IMPRESSIONIST AND MODERN ART - Stern Pissarro Gallery
IMPRESSIONIST AND MODERN ART - Stern Pissarro Gallery
IMPRESSIONIST AND MODERN ART - Stern Pissarro Gallery
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<strong>IMPRESSIONIST</strong><br />
<strong>AND</strong><br />
<strong>MODERN</strong> <strong>ART</strong><br />
4th - 24th February, 2011<br />
66 St. James's Street, London SW1A 1NE, UK<br />
T +44 (0)20 7629 6662 W +44 (0)20 7409 0077 stern@pissarro.com www.pissarro.com
ALFRED SISLEY<br />
(1839-1899)<br />
La Seine à Saint-Cloud<br />
Oil on canvas<br />
37.7 x 55.3 cm (14 ½ x 17 ¾ inches)<br />
Signed and dated 1877<br />
Literature:<br />
François Daulte, Alfred Sisley, Catalogue Raisonné de l’Oeuvre Peint, No.257<br />
Exhibited:<br />
London, Royal Academy of Arts, Exhibition of French Art 1200 -1900, 1932, no. 53
ALFRED SISLEY<br />
(1839-1899)<br />
Cabanes au Bord du Loing<br />
Oil on canvas<br />
46 x 55 cm (18 ⅛ x 21⅝ inches)<br />
Signed and dated lower left, Sisley 96<br />
Provenance:<br />
Collection Georges Petit, Paris<br />
Private Collection, Paris<br />
Literature:<br />
François Daulte, Alfred Sisley, Catalogue Raisonné de l’Oeuvre Peint, Lausanne 1959, No. 855<br />
Exhibited:<br />
Paris, Galerie Georges Petit, A.Sisley, February 1897, No.126<br />
Paris, Temps Forts de Drouot Montaigne, 18th - 20th May, 2009
CAMILLE PISSARRO<br />
(1830-1903)<br />
Le Chemin, Paysage Hivernal<br />
Oil on canvas<br />
37.5 x 28.5 cm (14¾ x 11¼ inches)<br />
Signed and dated lower right, C. <strong>Pissarro</strong> 1862<br />
Provenance:<br />
Mme Feyeux, Paris<br />
Bénézit Collection, Paris<br />
E.J. van Wisselingh, Amsterdam (bought 1952)<br />
Private Collection, New York (bought from E.J. Wisselingh 1955)<br />
Private Collection, Paris<br />
Exhibited:<br />
Amsterdam, E.J. van Wisselingh & Co., Maîtres Français des XIX et XX Siècles, June-July<br />
1952, Cat.No. 25<br />
Literature:<br />
Joachim <strong>Pissarro</strong> and Claire Durand-Ruel Snollaerts (Wildenstein Institute), <strong>Pissarro</strong>,Critical<br />
Catalogue of Paintings, 2005, no.63, vol.II, page 74<br />
A drawing by Camille <strong>Pissarro</strong> exists, based on a similar motif.
CAMILLE PISSARRO<br />
(1830-1903)<br />
Cheval Blanc et Tombereau<br />
Oil on panel<br />
24.3 x 33 cm (9¾ x 13 inches)<br />
Signed and dated lower left, C.<strong>Pissarro</strong> 1862<br />
Provenance:<br />
Paul Molinard, Paris<br />
Mme. Sorel<br />
Private Collection, Montecatini, Italy<br />
Exhibited:<br />
Kobe, Hyogo Prefectural Museum of Modern Art, The Rediscovery of Nature, Landscape in<br />
the Nineteenth Century, November 1983, No.T27. The exhibition later travelled to Iwate.<br />
The Iwatekenmin Kaikan; Saitama, The Museum of Modern Art; Hiroshima, The Hiroshima<br />
Prefectural Museum; Kitakyushu, The Kitakyushu Municipal Museum of Art<br />
Literature:<br />
L.R. <strong>Pissarro</strong> and L.Venturi, Camille <strong>Pissarro</strong>, son art - son œuvre, Paris, 1939, Vol. I, no.21,<br />
p.80 (Illustrated Vol. II, pl.4)<br />
K.S. Champs, Studies in Early Impressionism, New Haven/London, 1973, p.69 (illus. fig.95)<br />
Joachim <strong>Pissarro</strong> and Claire Durand-Ruel Snollaerts (Wildenstein Institute), <strong>Pissarro</strong>,<br />
Critical Catalogue of Paintings, Milan/Paris, 2005, no.59, vol.II, p.79
CAMILLE PISSARRO<br />
(1830-1903)<br />
Lisière du Bois<br />
Oil on canvas<br />
25.5 x 37 cm (10 x 14 9/16 inches)<br />
Signed and dated lower left, C. <strong>Pissarro</strong> 67<br />
Provenance :<br />
Galerie Romanet, Paris<br />
Private Collection, Switzerland<br />
Literature:<br />
Joachim <strong>Pissarro</strong> and Claire Durand-Ruel Snollaerts (Wildenstein Institute), <strong>Pissarro</strong>,<br />
Critical Catalogue of Paintings, 2005, no.113, Vol.II, p.105
CAMILLE PISSARRO<br />
(1830-1903)<br />
Basse-cour avec Poules et Canards, la Maison Rouge, Pontoise<br />
Oil on canvas<br />
27 x 35 cm (11 5/8 x 13 3/4 inches)<br />
Signed and dated lower left, C.<strong>Pissarro</strong> 1877<br />
Provenance:<br />
Private Collection<br />
Dennis Hotz Fine Art<br />
Private Collection<br />
Literature:<br />
Joachim <strong>Pissarro</strong> and Claire Durand-Ruel Snollaerts (Wildenstein Institute), <strong>Pissarro</strong>,<br />
Critical Catalogue of Paintings, 2005, No.501, Vol.II, p.354
CAMILLE PISSARRO<br />
(1830-1903)<br />
Les Carrières du Chou, Pontoise<br />
Oil on canvas<br />
54.2 x 65.7 cm (21 3/8 x 25 7/8 inches)<br />
Signed and dated lower right, C. <strong>Pissarro</strong> 1882<br />
Provenance:<br />
Julie <strong>Pissarro</strong> (the artist's wife), Éragny<br />
Lucien <strong>Pissarro</strong> (the artist's son), London.<br />
P. Voûte, Baarn and Amsterdam, by 1939.<br />
E.J. van Wisselingh, Amsterdam<br />
Private collection, The Netherlands<br />
Zen International Fine Art, Tokyo<br />
Exhibition:<br />
Paris, 9 Boulevard de la Madeleine, Oeuvres de Camille <strong>Pissarro</strong>, May 1883, no. 69.<br />
Paris, Galerie Durand-Ruel, Camille <strong>Pissarro</strong>, April 1904, no. 68.<br />
Paris, Galerie Manzi-Joyant, Exposition Rétrospective d'oeuvres de Camille <strong>Pissarro</strong>,<br />
January - February 1914, no. 46.<br />
London, The Leicester Galleries, Memorial Exhibition of the Works of Camille <strong>Pissarro</strong>, May<br />
1920, no. 68.<br />
Paris, Galerie Nunès & Fiquet, Exposition de la collection de Madame Veuve Camille<br />
<strong>Pissarro</strong>, May - June 1921, no. 12.<br />
Tokyo, Zen International Fine Art, Five Masterpieces of Impressionist Paintings, April 1991<br />
Literature:<br />
E. Jacques, Beaux-Arts, Exposition de M. <strong>Pissarro</strong> in L'Intransigeant, 14 May 1883. p. 2.<br />
J. Meier-Graffe, Camille <strong>Pissarro</strong>, in Kunst und Künstler, September 1904, p. 484.<br />
Recent Art Exhibitions. <strong>Pissarro</strong>, Fantin and Others, in The Nottingham Guardian, 14 May<br />
1920, p. 4.<br />
F. Rutter, The Galleries. Camille <strong>Pissarro</strong> and the London Group, in The Sunday Times, 16<br />
May 1920, p. 5.<br />
Art. A Great Impressionist, in Truth, 19 May 1920, p. 978.<br />
G. Lecomte, Camille <strong>Pissarro</strong>, Paris, 1922, p. 64 (illustrated).<br />
L-R. <strong>Pissarro</strong> & L. Venturi, Camille <strong>Pissarro</strong>, son art - son oeuvre, vol. I, Paris, 1939, no.<br />
559, p. 160 (illustrated vol. II, pl. 115).<br />
J. Rewald, <strong>Pissarro</strong>, London, 1963 (illustrated p. 35).<br />
F. Cachin, Some Notes on <strong>Pissarro</strong> and Symbolism, in Studies on Camille <strong>Pissarro</strong>, London<br />
and New York, 1986, p. 96 (erroneously referenced as <strong>Pissarro</strong> & Venturi, 1939, no. 595).<br />
J. Rewald, Camille <strong>Pissarro</strong>, Paris and New York, 1989, p. 35 (illustrated).<br />
J. Rewald, Camille <strong>Pissarro</strong>, London, 1991, p. 35 (illustrated).<br />
R.R. Brettell, <strong>Pissarro</strong> and Pontoise, the Painter in a Landscape, London, 1990, p. 54<br />
(illustrated p. 55, fig. 51).<br />
J. Pisssarro & C. Durand-Ruel Snollaerts, <strong>Pissarro</strong>, Catalogue Critique des Peintures, vol. II,<br />
Paris, 2005, no. 695, pp. 462-463 (illustrated p. 463)
CAMILLE PISSARRO<br />
(1830-1903)<br />
Entrée du Village d’Eragny<br />
Oil on canvas<br />
46.5 x 38 cm (18 ¼ x 15 inches)<br />
Stamped lower right, C. P.<br />
Circa 1884<br />
Provenance:<br />
Frankhauser<br />
Galerie Rousso, Paris (c.1948)<br />
Acquired in the 1950s by a Private Collection, France<br />
Galerie Pierre Levy, Paris<br />
Private Collection, France<br />
Exhibited:<br />
London, Marlborough Fine Art, French Masters of the XIX & XX Siècle, June, 1950, no.52<br />
Literature:<br />
Joachim <strong>Pissarro</strong> and Claire Durand-Ruel Snollaerts (Wildenstein Institute), <strong>Pissarro</strong>,Critical<br />
Catalogue of Paintings, 2005, no.753, Vol.III, p.501<br />
Ludovic-Rodo <strong>Pissarro</strong> knew of this painting and it is mentioned in the documents for the<br />
supplement to his 1939 catalogue raisonne of his father’s works
CAMILLE PISSARRO<br />
(1830-1903)<br />
Le Sentier<br />
Pastel on paper<br />
37.5 x 30 cm (14 ¾ x 11 ⅞ inches)<br />
Signed lower right, C.<strong>Pissarro</strong><br />
Circa 1889<br />
Provenance:<br />
Private Collection, France<br />
Literature:<br />
L.R. <strong>Pissarro</strong> and L.Venturi, Camille <strong>Pissarro</strong>, son art - son œuvre, Paris, 1939, Vol. I, No.1579,<br />
p.298, (Illustrated Vol. II, No.1579 pl.302)<br />
Joachim <strong>Pissarro</strong> and Claire Durand-Ruel Snollaerts (Wildenstein Institute), <strong>Pissarro</strong>,<br />
Critical Catalogue of Paintings, 2005, illustrated vol. III, p.572<br />
There is also an oil painting of the same subject, Le Sentier, Femmes Causant, 1889,<br />
(PV 731 / PDR 871) which is in the collection of the Detroit Institute of Arts
BERTHE MORISOT<br />
(1841-1895)<br />
Julie Manet Jouant au Violon en Robe Blance<br />
Oil on canvas<br />
84 x 60 cm (33 1/8 x 23 5/8 inches)<br />
Stamped lower left<br />
1894<br />
Provenance:<br />
Private Collection, New York<br />
Exhibited:<br />
Paris, Galerie Durand-Ruel, 1896, no.56<br />
Geneva, Galerie Motte, 1951, no.15<br />
Bilbao, Musée de Bellas Artes de Bilbao, Mujeres Impresionistas : la Otra Mirada,<br />
November 2001 - February 2002, no.58<br />
Lodeve, France, Musée de Lodeve, Berthe Morisot, Regards Pluriels, June - October 2006,<br />
no.32, p.218, illustrated p.219, p.294<br />
Literature:<br />
M. Angoulveni, Editions Albert Morane, Paris 1933, no.596<br />
M.L.Bataille & G. Wildenstein, Berthe Morisot : Catalogue des Peintures, Pastels &<br />
Aquarelles, Les Beaux Arts, Paris 1961, no. 375 (fig. 355)<br />
A.Clairet, D.Montalant, Y.Rouart, Berthe Morisot : Catalogue Raisonné de l'Œuvre Peint,<br />
Collection Le Catalogue-Cra-nrs, Montolivet 1997, no.380, p.299<br />
Julie Manet, the subject of this painting, was the daughter of Berthe Morisot and Eugène<br />
Manet (Edouard Manet's brother)
PIERRE BONNARD<br />
(1867-1947)<br />
Mere et Enfant<br />
Pastel<br />
19.5 x 19.5 cm (7 5/8 x 7 5/8 inches)<br />
Signed with monogram<br />
Circa 1890
EDOUARD VUILLARD<br />
(1868-1940)<br />
Portrait de Femme<br />
Oil on board<br />
46.5 x 53.5 cm<br />
Stamped with signature lower right<br />
Circa 1908<br />
Literature:<br />
A Critical Catalogue of Paintings and Pastels, Antoine Salomon - Guy Cogeval Skira -<br />
Wildenstein Institute, 2003, Vol. VII-431
ARM<strong>AND</strong> GUILLAUMIN<br />
(1841-1927)<br />
Pontcharra, Madame Guillaumin et sa Fille Marguerite<br />
Oil on canvas<br />
65 x 54 cm (25 ⅝ x 21 ¼ inches)<br />
Signed<br />
Circa 1901
ARM<strong>AND</strong> GUILLAUMIN<br />
(1841-1927)<br />
Le Roche de L'Echo, Creuse, 1895<br />
Oil on canvas<br />
73 x 92 cm<br />
Signed lower right, Guillaumin<br />
Provenance:<br />
Private Collection<br />
Arthur Tooth & Sons Ltd, London<br />
Private Collection, Sydney<br />
Exhibited:<br />
Australian Historical and Contemporary Paintings, Drawings and Sculpture<br />
Literature:<br />
Edouard des Couneres, Armand Guillaumin, Paris 1924, p.61<br />
Georges Senet et Dominique Fabiani, Armand Guillaumin: Catalogue Raisonne de l'oeuvre<br />
Peint, 1971, no 346
GEORGES D'ESPAGNAT<br />
(1870-1950)<br />
Bouquet de Roses<br />
Oil on canvas<br />
81 x 65 cm (31 x 25 inches)<br />
Signed upper left, GDE
ALBERT <strong>AND</strong>RÉ<br />
(1869-1954)<br />
Jeune Fille Assise à la Fenêtre devant le Jardin<br />
Oil on Canvas<br />
73.4 x 60.2 cm (28 ⅞ x 23 ¼ inches)<br />
Signed lower right, Albert André
LEOPOLD SURVAGE<br />
(1879-1968)<br />
Les Pecheurs, Collioure<br />
Oil on canvas<br />
97.5 x 100 cm (38 3/8 x 51 1/8 inches)<br />
Signed and dated ’31, lower right
GINO SEVERINI<br />
(1883-1966)<br />
Nature Morte aux Jolies Dentelles<br />
Oil on board<br />
33.3 x 41 cm (13.1 x 16.1 inches)<br />
Signed lower right, G.Severini<br />
Painted 1946<br />
Provenance;<br />
Collection Bourdeillette (Monsieur Bourdeillette was a French diplomat posted to Rome)<br />
Literature:<br />
Gino Severini Catalogue Raisonné by Daniela Ronti, Arnoldo Mondadori Editore, Editions<br />
Philippe Daverio, Milan, 1988, illustrated No. 30, page 622
JULES PASCIN<br />
(1885-1930)<br />
Seated Nude<br />
Oil on board<br />
61 x 55 cm (24 x 21 ⅞ inches)<br />
Signed lower right, Pascin
PABLO PICASSO<br />
(1881-1973)<br />
Standing Woman<br />
Bronze<br />
Cast and stamped by C.Valsuani-Paris<br />
Numbered 7/10<br />
Circa 1947<br />
Height: 24.6 cm (9 5/8 inches), Base: 8.5 x 7 cm (3 3/8 x 2 3/4 inches)
JEAN DUBUFFET<br />
(1901-1925)<br />
Fruits de Feu du Sol<br />
Oil and collage on paper, laid on canvas<br />
61 x 76.2 cm (24 x 30 inches)<br />
Signed and dated lower left, J. Dubuffet 59<br />
Provenance<br />
Galerie de France, Paris<br />
Galerie Knoedler, Paris<br />
Collection of Docter et Madame Milton Ratner, Chicago<br />
The David and Alfred Smart <strong>Gallery</strong>, Chicago<br />
Private Collection, France<br />
Exhibition<br />
Chicago, University of Chicago, Smart <strong>Gallery</strong>; Saint Louis, Missouri, Washington<br />
University <strong>Gallery</strong>, Jean Dubuffet, Forty Years of his Art, 1985 (illustrated in exhibition<br />
catalogue p. 70)<br />
Paris, Galerie de France - Galerie Baudoin-Lebon, Dubuffet, Sols et Terrain, 1956-1960,<br />
January-Mars 1988 (illustrated in exhibition catalogue p. 68).<br />
FRAC Auvergne, Jean Dubuffet, Alexandre Viallat: Les Années d'une Amitié, 1953-1971,<br />
June-September 1991, no.5 (illustrated in exhibition catalogue)<br />
Literature<br />
M. Loreau, Catalogue des Travaux de Jean Dubuffet, fascicule XIV: Célébration du sol II,<br />
texturologies, topographies, Lausanne, 1970, No. 181 (illustré p. 112).<br />
M. Loreau, Jean Dubuffet, Délits, Déportements, lieux du haut jeu, Lausanne, 1971, p. 277
<strong>AND</strong>RÉ LANSKOY<br />
(1902-1976)<br />
Untitled<br />
Gouache on paper<br />
50 x 65 cm (19 ⅝ x 25 ⅝ inches)<br />
Signed lower left LANSKOY
<strong>AND</strong>RÉ LANSKOY<br />
(1902-1976)<br />
Abstract Composition<br />
Oil on canvas<br />
50 x 65 cm (19 ⅝ x 25 ⅝ inches)<br />
Signed lower left LANSKOY<br />
Circa 1962
SERGE CHARCHOUNE<br />
(1888-1975)<br />
Ninth Symphonie de Beethoven<br />
Oil on canvas<br />
116 x 73 cm (45 5/8 x 28 3/4 inches)<br />
Signed and dated lower right, Charchoune 59
SERGE CHARCHOUNE<br />
(1888-1975)<br />
Untitled<br />
Oil on canvas<br />
116 x 73 cm (45 5/8 x 28 3/4 inches)<br />
Signed and dated lower right, Charchoune 1959
JANKEL ADLER<br />
(1895-1949)<br />
Flower Still Life<br />
Tempera on board<br />
64 x 48.5 cm (25 ¼ x 19 ⅛ inches)<br />
Signed centre left, Adler<br />
Circa 1928
ABRAHAM MINTCHINE<br />
(1898-1931)<br />
Still Life<br />
Mixed media on card, laid on canvas<br />
53.3 x 40.5 cm (21 x 16 inches)<br />
Signed upper right, A.Mintchine
PIERRE MONTEZIN<br />
(1874-1946)<br />
Cows Grazing in a Field<br />
Oil on board<br />
41 x 54 cm (16 ⅛ x 21 ¼ inches)<br />
Signed lower right, P Montezin
BLANCHE HOSCHEDE-MONET<br />
(1865-1947)<br />
Les Peupliers<br />
Oil on canvas<br />
64 x 47 cm (25 ¼ x 18 ½ inches)<br />
Signed lower left, B Hoschede Monet<br />
Provenance:<br />
Private Collection, France
BERNARD BUFFET<br />
(1928-1999)<br />
Bouquet de Fleurs Bleues<br />
Oil on plywood<br />
46 x 37 cm (18 ⅛ x 14 ⅝ inches)<br />
Signed upper right, Bernard Buffet
MOISE KISLING<br />
(1891-1953)<br />
Bouquet de Fleurs au Vase Blanc<br />
Oil on canvas<br />
30 x 22 cm (11 ¾ x 8 ⅝ inches)<br />
Signed lower left, Kisling and dated lower right, Paris 1947
GEORGES D'ESPAGNAT<br />
(1870-1950)<br />
French Beach Scene<br />
Watercolour on paper<br />
20 x 26 cm (7 ⅞ x 10 ¼ inches)<br />
Signed with initials lower right, GDE
JEAN DUFY<br />
(1888-1964)<br />
Bouquet des Fleurs<br />
Gouache on paper<br />
55 x 44 cm (21 ½ x 17 ¼ inches)<br />
Signed lower right, Jean Dufy<br />
Inscribed lower right
MANÉ-KATZ<br />
(1894-1962)<br />
Paysage<br />
Oil on canvas<br />
54 x 65 cm (21 ¼ x 25 ½ inches)<br />
Signed lower right, Mané Katz<br />
Literature:<br />
Robert S. Aries, Mané-Katz, The Complete Works, 1970, vol.1, page 149, no.493
MAURICE DE VLAMINCK<br />
(1876-1958)<br />
Village Scene<br />
Watercolour on paper<br />
33 x 41 cm (13 x 16 1/8 inches)<br />
Signed lower left, Vlaminck
HIPPOLYTE PETITJEAN<br />
(1854-1929)<br />
Nature Morte au Pichet et Marmite<br />
Oil on board<br />
24 x 37 cm (9 ½ x 14 ⅝ inches)<br />
Studio stamp, lower left<br />
Circa 1885
LUCIEN PISSARRO<br />
(1863-1944)<br />
The Golf Links, Acton (A June Morning)<br />
Oil on canvas<br />
46 x 55 cm (18 ⅛ x 21 ⅝ inches)<br />
Signed with monogram and dated 1906, lower right<br />
Provenance:<br />
Sir Henry Cavendish-Bentinck (from Carfax & Co. 1913)<br />
Sir Victor Schuster<br />
Literature:<br />
Anne Thorold, A Catalogue of the Oil Paintings of Lucien <strong>Pissarro</strong>, London 1983, p.78, No.109<br />
Exhibited:<br />
London, NEAC, November - December 1906, No.66<br />
London, Whitechapel Art <strong>Gallery</strong>, 1908, No.420<br />
Bremen, Grosse Kunstaussteillung, 1910, No.268<br />
London, Carfax & Co., 1913, No.29
GEORGES MANZANA PISSARRO<br />
(1871-1961)<br />
La Seine<br />
Oil on canvas<br />
50 x 65 cm (19 ¾ x 25 ½ inches)<br />
Signed and dated lower left, G.Manzana 1902<br />
Exhibited:<br />
Fort Lauderdale, Museum of Art, Camille <strong>Pissarro</strong> and his Descendants, January-April 2000,<br />
No.99
GEORGES MANZANA PISSARRO<br />
(1871-1961)<br />
Moret sur Loing<br />
Oil on canvas<br />
54 x 65 cm (21 1/4 x 25 5/8 inches)<br />
Signed and dated lower right, G.Manzana 1901<br />
Exhibited:<br />
Tel Aviv, Museum of Art, Fragmented Mirror, Exhibition of Jewish Artists, Berlin 1907,<br />
June - October 2009
MICHEL KIKOINE<br />
(1892-1968)<br />
Paysage de Banlieue<br />
Oil on canvas<br />
53 x 64 cm (20 7/8 x 25 1/4 inches)<br />
Signed lower right, Kikoine<br />
Painted circa 1910-15<br />
Literature:<br />
Jean Cassou, Edouard, Roditi, Mendel Mann, Jacques Yankel, Kikoine, L’Edition d’art<br />
H.Piazza, 1973, page 232, No.9
ALEX<strong>AND</strong>ER ALTMANN<br />
(1906-1987)<br />
Winter Landscape<br />
Oil on canvas<br />
65 x 85 cm (25 ⅝ x 33 ½ inches)<br />
Signed lower left, Alexander Altmann
CLAUDE VENARD<br />
(1913-1999)<br />
Still Life<br />
Oil on canvas<br />
33 x 41 cm (13 x 16 ⅛ inches)<br />
Signed lower right, C.VENARD