<br />

atop a flared round base. Rich<br />

blue high-gloss glaze. Signed<br />

‘Anna Van Briggle / Colo. Spgs.’<br />

H: 4 in. D: 3 in.<br />

$100-200<br />

27<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

62<br />

VAN BRIGGLE<br />

circa 1940-1959<br />

Hopi maiden dish<br />

Round shallow dish with an applied<br />

figure of a Hopi Maiden grinding<br />

corn on a stone, wearing a dress and<br />

braids. Blue-green crackle glaze,<br />

signed ‘Van Briggle / Colo. Spgs.’<br />

with trademark conjoined ‘A’s’ to<br />

base and back of dish. Also marked<br />

with an ‘L,’ representing finisher<br />

Lucille Larson.<br />

H: 6 in. D: 6 in.<br />

$100-200<br />

Illustrated on page 25


28<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

64<br />

BEN SEIBEL FOR<br />

ROSEVILLE RAYMOR<br />

(american 1918-1985)<br />

‘#176’ swinging coffee server<br />

Part of the Raymor Modern<br />

Stoneware oven-to-table line of<br />

the 1950s. Ceramic coffee pot<br />

with lid rests and swings on a<br />

matching stand.<br />

H: 13 in. (including stand), W: 9 in.,<br />

D: 11 1/2 in.<br />

$200-300<br />

65<br />

HUTSCHENREUTHER GELBS<br />

(german)<br />

Porcelain tea set<br />

Comprising a sugar, creamer and<br />

tray, gilded sides with etched floral<br />

<strong>design</strong>s, printed marks.<br />

H: 4 1/2 in. (sugar)<br />

L: 14 in. (tray)<br />

$200-300


67<br />

BADONVILLER<br />

(french)<br />

Demi-porcelain tea set<br />

Early <strong>20th</strong> <strong>century</strong>, comprising a<br />

teapot, sugar, creamer and tray,<br />

printed marks.<br />

H: 4 1/2 in. (teapot)<br />

Diam: 12 1/2 in. (tray)<br />

$200-300<br />

66<br />

ROYAL DOULTON<br />

(english)<br />

Dessert service<br />

1920s, bone china, with black and<br />

silver striping on a green and cream<br />

ground, comprising a creamer, six<br />

cups and saucers, six cake plates, a<br />

serving plate, printed marks.<br />

$800-1,200


68<br />

SUZIE COOPER<br />

(british 1902-1995)<br />

Ceramic breakfast set<br />

1920s, Crown Works, Burslem England. Comprising a<br />

teapot, coffeepot, hot water pot, sugar and creamer, two<br />

egg cups, two cups and saucers, two side plates, a<br />

covered butter dish, two bowls and two cake plates, with<br />

dark red banding on a cream colored ground.<br />

$2,000-3,000


69<br />

SUZIE COOPER<br />

(british 1902-1995)<br />

Ceramic tea set<br />

Crown Works, Burslem England.<br />

Comprising a teapot, creamer and<br />

sugar, printed marks.<br />

H: 6 1/2 in. (teapot)<br />

$200-300<br />

31<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

70<br />

PHOENIX CHINA<br />

(english)<br />

Demitasse set<br />

1950s. With stylized orange, yellow<br />

and green decoration, comprising a<br />

coffeepot, creamer, sugar and six<br />

cups and saucers, printed marks.<br />

H: 7 1/2 in. (coffeepot)<br />

$1,200-1,800


32<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

71<br />

SHELBY<br />

(english)<br />

Partial dessert service<br />

1940s, drip pattern, the sides with<br />

orange and green glaze, comprising<br />

a creamer, six cups and saucers, six<br />

cake plates, a serving bowl, a waste<br />

bowl and a serving plate, printed<br />

marks, registration no. 781613.<br />

H: 3 1/2 in.<br />

$1,200-1,800


72<br />

PALISSY<br />

(english)<br />

Tea and coffee set<br />

Bone china, parcel gilt with powder blue and cobalt blue<br />

decoration, comprising a teapot, coffeepot, five cups and<br />

saucers, five dessert plates and a large serving plate,<br />

printed marks.<br />

H: 6 1/4 in. (teapot)<br />

$300-500<br />

33<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08


metal<br />

74<br />

PETER SHIRE<br />

(american b. 1947)<br />

Silver teapot<br />

Designed for Cleto Munari, 1981.<br />

Silver and wood.<br />

note:<br />

To be accompanied with<br />

original box.<br />

H: 4 3/4 in. W: 13 in. D: 5 1/4 in.<br />

$3,500-4,500<br />

73<br />

MATTEO THUN<br />

(italian b. 1952)<br />

“Pinguino I” Carafe<br />

Designed for Cleto Munari,<br />

1983. Silver<br />

H: 10 1/2 in. W: 12 in. D:3 in.<br />

note:<br />

To be accompanied with<br />

original box.<br />

$4,500-5,000


75<br />

Set of eight Hansen plates, enamel on copper<br />

mid <strong>20th</strong> <strong>century</strong><br />

Each copper plate enameled with bright colored splashes to the center.<br />

Three small plates enameled in tones of orange, teal and blue. Two medium<br />

plates enameled in tones of teal and blue. Three large plates enameled in<br />

tones of lavender and teal. Stamped “Hansen.”<br />

D (smallest): 5 1/2 in. D (largest): 7 1/2 in.<br />

$150-250<br />

76<br />

MAURICE PROST<br />

(french 1894-1967)<br />

PANTHERE MARCHANT<br />

Bronze with black patina on a black<br />

marble base, inscribed ‘M PROST’<br />

and ‘SUSSE FRES / PARIS’ on base<br />

7 3/8 in. (18.7cm) (height overall)<br />

14 3/16 in. (36cm) (length)<br />

$2,000-3,000


36<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

77<br />

UNKNOWN<br />

BRONZE PANTHER ON BASE<br />

Bearing the mark ‘Soleau’ on<br />

back foot.<br />

H: 9 in. including base, L: 13 in.<br />

$800-1,200<br />

79<br />

Arts & Crafts style bronze stand<br />

second quarter <strong>20th</strong> <strong>century</strong><br />

Circular top mounted to hammered<br />

and shaped stand. Cylindrical apron<br />

with swirls of bent brass, supported<br />

by four hammered legs with circular<br />

stretcher and splayed, flattened feet.<br />

H: 30 in. D: 11 1/2 in.<br />

$500-800<br />

Not illustrated<br />

78<br />

ART DECO BRONZED METAL<br />

WINGED MALE FIGURE<br />

early <strong>20th</strong> <strong>century</strong><br />

Shown standing, ascending stairs<br />

with arms and wings outstretched,<br />

on black plinth base.<br />

H (including plinth base): 14 in.<br />

$1,500-2,500<br />

80<br />

Heinz bronze & sterling silver vase<br />

Early <strong>20th</strong> <strong>century</strong> vase of<br />

cylindrical form, decorated in the<br />

Art Nouveau taste with applied<br />

silver mounts shaped as daffodils,<br />

the underside with ‘AHMS’ Heinz<br />

Art Metal Shop monogram.<br />

H: 12 in.<br />

$300-500<br />

Not illustrated


81<br />

Art Deco burl wood box<br />

Carved in a rounded cylindrical form<br />

with bone finial carved to show a<br />

pair of perched lovebirds atop a<br />

turned, snug-fitting lid. Bottom is<br />

stamped ‘Made in France,’ and<br />

carved ‘Hufa wood FWTie’.<br />

H: 5 1/2 in. D: 4 in.<br />

$300-500<br />

wood &<br />

furniture


38<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

82<br />

The Church of Saint Martin of Tours, New Hope, PA.<br />

The Church of Saint Martin of Tours, located in New Hope,<br />

was founded in 1885. George Nakashima was a long-time<br />

parishioner of the church. A decision was taken in 1960 to<br />

remodel the original church building and slightly modernize<br />

the interior. It was decided new church furniture was<br />

needed. The Pastor turned to Mr. Nakashima for the new<br />

church furniture and, subsequently, these pews were<br />

supplied to the church in April of 1961.<br />

In recent years the congregation has grown too large for the<br />

small church in New Hope and a new larger church<br />

was constructed a short distance away from town. The<br />

original church building was sold to the Town of New Hope<br />

and the pews were moved to storage. Only two pews were<br />

retained for the new church and the rest are now being<br />

sold at auction.<br />

To our knowledge, this is the only ecclesiastical commission<br />

Mr. Nakashima worked on and so we are pleased the Church<br />

has chosen Samuel T. Freeman and Company as the venue to<br />

sell these pews.<br />

Copies of the original drawings will accompany the lots.<br />

Please note that some additional pews may be available<br />

after the sale.


82<br />

GEORGE NAKASHIMA<br />

(american b. 1905 - 1990)<br />

White oak pew<br />

Accompanied by copies of the<br />

original drawings.<br />

H: 32 1/2. in., L: 12 ft. 2 1/4 in.,<br />

D: 19 in.<br />

provenance:<br />

St. Martin of Tours New Hope, PA<br />

$6,000-8,000<br />

83<br />

GEORGE NAKASHIMA<br />

(american b. 1905 - 1990)<br />

White oak pew<br />

Accompanied by copies of the<br />

original drawings.<br />

H: 32 1/2 in., L: 12 ft. 4 1/2 in.,<br />

D: 19 in.<br />

provenance:<br />

St. Martin of Tours New Hope, PA<br />

$6,000-8,000<br />

Not illustrated<br />

84<br />

GEORGE NAKASHIMA<br />

(american b. 1905 - 1990)<br />

White oak pew<br />

Accompanied by copies of the<br />

original drawings.<br />

H: 32 1/2 in., L: 12 ft. 4 1/2 in.,<br />

D: 19 in.<br />

provenance:<br />

St. Martin of Tours New Hope, PA<br />

$6,000-8,000<br />

Not illustrated<br />

39<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

85<br />

GEORGE NAKASHIMA<br />

(american b. 1905-1990)<br />

White oak pew<br />

Accompanied by copies of the<br />

original drawings.<br />

H: 32 1/2 in., L: 12 ft. 4 1/2 in.,<br />

D: 19 in.<br />

provenance:<br />

St. Martin of Tours New Hope, PA<br />

$6,000-8,000<br />

Not illustrated<br />

82


40<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

89<br />

88<br />

87<br />

86<br />

GEORGE NAKASHIMA<br />

(american 1905-1990)<br />

‘Wohl’ table<br />

1975, triangular walnut slab atop<br />

three turned legs.<br />

H: 21 in. W: 26 3/4 in. D: 21 in.<br />

note:<br />

To be accompanied by copy of<br />

original work card.<br />

$2,000-3,000<br />

87<br />

GEORGE NAKASHIMA<br />

(american 1905-1990)<br />

Pair of ‘Wohl’ tables<br />

1956, walnut.<br />

H: 21in., W: 26 1/2 in., D: 19 in.<br />

note:<br />

Lot to be accompanied by copy of<br />

1956 invoice.<br />

$4,000-6,000<br />

58


88<br />

GEORGE NAKASHIMA<br />

(american 1905-1990)<br />

Grass-Seat footstool, 1982<br />

Walnut with woven grass cord top.<br />

Cylindical turned and tapering legs<br />

H: 12 1/2 in., W:18 in., D: 16 in.<br />

$3,000-5,000<br />

90<br />

89<br />

GEORGE NAKASHIMA<br />

(american 1905-1990)<br />

‘Greenrock’ Ottoman, 1982<br />

Walnut, nylon webbing with<br />

chenille upholstery.<br />

H: 15 in., W: 21 1/4 in., D: 21 1/4 in.<br />

note:<br />

Fabric was hand selected by<br />

Nakashima and is unique to this<br />

‘Greenrock’ ottoman.<br />

$3,000-5,000<br />

90<br />

MIRA NAKASHIMA<br />

(american b. 1942)<br />

Pair of ‘Amoeba’ tables, 1991<br />

Walnut with triangular free form<br />

shape atop three turned and<br />

tapering legs. Signed underneath<br />

table top ‘Mira Nakashima 7.11.91’<br />

(larger table) and ‘Mira Nakashima<br />

7.8.91’ (smaller table).<br />

H: (larger table) 17 in.,<br />

H: (smaller table) 12 1/2 in.<br />

$5,000-7,000<br />

41<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08


42<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

91<br />

PHILLIP LLOYD POWELL<br />

(american 1919-2008)<br />

Walnut bench<br />

Sculpted amorphous top over five<br />

turned, tapering legs.<br />

H: 13 1/2, W: 19 3/4 in., L: 96 in.<br />

note:<br />

Powell was a contemporary of<br />

George Nakashima<br />

provenance:<br />

Gift from Philadelphia Art Alliance<br />

to Gallery in Bryn Mawr.<br />

$6,000-8,000


92<br />

WHARTON ESHERICK<br />

(american 1887-1970)<br />

Coffee table<br />

Organic form top with splayed legs,<br />

signed and dated 1952 on the<br />

underside. Inscribed “To Buckety Bill<br />

from Maggie Grant, 1952.”<br />

H: 19 1/2 in. W: 38 in. D: 20 in.<br />

$30,000-50,000<br />

43<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08


44<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

detail of lot 94<br />

detail of lot 95<br />

93<br />

LACHLAN MACLACHLAN<br />

(american)<br />

Three bookends<br />

Three free-form walnut bookends,<br />

H: 9 in., 8 1/2 in., 7 in.,<br />

L: 5 1/2 in., 5 1/2 in., 6 in.<br />

note:<br />

MacLachlan was a friend and<br />

contemporary of Wharton Esherick.<br />

$500-800<br />

93A<br />

LACHLAN MACLACHLAN<br />

(american)<br />

3 Prints<br />

Two interior views one executed n<br />

pencil the other in watercolor. Third<br />

print of Jug Hollow, Valley Forge, PA<br />

executed in ink.<br />

$500-800<br />

94<br />

LACHLAN MACLACHLAN<br />

(american)<br />

Four-legged high walnut stool, 1942.<br />

Free-form square top with smooth,<br />

rounded edges above four<br />

tapering, flaring legs. Stamped ‘1942’<br />

to underside.<br />

H: 22 in., L: 12 in..<br />

note:<br />

MacLachlan was a friend and<br />

contemporary of Wharton Esherick.<br />

$1,500-2,500<br />

See detail below<br />

95<br />

LACHLAN MACLACHLAN<br />

(american)<br />

Three-legged walnut footstool<br />

Free-form triangular top with<br />

smooth, rounded edges above three<br />

splayed flaring legs. Stamped ‘1943’<br />

to underside.<br />

H: 6 1/ in., L: 15 in.<br />

note:<br />

MacLachlan was a friend and<br />

contemporary of Wharton Esherick<br />

$1,500-2,500


96<br />

GABRIEL GUEVREKIAN<br />

(armenian, 1900-1970)<br />

Burl wood stool, 1927.<br />

H: 14 in. W: 19 1/4 in. D: 11 1/2 in.<br />

note:<br />

This stool, along with its matching<br />

dressing table, was <strong>design</strong>ed for the<br />

Paris residence of Jacques Heim. It<br />

was one of two stools <strong>design</strong>ed for<br />

the house, the other having been<br />

donated to the Metropolitan<br />

Museum of Art<br />

$8,000-12,000<br />

45<br />

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<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08


97<br />

RON ARAD<br />

(israeli b. 1951)<br />

Pair “Three Skin” chairs<br />

Molded beech plywood with<br />

ironwood finish.<br />

H: 33 1/2 in. W: 19 in. D:26 in.<br />

Seat H: 17in.<br />

note:<br />

To be accompanied by original box<br />

$3,500-5,000<br />

98<br />

MARC NEWSON<br />

(australian b. 1960)<br />

‘Embryo’ chair<br />

Designed 1988 for Idee, neoprene<br />

and steel.<br />

H: 31 in.<br />

literature:<br />

“Marc Newson”, Alice Rawsthorn,<br />

Booth-Clibborn Editions, 1999,<br />

figure 27.<br />

$5,000-7,000


99<br />

JOE D’URSO<br />

(american b. 1943)<br />

‘Supper’ table prototype<br />

Designed and manufactured in<br />

mid 1960s, mahogany planks<br />

atop a black brushed steel base<br />

with casters.<br />

H: 28 1/2 in. W: 12 ft. D: 30 in.<br />

provenance:<br />

This table was part of a house<br />

<strong>design</strong>ed by D’Urso in Easthampton.<br />

It is a prototype of a <strong>design</strong> later put<br />

into production by Donghia.<br />

$5,000-8,000<br />

47<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08


48<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

100<br />

FRANK GEHRY<br />

(american b. 1929)<br />

Six ‘Wiggle’ side chairs<br />

Designed in 1972 for Vitra,<br />

corrugated cardboard with<br />

fiberboard finished edges.<br />

H: 34 1/4 in. W: 13 3/4 in. D: 24 in.<br />

Seat H: 17 in.<br />

$5,000-7,000<br />

101<br />

PIERO FORNASETTI<br />

(italian 1913-1988)<br />

Lyre-back chair<br />

Designed in 1951, lithographic<br />

transfer-printed lacquered wood.<br />

H: 37 in., W: 16 in., D: 16 1/2 in.,<br />

Seat H: 19 1/2 in.<br />

note:<br />

To be accompanied by a book:<br />

Mauries, Patrick. Fornasetti:<br />

Designer of Dreams. Boston: Little,<br />

Brown and Co., 1991. 167.<br />

$1,500-2,500


103<br />

102<br />

TOSHIYUKI KITA<br />

(japanese b. 1942)<br />

‘Dodo’ lounge chair<br />

Designed in 2000 for Cassina.<br />

Nickel-plated steel frame<br />

construction, upholstered in blue<br />

fabric. Swivel base, fully<br />

reclining with adjustable headrest<br />

and footrest.<br />

H (upright): 42 in. W: 31 in. D<br />

(upright): 35 1/2 in. D (fully<br />

reclined): 72 in. Seat H: 16 in.<br />

$1,200-1,800<br />

103<br />

TOSHIYUKI KITA<br />

(japanese b. 1942)<br />

‘Dodo’ lounge chair<br />

Designed in 2000 for Cassina.<br />

Nickel-plated steel frame<br />

construction, upholstered in<br />

red fabric. Swivel base, fully<br />

reclining with adjustable headrest<br />

and footrest.<br />

H (upright): 42 in. W: 31 in.<br />

D (upright): 35 1/2 in. D (fully<br />

reclined): 72 in. Seat H: 16 in.<br />

$1,000-1,500<br />

104<br />

TOSHIYUKI KITA<br />

(japanese b. 1942)<br />

‘Dodo’ lounge chair<br />

Designed in 2000 for Cassina.<br />

Nickel-plated steel frame<br />

construction, upholstered in red<br />

fabric. Swivel base, fully<br />

reclining with adjustable headrest<br />

and footrest.<br />

H (upright): 42 in. W: 31 in.<br />

D (upright): 35 1/2 in. D (fully<br />

reclined): 72 in. Seat H: 16 in.<br />

$1,000-1,500<br />

104


50<br />

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<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

105<br />

HARRY BERTOIA<br />

(american 1915-1978)<br />

‘Bird’ chair and ottoman<br />

Part of Bertoia’s 1952 collection of<br />

bent-steel furniture for Knoll.<br />

Welded steel frame with white<br />

bonded rilsan finish, upholstered<br />

cover in cream.<br />

Chair H: 40 1/4 in. W: 38 1/2 in.<br />

D: 33 in. Seat H: 14 1/2 in.<br />

$300-500<br />

106<br />

HARRY BERTOIA<br />

(american 1915-1978)<br />

‘Bird’ chair and ottoman<br />

Part of Bertoia’s 1952 collection of<br />

bent-steel furniture for Knoll.<br />

Welded steel frame with black<br />

bonded rilsan finish, upholstered<br />

cover in navy blue.<br />

Chair H: 40 1/4 in. W: 38 1/2 in.<br />

D: 33 in. Seat H: 14 1/2 in.<br />

$300-500<br />

107<br />

HARRY BERTOIA<br />

(american 1915-1978)<br />

‘Diamond Lounge’ chair<br />

Part of Bertoia’s 1952 collection of<br />

bent-steel furniture for Knoll.<br />

Welded steel frame with bonded<br />

rilsan finish, leather seat pad.<br />

Chair H: 28 1/4 in. W: 45 in.<br />

D: 31 1/2 in. Seat H: 15 1/4 in.<br />

$200-300


108<br />

TOBIA SCARPA<br />

(italian b. 1935)<br />

‘Bastiano’ lounge chair<br />

Designed by Tobia and Afra Scarpa<br />

in 1969 for Knoll.<br />

H: 21 in. Seat H: 17 in. W: 36 1/2 in.<br />

D: 34 in.<br />

$300-500<br />

Not illustrated<br />

109<br />

CHARLES PFISTER<br />

(american 1939-1990)<br />

Pair of upholstery lounge chairs<br />

Designer in 1971, manufactured<br />

by Knoll from 1983. Beige<br />

upholstery atop tubular steel<br />

polished chrome finish.<br />

H: 26 in., W: 33 in., D: 33 in.,<br />

Seat H: 10 in.<br />

$300-500<br />

110<br />

CHARLES PFISTER<br />

(american 1939-1990)<br />

Sofa<br />

Designed in 1971, manufactured by<br />

Knoll in 1983. Three-seat sofa with<br />

rectangular armrests, vertical back<br />

and six down feather/urethane foam<br />

cushions, all upholstered in orange<br />

knotted wool. Raised on twelve<br />

short square aluminum feet.<br />

H: 20 in. W: 85 in. D: 32 in.<br />

$200-300<br />

Not illustrated<br />

109<br />

111<br />

EERO SAARINEN<br />

(finnish 1910-1961)<br />

‘Tulip’ table and four chairs<br />

Part of Saarinen’s 1956 collection for<br />

Knoll. Table in cast-aluminum, rilsan<br />

coated base with white laminate<br />

top. Armless chairs with castaluminum,<br />

rilsan coated base and<br />

molded fiberglass shell, removable<br />

upholstered cushion.<br />

Table H: 28 1/4 in. D: Chair H: 32 in.<br />

W: 20 in. D: 21 1/4 in.<br />

Seat H: 18 1/2 in.<br />

$800-1,200<br />

111<br />

21<br />

51<br />

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<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08


52<br />

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<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

112<br />

EERO SAARINEN<br />

(finnish 1910-1961)<br />

Two pedestal round side tables<br />

Part of Saarinen’s 1956 collection for<br />

Knoll. Both with cast-aluminum,<br />

rilsan coated base, one with white<br />

laminate top, the other with oak top.<br />

H: 20 1/2 in. Diam: 16 in.<br />

$200-300<br />

Not illustrated<br />

113<br />

EERO SAARINEN<br />

(finnish 1910-1961)<br />

Pedestal round table<br />

Part of Saarinen’s 1956 collection for<br />

Knoll. Cast-aluminum, rilsan coated<br />

base with rosewood top.<br />

H: 15 in., Diam: 36 in.<br />

$300-500<br />

Not illustrated<br />

114<br />

EERO SAARINEN<br />

(finnish 1910-1961)<br />

Pedestal round dining table together with six ‘Tulip’ chairs<br />

Part of Saarinen’s 1956 collection for Knoll. The table with castaluminum,<br />

rilsan coated base and white laminate top; together<br />

with Five armless chairs and one arm chair, all with castaluminum,<br />

rilsan coated base and molded fiberglass shell,<br />

removable upholstered cushion<br />

Table: H: 28 1/4 in. Diam: 40 1/2 in. Chairs: H: 32 in. W: 20 in.<br />

D: 21 1/4 in. Seat H: 18 1/2 in.<br />

$800-1,200


115<br />

RICHARD SCHULTZ<br />

(american b. 1926)<br />

‘45’ Lounge Chair<br />

Designed in 1966 for Knoll,<br />

aluminum frame with woven Dacron<br />

mesh seat and vinyl support straps.<br />

H: 26 in. W: 26 in. D: 28 1/4 in.<br />

Seat H: 14 in.<br />

$200-300<br />

116<br />

116<br />

RICHARD SCHULTZ<br />

(american b. 1926)<br />

‘42’ Contour Chaise Longue<br />

Designed in 1967 for Knoll,<br />

aluminum frame with woven<br />

Dacron mesh seat and<br />

plastic/rubber wheels.<br />

H: 33 3/4 in., W: 24 1/2 in.,<br />

D: 58 in.<br />

$300-500<br />

117<br />

RICHARD SCHULTZ<br />

(american b. 1926)<br />

‘19’ Rectangular End Table<br />

Designed 1966 for Knoll, steel frame<br />

with porcelain enameled top.<br />

H: 15 in., W: 48 in., D: 23 1/2 in.<br />

note:<br />

Richard Schultz’s “Leisure<br />

Collection” <strong>design</strong>s won the AID<br />

Award in 1967.<br />

$150-250<br />

Not illustrated<br />

118<br />

Two oak sideboards<br />

Assembled pair of stained oak<br />

sideboards, manufactured by<br />

Knoll. Both having sliding doors<br />

with leather pulls over black metal<br />

legs, one with manufacturer’s label<br />

to underside.<br />

H: 27 in., D: 17 in., W: 66 in.<br />

$500-1,000<br />

Not illustrated<br />

53<br />

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<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

115


54<br />

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<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

119<br />

MARCEL BREUER<br />

(hungarian 1902-1981)<br />

Eight ‘Cesca’ dining chairs<br />

Designed in 1928 for Knoll. Polished<br />

chrome tubular steel frame with<br />

seat and back in solid wood and<br />

cane, two with solid wood arms.<br />

H: 31 3/4 in. W: 22 5/8 in. D: 22<br />

5/8 in. Seat H: 18 1/4 in.<br />

note:<br />

Breuer <strong>design</strong>ed his series of<br />

tubular steel furniture while<br />

teaching at the Bauhaus and named<br />

the ‘Cesca’ collection after his<br />

daughter Francesca.<br />

$1,500-2,500<br />

120<br />

ARNE JACOBSEN<br />

(danish 1902-1971)<br />

Three ‘Seven’ chairs<br />

Designed in 1955 for Knoll,<br />

manufactured in 1999 (model<br />

#3107). Tubular steel legs finished<br />

in chrome with plywood shell seat.<br />

H: 30 3/4 in. W: 19 3/4 in.<br />

D: 20 1/2 in. Seat H: 17 1/2 in.<br />

provenance:<br />

Collection of Reese and Marilyn<br />

Palley, Philadelphia<br />

$200-400


121<br />

HANS BELLMAN<br />

(swiss b., 1911-1990)<br />

Tripod side table<br />

Designed by Hans Bellman in 1950,<br />

manufactured by Knoll 1953-1960.<br />

White plastic finished top on black<br />

painted folding tripod legs.<br />

H: 20 in., Diam: 24 in.<br />

$100-200<br />

Not illustrated<br />

124<br />

CHARLES AND RAY EAMES<br />

(american 1907-1978 & 1912-1988)<br />

“ES 670” Lounge chair and ottoman<br />

A modern classic, <strong>design</strong>ed in 1956<br />

for Herman Miller. Molded plywood<br />

frame and black leather upholstery.<br />

H: 32 in. W: 33 in. D: 34 in.<br />

Seat H: 16 in.<br />

$1,500-2,500<br />

120<br />

122<br />

JOSEPH AND LINDA RICCHIO<br />

(american b., 1955 & 1956)<br />

Pair of arm chairs<br />

White beech wood frame with<br />

stained finish, upholstered seat;<br />

<strong>design</strong>ed in 1990 by Joseph and<br />

Linda Ricchio for Knoll,<br />

manufactured 1991.<br />

H: 32 in., W: 21 5/8 in., D: 23 in.<br />

$800-1,000<br />

Not illustrated<br />

123<br />

Knoll bench with storage<br />

Laminate top on banded beech<br />

veneer case.<br />

H: 18 in., W: 36 in., D: 12 in.<br />

$100-200<br />

Not illustrated


56<br />

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<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

125<br />

CHARLES AND RAY EAMES<br />

(american 1907-1978, 1912-1989)<br />

Four molded plywood dining chairs with metal legs<br />

Designed in the mid 1940s for Herman Miller, natural<br />

veneer of white oak on chrome plated steel legs.<br />

H: 30 in, W: 19 1/2in., D: 21 1/2 in., SH: 16 1/2 in.<br />

$700-900<br />

125A<br />

UNKNOWN<br />

(mid <strong>20th</strong> <strong>century</strong>)<br />

Desk<br />

Oak table with upward slopping top<br />

all atop polished chrome base.<br />

H: 27 1/2 in. W: 54 in. D: 25 in.<br />

$500-800<br />

Not illustrated<br />

126<br />

GEORGE NELSON<br />

(american 1908-1986)<br />

Rosewood ‘Thin Edge’ cabinet<br />

Circa 1955 for Herman Miller,<br />

with twin cupboard doors and<br />

porcelain pulls.<br />

H: 40 1/2, W: 39 3/4, D: 18 1/2 in.<br />

$2,000-3,000


127<br />

GEORGE NELSON<br />

(american 1908-1986)<br />

Coffee table<br />

Designed by George Nelson for<br />

Herman Miller. Wood top with black<br />

stained wood base, manufacturer’s<br />

label on underside.<br />

H: 15 in., W: 48 in., D: 21 1/2 in.<br />

$400-600<br />

Not illustrated<br />

128<br />

POUL KJAERHOLM<br />

(danish 1929-1980)<br />

Pair of PK-22 Chairs<br />

Design circa 1955 for E. Kold<br />

Christensen, executed 1973-1977,<br />

wicker seat on a stainless steel<br />

frame, Herman Miller label and<br />

manufacturer’s label to underside.<br />

H: 29 in.<br />

note:<br />

Herman Miller distributed the<br />

Kjaerholm Collection for a brief<br />

period in the Seventies. The present<br />

lot carries by the E. Kold<br />

Christensen stamp and a Herman<br />

Miller label.<br />

$2,000-3,000<br />

57<br />

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58<br />

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129<br />

PAUL EVANS<br />

(american 1931-1987)<br />

Pair of settees<br />

1975, brass veneer and upholstered<br />

seats and cushions, with Paul Evans<br />

Inc. labels.<br />

H: 27 1/2, W: 54, D: 33 in.<br />

note:<br />

This and the following five lots are<br />

part of a commission Evans<br />

executed on behalf of the consignor.<br />

$4,000-6,000


130<br />

PAUL EVANS<br />

(american 1931-1987)<br />

Chair<br />

1975, olive wood veneer and brass<br />

panel, with swivel base and casters,<br />

with Paul Evans Inc. label.<br />

H: 29 in.<br />

note:<br />

En suite with previous lot<br />

$1,500-2,000<br />

131<br />

PAUL EVANS<br />

(american b. 1931 - 1987)<br />

Pair of hanging cabinets<br />

Each having chrome sides<br />

and figured mahogany case with<br />

single drawer.<br />

H: 20 in., W: 36 in., D: 16 in.<br />

$600-800<br />

59<br />

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<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08


60 132<br />

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<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

ANTONIO CITTERIO<br />

(italian b. 1950)<br />

T60 Low table<br />

Designed in 1998 for B&B Italia.<br />

MDF frame with satin aluminum<br />

veneer with black edging.<br />

H: 23 5/8 in. W: 23 5/8 in.<br />

D: 17 3/4 in.<br />

$200-300<br />

133<br />

ANTONIO CITTERIO<br />

(italian b. 1950)<br />

T60 Low table<br />

Designed in 1998 for B&B Italia.<br />

MDF frame with satin aluminum<br />

veneer with black edging.<br />

H: 23 5/8 in. W: 23 5/8 in.<br />

D: 17 3/4 in.<br />

$200-300<br />

134<br />

ANTONIO CITTERIO<br />

(italian b. 1950)<br />

T60 Low table<br />

Designed in 1998 for B&B Italia.<br />

MDF frame with satin aluminum<br />

veneer with black edging.<br />

H: 23 5/8 in. W: 23 5/8 in.<br />

D: 17 3/4 in.<br />

$200-300


135<br />

ANTONIO CITTERIO<br />

(italian b. 1950)<br />

‘Charles Large’ Sofa, right unit.<br />

Designed in 2003 for B&B Italia. A<br />

re<strong>design</strong> of a 1997 model, this piece<br />

is part of a modular system<br />

<strong>design</strong>ed to work with other pieces<br />

or on its own. Tubular steel frame<br />

with navy blue fabric-upholstered<br />

polyurethane foam.<br />

H: 28 3/4 in. W: 28 3/4 in.<br />

D: 62 1/4 in.<br />

$1,500-2,000<br />

136<br />

ANTONIO CITTERIO<br />

(italian b. 1950)<br />

‘Charles Large’ sofa, left unit.<br />

Designed in 2003 for B&B Italia. A<br />

re<strong>design</strong> of a 1997 model, this piece<br />

is part of a modular system<br />

<strong>design</strong>ed to work with other pieces<br />

or on its own. Tubular steel frame<br />

with navy-blue fabric-upholstered<br />

polyurethane foam.<br />

H: 28 3/4 in. W: 28 3/4 in.<br />

D: 62 1/4 in.<br />

$1,500-2,000<br />

137<br />

ANTONIO CITTERIO<br />

(italian b. 1950)<br />

Eight black leather slipcovered<br />

dining chairs<br />

Designed in 1993 for B&B Italia, part<br />

of the PANAMA collection.<br />

H: 33 in., W: 18 1/2 in., D: 15 1/2 in.,<br />

SH: 17 1/2 in.<br />

$1,500-2,000


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05/17/08<br />

138<br />

PAOLO PIVA<br />

(italian b. 1950)<br />

‘Atavola’ dining table<br />

Designed in 1996 for B&B Italia.<br />

Aluminum frame with etched glass<br />

top panels. Top slides open to reveal<br />

a concealed, extension leaf in<br />

brushed light oak veneer.<br />

H: 29 1/2 in. L: 94 1/2 in. - 126 in.<br />

(fully extended) D: 35 1/2 in.<br />

$1,500-2,000<br />

139<br />

AFTER LUDWIG MIES VAN<br />

DER ROHE<br />

(german 1886-1969)<br />

‘Barcelona’ chairs<br />

Designed in 1927 by van der Rohe.<br />

Stainless steel frame, saddle leather<br />

straps, foam rubber cushions with<br />

button tufting.<br />

H: 14 in., W: 23 in., D: 21 1/2 in.<br />

$800-1,000


140<br />

ALBERTO MARCONETTI<br />

(italian)<br />

Armchair, c. 1955<br />

Skeletal oak frame reinforced by iron<br />

braces and decorative elements.<br />

Backrest consists of woven leather<br />

straps secured by rawhide ties,<br />

stretched leather seat. X-base legs<br />

with iron stretchers.<br />

H: 40 in. W: 26 in. D: 21 in.<br />

Seat H: 16 in.<br />

$1,500-2,500<br />

141<br />

AFTER LE CORBUSIER, PIERRE<br />

JEANNERET AND CHARLOTTE<br />

PERRIAND<br />

(1887-1965, 1896-1967, 1903-1999)<br />

LC/4 chaise longue<br />

Chaise longue with pony fur/skin<br />

covering and bolster vinyl covered<br />

pillow. Wrought iron legs and<br />

chrome tubular steel frame.<br />

H: 24 in.<br />

$1,500-2,000<br />

63<br />

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05/17/08


64<br />

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<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

142<br />

Lucite desk<br />

c. 1980<br />

Rectangular lucite slab legs with<br />

spacers float a red formica writing<br />

surface. Two drawers with<br />

cylindrical lucite pulls, one with<br />

built-in pen tray.<br />

H: 30 in. W: 50 in. D: 23 1/2 in.<br />

$500-800<br />

143<br />

Lucite chair<br />

Shaped lucite backrest with beveled<br />

edges and gentle S-curve forms the<br />

single back leg. Two lucite front legs<br />

support the triangular white vinylupholstered<br />

seat. Curved chrome<br />

stretchers. Circa 1980.<br />

H: 45 in. W: 21 in. D: 18 in. Seat H:<br />

16 in.<br />

$200-300<br />

144<br />

GIANCARLO PIRETTI<br />

(italian b., 1940)<br />

Pair of Plia folding chairs<br />

Designed for Castelli in 1967, lucite<br />

with chrome legs.<br />

H: 29 in., W: 18 in., D: 16 in.,<br />

Seat H: 17 in.<br />

$350-400


145<br />

FINN JUHL<br />

(danish 1912-1989)<br />

Four ‘Egyptian’ chairs,1949<br />

Designed by Finn Juhl, made by Neils Vodder. Teak and orange leather.<br />

Stamped on back of seat rail ‘Cabinetmaker Neils Vodder Copenhagen,<br />

Denmark Finn Juhl.’<br />

H: 35 1/2 in., W: 18 1/4 in., D: 20 in., Seat H: 18 1/2.<br />

$3,000-5,000<br />

65<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

146<br />

FINN JUHL<br />

(danish 1912-1989)<br />

‘Diplomat’ dining table<br />

Rosewood, with slender<br />

tapering legs.<br />

H: 28 1/2 in., W: 75 in., D: 37 1/2 in.<br />

note:<br />

In the late 1950s Juhl <strong>design</strong>ed<br />

wooden furniture for mass<br />

production by the Danish company<br />

France & Son.<br />

$1,500-2,500


66<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

146A<br />

FINN JUHL<br />

(danish 1912-1989)<br />

Dining table<br />

Circa 1961 for France and Sons, teak<br />

with two leaf insertions.<br />

H: 28 1/2, W: 72 3/4, D: 39 1/2 in.<br />

(without leaves)<br />

$2,500-3,500<br />

147<br />

AFTER FINN JUHL<br />

(danish 1912-1989)<br />

Pair of armchairs<br />

Circa 1950s spindle back<br />

armchairs in teak with removal<br />

green paisley upholstered cushions.<br />

Sticker on front seat rail reads<br />

‘Made and Finished in Denmark<br />

Imported by Selig.’<br />

H: 26 3/4 in. W: 29 1/4 in.<br />

D: 27 1/2 in. Seat H: 14 1/2 in.<br />

$600-800


150<br />

DESIGN AMERICA<br />

Pair of ‘New York, NY’ Art-Deco<br />

style club chairs. With<br />

striped upholstery and marblefinished<br />

armrests. .<br />

H: 30 in., W: 32 in., D: 38 1/2 in.<br />

Seat H: 14 in.<br />

$800-1,200<br />

148<br />

ALVAR AALTO<br />

(finnish 1898-1976)<br />

Fan-legged stool<br />

Designed in 1954 for Artek, fan-like<br />

joints, bent plywood.<br />

H: 17 1/2 in., Diam: 15 in.<br />

$200-300<br />

149<br />

ALVAR AALTO<br />

(finnish 1898-1976)<br />

Two stools<br />

Pair of classic stackable birch stools<br />

<strong>design</strong>ed in 1933 for Finmar.<br />

H: 17 1/2 in., Diam: 13 1/2 in.<br />

$400-600<br />

67<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08


68<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

151<br />

ATTRIBUTED TO MAXIME OLD<br />

(french 1910-1991)<br />

Side cabinet<br />

Mid <strong>20th</strong> <strong>century</strong>, oak<br />

and parchment.<br />

H: 62 1/4 in. W: 92 in. D: 22 in.<br />

$2,000-3,000<br />

152<br />

HANS WEGNER<br />

(danish 1914-2007)<br />

Three ‘Stacking’ chairs<br />

Designed in 1952 for Fritz Hansen.<br />

Horseshoe-shaped backrest atop a<br />

triangular upholstered seat and<br />

three tapered legs.<br />

H: 30 in. W: 24 in. D: 20 in.<br />

Seat H: 16 in.<br />

$300-500


154<br />

AFTER HANS WEGNER<br />

(danish b. 1914 - 2007)<br />

Free-standing salad bowl<br />

Large, round angular bowl in layered<br />

walnut fixed atop a three-legged<br />

teak base.<br />

H: 30 in. D: 18 in.<br />

$200-300<br />

153<br />

HANS WEGNER<br />

(danish 1914-2007)<br />

Pair of arm chairs<br />

Made by Fritz Hansen circa 1960.<br />

Natural beech frame with suede<br />

upholstered seat. Model No. FH134,<br />

Danish Index #RP2819.<br />

H: 28 in., W: 19 1/2 in., D: 16 in.,<br />

Seat H: 17 in.<br />

$300-500<br />

155<br />

FRANZ REENSKAUG<br />

Rocking chair, 1958<br />

Model 182, teak rocking chair<br />

with removable cream cushions,<br />

possibly original.<br />

H: 32 in., W: 25 1/2 in., D: 22 in.,<br />

Seat H: 16 in.<br />

$2,000-3,000<br />

69<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08


70<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

155A<br />

FRANZ REENSKAUG<br />

Rocking chair, 1958<br />

Model 182, teak rocking chair<br />

with removable cream cushions,<br />

possibly original.<br />

H: 32 in., W: 25 1/2 in., D: 22 in.,<br />

Seat H: 16 in.<br />

provenance:<br />

Private collection, Florida<br />

$250-350<br />

Not illustrated<br />

156<br />

BRUNO MATHSSON<br />

(swedish 1907-1988)<br />

Pernilla 2-Mifot easy chair, 1944<br />

Seat frame made of solid beech,<br />

underframe and arms laminated<br />

beech. Covered in plaited webbing.<br />

Stamped ‘Bruno Mathsson <strong>design</strong><br />

made in Sweden.’<br />

H: 39 in., W: 291/2 in., D: 22 in.,<br />

Seat H: 15 in.<br />

$400-600<br />

157<br />

OLIVER PERCY BERNARD<br />

(british 1881-1939)<br />

Four armchairs<br />

Tubular steel with leather<br />

upholstery. Designed by Bernard in<br />

1931, and manufactured by<br />

Thonet/Pel Ltd., 1931.<br />

note:<br />

The present chair is a reworking by<br />

Oliver Percy Bernard of a <strong>design</strong> by<br />

Wassili and Hans Luckhardt, first<br />

produced by Desta (Deutsche<br />

Stahlmobel), which in 1933 was<br />

liquidated and all of its <strong>design</strong>s sold<br />

to Thonet. Bernard reworked this<br />

<strong>design</strong> during his time at Pel Ltd.<br />

from 1931 - 1933.<br />

$2,000-3,000<br />

Not illustrated<br />

158<br />

THONET<br />

circa 1895<br />

Pair of beech bentwood side chairs<br />

Model no. 91. Each with an x-shaped<br />

backrest and caned seat, with a<br />

branded mark and a retailer’s plaque<br />

inscribed ‘Thonet Hermanos,<br />

Barcelona, 40 Pelayo 40’. (2).<br />

H: 33 1/2, W: 16 in. NOTE: An<br />

identical chair from the collection of<br />

David Whitney, formerly in the<br />

Thonet museum, Frankenberg,<br />

Germany, sold, Sotheby’s, New York,<br />

November 16, 2006, lot 98.<br />

RELATED LITERATURE: Gebruder<br />

Thonet, Thonet Bentwood & Other<br />

Furniture: The 1904 Illustrated<br />

catalogue, New York, 1980, p. 20,<br />

cat. no. 91.<br />

$2,500-3,500


159<br />

J & J KOHN (THONET)<br />

(austrian)<br />

Six bentwood dining chairs<br />

Made by JJ Kohn for Thonet, circa<br />

1890s Two arm chairs and four side<br />

chairs, caned seat and back rest<br />

Stamped on back seat rail ‘JJ Kohn<br />

Vienna Austria’.<br />

H: (side chairs) 44 1/2 in., W: 17 in.,<br />

D: 17 1/2 in., Seat H: 19 in.<br />

H: (arm chairs) 48 in., W: 20 1/2 in.,<br />

D: 21 in., Seat H: 19 1/2 in.<br />

$2,000-3,000<br />

160<br />

AFTER GALLE<br />

Art nouveau two tiered stand<br />

Walnut with maple and fruitwood<br />

floral marquetry inlay, with fretwork<br />

details. All atop four bracket feet.<br />

Signed ‘Gallé’<br />

H: 31 1/2, Diam: 19 in.<br />

$500-1,000<br />

Not illustrated<br />

71<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08


72<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

161<br />

Fruitwood-inlaid marquetry<br />

folding card table<br />

1920-1930<br />

Square top with a reeded edge,<br />

central square panel inlaid with a<br />

river landscape, bordered by inlaid<br />

banding. Square tapering folding<br />

legs with locking hardware.<br />

Sotheby’s tag to one leg.<br />

H: 27 in. W: 30 in. D: 30 in.<br />

provenance:<br />

Possibly <strong>design</strong>ed for use aboard<br />

the SS Normandie<br />

$800-1,200<br />

162<br />

Uknown<br />

art deco desk<br />

Rosewood, with additional glass top<br />

over four sabre legs terminating in<br />

brushed chrome feet. .<br />

H: 29 1/2 in., W: 71 in., D: 24 in.<br />

$4,000-6,000


163<br />

French Art-Deco armoire<br />

Highly figured armoire with<br />

center cabinet flanked by two<br />

smaller cabinets with chrome<br />

pulls, above three non-graduated<br />

drawers, interior of cabinets fitted<br />

with shelves. 1/4 in. burl wood<br />

veneer and stained oak, raised on<br />

plinth base.<br />

H: 71 in., W: 75 1/2 in., D: 19 1/4 in.<br />

$2,000-3,000<br />

73<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08


164<br />

POSSIBLY DONALD DESKEY<br />

(american 1894-1989)<br />

Desk, c. 1935<br />

Designed for Company of Master Craftsmen. Rectangular top with<br />

central burl walnut slab, flanked by satinwood panels. Central<br />

shallow locking drawer, three drawers down either side with circular<br />

geometric wood and metal pulls. Raised on block feet.<br />

H: 30 in. W: 46 in. D: 24 in.<br />

$1,500-2,500<br />

165<br />

GIDEON KRAMER<br />

(american)<br />

Three Ion Chairs<br />

Eggshell white fiberglass chair atop chrome legs<br />

H: 34 in, W: 16 in, D: 16 in.,<br />

Seat H: 17 1/2in., Arm Chair:<br />

H: 33 1/2 in., W: 16 in., D: 16 in., Seat H: 17 1/2 in.<br />

note:<br />

Designed by Kramer in 1962 for Seattle’s World’s Fair and<br />

manufactured by American Desk Corporation.<br />

$1,500-2,000


166<br />

MILO BAUGHMAN<br />

(american b. 1925)<br />

Mid-Century curved sofa table<br />

Table <strong>design</strong>ed for Thayer-Coggin,<br />

rosewood surface atop chrome legs<br />

and chrome perimeter stretcher.<br />

H: 20 1/2 in., W: 70 in., D: 18 in.<br />

$500-800<br />

167<br />

Three legged stool<br />

Zebra wood with slender turned<br />

legs and stretchers, signed by the<br />

artist and dated “1974”.<br />

H: 32 1/2 in.<br />

$600-800<br />

Not illustrated<br />

75<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

168<br />

POSSIBLY EVERT SODERGREN<br />

(american b. 1920)<br />

Mahogany and teak desk<br />

White laminate top over center<br />

drawer flanked on each side by<br />

three graduated drawers with<br />

white drawer pulls and brass<br />

tubular feet, unsigned.<br />

H: 30 in., W: 73 in., D: 19 3/4 in.<br />

$2,000-3,000


76<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

170<br />

DAVID H. MERRIFIELD<br />

(american b. 1968)<br />

Tea cabinet<br />

Circa 2000, edition 1/3, cherry and<br />

steel with an associated Japanese<br />

tea set and stone.<br />

H: 63, W: 35 1/2, D: 14 1/2<br />

note:<br />

One of the edition of three is held in<br />

the collection of the Renwick Gallery<br />

of the Smithsonian American Art<br />

Museum.<br />

$2,000-3,000<br />

169<br />

POSSIBLY EVERT SODERGREN<br />

(american b. 1920)<br />

Credenza<br />

White laminate top over two sliding<br />

drawers opening to reveal a split<br />

interior fitted with six shelves, with<br />

tubular brass legs, unsigned.<br />

H: 30 in., L: 56 3/4 in., D: 20 in.<br />

$800-1,000<br />

Not illustrated<br />

171<br />

THOMAS MOSER<br />

CABINETMAKERS<br />

(american)<br />

‘New Century’ dining set<br />

1995, cherry, comprising a square<br />

pedestal extension table, with two<br />

leaf insertions, three side chairs<br />

and one armchair, signed “Thos.<br />

Moser Cabinetmakers, Auburn,<br />

Maine, 1995.”<br />

Table H: 29 in. W: 52 in. D: 52 in.<br />

Chair H: 42 in.<br />

$3,000-5,000


172<br />

(mid <strong>20th</strong> <strong>century</strong>)<br />

Oak table with two leaves<br />

Mid <strong>20th</strong> Century table with<br />

rectangular top with rounded edges,<br />

atop rounded splayed legs, metal<br />

supports and hinges.<br />

H: 29 in., W: 55 in., 94 in.<br />

(fully extended), D: 35 in.<br />

$800-1,200<br />

173<br />

Three contemporary barstools<br />

Each with a bent plywood seat with<br />

flared back rest, narrow waist and<br />

smooth rounded seat. Stained red<br />

with chrome legs and cross-beam<br />

supports, rubber coated foot rest.<br />

H: 42 in. W: 18 in. D: 18 in.<br />

Seat H: 28 in.<br />

$300-500<br />

Not illustrated<br />

174<br />

KLEIN & STOLL<br />

‘Grand Oval Extension Table’<br />

Designed in 1980 for Beylerian.<br />

Long, rounded rectangular form with<br />

pedestal base in black-stained ash<br />

veneer. Two extension leaves.<br />

H: 29 in. W: 67 in. D: 43 in. D<br />

(extended): 90 in. - 114 in.<br />

$800-1,200<br />

41 & 42<br />

77<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08


78<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

175<br />

ANDREA BRANZI<br />

(italian b. 1938)<br />

‘Century’ divan<br />

Designed in 1982 for Memphis, lacquered wood metal<br />

and fabric. With Memphis label, numbered “13.”<br />

H: 37 1/2 in. W: 100 1/2 in. D: 29 in.<br />

literature:<br />

‘The Hot House: Italian New Wave Design, Andrea<br />

Branzi,’ pg. 144 for an image of this <strong>design</strong>.<br />

$4,000-6,000<br />

176<br />

CESARE LEONARDI<br />

(italian b. 1935)<br />

Solidi series chair prototype<br />

Realized between 1983-93, painted<br />

wood, signed to the underside.<br />

H: 46 in.<br />

literature:<br />

Solidi=solids: 1983-1993 by<br />

Cesare Leonardi; a cura di Giancarlo<br />

Martinelli, 1995, p. 15, 250-253,<br />

for illustrations and discussion of<br />

this series.<br />

$4,000-6,000


177<br />

PAIR OF ITALIAN LAMPS<br />

circa 1960<br />

Flared chrome base in the ‘nuclear’<br />

style with six lightbulbs radiating<br />

from waist. Single bulb shines from<br />

domed chrome top, all surrounded<br />

by long shag fringe.<br />

H: 18 in. D: 16 in.<br />

$300-500<br />

79<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

lighting


80<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

178<br />

GIO PONTI<br />

italian (1891-1979)<br />

Glass table lamp<br />

Produced by Fontana Arte in the late<br />

1970s, brass base with central<br />

diffuser, six graduated glass discs.<br />

H: 11 in. D: 17 in.<br />

note:<br />

Design based on the Lampada da<br />

terra, produced by the Fontana Arte<br />

in 1932.<br />

$2,000-3,000<br />

179<br />

HEIFETZ<br />

circa 1965<br />

Pair of lamps<br />

Of wide, organic form with<br />

upswept arms and pierced sides,<br />

glazed in shades of green. Original<br />

shades, pull-chain switch and<br />

Heifetz NY seal.<br />

H (base only): 8 in. W: 16 in. D: 4 in.<br />

$200-300


81<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

180<br />

ITALIAN DESK LAMP<br />

early 1960s<br />

Circular iron base with black<br />

lacquered metal cover supports a<br />

counterweighted arm, from which<br />

hangs a brown lacquered conical<br />

metal shade.<br />

H: 22 in. W: 20 in. D: 10 in.<br />

$200-300<br />

Not illustrated<br />

181<br />

TOMMI PARZINGER<br />

(german 1930-1991)<br />

Three floor lamps<br />

Painted floor lamps, with white glass<br />

lamp shades<br />

H (of shortest): 58 1/2 in.,<br />

H (of tallest): 69 1/2 in.<br />

$2,000-3,000<br />

Not illustrated<br />

182<br />

PAT HOFFMAN<br />

(american b. 1943 - 1988)<br />

Globe lamp<br />

Chrome, with ten light socket cases<br />

and ten glass globes.<br />

H: 50 in.<br />

$500-800


183<br />

ACHILLE CASTIGLIONE<br />

(italian 1918-2002)<br />

Taraxacum hanging fixture.<br />

Plastic pendant lampshade.<br />

Designed for Flos circa 1960.<br />

H: 19 in.<br />

$150-250<br />

184<br />

JASPER MORRISON<br />

(english b. 1959)<br />

Glo-Ball pendant light<br />

Designed by Morrison in 1988 for<br />

FLOS Inc., part of Glo-Ball series,<br />

etched glass diffuser<br />

Dia. 17 1/2 in.<br />

$200-300


185<br />

Handel slag glass and metaloverlay<br />

shade<br />

early <strong>20th</strong> <strong>century</strong><br />

The eight ‘carmel slag’ panels with a<br />

metal and green glass overlay,<br />

stamped ‘HANDEL’.<br />

Diam: 19 1/2 in.<br />

$600-900<br />

Not illustrated<br />

186<br />

186<br />

PH 4/3 Pendant light<br />

Design by Arne Jacobsen, 1966.<br />

Made in Denmark by Louis Poulsen,<br />

blue aluminum, in original box.<br />

H: 7 in., Diam: 15 in.<br />

$300-500<br />

187<br />

(danish)<br />

Hanging light<br />

Of domed form in brushed<br />

chrome, decorated with three<br />

rows of graduated impressed<br />

circles around rim.<br />

H: 9 in., Diam: 17 in.<br />

$300-500<br />

Not illustrated


188<br />

189<br />

188<br />

FERRUCCIO LAVIANI<br />

(italian b. 1960)<br />

‘Supernova’ suspension chandelier<br />

Designed in 2000 for Foscarini.<br />

Graduated matte aluminum disks<br />

hang from a chrome support.<br />

H (lamp only): 24 in. Max H (when<br />

suspended): 79 in. W: 20 in.<br />

D: 23 in.<br />

$800-1,200<br />

189<br />

TONI CORDERO<br />

(italian 1937-2001)<br />

‘Sibilla’ chandelier<br />

Designed in 1991 for Artemide.<br />

Canopy, frame and diffuser made of<br />

chromed steel, ornamented with<br />

colored cathedral cut glass, crystal<br />

drops and stainless steel shapes.<br />

H: 22 in. D: 27 1/2 in.<br />

$500-800<br />

190<br />

UNKNOWN<br />

Pair of wall sconces<br />

Flared Quezal glass shades in the<br />

Aurene style in opalescent white<br />

with green and gold pulled feather<br />

decoration. Brass wall mounts with<br />

oval wall plate and fluted sockets.<br />

H (shades only): 7 in. D: 5 in.<br />

$400-600<br />

Not illustrated


misc.<br />

191<br />

LEON HATOT<br />

(french 1883-1953)<br />

Mantel clock<br />

Circa 1930, onyx and marble<br />

with gilt and silvered works.<br />

Signed “ATO, Made in France” to<br />

the front and “Leon Hatot, Paris<br />

France” to the back.<br />

H: 9 1/2, W: 17 in.<br />

$1,000-1,500


86<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

192<br />

LE COULTRE<br />

circa 1970<br />

Atmos clock<br />

Brass and glass clock all atop a<br />

brass plinth.<br />

H: 9 1/4 in. W: 7 1/2 in. D: 4 1/2 in.<br />

provenance:<br />

Sold by order of the Trustees of the<br />

Philadelphia Museum of Art to<br />

benefit the Acquisitions Fund<br />

$100-200<br />

Not illustrated<br />

193<br />

ANTON MICHELSEN<br />

(danish 1809-1877)<br />

Group of annual Christmas<br />

spoons and forks<br />

Comprising:<br />

1933, “The Little Match GIrl,”<br />

<strong>design</strong>ed by Ib Lunding<br />

1939, “The Gift Laden Christmas<br />

Tree,” <strong>design</strong>ed by Olaf Staehr-<br />

Nielsen<br />

1940, “The Star of Bethlehem,”<br />

<strong>design</strong>ed by Paul Erlinger<br />

1943, “Dove of Peace,” <strong>design</strong>ed by<br />

Olaf Staehr-Nielsen<br />

1947, “Falling Snowflakes,” <strong>design</strong>ed<br />

by Ibi Trier Morch<br />

1948, “Christmas Ram,” <strong>design</strong>ed by<br />

Ilse Nalbandian<br />

1951, “Colorful Christmas,” <strong>design</strong>ed<br />

by Eigil Jensen.<br />

Gold-plated silver and enamel.<br />

Longest L: 6 1/2 in.<br />

$800-1,200<br />

194<br />

ANTON MICHELSEN<br />

(danish 1809-1877)<br />

Group of annual Christmas<br />

spoons and forks<br />

Comprising:<br />

1960: “Winter Solstice,” <strong>design</strong>ed by<br />

Rolf Middelboe, signed RM<br />

1962: “Madonna and Child,”<br />

<strong>design</strong>ed by Carl R. Frederiksen,<br />

signed CRF<br />

1964: “Orion,” <strong>design</strong>ed by Inger<br />

Hanmann<br />

1967: “Splendor of Yule,” <strong>design</strong>ed<br />

by Paul Rene Gaugin<br />

1973: “Solstice and Family,” <strong>design</strong>ed<br />

by Ib Spang Olsen.<br />

Gold-plated silver.<br />

Longest L: 6 1/2 in.<br />

$500-800<br />

195<br />

NANI MARQUINA<br />

(spanish b., 1952)<br />

olive green shag carpet<br />

Designed by Marquina for Design<br />

Within Reach. Cotton and jute.<br />

96 in. x 60 1/2 in.<br />

$200-300<br />

Not illustrated<br />

193 194


196<br />

ROBERT INDIANA<br />

(american b. 1928)<br />

‘CLASSIC LOVE’<br />

Wool rug, signed ‘R. Indiana’ in the<br />

weave, bottom right; also signed in<br />

ink marker and numbered 72/150<br />

on ‘Master Contemporary Original<br />

Artist Rugs’ printed fabric certificate<br />

taped to back of rug.<br />

72 x 72 in. (182.8 x 182.8cm)<br />

$3,000-5,000<br />

197<br />

ROBERT INDIANA<br />

(american b. 1928)<br />

‘WINTER LOVE’<br />

Wool rug,signed ‘R. Indiana’ in the<br />

weave, bottom right; also signed in<br />

ink marker and numbered 94/300<br />

on ‘Master Contemporary Original<br />

Artist Rugs’ printed fabric certificate<br />

taped to back of rug.<br />

72 x 72 in. (182.8 x 182.8cm)<br />

$2,000-4,000


197A<br />

AFTER LARRY ZOX<br />

Abstract rug<br />

Wool and linen tapestry with<br />

red,cream,orange,green and black<br />

abstract decoration.<br />

144 in. x 90 in.<br />

$1,000-1,500<br />

Not illustrated<br />

198<br />

GEORG JENSEN<br />

third quarter <strong>20th</strong> <strong>century</strong><br />

Ceramic wall plaque<br />

Rough-hewn rectangular slab carved<br />

to depict a bird, with high-gloss<br />

green glaze. Purchased in 1958.<br />

H: 13 1/2 in. W: 19 in. D: 2 in.<br />

$500-800<br />

Not illustrated<br />

199<br />

WILL SPARKS<br />

(american 1862-1937)<br />

Diptych<br />

Oil on canvas.<br />

H: 51 1/2 in., W: 99 in.<br />

provenance:<br />

From a Philadelphia restaurant,<br />

Deux Cheminees.<br />

$10,000-15,000<br />

200<br />

3 Woodcuts<br />

Woodcuts including, ‘Exhibition’<br />

by John Storrs<br />

H: 6 3/4 in. W: 5 1/2 in.<br />

‘The Farmer’<br />

H: 3 1/4 in., W: 6 1/2 in.<br />

‘Landscape’<br />

H: 5 in., W: 6 1/2 in.<br />

Both by unknown artists.<br />

$300-500<br />

Not illustrated<br />

201<br />

UNKNOWN<br />

c. 1960<br />

Decorative glass tile mosaic<br />

Long rectangular mosaic in blue,<br />

green, teal and white tiles forming a<br />

geometric pattern, framed.<br />

L: 49 in. W: 13 in.<br />

$100-200<br />

Not illustrated<br />

202<br />

Japanese photograph<br />

Illegibly signed by the artist.<br />

H: 13 1/2 in., W: 9 in.<br />

$150-250<br />

Not illustrated


203<br />

ROBERT CLARKE MORRIS<br />

(american b. 1931)<br />

“IN THE REALM OF THE<br />

CARCERAL - OBSERVATION<br />

YARDS “<br />

Pencil signed, dated 1979, and<br />

numbered 54/150 in the margin;<br />

S. & A. Lithographic Plate, New York,<br />

publisher; Styria Studios, New York,<br />

printer. Etching and aquatint,<br />

43 1/4 x 32 1/4 in.<br />

$300-400<br />

Not illustrated<br />

204<br />

JOHN FORMICOLA<br />

(american b., 1941)<br />

Geometric abstract painting<br />

Oil on canvas. Orange background<br />

with different colored rectangles<br />

including blue, yellow, and red.<br />

H: 60 1/2 in., L: 40 1/2 in.<br />

$600-1,000<br />

205<br />

CARL PAUL JENNEWEIN<br />

(american 1890-1978)<br />

“Cheneau” Owl and Deco Leaf<br />

Unveiled at the Pennsylvania State<br />

Education Building in November<br />

1931, copper, flat back<br />

Owl: H: 41 in., W: 16 in.,<br />

Deco Leaf: H: 20 in., W: 43 1/2 in.<br />

note:<br />

Jennewein was known for <strong>design</strong>ing<br />

the bronze griffins on the pediment<br />

of the Philadelphia Museum of Art<br />

provenance:<br />

Pieces were removed from the<br />

Pennsylvania State Education<br />

Building known as the Forum,<br />

located within Pennsylvania State<br />

Capitol Complex.<br />

$4,000-6,000<br />

end of sale<br />

The following illustration is from the Pennsylvania State Education Building within the Pennsylvania State Capitol Complex


Upcoming<br />

w w w . f r e e m a n s a u c t i o n . c o m<br />

5.6 carat yellow diamond dinner ring<br />

1920s<br />

Large Old European cut diamond, weighing<br />

approximately 5.6 carats set into a 14 karat yellow<br />

gold setting.<br />

Ring size: 7<br />

provenance:<br />

Property of a North Carolina lady, the family acquired<br />

the ring as collateral during the American Depression<br />

when a large piece of the family's land was purchased<br />

by a third party.<br />

$5,000–20,000<br />

Fine Jewelry 06/08/08<br />

Couture 06/09/08<br />

Fine Jewelry Couture<br />

Auction:<br />

Sunday, June 8th, 2008 at 2pm<br />

Exhibition:<br />

Wednesday, June 4th through<br />

Friday, June 6th, 10am–4pm<br />

Saturday, June 7th<br />

12pm–5pm<br />

Inquiries:<br />

kate waterhouse ext.3080<br />

kneedham@freemansauction.com<br />

Large Chanel quilted caramel<br />

kidskin purse<br />

Oversized 2.55 purse in supple<br />

leather with gold hardware and<br />

large "CC" logo turnlock closure,<br />

long chain and leather strap.<br />

$600–800<br />

Auction:<br />

Monday, June 9th, 2008 at 10am<br />

Exhibition:<br />

Wednesday, June 4th through<br />

Friday, June 6th, 10am–4pm<br />

Saturday, June 7th<br />

12pm–5pm<br />

Inquiries:<br />

olivia snyder ext. 3018<br />

osnyder@freemansauction.com


Purchase removal, shipping and<br />

offsite storage information<br />

successful bidders for the <strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

sale will be expected to pick up all property from<br />

freeman’s no later than 3 pm on friday, may 30th,<br />

2008.<br />

Shippers who have worked with Freeman’s clients in<br />

the past, include but are not limited to:<br />

Aiston Fine Art:<br />

Tel: 212.715.0629 Fax: 212.838.6982<br />

email: mark@aistonart.com<br />

Packaging Store:<br />

Tel: 215.361.6940 Fax: 215.361.6941<br />

email: hrpa112@aol.com<br />

UPS:<br />

Tel: 215.629.4990<br />

store4242@theupsstore.com<br />

A. Mastrocco Jr. Moving & Storage<br />

Tel: 215.491.0346<br />

email: mastroccomovers@snip.net<br />

91<br />

free≤an’s<br />

<strong>20th</strong>/<strong>21st</strong> <strong>century</strong> <strong>design</strong><br />

05/17/08<br />

Property not picked up from Freeman’s within ten<br />

business days of the auction will be transferred to a<br />

storage facility as noted in our terms and conditions.<br />

There will be packing, transport, storage and release<br />

charges. For the convenience of the successful bidder,<br />

all purchased lots will be packed and transferred to the<br />

storage facility together.<br />

Payment of the hammer price, premium and any<br />

applicable sales taxes must be made directly to<br />

Freeman’s prior to the release of property.<br />

Please contact Freeman’s at 215-563-9275 ext. 3006<br />

with shipping related queries.


Terms & Conditions<br />

all property offered and sold (“property”) through samuel t. freeman<br />

& co, ("freeman's") shall be offered and sold on the terms and<br />

conditions set forth below which constitutes the complete statement<br />

of the terms and conditions on which all property is offered for sale.<br />

by bidding at the auction, whether present in person or by agent, by<br />

written bid, telephone, internet or other means, the buyer agrees to be<br />

bound by these terms and conditions.<br />

1<br />

Unless otherwise indicated, all Property<br />

will be offered by Freeman’s as agent for<br />

the Consignor.<br />

2<br />

Freeman’s reserves the right to vary the<br />

terms of sale and any such variance shall<br />

become part of these Conditions of Sale.<br />

3<br />

Buyer acknowledges that it had the right<br />

to make a full inspection of all Property<br />

prior to sale to determine the condition,<br />

size, repair or restoration of any Property.<br />

Therefore, all property is sold “AS-IS”.<br />

Freeman’s is acting solely as an auction<br />

broker, and unless otherwise stated, does<br />

not own the Property offered for sale and<br />

has made no independent investigation of<br />

the Property. Freeman’s makes no<br />

warranty of title, merchantability or<br />

fitness for a particular purpose, or any<br />

other warranty or representation<br />

regarding the description, genuineness,<br />

attribution, provenance or condition to<br />

the Property of any kind or nature with<br />

respect to the Property.<br />

4<br />

Freeman’s in its sole and exclusive<br />

discretion, reserves the right to withdraw<br />

any property, at any time, before the fall<br />

of the hammer.<br />

5<br />

Unless otherwise announced by the<br />

auctioneer at the time of sale, all bids are<br />

per lot as numbered in the printed<br />

catalogue. Freeman’s reserves the right to<br />

determine any and all matters regarding<br />

the order, precedence or appropriate<br />

increment of bids or the constitution of<br />

lots.<br />

6<br />

The highest bidder acknowledged by the<br />

auctioneer shall be the buyer. The<br />

auctioneer has the right to reject any bid,<br />

to advance the bidding at his absolute<br />

discretion and in the event of any dispute<br />

between bidders, the auctioneer shall<br />

have the sole and final discretion either to<br />

determine the successful bidder or to reoffer<br />

and resell the article in dispute. If<br />

any dispute arises after sale, the<br />

Freeman’s sale record shall be conclusive<br />

in all respects.<br />

7<br />

If the auctioneer determines that any<br />

opening or later bid or any advance bid is<br />

not commensurate with the value of the<br />

Property offered, he may reject the same<br />

and withdraw the Property from sale.<br />

8<br />

Upon the fall of the hammer, title to any<br />

offered lot or article will immediately pass<br />

to the highest bidder as determined in the<br />

exclusive discretion of the auctioneer,<br />

subject to compliance by the buyer with<br />

these Conditions of Sale. Buyer<br />

thereupon assumes full risk and<br />

responsibility of the property sold, agrees<br />

to sign any requested confirmation of<br />

purchase, and agrees to pay the full price,<br />

plus Buyer’s Premium, therefore or such<br />

part, upon such terms as Freeman’s may<br />

require.<br />

9<br />

No lot may be removed from Freeman’s<br />

premises until the buyer has paid in full<br />

the purchase price therefor including<br />

Buyer’s Premium or has satisfied such<br />

terms that Freeman’s, in its sole<br />

discretion, shall require. Subject to the<br />

foregoing, all Property shall be paid for<br />

and removed by the buyer at his/her<br />

expense within ten (10) days of sale and,<br />

if not so removed, may be sold by<br />

Freeman’s, or sent by Freeman’s to a<br />

public warehouse, at the sole risk and<br />

charge of the buyer(s), and Freeman’s<br />

may prohibit the buyer from participating,<br />

directly or indirectly, as a bidder or buyer<br />

in any future sale or sales. In addition to<br />

other remedies available to Freeman’s by<br />

law, Freeman’s reserves the right to<br />

impose a late charge of 1.5% per month<br />

of the total purchase price on any balance<br />

remaining ten (10) days after the day of<br />

sale. If Property is not removed by the<br />

buyer within ten (10) days, a handling<br />

charge of .1% of the total purchase price<br />

per month from the tenth day after the<br />

sale until removal by the buyer shall be<br />

payable to Freeman’s by the buyer;<br />

Freeman’s shall charge 1.5% of the total<br />

purchase price per month for any<br />

property not so removed within 60 days<br />

after the sale. Freeman’s will not be<br />

responsible for any loss, damage, theft, or<br />

otherwise responsible for any goods left<br />

in Freeman’s possession after ten (10)<br />

days. If the foregoing conditions or any<br />

applicable provisions of law are not<br />

complied with, in addition to other<br />

remedies available to Freeman’s and the<br />

Consignor (including without limitation<br />

the right to hold the buyer(s) liable for<br />

the bid price) Freeman’s, at its option,<br />

may either cancel the sale, retaining as<br />

liquidated damages all payments made<br />

by the buyer(s), or resell the property. In<br />

such event, the buyer(s) shall remain<br />

liable for any deficiency in the original<br />

purchase price and will also be<br />

responsible for all costs, including<br />

warehousing, the expense of the ultimate<br />

sale, and Freeman’s commission at its<br />

regular rates together with all related and<br />

incidental charges, including legal fees.<br />

Payment is a precondition to removal.<br />

Payment shall be by cash, certified check<br />

or similar bank draft, or any other method<br />

approved by Freeman’s. Checks will not<br />

be deemed to constitute payment until<br />

cleared. Any exceptions must be made<br />

upon Freeman’s written approval of credit<br />

prior to sale.<br />

In addition, a defaulting buyer will be<br />

deemed to have granted and assigned to<br />

Freeman’s, a continuing security interest<br />

of first priority in any property or money<br />

of, or owing to such buyer in Freeman’s<br />

possession, and Freeman’s may retain<br />

and apply such property or money as<br />

collateral security for the obligations due<br />

to due to Freeman’s. Freeman’s shall<br />

have all of the rights accorded a secured<br />

party under the Pennsylvania Uniform<br />

Commercial Code.<br />

10<br />

Unless the sale is advertised and<br />

announced as “without reserve”, each lot<br />

is offered subject to a reserve and<br />

Freeman’s may implement such reserves<br />

by bidding through its representatives on<br />

behalf of the Consignors. In certain<br />

instances, the Consignor may pay less<br />

than the standard commission rate where<br />

Freeman’s or its representative is a<br />

successful bidder on behalf of the<br />

Consignor. Where the Consignor is<br />

indebted to Freeman’s, Freeman’s may<br />

have an interest in the offered lots and<br />

the proceeds therefrom, other than the<br />

broker’s Commissions, and all sales are<br />

subject to any such interest.<br />

11<br />

No “buy” bids shall be accepted at any<br />

time for any purpose.<br />

12<br />

Any pre-sale bids must be submitted in<br />

writing to Freeman’s prior to<br />

commencement of the offer of the first<br />

lot of any sale. Freeman’s copy of any<br />

such bid shall conclusively be deemed to<br />

be the sole evidence of same, and while<br />

Freeman’s accepts these bids for the<br />

convenience of bidders not present at the<br />

auction, Freeman’s shall not be<br />

responsible for the failure to execute, or,<br />

to execute properly, any pre-sale bid.<br />

13<br />

A Buyer’s Premium will be added to the<br />

successful bid price and is payable by the<br />

buyer as part of the total purchase price.<br />

The Buyer’s Premium shall be: 25% on<br />

the first $20,000 of the hammer price of<br />

each lot, 20% on the portion from<br />

$20,001 through $500,000, and 12% on<br />

the portion of the hammer price<br />

exceeding $500,000.<br />

14<br />

Unless exempted by law from the<br />

payment thereof, the buyer will be<br />

required to pay any and all federal excise<br />

tax and any state and/or local sales taxes,<br />

including where deliveries are to be made<br />

outside the state where a sale is<br />

conducted, which may be subject to a<br />

corresponding or compensating tax in<br />

another state.<br />

15<br />

Freeman’s may, as a service to buyer<br />

arrange to have purchased property<br />

posted and shipped at the buyer’s<br />

expense. Freeman’s is not responsible<br />

for any acts or omissions in packing or<br />

shipping of purchased lots whether or not<br />

such carrier recommended by Freeman’s.<br />

Packing and handling of purchased lots is<br />

at the responsibility<br />

of the buyer and is at the entire risk of the<br />

buyer.<br />

16<br />

In no event shall any liability of Freeman’s<br />

to the buyer exceed the purchase price<br />

actually paid.<br />

17<br />

No claimed modification or amendment of<br />

this Agreement on the part of any party<br />

shall be deemed extant, enforceable or<br />

provable unless it is in writing that has<br />

been signed by the parties to this<br />

Agreement. No course of dealing and no<br />

delay or omission on the part of Freeman’s<br />

in exercising any right under this<br />

Agreement shall operate as a waiver of<br />

such right or any other right and waiver on<br />

any one or more occasions shall not be<br />

construed as a bar to or waiver of any<br />

right or remedy of Freeman’s on any<br />

future occasion.<br />

18<br />

These Conditions of Sale and the buyer’s,<br />

the Consignor's and Freeman’s rights<br />

under these Conditions of Sale shall be<br />

governed by, construed and enforced in<br />

accordance with the laws of the<br />

Commonwealth of Pennsylvania and<br />

Consignor and Buyer agree to the<br />

exclusive jurisdiction of the Philadelphia,<br />

Pennsylvania Court of Common Pleas and<br />

the United States District Court for the<br />

Eastern District of Pennsylvania.


absentee bidding form<br />

sale no bidder no<br />

name business name<br />

address<br />

city state<br />

zip code e-mail<br />

phone (h) phone (w) fax<br />

resale / tax identification state<br />

25% Buyer’s Premium will be added to the first $20,000 of the hammer price of each lot, 20% on the portion from $20,001 through $500,000, and 12% on the portion of the hammer price exceeding $500,000.<br />

All lots must be paid for and removed within 5 days.<br />

lot no description maximum bid<br />

bank reference<br />

bank name account n0<br />

contact name telephone<br />

I hereby confirm thet I have read and am bound by the “Terms of Sale” presented by the auction house<br />

and which govern all auction purchases made by me. Although every attempt is made to execute your bid(s),<br />

the auctioneer is not responsible for errors and omissions.<br />

signed<br />

(signature required to execute your bids)<br />

please adhere<br />

to the bidding increments<br />

$10<br />

until $200 is reached<br />

$25<br />

until $500 is reached<br />

$50<br />

until $1,000 is reached<br />

$100<br />

until $3,000 is reached<br />

$250<br />

until $5,000 is reached<br />

$500<br />

until $10,000 is reached<br />

$1,000<br />

until $30,000 is reached<br />

$2,000<br />

until $50,000 is reached<br />

$5,000<br />

until $100,000 is reached<br />

over $100,000<br />

auctioneer’s discretion<br />

Samuel T Freeman & Co. 1808 Chestnut Street Philadelphia PA 19103 Tel-215.563.9275 Fax-215-599-2240 e-mail: info@freemansauction.com www.freemansauction.com


Remove page and fax to (215) 563-8236 or mail to: Freeman’s 1808 Chestnut Street Philadelphia PA 19103<br />

Name<br />

(use block capitals)<br />

Address<br />

City<br />

Phone<br />

email<br />

Americana, including The Pennsylvania Sale<br />

3 per year - $90 full price - subscription price - $54 (40% discount) outside u.s.<br />

Asian Arts<br />

2 per year - $50 full price - subscription price - $30 (40% discount) outside u.s.<br />

Books, Manuscripts & Ephemera<br />

3 per year - $60 full price - subscription price - $36 (40% discount) outside u.s.<br />

English & Continental Furniture, Silver & Decorative Arts<br />

4 per year - $120 full price - subscription price - $72 (40% discount) outside u.s.<br />

Fine Paintings & Sculpture<br />

5 per year - $100 full price - subscription price - $60 (40% discount) outside u.s.<br />

Modern & Contemporary Art<br />

5 per year - $100 full price - subscription price - $60 (40% discount) outside u.s.<br />

Jewelry and Couture<br />

3 per year - $60 full price - subscription price - $36 (40% discount) outside u.s.<br />

Oriental Rugs & Carpets<br />

2 per year - $50 full price - subscription price - $30 (40% discount) outside u.s.<br />

<strong>20th</strong>/<strong>21st</strong> Century Design<br />

2 per year - $60 full price - subscription price - $36 (40% discount) outside u.s.<br />

All Catalogues<br />

26 catalogues per year - $660 full price - subscription price - $330 (50% discount) outside u.s.<br />

Total amount due:<br />

Check enclosed, payable to Samuel T. Freeman & Co.<br />

Please invoice me.<br />

State<br />

Fax:<br />

Zip Code<br />

Subscriptions<br />

1 year 3 year<br />

$54<br />

$72<br />

$30<br />

$42<br />

$36<br />

$54<br />

$72<br />

$96<br />

$60<br />

$90<br />

$60<br />

$90<br />

$36<br />

$54<br />

$30<br />

$42<br />

$36<br />

$48<br />

$330<br />

$486<br />

$108<br />

$144<br />

$60<br />

$84<br />

$72<br />

$108<br />

$144<br />

$192<br />

$120<br />

$180<br />

$120<br />

$180<br />

$72<br />

$108<br />

$60<br />

$84<br />

$72<br />

$96<br />

$660<br />

$972


Upcoming Events<br />

AUCTIONS<br />

APPRAISAL DAYS<br />

Modern & Contemporary Art<br />

May 18th<br />

Rare Books, Manuscripts & Posters<br />

May 29th<br />

Fine Jewelry<br />

June 8th<br />

Couture<br />

June 9th<br />

Freeman’s Fridays: Paintings, Prints & Sculpture<br />

June <strong>20th</strong><br />

Fine American & European Paintings & Sculpture<br />

June 22nd<br />

Freeman’s Fridays: Furniture & Decorative Art<br />

July 11th<br />

Freeman’s<br />

May <strong>21st</strong><br />

Freeman’s<br />

June 4th<br />

Freeman’s<br />

June 18th


Directory<br />

specialist departments<br />

Americana<br />

lynda a cain<br />

samuel ≤ free≤an ii<br />

noelle burgoyne<br />

melissa johnson<br />

Asian Arts<br />

robert waterhouse<br />

richard cervantes<br />

Couture<br />

olivia b snyder<br />

English & Continental<br />

Furniture, Silver & Decorative Arts<br />

sebastian clarke<br />

douglas girton<br />

kerry jeffery<br />

Fine Jewelry<br />

samuel ≤ free≤an ii<br />

kate waterhouse<br />

Fine Paintings & Sculpture<br />

alasdair nichol<br />

david weiss<br />

ramona hillier-o’hara<br />

libia elena mendez<br />

marcell zombori<br />

Fine Prints<br />

david weiss<br />

lauren mcgee<br />

marcell zombori<br />

Modern & Contemporary Art<br />

alasdair nichol<br />

david weiss<br />

lauren mcgee<br />

libia elena mendez<br />

marcell zombori<br />

Oriental Rugs & Tapestries<br />

david weiss<br />

richard cervantes<br />

Rare Books, Manuscripts,<br />

& Ephemera<br />

david j bloom<br />

joe huenke<br />

<strong>20th</strong>/<strong>21st</strong> Century Design<br />

alexandra jaccard<br />

depart≤ents<br />

Appraisals<br />

sa≤uel ≤ free≤an ii<br />

james e buckley<br />

donald e walter<br />

amy parenti<br />

Appraisal Services<br />

samuel t freeman iii<br />

gary eichelberger<br />

amy parenti<br />

≤useum Services<br />

lynda a cain<br />

Client Services<br />

mary maguire carroll<br />

bethany mobbs<br />

stephanie parker<br />

tonimarie kando<br />

jessica carter<br />

Operations<br />

hanna dougher<br />

jonathan freeman<br />

ian kelly<br />

christine leggio<br />

gerald davis<br />

andrew grahm<br />

Finance<br />

hanna dougher<br />

mona lindsey<br />

mary maguire carroll<br />

jeffrey miller<br />

Business Development &<br />

≤arketing<br />

david donaldson<br />

olivia b snyder<br />

christopher browne<br />

Trusts & Estates<br />

christian jussel<br />

samuel t freeman iii<br />

Photography<br />

elizabeth field<br />

tom clark<br />

elizabeth schultz<br />

officers<br />

chair≤an<br />

samuel ≤ freeman ii<br />

president<br />

paul roberts<br />

executive vice presidents<br />

ja≤es e buckley<br />

hanna dougher<br />

senior vice presidents<br />

christian jussel<br />

alasdair nichol<br />

chief financial officer<br />

eric a smith<br />

vice presidents<br />

david j bloom<br />

lynda a cain<br />

sebastian clarke<br />

david weiss<br />

representatives<br />

david weiss<br />

Washington, DC<br />

dweiss@freemansauction.com<br />

Telephone: 202.412.8345<br />

colin clarke<br />

Charlottesville, VA<br />

cclarke@freemanssouth.com<br />

Telephone: 434.296.4096<br />

Fax: 434.296.4011

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