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IMPRESSIONIST AND MODERN ART - Stern Pissarro Gallery

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<strong>IMPRESSIONIST</strong><br />

<strong>AND</strong><br />

<strong>MODERN</strong> <strong>ART</strong><br />

4th - 24th February, 2011<br />

66 St. James's Street, London SW1A 1NE, UK<br />

T +44 (0)20 7629 6662 W +44 (0)20 7409 0077 stern@pissarro.com www.pissarro.com


ALFRED SISLEY<br />

(1839-1899)<br />

La Seine à Saint-Cloud<br />

Oil on canvas<br />

37.7 x 55.3 cm (14 ½ x 17 ¾ inches)<br />

Signed and dated 1877<br />

Literature:<br />

François Daulte, Alfred Sisley, Catalogue Raisonné de l’Oeuvre Peint, No.257<br />

Exhibited:<br />

London, Royal Academy of Arts, Exhibition of French Art 1200 -1900, 1932, no. 53


ALFRED SISLEY<br />

(1839-1899)<br />

Cabanes au Bord du Loing<br />

Oil on canvas<br />

46 x 55 cm (18 ⅛ x 21⅝ inches)<br />

Signed and dated lower left, Sisley 96<br />

Provenance:<br />

Collection Georges Petit, Paris<br />

Private Collection, Paris<br />

Literature:<br />

François Daulte, Alfred Sisley, Catalogue Raisonné de l’Oeuvre Peint, Lausanne 1959, No. 855<br />

Exhibited:<br />

Paris, Galerie Georges Petit, A.Sisley, February 1897, No.126<br />

Paris, Temps Forts de Drouot Montaigne, 18th - 20th May, 2009


CAMILLE PISSARRO<br />

(1830-1903)<br />

Le Chemin, Paysage Hivernal<br />

Oil on canvas<br />

37.5 x 28.5 cm (14¾ x 11¼ inches)<br />

Signed and dated lower right, C. <strong>Pissarro</strong> 1862<br />

Provenance:<br />

Mme Feyeux, Paris<br />

Bénézit Collection, Paris<br />

E.J. van Wisselingh, Amsterdam (bought 1952)<br />

Private Collection, New York (bought from E.J. Wisselingh 1955)<br />

Private Collection, Paris<br />

Exhibited:<br />

Amsterdam, E.J. van Wisselingh & Co., Maîtres Français des XIX et XX Siècles, June-July<br />

1952, Cat.No. 25<br />

Literature:<br />

Joachim <strong>Pissarro</strong> and Claire Durand-Ruel Snollaerts (Wildenstein Institute), <strong>Pissarro</strong>,Critical<br />

Catalogue of Paintings, 2005, no.63, vol.II, page 74<br />

A drawing by Camille <strong>Pissarro</strong> exists, based on a similar motif.


CAMILLE PISSARRO<br />

(1830-1903)<br />

Cheval Blanc et Tombereau<br />

Oil on panel<br />

24.3 x 33 cm (9¾ x 13 inches)<br />

Signed and dated lower left, C.<strong>Pissarro</strong> 1862<br />

Provenance:<br />

Paul Molinard, Paris<br />

Mme. Sorel<br />

Private Collection, Montecatini, Italy<br />

Exhibited:<br />

Kobe, Hyogo Prefectural Museum of Modern Art, The Rediscovery of Nature, Landscape in<br />

the Nineteenth Century, November 1983, No.T27. The exhibition later travelled to Iwate.<br />

The Iwatekenmin Kaikan; Saitama, The Museum of Modern Art; Hiroshima, The Hiroshima<br />

Prefectural Museum; Kitakyushu, The Kitakyushu Municipal Museum of Art<br />

Literature:<br />

L.R. <strong>Pissarro</strong> and L.Venturi, Camille <strong>Pissarro</strong>, son art - son œuvre, Paris, 1939, Vol. I, no.21,<br />

p.80 (Illustrated Vol. II, pl.4)<br />

K.S. Champs, Studies in Early Impressionism, New Haven/London, 1973, p.69 (illus. fig.95)<br />

Joachim <strong>Pissarro</strong> and Claire Durand-Ruel Snollaerts (Wildenstein Institute), <strong>Pissarro</strong>,<br />

Critical Catalogue of Paintings, Milan/Paris, 2005, no.59, vol.II, p.79


CAMILLE PISSARRO<br />

(1830-1903)<br />

Lisière du Bois<br />

Oil on canvas<br />

25.5 x 37 cm (10 x 14 9/16 inches)<br />

Signed and dated lower left, C. <strong>Pissarro</strong> 67<br />

Provenance :<br />

Galerie Romanet, Paris<br />

Private Collection, Switzerland<br />

Literature:<br />

Joachim <strong>Pissarro</strong> and Claire Durand-Ruel Snollaerts (Wildenstein Institute), <strong>Pissarro</strong>,<br />

Critical Catalogue of Paintings, 2005, no.113, Vol.II, p.105


CAMILLE PISSARRO<br />

(1830-1903)<br />

Basse-cour avec Poules et Canards, la Maison Rouge, Pontoise<br />

Oil on canvas<br />

27 x 35 cm (11 5/8 x 13 3/4 inches)<br />

Signed and dated lower left, C.<strong>Pissarro</strong> 1877<br />

Provenance:<br />

Private Collection<br />

Dennis Hotz Fine Art<br />

Private Collection<br />

Literature:<br />

Joachim <strong>Pissarro</strong> and Claire Durand-Ruel Snollaerts (Wildenstein Institute), <strong>Pissarro</strong>,<br />

Critical Catalogue of Paintings, 2005, No.501, Vol.II, p.354


CAMILLE PISSARRO<br />

(1830-1903)<br />

Les Carrières du Chou, Pontoise<br />

Oil on canvas<br />

54.2 x 65.7 cm (21 3/8 x 25 7/8 inches)<br />

Signed and dated lower right, C. <strong>Pissarro</strong> 1882<br />

Provenance:<br />

Julie <strong>Pissarro</strong> (the artist's wife), Éragny<br />

Lucien <strong>Pissarro</strong> (the artist's son), London.<br />

P. Voûte, Baarn and Amsterdam, by 1939.<br />

E.J. van Wisselingh, Amsterdam<br />

Private collection, The Netherlands<br />

Zen International Fine Art, Tokyo<br />

Exhibition:<br />

Paris, 9 Boulevard de la Madeleine, Oeuvres de Camille <strong>Pissarro</strong>, May 1883, no. 69.<br />

Paris, Galerie Durand-Ruel, Camille <strong>Pissarro</strong>, April 1904, no. 68.<br />

Paris, Galerie Manzi-Joyant, Exposition Rétrospective d'oeuvres de Camille <strong>Pissarro</strong>,<br />

January - February 1914, no. 46.<br />

London, The Leicester Galleries, Memorial Exhibition of the Works of Camille <strong>Pissarro</strong>, May<br />

1920, no. 68.<br />

Paris, Galerie Nunès & Fiquet, Exposition de la collection de Madame Veuve Camille<br />

<strong>Pissarro</strong>, May - June 1921, no. 12.<br />

Tokyo, Zen International Fine Art, Five Masterpieces of Impressionist Paintings, April 1991<br />

Literature:<br />

E. Jacques, Beaux-Arts, Exposition de M. <strong>Pissarro</strong> in L'Intransigeant, 14 May 1883. p. 2.<br />

J. Meier-Graffe, Camille <strong>Pissarro</strong>, in Kunst und Künstler, September 1904, p. 484.<br />

Recent Art Exhibitions. <strong>Pissarro</strong>, Fantin and Others, in The Nottingham Guardian, 14 May<br />

1920, p. 4.<br />

F. Rutter, The Galleries. Camille <strong>Pissarro</strong> and the London Group, in The Sunday Times, 16<br />

May 1920, p. 5.<br />

Art. A Great Impressionist, in Truth, 19 May 1920, p. 978.<br />

G. Lecomte, Camille <strong>Pissarro</strong>, Paris, 1922, p. 64 (illustrated).<br />

L-R. <strong>Pissarro</strong> & L. Venturi, Camille <strong>Pissarro</strong>, son art - son oeuvre, vol. I, Paris, 1939, no.<br />

559, p. 160 (illustrated vol. II, pl. 115).<br />

J. Rewald, <strong>Pissarro</strong>, London, 1963 (illustrated p. 35).<br />

F. Cachin, Some Notes on <strong>Pissarro</strong> and Symbolism, in Studies on Camille <strong>Pissarro</strong>, London<br />

and New York, 1986, p. 96 (erroneously referenced as <strong>Pissarro</strong> & Venturi, 1939, no. 595).<br />

J. Rewald, Camille <strong>Pissarro</strong>, Paris and New York, 1989, p. 35 (illustrated).<br />

J. Rewald, Camille <strong>Pissarro</strong>, London, 1991, p. 35 (illustrated).<br />

R.R. Brettell, <strong>Pissarro</strong> and Pontoise, the Painter in a Landscape, London, 1990, p. 54<br />

(illustrated p. 55, fig. 51).<br />

J. Pisssarro & C. Durand-Ruel Snollaerts, <strong>Pissarro</strong>, Catalogue Critique des Peintures, vol. II,<br />

Paris, 2005, no. 695, pp. 462-463 (illustrated p. 463)


CAMILLE PISSARRO<br />

(1830-1903)<br />

Entrée du Village d’Eragny<br />

Oil on canvas<br />

46.5 x 38 cm (18 ¼ x 15 inches)<br />

Stamped lower right, C. P.<br />

Circa 1884<br />

Provenance:<br />

Frankhauser<br />

Galerie Rousso, Paris (c.1948)<br />

Acquired in the 1950s by a Private Collection, France<br />

Galerie Pierre Levy, Paris<br />

Private Collection, France<br />

Exhibited:<br />

London, Marlborough Fine Art, French Masters of the XIX & XX Siècle, June, 1950, no.52<br />

Literature:<br />

Joachim <strong>Pissarro</strong> and Claire Durand-Ruel Snollaerts (Wildenstein Institute), <strong>Pissarro</strong>,Critical<br />

Catalogue of Paintings, 2005, no.753, Vol.III, p.501<br />

Ludovic-Rodo <strong>Pissarro</strong> knew of this painting and it is mentioned in the documents for the<br />

supplement to his 1939 catalogue raisonne of his father’s works


CAMILLE PISSARRO<br />

(1830-1903)<br />

Le Sentier<br />

Pastel on paper<br />

37.5 x 30 cm (14 ¾ x 11 ⅞ inches)<br />

Signed lower right, C.<strong>Pissarro</strong><br />

Circa 1889<br />

Provenance:<br />

Private Collection, France<br />

Literature:<br />

L.R. <strong>Pissarro</strong> and L.Venturi, Camille <strong>Pissarro</strong>, son art - son œuvre, Paris, 1939, Vol. I, No.1579,<br />

p.298, (Illustrated Vol. II, No.1579 pl.302)<br />

Joachim <strong>Pissarro</strong> and Claire Durand-Ruel Snollaerts (Wildenstein Institute), <strong>Pissarro</strong>,<br />

Critical Catalogue of Paintings, 2005, illustrated vol. III, p.572<br />

There is also an oil painting of the same subject, Le Sentier, Femmes Causant, 1889,<br />

(PV 731 / PDR 871) which is in the collection of the Detroit Institute of Arts


BERTHE MORISOT<br />

(1841-1895)<br />

Julie Manet Jouant au Violon en Robe Blance<br />

Oil on canvas<br />

84 x 60 cm (33 1/8 x 23 5/8 inches)<br />

Stamped lower left<br />

1894<br />

Provenance:<br />

Private Collection, New York<br />

Exhibited:<br />

Paris, Galerie Durand-Ruel, 1896, no.56<br />

Geneva, Galerie Motte, 1951, no.15<br />

Bilbao, Musée de Bellas Artes de Bilbao, Mujeres Impresionistas : la Otra Mirada,<br />

November 2001 - February 2002, no.58<br />

Lodeve, France, Musée de Lodeve, Berthe Morisot, Regards Pluriels, June - October 2006,<br />

no.32, p.218, illustrated p.219, p.294<br />

Literature:<br />

M. Angoulveni, Editions Albert Morane, Paris 1933, no.596<br />

M.L.Bataille & G. Wildenstein, Berthe Morisot : Catalogue des Peintures, Pastels &<br />

Aquarelles, Les Beaux Arts, Paris 1961, no. 375 (fig. 355)<br />

A.Clairet, D.Montalant, Y.Rouart, Berthe Morisot : Catalogue Raisonné de l'Œuvre Peint,<br />

Collection Le Catalogue-Cra-nrs, Montolivet 1997, no.380, p.299<br />

Julie Manet, the subject of this painting, was the daughter of Berthe Morisot and Eugène<br />

Manet (Edouard Manet's brother)


PIERRE BONNARD<br />

(1867-1947)<br />

Mere et Enfant<br />

Pastel<br />

19.5 x 19.5 cm (7 5/8 x 7 5/8 inches)<br />

Signed with monogram<br />

Circa 1890


EDOUARD VUILLARD<br />

(1868-1940)<br />

Portrait de Femme<br />

Oil on board<br />

46.5 x 53.5 cm<br />

Stamped with signature lower right<br />

Circa 1908<br />

Literature:<br />

A Critical Catalogue of Paintings and Pastels, Antoine Salomon - Guy Cogeval Skira -<br />

Wildenstein Institute, 2003, Vol. VII-431


ARM<strong>AND</strong> GUILLAUMIN<br />

(1841-1927)<br />

Pontcharra, Madame Guillaumin et sa Fille Marguerite<br />

Oil on canvas<br />

65 x 54 cm (25 ⅝ x 21 ¼ inches)<br />

Signed<br />

Circa 1901


ARM<strong>AND</strong> GUILLAUMIN<br />

(1841-1927)<br />

Le Roche de L'Echo, Creuse, 1895<br />

Oil on canvas<br />

73 x 92 cm<br />

Signed lower right, Guillaumin<br />

Provenance:<br />

Private Collection<br />

Arthur Tooth & Sons Ltd, London<br />

Private Collection, Sydney<br />

Exhibited:<br />

Australian Historical and Contemporary Paintings, Drawings and Sculpture<br />

Literature:<br />

Edouard des Couneres, Armand Guillaumin, Paris 1924, p.61<br />

Georges Senet et Dominique Fabiani, Armand Guillaumin: Catalogue Raisonne de l'oeuvre<br />

Peint, 1971, no 346


GEORGES D'ESPAGNAT<br />

(1870-1950)<br />

Bouquet de Roses<br />

Oil on canvas<br />

81 x 65 cm (31 x 25 inches)<br />

Signed upper left, GDE


ALBERT <strong>AND</strong>RÉ<br />

(1869-1954)<br />

Jeune Fille Assise à la Fenêtre devant le Jardin<br />

Oil on Canvas<br />

73.4 x 60.2 cm (28 ⅞ x 23 ¼ inches)<br />

Signed lower right, Albert André


LEOPOLD SURVAGE<br />

(1879-1968)<br />

Les Pecheurs, Collioure<br />

Oil on canvas<br />

97.5 x 100 cm (38 3/8 x 51 1/8 inches)<br />

Signed and dated ’31, lower right


GINO SEVERINI<br />

(1883-1966)<br />

Nature Morte aux Jolies Dentelles<br />

Oil on board<br />

33.3 x 41 cm (13.1 x 16.1 inches)<br />

Signed lower right, G.Severini<br />

Painted 1946<br />

Provenance;<br />

Collection Bourdeillette (Monsieur Bourdeillette was a French diplomat posted to Rome)<br />

Literature:<br />

Gino Severini Catalogue Raisonné by Daniela Ronti, Arnoldo Mondadori Editore, Editions<br />

Philippe Daverio, Milan, 1988, illustrated No. 30, page 622


JULES PASCIN<br />

(1885-1930)<br />

Seated Nude<br />

Oil on board<br />

61 x 55 cm (24 x 21 ⅞ inches)<br />

Signed lower right, Pascin


PABLO PICASSO<br />

(1881-1973)<br />

Standing Woman<br />

Bronze<br />

Cast and stamped by C.Valsuani-Paris<br />

Numbered 7/10<br />

Circa 1947<br />

Height: 24.6 cm (9 5/8 inches), Base: 8.5 x 7 cm (3 3/8 x 2 3/4 inches)


JEAN DUBUFFET<br />

(1901-1925)<br />

Fruits de Feu du Sol<br />

Oil and collage on paper, laid on canvas<br />

61 x 76.2 cm (24 x 30 inches)<br />

Signed and dated lower left, J. Dubuffet 59<br />

Provenance<br />

Galerie de France, Paris<br />

Galerie Knoedler, Paris<br />

Collection of Docter et Madame Milton Ratner, Chicago<br />

The David and Alfred Smart <strong>Gallery</strong>, Chicago<br />

Private Collection, France<br />

Exhibition<br />

Chicago, University of Chicago, Smart <strong>Gallery</strong>; Saint Louis, Missouri, Washington<br />

University <strong>Gallery</strong>, Jean Dubuffet, Forty Years of his Art, 1985 (illustrated in exhibition<br />

catalogue p. 70)<br />

Paris, Galerie de France - Galerie Baudoin-Lebon, Dubuffet, Sols et Terrain, 1956-1960,<br />

January-Mars 1988 (illustrated in exhibition catalogue p. 68).<br />

FRAC Auvergne, Jean Dubuffet, Alexandre Viallat: Les Années d'une Amitié, 1953-1971,<br />

June-September 1991, no.5 (illustrated in exhibition catalogue)<br />

Literature<br />

M. Loreau, Catalogue des Travaux de Jean Dubuffet, fascicule XIV: Célébration du sol II,<br />

texturologies, topographies, Lausanne, 1970, No. 181 (illustré p. 112).<br />

M. Loreau, Jean Dubuffet, Délits, Déportements, lieux du haut jeu, Lausanne, 1971, p. 277


<strong>AND</strong>RÉ LANSKOY<br />

(1902-1976)<br />

Untitled<br />

Gouache on paper<br />

50 x 65 cm (19 ⅝ x 25 ⅝ inches)<br />

Signed lower left LANSKOY


<strong>AND</strong>RÉ LANSKOY<br />

(1902-1976)<br />

Abstract Composition<br />

Oil on canvas<br />

50 x 65 cm (19 ⅝ x 25 ⅝ inches)<br />

Signed lower left LANSKOY<br />

Circa 1962


SERGE CHARCHOUNE<br />

(1888-1975)<br />

Ninth Symphonie de Beethoven<br />

Oil on canvas<br />

116 x 73 cm (45 5/8 x 28 3/4 inches)<br />

Signed and dated lower right, Charchoune 59


SERGE CHARCHOUNE<br />

(1888-1975)<br />

Untitled<br />

Oil on canvas<br />

116 x 73 cm (45 5/8 x 28 3/4 inches)<br />

Signed and dated lower right, Charchoune 1959


JANKEL ADLER<br />

(1895-1949)<br />

Flower Still Life<br />

Tempera on board<br />

64 x 48.5 cm (25 ¼ x 19 ⅛ inches)<br />

Signed centre left, Adler<br />

Circa 1928


ABRAHAM MINTCHINE<br />

(1898-1931)<br />

Still Life<br />

Mixed media on card, laid on canvas<br />

53.3 x 40.5 cm (21 x 16 inches)<br />

Signed upper right, A.Mintchine


PIERRE MONTEZIN<br />

(1874-1946)<br />

Cows Grazing in a Field<br />

Oil on board<br />

41 x 54 cm (16 ⅛ x 21 ¼ inches)<br />

Signed lower right, P Montezin


BLANCHE HOSCHEDE-MONET<br />

(1865-1947)<br />

Les Peupliers<br />

Oil on canvas<br />

64 x 47 cm (25 ¼ x 18 ½ inches)<br />

Signed lower left, B Hoschede Monet<br />

Provenance:<br />

Private Collection, France


BERNARD BUFFET<br />

(1928-1999)<br />

Bouquet de Fleurs Bleues<br />

Oil on plywood<br />

46 x 37 cm (18 ⅛ x 14 ⅝ inches)<br />

Signed upper right, Bernard Buffet


MOISE KISLING<br />

(1891-1953)<br />

Bouquet de Fleurs au Vase Blanc<br />

Oil on canvas<br />

30 x 22 cm (11 ¾ x 8 ⅝ inches)<br />

Signed lower left, Kisling and dated lower right, Paris 1947


GEORGES D'ESPAGNAT<br />

(1870-1950)<br />

French Beach Scene<br />

Watercolour on paper<br />

20 x 26 cm (7 ⅞ x 10 ¼ inches)<br />

Signed with initials lower right, GDE


JEAN DUFY<br />

(1888-1964)<br />

Bouquet des Fleurs<br />

Gouache on paper<br />

55 x 44 cm (21 ½ x 17 ¼ inches)<br />

Signed lower right, Jean Dufy<br />

Inscribed lower right


MANÉ-KATZ<br />

(1894-1962)<br />

Paysage<br />

Oil on canvas<br />

54 x 65 cm (21 ¼ x 25 ½ inches)<br />

Signed lower right, Mané Katz<br />

Literature:<br />

Robert S. Aries, Mané-Katz, The Complete Works, 1970, vol.1, page 149, no.493


MAURICE DE VLAMINCK<br />

(1876-1958)<br />

Village Scene<br />

Watercolour on paper<br />

33 x 41 cm (13 x 16 1/8 inches)<br />

Signed lower left, Vlaminck


HIPPOLYTE PETITJEAN<br />

(1854-1929)<br />

Nature Morte au Pichet et Marmite<br />

Oil on board<br />

24 x 37 cm (9 ½ x 14 ⅝ inches)<br />

Studio stamp, lower left<br />

Circa 1885


LUCIEN PISSARRO<br />

(1863-1944)<br />

The Golf Links, Acton (A June Morning)<br />

Oil on canvas<br />

46 x 55 cm (18 ⅛ x 21 ⅝ inches)<br />

Signed with monogram and dated 1906, lower right<br />

Provenance:<br />

Sir Henry Cavendish-Bentinck (from Carfax & Co. 1913)<br />

Sir Victor Schuster<br />

Literature:<br />

Anne Thorold, A Catalogue of the Oil Paintings of Lucien <strong>Pissarro</strong>, London 1983, p.78, No.109<br />

Exhibited:<br />

London, NEAC, November - December 1906, No.66<br />

London, Whitechapel Art <strong>Gallery</strong>, 1908, No.420<br />

Bremen, Grosse Kunstaussteillung, 1910, No.268<br />

London, Carfax & Co., 1913, No.29


GEORGES MANZANA PISSARRO<br />

(1871-1961)<br />

La Seine<br />

Oil on canvas<br />

50 x 65 cm (19 ¾ x 25 ½ inches)<br />

Signed and dated lower left, G.Manzana 1902<br />

Exhibited:<br />

Fort Lauderdale, Museum of Art, Camille <strong>Pissarro</strong> and his Descendants, January-April 2000,<br />

No.99


GEORGES MANZANA PISSARRO<br />

(1871-1961)<br />

Moret sur Loing<br />

Oil on canvas<br />

54 x 65 cm (21 1/4 x 25 5/8 inches)<br />

Signed and dated lower right, G.Manzana 1901<br />

Exhibited:<br />

Tel Aviv, Museum of Art, Fragmented Mirror, Exhibition of Jewish Artists, Berlin 1907,<br />

June - October 2009


MICHEL KIKOINE<br />

(1892-1968)<br />

Paysage de Banlieue<br />

Oil on canvas<br />

53 x 64 cm (20 7/8 x 25 1/4 inches)<br />

Signed lower right, Kikoine<br />

Painted circa 1910-15<br />

Literature:<br />

Jean Cassou, Edouard, Roditi, Mendel Mann, Jacques Yankel, Kikoine, L’Edition d’art<br />

H.Piazza, 1973, page 232, No.9


ALEX<strong>AND</strong>ER ALTMANN<br />

(1906-1987)<br />

Winter Landscape<br />

Oil on canvas<br />

65 x 85 cm (25 ⅝ x 33 ½ inches)<br />

Signed lower left, Alexander Altmann


CLAUDE VENARD<br />

(1913-1999)<br />

Still Life<br />

Oil on canvas<br />

33 x 41 cm (13 x 16 ⅛ inches)<br />

Signed lower right, C.VENARD

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