estar base - Svet Filma

KODAK, VISION, EASTMAN, EXR, KODACHROME, PLUS-X, DOUBLE-X, 

KEYKODE, 5201,7201, 5212, 7212, 5274, 7274, 5217, 7217, 5205, 7205, 

5229, 7229, 5218, 7218, 5279,7279, 7299, 5231, 7231, 5222, 7222, 

5285, 7285, 7270, 7265, 7266, 2383, 3383, 2393, 2395, 3395, 5302, 

7302, 2302, 3302, 5360, 7360, 7361, 2242, 3242, 5242, 7242, 2272, 

3272, 5272, 7272, 2234, 3234, 5234, 7234, 2365, 2366, 3366, 5366, 

7366, 5363, 7363, 2369, 5369, 2238, 2376, 2374, 2378, 3378, 7280, 

5983, 5981, 2378, 3378, 2374 and WRATTEN are trade marks. 

Please contact your local Kodak Motion Picture 

representative for additional information. 

For more information about Kodak product 

please visit www.kodak.com/go/motion.

Dear Customer, 

I hope you find this new product 

catalogue from Kodak helpful and 

informative. 

Kodak has a reputation for 

developing new and improved products 

for the motion picture industry. We are 

pleased to show that this continues with 

the introduction of the new KODAK 

VISION2 50D negative film stock. This 

stock completes the VISION2 family and 

we have been delighted by the way these 

products have been so well received by 

filmmakers. 

But, negative films are not the 

only area where Kodak continues to 

invest in research and development. The 

wide range of products shown in this 

catalogue, all designed to give you, the 

filmmaker, better tools to help with your 

creativity, continues to be enhanced and 

improved. 

I hope this catalogue helps you 

identify the products which are right for 

you. As always, your local Kodak contact 

will be pleased to help with further 

information, or you can visit our website 

www.kodak.com/go/motion. 

Regards, 

Peter Boyce 

General Manager, Entertainment Imaging 

Central & Eastern Europe, 

Middle East & Africa 

Eastman Kodak Company

Welcome 2 

Contents 3 

COLOR NEGATIVE CAMERA FILMS 

KODAK VISION2 50D 5201/7201- new 5 

KODAK VISION2 100T 5212/7212 6 

KODAK VISION 200T 5274/7274 7 

KODAK VISION2 200T 5217/7217 8 

KODAK VISION2 250D 5205/7205 9 

KODAK VISION2 500T 5218/7218 10 

KODAK VISION 500T 5279/7279 11 

KODAK VISION2 Expression 500T 5229/7229 12 

COLOR SCAN FILMS 

KODAK VISION2 HD 7299HD 13 

BLACK & WHITE NEGATIVE CAMERA FILMS 

EASTMAN DOUBLE-X 5222/7222 14 

EASTMAN PLUS-X 5231/7231 15 

BLACK & WHITE REVERSAL CAMERA FILMS 

KODAK PLUS-X B&W Reversal Film 7265 16 

KODAK TRI-X B&W Reversal Film 7266 16 

COLOR REVERSAL CAMERA FILMS 

KODAK EKTACHROME 100D 5285/7285 17 

KODACHROME 40 Movie Film 7270 17 

COLOR PRINT FILMS 

KODAK VISION Color Print Film 2383/3383 18 

KODAK VISION Premier Color Print Film 2393 19 

KODAK VISION Color Teleprint Film 2395/3395 20 

BLACK & WHITE PRINT FILMS 

EASTMAN Fine Grain Release Positive Film 5302/7302 21 

KODAK Black-and-White Print Film 2302/3302 21 

EASTMAN Direct MP Film 5360/7360 22 

EASTMAN Reversal Black & White Print Film 7361 22 

COLOR INTERMEDIATE FILMS 

KODAK VISION Color Intermediate Film 2242/3242/5242/7242 23 

EASTMAN Color Internegative II Film 2272/3272 (Estar base) 24 

EASTMAN Color Internegative II Film 5272/7272 24 

BLACK & WHITE INTERMEDIATE FILMS 

EASTMAN Fine Grain Duplicating Panchromatic Negative Film 2234/3234/5234/7234 25 

KODAK Fine Grain Duplicating Positive Film 2366/3366 26 

EASTMAN Fine Grain Duplicating Positive Film 5366/7366 26 

EASTMAN High Contrast Positive Film II 5363/7363 27 

EASTMAN High Contrast Panchromatic Film 2369/5369 27 

KODAK Panchromatic Separation Film 2238 27 

SOUND RECORDING FILMS 

KODAK Panchromatic Sound Recording Film 2376 28 

KODAK Panchromatic Sound Recording Film 2374 28 

EASTMAN EXR Sound Recording Film 2378/3378 28 

SUPER 8MM FILM 

Color Reversal Films 

KODAK EKTACHROME 64 T. 7280 29 

Black & White Reversal Films 

KODAK PLUS-X B&W Reversal Film 7265 29 

KODAK TRI-X B&W Reversal Film 7266 29 

Color Negative Films 

KODAK VISION2 200T Color Negative Film 7217 30 

KODAK VISION2 500T Color Negative Film 7218 30 

CHEMICALS 

Chemicals 31 

KODAK ECN-2 Kit Chemicals 31 

KODAK ECP-2D Kit Chemicals 32 

KODAK VNF Chemicals 32 

KODAK Black-and-White Reversal Kit Chemicals 32 

MISCELLANEOUS 

EASTMAN Clear Leader 2988 33 

KODAK Color Positive Leader SO-227 33 

EASTMAN KEYKODE Numbers Verification Film 34 

Control Strips 34 

LAD 35mm/16mm 34 

FILTERS 

KODAK WRATTEN Gelatin Filters 

Special Dye Color Filters 35 

Color Conversion Filters 35 

Basic Color Filters 36 

Neutral Density No. 96 Filters 36 

Color Compensating Filters 37 

Light Balancing Filters 38 

Infrared Filters 38 

Other Filters and Filter Products 38 

FPC 39 

KODAK Look Manager System 42 

KODAK Display Manager System 43 

KODAK Cinelabs 44 

KODAK Cinelabs contacts 45 

KODAK Digital Cinema 46 

KODAK Cinesite 47 

CONTACT INFORMATION 48 

GENERAL TERMS AND REFERENCE INFORMATION 

Description of Specification Numbers 50 

Winding Designations 51 

Perforation Types Metric 51 

Running Time/Length Conversion Table 52 

Description of Specification Numbers 52 

HOW TO READ A FILM CAN LABEL 53

65 mm 

RL 65mm 5201 120 KK 1866 1000 SPS 332 

35 mm 

RL 5201 30,5M BH 1866 100 SP 417 

RL 5201 122M N 4740 BH.U 400 SP 718 

RL 5201 305M N 4740 BH.U 1000 SP 718 

RL 5201 610M BH.U 2000 SP 239 

16 mm 

RL 7201 30,5M PRF 1 R90 100 SP 455 

RL 7201 61M 1R EO A-Minima 200 SP 445 

RL 7201 122M PRF1 T WND-B 400 SP 457 

RL 7201 244M P1 Z WNB 800 SP 458 

KODAK VISION2 50D 

Color Negative Film 

EI 50/18° (Daylight) 

EI 12/12° W 80A (Tungsten) 

KODAK VISION2 50D Color Negative Film is a 

low-speed daylight film with an expansive 

dynamic range that delivers more detail in 

shadow areas even in high contrast 

situations. Advances in grain and sharpness 

found in all VISION2 Films make it ideal for 

recorder output and provide an ultra-clean, 

detailed image in any lighting condition. 

KODAK VISION2 50D is the latest addition to 

the VISION2 Film family a lineup of films 

created specifically for both film and digital 

postproduction. All VISION2 Films offer 

excellent tone scale and flesh-to-neutral 

reproduction while maintaining neutrality 

through the full range of exposures. 

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7201 

KODAK VISION2 100T 


EI 100/21° (Tungsten) 

EI 64/19° W 85 (Daylight) 

This film is a low speed, tungsten-balanced, 

the sharpest color negative motion picture 

film available. The toe speed has been 

optimized to give enhanced shadow detail 

and improved shadow neutrality. It delivers 

true, natural color over a wide range of 

exposures. The curve shape of this film is very 

linear contributing to the overall neutrality 

and flesh-to-neutral tone reproduction. The 

neutral tone scale provides easier color 

timing and grading in post-production. This 

film delivers superior performance for visual 

effects and digital compositing. Now you can 

shoot all scenes for digital compositing on 

one stock. KODAK VISION2 100T Color 

Negative Film. Tell your story from the 

beginning to the very last detail. 

5212 

65 mm 

RL 65MM 5212 120 KK KS-1866 1000 SP332 FTO 

35 mm 

R 5212 100 35 BH 1866 SP 417 

R 5212 200 35 BH 1866 SP 718 

R 5212 122.35N 4740 EI.U SP 718 

R 5212 305.35N 4740 EI.U SP 718 

7212 

16 mm 

C 7212 30.5 16 1R 7605 EIB SP 455 

R 7212 100 16 2R 2994 SP 449 FTO 

R 7212 61 16 1R 7605 EO SP 445/A-Minima 

R 7212 122 16 1R 7605 EI B T SP 457 

R 7212 122 16 2R 2994 SP 451 

R 7212 244 16 1R 2994 Winding B SP 458 FTO 

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65 mm 

RL 5274 305.65N 120KK VXM 332 

35 mm 

RL 35MM 5274 200T BH S-83 100 VXM 417 F TO 

RL 35MM 5274 200T BH U 200 VXM 718 FTO 

R 5274 122.35N 4740 EI.U SP 718 

R 5274 305.35N 4740 EI.U SP 718 

16 mm 

C 7274 30 16 1R R90 VXM 455 

C 7274 61 16 1R 7605 EO SP 445/A-Minima 

R 7274 122 16 2994 1R Winding B VXM 457 

R 7274 244 16 1R 7605 EIB Z SP 458 

R 7274 366 1R-2994 VXM 458 

KODAK VISION 200T 


EI 200/24 ° (Tungsten) 

EI 125/22 ° W 85 (Daylight) 

The remarkable sharpness and exceptionally 

fine grain of this tungsten balanced film set it 

apart from other medium-speed products.It 

features all the color, contrast,and latitude 

filmmakers have come to expect from the 

family of KODAK Motion Picture Products. 

And, it intercuts beautifully with other 

KODAK Color Negative Motion Picture Films. 

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5274 

7274 





This is highly versatile and reliable mediumspeed, 

tungsten-balanced color negative 

film. This film delivers superior performance 

for visual effects and digital compositing. 

Now you can shoot all scenes for digital 

compositing on one stock. The toe speed has 

been optimized to give enhanced shadow 

detail and improved shadow neutrality. It 

delivers true, natural color over a wide range 

of exposures. The curve shape of this film is 

very linear contributing to the overall 

neutrality and flesh-to-neutral tone 

reproduction. The neutral tone scale 

provides easier color timing and grading in 

post-production. KODAK VISION2 200T 

Color Negative Film. Tell your whole story 

seamlessly. 

5217 

65 mm 

RL 65MM 5217 200T 120KK 1000 SP332 

35 mm 

R 5217 100 35 BH 1866 SP 417 

R 5217 200 35 BH 1866 SP 718 

R 5217 122.35N 4740 EI.U SP 718 

R 5217 305.35N 4740 EI.U SP 718 

R 5217 1000 35 120 KK SP 332 

7217 

16 mm 

C 7217 30.5 16 1R 7605 EI B SP 455 

R 7217 100 16 2R 2994 SP 449 FTO 

C 7217 61 16 1R 7605 EO SP 445/A-Minima 

R 7217 122 16 1R 7605 EIB T SP 457 

R 7217 400 16 2R 2994 SP 451 



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65 mm 

RL 65MM 5205 250D 120KK 1000 SP332 

35 mm 

R 5205 61.35N BH U SP718 

R 5205 122.35N 4740 EI.U SP 718 

R 5205 305.35N 4740 EI.U SP 718 

16 mm 

R 7205 30,5 16 1R 7605 EIB B SP455 

R 7205 30,5 16 2R 2994 SP449 FTO 

R 7205 30,5 16 High Speed 2R 3000 SP430 FTO 

R 7205 61 16 1R 7605 EO SP445 A-MINIMA 

R 7205 61 16 2R 2994 SP450 FTO 

R 7205 122 16 1R 7605 EIB T SP457 

R 7205 122 16 2R 2994 SP578 FTO 

R 7205 122 16 High Speed 2R 3000 SP434 FTO 

R 7205 244 16 1R Winding B SP458 FTO 

KODAK VISION2 250D 




KODAK VISION2 250D Color Negative Film is 

a highly versatile and reliable medium-speed, 

daylight-balanced color negative film. This 

film delivers superior performance in natural 

daylight, artificial daylight, or mixed lighting. 

Like other KODAK VISION2 Films, the toe 

speed has been optimized to give enhanced 

shadow detail and improved shadow 

neutrality. It delivers true, natural color over a 

wide range of exposures. The curve shape of 

this film is very linear, contributing to the 

overall neutrality and flesh-to-neutral tone 

reproduction. The neutral tone scale 

provides easier color timing and grading in 

both traditional and digital postproduction. 

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5205 

7205 





KODAK VISION2 500T is the lowest grain 

500T speed film, with neutral tone scale and 

extended latitude. It offers natural colors and 

pleasing fleshtones, improved shadow 

details, unrivaled telecine performance. It is 

the best high-speed film for special effects, 

optimized both for film and digital 

postproduction. 

5218 

65 mm 

RL 65MM 5218 500T 120KK 1000 SP 332 

RL 65MM 5218 500T 120KK KS-1866 2500 SP 332 FTO 

35 mm 

C 5218 30.35N BH U SP 417 

R 5218 61.35N BH U SP 718 

R 5218 122.35N 4740 EI.U SP 718 

R 5218 305.35N 4740 EI.U SP 718 

R 5218 2000N BH 1866 SP 239 FTO 

7218 

16 mm 

C 7218 30,5 16 1R R90 SP 455 

C 7218 30,5 16 2R 7605 EI VXF SP 449 

R 7218 30,5 16 High Speed 2R 3000 SP 430 FTO 

R 7218 61 16 High Speed 2R 3000 SP 432 FTO 

C 7218 61 16 1R EO SP445/A-Minima 

R 7218 122 16 1R 7605 EIB T VXF SP 457 

R 7218 122 1R-2994 Winding B SP 437 

R 7218 122.16 2R 7605 EIB T VXF SP 451 

R 7218 122 2R-2994 Winding B SP 578 

R 7218 122 16 2R 3000 High Speed SP 434 FTO 

R 7218 244 16 1R 2994 Winding A SP 458 FTO 

R 7218 366 2R 2994 SP 452 FTO 

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65 mm 

RL 65MM 5279 500T 120KK 1000 VXF 332 

RL 65MM 5279 500T 120KK 2500 VXF 332 

35 mm 

RL 35MM 5279 500T BH U 100 VXF 417 

RL 35MM 5279 500T BH U 200 VXF 718 

R 5279 122 35 N 4740 EI U SP 718 

R 5279 305.35N 4740 EI.U SP 718 

16 mm 

R 7279 122 16 1R 2994 Winding B VXF 457 

KODAK VISION 500T 




This is a high-speed, tungsten-balanced film 

with fine grain structure and very high 

sharpness. It features wide under and over 

exposure latitude, with whiter whites, 

accurate color and flesh to neutral 

reproduction; enhanced shadow detail 

provides crisp, rich blacks. It also offers 

improved shadow detail and blacks on 

telecine transfers. 

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5279 

7279 

KODAK VISION2 

EXPRESSION 500T 




KODAK VISION2 Expression 500T Color 

Negative Film 5229/7229 is a low-contrast, 

low-color film. With soft, smooth flesh tones 

and superb shadow detail, Expression Film 

provides a subtle image rendition at a 500 

speed. And with greatly reduced grain, more 

flexibility in post, and cleaner images from 

under-to over-exposure, Expression 500T 

Film is better than ever before. 

5229 

35 mm 

R 5229 100 35 BH 1866 SP 417 FTO 

R 5229 61 35N BH 1866 SP 718 FTO 

R 5229 122.35N 4740 EI.U SP 718 

R 5229 305.35N 4740 EI.U SP 718 

7229 

16 mm 

R 7229 30.5 16 1R 7605 EI B SP 455 

R 7229 61 16 1R 2994 Winding A SP 445 FTO 

R 7229 122 16 1R 7605 EIB T SP 457 

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Specification 

SP457 (16 mm x 400 ft roll) On Core /Winding B/ 1R-2994 FTO 

SP458 (16 mm x 800 ft roll) Camera Spool /Winding B/ 1R-2994 FTO 

KODAK VISION2 HD 

Color Scan Film 

KODAK VISION2 HD Color Scan Film 7299 is a 

color negative camera film designed for use 

exclusively with the KODAK VISION2 HD 

System. Available in 16 mm widths only, it is a 

medium- to high-speed, extended latitude 

film with fine grain and excellent sharpness. 

Created specifically for television production, 

this film allows you to match the tone and 

color of many KODAK color negative film 

stocks when transferred with the KODAK 

VISION2 HD Digital Processor. This powerful 

digital processing combined with the film's 

extended latitude makes it possible to shoot 

this film at a nominal exposure index of either 

500 or 320. 

Further, even though this is a tungstenbalanced 

film, the KODAK VISION2 HD Digital 

Processor can compensate for color balance if 

the film is shot in daylight conditions without 

a Wratten 85 filter. The digital processing can also compensate for over and under exposures. The film is intended for 

scanning applications only and is not printable through traditional optical printing methods. The film must be 

transferred through the KODAK VISION2 HD Digital Processor hardware. KODAK will loan the KODAK VISION2 HD 

Digital Processor System to post production houses designated to Kodak by production companies using the KODAK 

VISION2 HD Color Scan Film 7299. Minimum volume purchases may be required to qualify for the use of a dedicated 

Digital Processor. Also, minimum system requirements must be met by the post house to operate the hardware. 

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Contact your local Kodak Sales Representative for details. 

EASTMAN DOUBLE-X 

Negative Film 



Improved EASTMAN DOUBLE-X Negative 

Film 5222/7222 is a high-speed camera 

negative film with excellent image-structure 

characteristics designed for general 

production use both outdoors and in the 

studio. Improvements include a scratchresistant 

backing and a process-surviving top 

layer, which allow better camera transport 

characteristics, reduced noise in the camera, 

improved raw stock keeping, and decreased 

risk of ferrotyping. 

5222 

35 mm 

RL 35MM 5222 BH U 400 DXN 718 

RL 35MM 5222 BH U 1000 DXN 718 

7222 

16 mm 

RL 16MM 7222 PRF1 R90 WNB 100 DXN 455 

RL 16MM 7222 PRFD1 T WND-B 400 DXN 457 

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35 mm 

RL 35MM 5231 BH U 400 PXN 718 

RL 35MM 5231 BH U 1000 PXN 718 

16 mm 

7231 30.5.16 1R-2994 PXN 455 

7231 61.16 1R-2994 SP 445/A-Minima 

RL 16MM 7231 PRFD1 T WND-B 400 PXN 457 

EASTMAN PLUS-X 

Negative Film 



Improved EASTMAN PLUS-X Negative Film is 

a medium-speed, black-and-white camera 

negative film designed for general 

production use both outdoors and in the 

studio, and is widely used for making 

composite projection bacground scenes. 

Improvements include a scratch-resistant 

backing and a process-surviving top layer, 

which allow better camera transport 

characteristics, reduced noise in the camera, 

improved raw stock keeping, and decreased 

risk of ferrotyping. 

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5231 

7231 

KODAK PLUS-X 

B&W Reversal Film 



KODAK PLUS-X Reversal Film 7265 is a 

medium speed, panchromatic black and 

white reversal film. This low grain film with 

excellent tonality and sharpness, can be used 

to shoot under natural or artificial light. This 

film has to be processed in the new B&W 

reversal chemistry D94A. 

7265 

16 mm 

RL 16MM 7265 PLUSX RVSL 100 SP 455 

RL 16MM 7265 PLUSX RVSL 400 SP 457 

RL 16MM 7265 PLUSX P2R Z 400 SP 467 

KODAK TRI-X B&W Reversal Film 



7266 

16 mm 

RL 16MM 7266 TRI-X RVSL 100 SP 455 

RL 16MM 7266 1R EO 200 SP 445/A-Minima 

RL 16MM 7266 TRI-X RVSL 400 SP 457 

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KODAK TRI-X Reversal Film 7266 is a high speed, panchromatic black and white reversal film, suitable 

for interior or exterior photography. This film has an excellent tonal gradation and sharpness. This film 

has to be processed in the new B&W reversal chemistry D94A. 

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KODAK EKTACHROME 100D 

Color Reversal Film 



Now there is a true 100-speed color reversal motion picture film designed for daylight. Whether you're 

shooting ads, music videos, documentaries, television or features, it delivers intensely saturated color, 

plus a neutral gray scale and accurate skin tones. All with a sharpness you won't find in any other 

100-speed reversal film. 

35 mm 

R 5285 122.35N 4740 KCR 727 

R 5285 305.35N 4740 KCR 727 

16 mm 

7285 122.16N Winding B SP 457 

7285 30,5 16MM Winding B 1R 2994 SP455 

KODACHROME 40 Movie Film 



5285 

7285 

KODACHROME 40 Movie Film is a color reversal film designed for direct projection following 

processing. It is characterized by extremely fine grain, saturated colors, high sharpness, and excellent 

resolving power. KODACHROME Films have demonstrated outstanding archival storage properties. 

KODACHROME 40 Film is available in 16 mm rolls and Super 8 cartridges. KODACHROME Film 

is processed by Kodak and independent labs worldwide. 

16 mm 

7270 30.5.16 1R-2994 KMA 455 

7270 122.16 1R-2994 KMA 611P 

7270 16MMX30.5M KMA 455P 

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7270 

KODAK VISION 

Color Print Film 

VISION Color Print Film has the same great 

look you associate with KODAK Films, but 

blacks are richer and highlights are more 

neutral. VISION Color Print Film is coated on 

a polyester base without remjet for a cleaner 

process and cleaner screen images. We've 

incorporated a process-surviving, 

anti-static layer to reduce dirt attraction and 

a scratch-resistant layer to improve 

projection life. And there are no shifts during 

fades and dissolves. So, from set to lab to 

screen, day to day, you'll have higher quality 

print film with more consistent 

performance. 

2383 

70 mm 

RL 70MM 2383 FILM 2500 SP 512 NSI 18 

RL 70MM 2383 FILM 2500VCP542 NSI 2 

35 mm 

R 2383 610.35P 4750 EI.Y EX LG SP 666 

R 2383 BH Y 1866 2000 VCP 242 

R 2383 762 70 P 4750 EIS VCP 542 

M 2383 1220.35P 4750 EI.Y SP 779 

M 2383 1220.35P 4750 EI.Y SP 779 CML 

M 2383 1220 35P 4750 EI.Y SP 789 

M 2383 1830.35P 4750 EI Y SP 789 

M 2383 1830.35P 4750 EI.Y SP789 CNL UK 

3383 

16 mm 

R 3383 732.16 1R 7620 EIA.Z SP 618 

R 3383 2000FT 32/16 7620 1-3 EIA V 

R 3383 915 16 2R Z VCP 452 

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34 770 

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70 mm 

RL 70MM 2393 FILM 2500 VCP542 

35 mm 

R 2393 610.35P 4750 EI.Y EX LG SP 666 

M 2393 1830.35P 4750 EI.Y SP 789 

M 2393 1830.35P 4750 EI.Y SP 789 CML 

M 2393 1220.35P 4750 EI.Y SP 779 

R 2393 1220.35P 4750 EI.Y SP779 

KODAK VISION Premier 

Color Print Film 

KODAK VISION Premier Color Print Film. A 

film with a different look. Richer blacks. More 

saturated colors. Cleaner performan-ce. 

VISION Premier Color Print Film is coated on a 

polyester base without remjet, for a cleaner 

process and cleaner screen images. 

Incorporated with a process-surviving, 

antistatic layer to reduce dirt attraction, and 

a scratch-resistant backing layer to improve 

projection life. And there are no color shifts 

during fades and dissolves. So, from set to 

lab to screen, day to day, you'll have more 

consistent performance. 

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34 770 

34 770 

46 360 

46 330 

2393 

KODAK VISION 

Color Teleprint Film 

This film has been optimized to produce lowcontrast, 

positive images that closely match 

the dynamic range of telecine transfer 

mediums, resulting in excellent images. 

These color teleprint films feature a nonremjet 

polyester base with a processsurviving 

anti-static layer and a scratchresistant 

backing for cleaner, more durable 

prints and telecine transfers. 

2395 

35 mm 

R 2395 610 35P 4750 E1 Y SP 666 

M 2395 1220 35P 4750 EI Y SP 779 

3395 

16 mm 

R 3395 732 16 1R 7620 EIAZ SP 618 

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EASTMAN Fine Grain Release Positive Film 

A film for general black-and-white production release printing. Also useful for making negative and 

positive titles, dubbing prints for sound, and kinescope recording from negative tube images. 

65 mm 

RL 65MM 5302 KS 1866 1000 FRP 333 

35 mm 

RL 35MM 5302 KS AA 100 FRP 651 

RL 35MM 5302 BH K 1866 2000 FRP 739 

RL 35MM 5302 KS K 2000 FRP 666 

RL 35MM 5302 KS-1870 1000 FRP 666 

16 mm 

RL 16MM 7302 PRFD2 Z 2000 FRP 452 

RL 16MM 7302 PRF1Z WNA 2000f/610m FRP 618 

KODAK Black and white Print Films 

35 mm 

RL 35MM 2302 BH 1866 2000 SP 739 

RL 35MM 2302 KS K 2000 SP 618 

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5302 

7302 

Kodak black and white print film is coated on a proprietary polyester base ,providing Benefits to 

archivists ,laboratories ,exhibitors,creatives and distributors.It is clean ,durable Print stock and has 

clear ,long lasting sound performance. 

16 mm 

RL 16MM 3302 AW 2000 SP 618 

2302 - estar base 

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1 


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EASTMAN Direct MP Film 

A low speed, orthochromatic film with medium contrast. It can be used for making black-and-white 

prints of any black-and-white or color positive when release-print quality is not required. Especially 

useful for making work prints and musical scoring prints for editing purposes. It can also be used for 

making direct duplicates of black-and-white negatives. 

5360 

35 mm 

RL 35MM 5360 KS K 2000 DMP 666 

7360 

16 mm 

RL 16MM 7360 PRFD2 Z 2000 DMP 452 

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EASTMAN Reversal Black & White Print Film 

7361 

16 mm 

RL 16MM 7361 PRF 1Z WN A 2000 RBW 618 128 8315 

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A black-and-white reversal film intended for making prints from black-and-white or color positive 

originals. Suitable for making workprints for editing purposes. Can be processed in same solutions as 

those used for other black-and-white reversal films. 

Min. units 

1

KODAK VISION Color Intermediate Film 

A color intermediate film for the preparation of color master positives from color negative originals for 

release printing, for mastering video cassette, DVD, and digital cinema releases, and for making color 

duplicate negatives from the master positives. KODAK VISION Color Intermediate Film is available in 

remjet acetate and non-remjet ESTAR Base and offers excellent sharpness for digital outputs. This film 

can be used for the preparation of color duplicate negatives from black-and-white silver separation 

positives. 

35 mm 

R 2242 305.35N 4740 EI.U SP 718 

R 2242 610.35N 4740 EI.Y SP 239 

M 2242 1128.35N 4740 EI.Y COMP BOX 

16 mm 

RL 16MM 3242 PRFD2 Z 2000 SP 452 

35 mm 

R 5242 305.35N 4750 EI.U SP 718 

R 5242 610.35N 4740 EI.Y SP 239 

M 5242 1220.35N 4740 EI.Y COMP BOX 

16 mm 

R 7242 732.16 1R 7605 EIA.Z SP 618 

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5242 

7242 

EASTMAN Color Internegative II Film (Estar base) 

This remjet backed, polyester base color film is used for making internegatives from color 

reversal originals.The resulting color internegatives are made using Process ECN-2 and then 

printed on KODAK VISION Color Print Film. 


35 mm 

RL 35MM 2272 BH U 1000 CIT 718 

RL 35MM 2272 BH K 2000 CIT 239 


16 mm 

RL 16MM 3272 1Z AW 1200 CIT 618 

EASTMAN Color Internegative II Film 

5272 

35 mm 

RL 35MM 5272 BH K 2000ft/610m CIT 239 

7272 

16 mm 

RL 16MM 7272 2R 1-RL/CAN 1200 CIT 452 

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A color film for making internegatives from color reversal originals. The resulting color 

internegatives are then printed onto KODAK VISION Color Print Films using Process ECN-2. 

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8

EASTMAN Fine Grain Duplicating Panchromatic Negative Film 

A low-speed panchromatic duplicating negative film. It produces duplicate negatives equal 

in tone rendering and print detail to the original negatives. 

35mm 

RL 35MM 2234 BH 1866 2000 FDN 239 

16mm 

RL 16MM 3234 Z AW 2000 FDN 618 

35mm 

RL 35MM 5234 BH U 1000 FDN 718 

RL 35MM 5234 BH K 2000 FDN 239 

35mm 

RL 16MM 7234 PRFD2 Z 2000 FDN 452 

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KODAK Fine Grain Duplicating Positive Film 

35mm 

RL 16MM 7234 PRFD2 Z 2000 FDN 452 

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A low-speed duplicating film for making master positives from black-and-white camera negatives. 

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5234 

7234 

2365 - gray star safety base 

EASTMAN Fine Grain Duplicating Positive Film 

A low speed duplicating film for making master positives from black-and-white camera negatives . 


35mm 

RL 35MM 2366 BH U 1866 1000 FDP 746 

RL 35MM 2366 BH U 1866 2000 FDP 746 


16mm 

RL 16MM 3366 AW 2000 FDP 618 

5366 

7366 

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EASTMAN Fine Grain Duplicating Positive Film 

A blue-sensitive film intended for making master positives from black-and-white camera negatives. 

35mm 

1000 FDP 718 

RL 35MM 5366 BH K 2000 FDP 239 

16mm 

RL 16MM 7366 PRF 2R 1000 SP 452 

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EASTMAN High Contrast Positive Film II 

A medium-speed, black-and-white positive film suitable for making both positive and negative titles. It 

is also useful for production of printer effects, such as silhouettes and traveling mattes. 

35mm 

RL 35MM 5363 BH U 1000 HCP 718 

16mm 

M 7363 122.16 2R-2994 HCP 451 

35mm 

RL 35MM 2369 BH1866 1000 HCF 718 

35mm 

RL 35MM 2238 BH K 2000 SEP 242 

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EASTMAN High Contrast Panchromatic Film 2 

35mm 

RL 35MM 5369 BH U 400 HCF 718 

RL 35MM 5369 BH U 1000 HCF 718 

RL 35MM 5369 BH U 2000 HCF 718 

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5363 

7363 

A high-contrast, black-and-white intermediate film used in the production of printer effects such as 

silhouettes and traveling mattes with panchromatic sensitivity. 

KODAK Panchromatic Separation Film 


5369 

A film on polyester base designed for making black-and-white separation masters from color 

negatives. 


KODAK Panchromatic Sound Recording Film 

KODAK Panchromatic Sound Recording film is a high-contrast, black-and-white film designed for 

recording variable-area sound-track negatives with a tungsten light source, and/or producing digital 

sound-track negatives. 


35mm 

R 2376 624.35P 4740 EI.Y SP 668 

RL 35MM 2376 KS Y 2050 PSR 683 

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KODAK Panchromatic Sound Recording Film 

35mm 

R 2374 624.35P 4740 EI.Y SP 668 

RL 35MM 2374 KS 1866 2050 PSR 674 

35mm 

R 2378 305.35P 4740 EI.U SP 665 

R 2378 624.35P 4740 EI.Y SP 668 

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The process-surviving anti-static, gray estar base reduces the propensity for dirt and static marks, 

which improves the yield of high-quality sound negatives at sound transfer facilities and increases 

productivity at labs. Improved acutance and sharpness of the new film yield better signal-to-noise 

performance, improved high-frequency response, and improved sound quality in both digital and 

analog tracks 


EASTMAN EXR Sound Recording Film 

16mm 

RL 16MM 3378 E PRF1Z WNB 1200 SRF 458 

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1 

1 

This black-and-white film is orthochromatic to accept both analog and digital sound. Its faster speed 

and higher contrast provide more recording latitude. Designed for the familiar D-97 process, this 

new film's D-min (base+fog) is less sensitive to process variations, and the constant low D-min makes 

it easier to use in a standard printer setup. 



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KODAK EKTACHROME 64T 

Color Reversal Film 


EI 40/° W 85 (Daylight) 

KODAK EKTACHROME 64T Color Reversal Film 7280 is a 64-speed color reversal motion picture camera 

film designed for exposure with tungsten illumination (3200 K). This film offers excellent color 

reproduction, fine grain, and high sharpness. 7280 has outstanding reciprocity characteristics, which 

give consistent color balance and speed over a wide range of exposures. EKTACHROME 64T Film should 

be processed in an E-6 Process. 

S8mm 

RL 7280 ECRM S8x50 SP 464 

KODAK PLUS-X 

Black &White Reversal Film 



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7280 

KODAK PLUS-X Reversal Film 7265 is a medium speed, panchromatic black and white reversal film. This 

low grain film with excellent tonality and sharpness, can be used to shoot under natural or artificial 

light. This film has to be processed in the new B&W reversal chemistry D94A. 

S8mm 

PXR464 8MMX50FT PLUS X REV S8 7265 

KODAK TRI-X 

Black & White Reversal Film 



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KODAK TRI-X Reversal Film 7266 is a high speed, panchromatic black and white reversal film, suitable 

for interior or exterior photography. This film has an excellent tonal gradation and sharpness. This film 

has to be processed in the new B&W reversal chemistry D94A. 

S8mm 

TXR 464 8MMX50FT 7266 TRI-X S8 CTG 

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KODAK VISION2 200T Color Negative Film 

7217 is highly versatile and reliable mediumspeed, 

tungsten-balanced color negative 

film. Offering excellent image structure 

under a wide variety of lighting conditions. 

And now 200T Film also enables you to shoot 

all scenes for digital compositing on the 

same stock. Giving you pristine edges and 

making VFX easier and more seamless than 

ever. 

7217 

S8mm 

8MMX15M SUPER 8 CTG FILM 7217 





7218 

S8mm 

8MM x 15M Super 8 CT6 Film 7218 

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KODAK VISION2 500T Color Negative Film 5218 / 7218 is a high-speed, tungsten-balanced color 

negative film with the finest grain available in a 500T product. The toe speed has been optimized to 

give enhanced shadow detail and improved shadow neutrality. It delivers true, natural color over a 

wide range of exposures. 

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Product 

CHEMICALS 

EASTMAN Color Developing Agent CD-2 25 kg 

EASTMAN Color Developing Agent CD-3 25 kg 

KODAK Stabilis. Addit MX. 707 0.95 l 

KODAK Antifoggant AF-2000 

Anti-Calcium No. 4 

Anti-Calcium No. 4 

KODAK Chelating Agent 

KODAK Photo-Flo 600 Solution 

KODAK Photo-Flo 600 Solution 

KODAK Prof Film Cement Dose 

KODAK PBA-1 Liquid Persulfate Bleach Accelerator 

KODAK PBA-1 Liquid Persulfate Bleach Accelerator 

KODAK Hydroquinone 

Product 

KODAK ECN-2 Kit Chemicals 

KODAK ECN-2 Kit Color Developer Regenerator, Part A1 

KODAK ECN-2 Kit Color Developer Regenerator, Part A2 

KODAK ECN-2 Kit Prebath and Replenisher 

KODAK ECN-2 Kit Color Developer Starter 

KODAK ECN-2 Kit Color Developer Replenisher, 

Part A (AF 2000) 

KODAK ECN-2 Kit Color Developer Replenisher, Part B 

KODAK ECN-2 / ECP-2D Kit Stop Bath and Replenisher 

KODAK ECN-2 Kit Fixer and Replenisher 

KODAK ECN-2 Kit Bleach and Replenisher 

KODAK ECN-2 Kit Stop Bleach and Replenisher 

KODAK ECN-2 / ECP-2D Kit Final Rinse and Replenisher 

Specification 

KODAK CLR DEVELPNG AGNT CD2 

KODAK CLR DEV AGNT CD3 

KODAK STABILIZER ADDITIVE 8125 

2 x 5 l CONCENTRATE AF-2000 

10 l ANTI-CALCIUM NO. 4 

4.75 l KODAK ANTI-CAL NO. 4 8353 

100 kg KODAK CHELATING AGENT 

KODAK PHOTO-FLO 600 SOLUTION (2 x 500 ml) 

KODAK PHOTO-FLO 600 SOLUTION (2 x 5 l) 

KODAK PROF FILM CEMENT DOSE 473 ml 

20 l PBA1 LIQUID PERSULFATE BL ACC 

209 l PBA1 LIQD PERSULFATE BL ACC 

KODAK HYDROQUINONE 25 kg / 55LB 

Specification 

20 l CONC ECN-2 KIT COLOR RGNT RPA1 

2 x 5 l CONC ECN-2 KIT CLR DEVR RPA2 

66.6 l ECN-2 KIT PRE-BATH AND RPLR 

2 x 100 l ECN-2 KIT COLOR DEVR ST 

20 l CONC ECN2 KIT CLR DEV RPLR A 

2 x 5 l CONC ECN2 KIT CLR DEVR RPLR B 

2 x 100 l ECN-2/ECP-2D KIT STP BT RPLR 

66.6 l ECN-2 KIT FIXR RPLR 

33.3 l ECN-2 KIT BLCH RPLR 

20 l ECN 2 KIT STOP BLEACH & RPLR 

8 x 100 l ECN-2/ECP-2D KIT FIN RIN RPLR 

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KODAK ECP-2D Kit Chemicals 

Product 

KODAK ECP-2D Kit Color Developer Starter 

KODAK ECP-2D Kit Color Developer Replenisher, Part A 

KODAK ECP-2D Kit Color Developer Regenerator, Part A1 

KODAK ECP-2D Kit Color Developer Regenerator, Part A2 

KODAK ECP-2D Kit Color Developer Replenisher, Part B 

KODAK ECN-2 / ECP-2D Kit Stop Bath and Replenisher 

KODAK ECP-2D Kit Bleach and Replenisher 

KODAK ECP-2D Kit Fixer and Replenisher 

KODAK ECN-2 / ECP-2D Kit Final Rinse and Replenisher 

KODAK ECP-2D Kit Sound Track Developer and Replenisher 2 x 5 l ECP-2D KIT SOUND TRACK DEV R 

KODAK VNF Chemicals 

Product 

VNF Fixer tank & replenisher 

VNF Bleach tank & replenisher 

VNF First developer replenisher 

VNF Stop bath 

VNF Color developer tank 

VNF Color developer replenisher 

VNF Stabilizer replenisher 

VNF Bleach Persulfate 

VNF Bleach Persulfate 

Specification 

100 l ECP-2D KIT CLR DEVR START 

100 l ECP-2D KIT CLR DEVR RPLR PTA 

20 l ECP-2D KIT CLR DEVR RGNT PT A1 

2 x 5 l ECP-2D KIT CLR DEVR RGNT PA2 

100 l ECP-2D KIT CLR DEVR RPLR PTB 

2 x 100 l ECN-2/ECP-2D KIT STP BT RPL 

33.3 L ECP-2D BLCH & RPLR 

66.6 l ECP-2D KIT FIX & RPLR 

8 x 100 l ECN-2/ECP-2D KIT FIN RIN RPL 

KODAK Black-and-White Reversal Kit Chemicals 

Product 

B&W Reversal First Developer Replenisher 

B&W Reversal Bleach and Replenisher, Part A and B 1 

B&W Reversal Bleach and Replenisher, Part C 

Specification 

100 l VNF-1/RVNP LIQ FXR ANDRPLR2505 

100 l VNF-1 BLEACH AND RPLR 2540 

100 l VNF-1/RVNP FIRST DEVRRPLR2574 

CS4/100L VNF-1/RVNP STOP BATH/R2544 

100 l VNF-1/RVNP CLR DEVR 2525 

100 l VNF-1/RVNP CLR DEVR RPLR 2527 

CS12/100L VNF-1/RVNPSTABIL RPLR2543 

PART A / 100 L 

PART B / 100 L 

Specification 

57 l RVSL FST DEVR RPLR 19 l CONC 

2 x 76 l KODAK B&W REV BLCH RBLR A/B 

2 x 76 l KODAK B&W REV BL RPLR PTC 

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MISCELLANEOUS 

Specification 

H-812 KODAK GREY CARD (46 x 60cm) 189 1431 

H-811 KODAK GREY CARD (22,5 x 30cm) 190 4150 

GREY CARD ATS 

EMPTY SPOOL+CORE FOR AATON CAMERA 

EASTMAN Clear Leader 2988 

Specification 

RL 35MM FPC PRC LDR 7MM 1000BL-NP 180 2487 

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KODAK Color Positive Leader SO-227 

Developed on an acetate base, which allows easier splicing to negative film. KODAK Color 

Positive Leader Film does not have remjet, which allows it to be used with the ECP-2D Process. 

Specification 

R SO-227 610.35N 4740 SP 242 107 0358 

R SO-227 610.16 1R 7605 EIA SP 618 113 5425 

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EASTMAN KEYKODE Numbers Verification Film 

EASTMAN KEYKODE Numbers Verification Film provides you with a precise means to set up 

your reader of KEYKODE Numbers and verify the accuracy of your KEYKODE Numbers / time 

code transfers. This film can quickly help you determine if your system is reading KEYKODE 

Numbers accurately; calculate reader delays introduced by noise reduction; adjust the 

offsets when you switch between 35mm and 16mm reader heads; re-establish proper 

calibration and offsets following routine maintenance; check video editing systems for 

frame and field accuracy; and much more. 

Specification 

Format 35mm 

Format 16mm 

Format S16mm 

CONTROL STRIPS 

Specification 

16MMX100FT VNF1 PROC CNTRL STRSP367 

16MMX100FT VISION CONT STRIP ECN-2 

35MMX100FT VISION CONTROL STRIP 

KODAK VISION CLR PRT CNTRLSTRIP16MM 

KODAK VISION CLR PRT CNTRLSTRIP35MM 

KODAK TRI-X REVERSAL CONTROL STRIPS* 

*MADE ON 7266 

LAD, 16 mm, 35 mm 

Specification 

LAD 35mm, 15m 

LAD 16mm, 15m 

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Filter No. 

Filter No. 


Special Dye Color Filters - Color filters that incorporate rare dye materials. Used to alter the 

color wavelength of light. 

Description / Use 


Color Conversion Filters enable significant adjustments in the color temperature of the 

illumination as required (e.g. daylight to artificial light). 


75mm 

Square 

75mm 

Square 

100mm 

Square 

3 Light yellow. Absorbs excessive sky blue. 149 5464 149 6926* 170 7116* - 121 6126* 

9 Deep yellow. More dramatic effect than No.8 149 5506* 149 6975* 170 6779* - - 

21 Orange. Contrast filter for blue 149 5563 149 7031* 170 7066* - 198 1802* 

and blue-green absorption. 

26 Red. 149 5613 149 7080* 163 5648* - 112 1581* 

32 Magenta. Minus-green. 149 5654* 149 7122* 173 4342* - 161 9691* 

(No.12 is minus-blue, No.44A is minus-red.) 

34A Violet. For minus-green 149 5688* 149 7155* 179 4650* - 143 4034* 

and plus-blue separation. 

38A Blue. Absorbs red, some UV and green light. 149 5720* 149 7197* 832 8213* - 112 2258* 

44 Light blue-green. 149 5746* 149 7213* 147 1283* - 191 7582* 

Minus-red filter with much UV absorption. 

44A Light-blue-green. Minus-red. (No.12 is 149 5753* 179 7221* 172 8344* - 143 4133* 

minus-blue, and No.32 is minus-green) 

47A Light blue.Exciting fluorescein 175 5776* 176 3945* 175 6469* - 112 1441* 

dyes in medical applications. 

47B Deep blue tricolor. 149 5795 149 7270* 170 7058* - 112 1425* 

Color separation and tricolor work. 

61 Deep green tricolor. 149 5894* 149 7445* 170 6977* - 130 5028* 

Tricolor work with No. 29 and No.47 

70 Dark Red. Used for making separation 103 4537 - - - 112 2209* 

positives from color negative film. 

92 Red. Color densitometry. 176 9348* 178 0121* 179 5764* - 112 1086* 

98 Blue. Equivalent to No.47B plus No.2B filter. 149 6298 174 0893* 176 0917* 145 4206* 124 5307* 

102 Yellow-green. Converts barrier-layer photocell 170 4048* 187 7034* - - 142 9141* 

response to eye luminosity response. 

106 Amber. Converts an S-4 type photocell 170 4055* 187 7042* - - - 

response to the eye-luminosity response. 

100mm 

Square 

150mm 

Square 

150mm 

Square 

300mm 

Square 

300mm 

Square 

350mm x 

450mm 

350mm x 

450mm 

80A Blue 184 0867 184 3663* 185 1872* - - 

80B Blue 149 6041 149 7536* 178 6045* - 123 9433* 

80C Blue 153 5707 177 6475* 172 8328* - 145 4610* 

80D Blue 184 0883 184 3689* 112 0468* - - 

85 Amber 149 6165 149 7692* 170 7132* 187 2423* 143 9397* 

85N3 Amber 149 6199 183 9141* - - - 

85N6 Amber 149 6207 183 9158* - - - 

85N9 Amber 102 1401 102 3027* - - - 

85B Amber 149 6173 149 7700* 170 7280* 169 7465* 112 1185* 

85C Amber 149 6181 149 7718* 175 8903* - - 


Basic Color Filters- used to alter the color wavelength of light. 

Filter No. 



75mm 

Square 

100mm 

Square 

150mm 

Square 

300mm 

Square 

Neutral Density No. 96 Filters - used to reduce the intensity of light by a definite ratio, 

without effecting the tonal rendition of colors. Neutrality is superb only in the visible 

spectrum. 

350mm x 

450mm 

2A Pale yellow. Absorbs ultraviolet radiation. 170 3909 170 4386* 164 4988* 160 0188* 112 1748* 

2B Pale yellow. Absorbs ultraviolet radiation, 149 5431 149 6918* 170 7157* - 112 1722* 

slightly less than No. 2A 

2E Pale yellow. Absorbs more ultraviolet 176 0875 176 5114* 166 7799* 160 1186* 143 4158* 

radiation than No. 2A 

8 Yellow. Transmits less blue than No. 3 149 5498 149 6967* 170 6928* - 112 1664* 

11 Yellowish-green. Corrects panchromatic film 149 5514* 149 6983* 170 6787* - - 

rendition to match tungsten impression of scene. 

12 Deep yellow. Minus blue filter (see No.32 for 149 5522 149 6991* 170 6795* 170 7249* 123 4335* 

minus-green and No. 44A for minus-red). 

15 Deep yellow. Darkens sky 149 5548 149 7015* 170 6803* - 134 8440* 

in landscape photography. 

16 Yellow-orange. Greater over-correction 149 5555* 149 7023* 170 7165* - 143 4091* 

of sky than No.15 

22 Deep orange. Contrast filter, 149 5571* 149 7049* 168 2400* - 197 8139* 

greater effect than No.21. 

24 Red. 149 5597* 149 7064* 165 1140* - - 

25 Red tricolor. Color separation work, tricolor 149 5605 149 7072* 170 6811* - 112 1607* 

printing, and infrared photography. 

29 Red. Color separation with No. 47 and 61 149 5621 149 7098* 170 6829* - 112 1565* 

and tricolor printing work. 

47 Blue tricolor. Color separation 149 5787 149 7205* 170 6845* - 112 1466* 

work with No. 29 and 61. 

58 Green tricolor. Color separation 149 5860 149 7395* 170 6852* - 112 1789* 

and tricolor printing. 

90 Dark grayish amber. 149 6280* 149 7783* 823 2498* - - 

99 Green. Equivalent to No. 61 plus No.16 filter. 149 6306 174 0901* 176 0925* - 127 2749* 

Filter No. 

Transmission % 

75mm 

Square 

100mm 

Square 

150mm 

Square 

300mm 

Square 

350mm x 

450mm 

0.10 80.0 149 6314 149 7304* 170 7090* - 112 2605* 

0.20 63.0 149 6322 149 7312* 170 7108* 167 2965* 141 0109* 

0.30 50.0 149 6330 149 7320* 149 9557* - 140 0043* 

0.40 40.0 149 6348 149 7338* 170 6860* 185 9537* 141 0083* 

0.50 32.0 149 6355 149 7346* 170 7082* - 141 0067* 

0.60 25.0 149 6363 149 7353* 149 9565* 183 8903* 112 2431* 

0.70 20.0 149 6371 149 7361* 170 7306* - 141 0042* 

0.80 16.0 149 6389 177 1369* 170 7348* - 141 0026* 

0.90 13.0 149 6397 149 7387* 170 7330* - 141 0992* 

1.00 10.0 149 6405 149 7809* 170 6878* - 141 0976* 

2.00 1.0 149 6413 149 7817* 170 6886* 178 1467* 141 5033* 

3.00 0.10 149 6421 149 7825* 170 6894* - 141 5355* 

4.00 0.010 149 6439* 149 7833* 170 6902* - 141 5439*

Filter No. 


Color Compensating Filters - Control Color by attenuating principally the red, green or blue 

part of the spectrum. Can be used to make changes in the color balance of images recorded 

on color films, or compensate for deficiencies in the spectral quality of a light source. 

75mm 

Square 

100mm 

Square 

150mm 

Square 

300mm 

Square 

350mm x 

450mm 

CC025C 170 4089 170 4550* 163 8196* 163 0953* 143 1055* 

CC05C 149 6520* 149 7908* 170 7421* 188 4493* 112 2415* 

CC10C 149 6538 149 7916* 170 7439* 188 4501* 112 2399* 

CC20C 149 6546 149 7924* 170 7447* 188 4519* 112 2373* 

CC30C 149 6553 149 7932* 170 7454* 161 2316* 129 7282* 

CC40C 149 6561 149 7940* 170 7462* 161 2357* 144 4538* 

CC50C 149 6579* 149 7957* 170 7470* - 147 0004* 

CC025M 170 4105 170 4568* 184 9868* - 143 1196* 

CC05M 149 6645 149 8021* 170 7546* 161 2548* 142 4761* 

CC10M 149 6652 149 8039* 170 7553* 161 2530* 142 4969* 

CC20M 149 6660 149 8047* 170 7561* 161 2639* 142 4993* 

CC30M 149 6678 149 8054* 170 7579* 172 7809* 142 5081* 

CC40M 149 6686 149 8062* 170 7587* 178 6920* 142 5180* 

CC50M 149 6694* 149 8070* 170 7595* - 144 2656* 

CC025Y 170 4121 184 3911* 160 4107* - 143 1451* 

CC05Y 149 6769 149 8146* 170 7660* 161 2654* 112 2316* 

CC10Y 149 6777 149 8153* 170 7678* 161 2696* 112 2290* 

CC20Y 149 6785 149 8161* 170 7886* 161 2621* 112 2274* 

CC30Y 149 6793 149 8179* 170 7694* 186 0618* 142 5453* 

CC40Y 149 6801* 149 8187* 170 7702* 179 8719* 145 2507* 

CC50Y 149 6819* 149 8195* 170 7710* - 145 2515* 

CC025R 140 1215 140 3641* 168 9975* - 143 1410* 

CC05R 149 6702* 149 8088* 170 7603* 186 7951* 122 6141* 

CC10R 149 6710 149 8096* 170 7611* 161 2647* 142 5537* 

CC20R 149 6728* 149 8104* 170 7629* 161 2662* 158 3509* 

CC30R 149 6736 149 8112* 170 7637* 161 2688* - 

CC40R 149 6744* 149 8120* 170 7645* 161 2704* - 

CC50R 149 6751* 149 8138* 170 7652* 161 2746* 125 7864* 

CC025G 148 2983 101 8886* 140 0886* - 143 1139* 

CC05G 149 6587 149 7965* 170 7488* 162 5474* 183 7251* 

CC10G 149 6595 149 7973* 170 7496* 162 6951* 173 9267* 

CC20G 149 6603 149 7981* 170 7504* 160 1376* 112 2357* 

CC30G 149 6611 149 7999* 170 7512* 178 0840* - 

CC40G 149 6629* 149 8005* 170 7520* 161 2423* 176 6971* 

CC50G 149 6637* 149 8013* 170 7538* - 112 2332* 

CC025B 142 8788 143 6484* 143 8266* - 143 1030* 

CC05B 149 6462 149 7841* 170 7363* 178 6847* 122 6109* 

CC10B 149 6470 149 7858* 170 7371* 173 5521* 122 6281* 

CC20B 149 6488 149 7866* 170 7389* 165 8962* 197 2942* 

CC30B 149 6496 149 7874* 170 7397* 178 6862* 180 0549* 

CC40B 149 6504 149 7882* 170 7405* 178 6888* 145 6888* 

CC50B 149 6512* 149 7890* 170 7413* - 172 2289* 


Light Balancing Filters – Enable minor adjustments in the color quality of illumination to 

obtain cooler ((bluish)or warmer (yellowish)color rendering. 

Filter No. 



75mm 

Square 

Infrared Filters - for use in infrared photographic applications. 

OTHER FILTERS AND FILTER PRODUCTS 

100mm 

Square 

150mm 

Square 

81 Yellowish 149 6058 149 7551* 170 6712* 

81A Yellowish 149 6066 149 7569* 176 6088* 

81B Yellowish 149 6074 149 7577* 168 3457* 

81C Yellowish 149 6082 149 7585* 188 9377* 

81D Yellowish 149 6090 149 7593* 168 3697* 

81EF Yellowish 149 6108 149 7601* 187 3504* 

82 Bluish 149 6116 149 7619* 168 3242* 

82A Bluish 149 6124 149 7627* 168 3465* 

82B Bluish 149 6132 149 7635* 175 2799* 

82C Bluish 149 6140 149 7643* 170 6647* 

Filter No. 

Filter No. 


75mm 

Square 

Description / Use CAT No. 

1A 350x450mm Gel Filter 140 0290* 

4 350x450mm Gel Filter 112 1680* 


33 350x450mm Gel Filter 147 3032* 

35 350x450mm Gel Filter 112 1540* 

36 350x450mm Gel Filter 112 1524* 

38 350x450mm Gel Filter 110 7994* 

48 350x450mm Gel Filter 112 1409* 


49 350x450mm Gel Filter 130 0029* 

53 350x450mm Gel Filter 118 9067* 

65 350x450mm Gel Filter 112 1300* 

66 350x450mm Gel Filter 193 2599* 

74 350x450mm Gel Filter 112 1243* 

78C 350x450mm Gel Filter 822 6839* 

85BN3 350x450mm Gel Filter 139 1747* 

86B 350x450mm Gel Filter 824 5623* 

86C 350x450mm Gel Filter 843 0795* 


87B 75mm Square Gel Filter 174 3970* 

87B 350x450mm Gel Filter 145 2523* 


93 350x450mm Gel Filter 149 0341* 


100mm 

Square 

150mm 

Square 

300mm 

Square 

350mm x 

450mm 

87 visibly opaque 149 6256* 149 7759* 170 7033* 175 0546* 112 1144* 

87C visibly opaque 170 4030* 170 4543* 173 4334* - 112 1128* 

89B visibly opaque (usefuly for aerial applications) 149 6272* 149 7775* 170 7140* 187 9642* 147 4626*

FPC 

FPC Items No. Specification 

Stock item / 

Non stock item Min. units 

EASTMAN Black Leader 5983 / Opaque / 6-mil Acetate 

8600 35 mm x 1000 ft roll / BH-1866 / Perf / 746 lb NSI 1 

8650 16 mm x 1000 ft roll / 1R-2994 / Single Perf NSI 1 

8665 16 mm x 1000 ft roll / 2R-2994 / Double Perf NSI 1 

9570 65 mm x 1000 ft roll / BH-1866 / Perf / 333 lb NSI 1 

Blue Process Leader / 7-mil Polyester 

9120 Blue 35 mm x 2000 ft roll / Perf NSI 1 



9160 Blue 16 mm x 2000 ft roll / Single Perf NSI 1 

9165 Blue 16 mm x 2000 ft roll / Double Perf NSI 1 

9170 Blue 16 mm x 2000 ft roll / No Perf NSI 1 

Black-and-White Leader 5981 / 8.3-mil Acetate 

9910 35 mm x 1000 ft roll / KS-1870 / Perf NSI 1 

9911 35 mm x 1000 ft roll / No Perf NSI 1 

9916 16 mm x 1000 ft roll / No Perf NSI 1 

9971 16 mm x 1000 ft roll / 2R-3000 / Double Perf NSI 1 

Metal Cans 

4238 16 mm x 200 ft roll NSI 1 

4239 16 mm x 400 ft roll NSI 1 

4240 35 mm x 100 ft roll NSI 1 

4241 35 mm x 400 ft roll NSI 1 

4242 35 mm x 200 ft roll NSI 1 

4270 35 mm x 1000 ft roll NSI 1 

4275 35 mm x 1200 ft roll NSI 1 

4280 35 mm x 2000 ft roll NSI 1 

4572 70 mm x 1000 ft roll NSI 1 

4577 70 mm x 2000 ft roll NSI 1 

Cores 

3927 65 mm / 3 in / P NSI 1 

3946 70 mm / 3 in / S NSI 1 

3970 35 mm / 2 in / U NSI 1 

3983 35 mm / 3 in / K NSI 1 

3985 35mm / 3 in / EE NSI 1 

3987 35 mm / 3 in / Y NSI 1 

3988 16 mm / 3 in / Z NSI 1 

3992 16 mm / 2 in / T NSI 1 

Clear Leader / 4.3-mil Polyester 

9050 16mm x 2000 ft roll / No Perf / Ethicon NSI 1 

Fullcoat 

1091 35 mm x 2100 ft roll / 3mil / 200/2PB NSI 1 


1261 35 mm x 1200 ft roll / 5mil / 802/PB NSI 1 



1265 16 mm x 1200 ft roll / 5mil / 810PB NSI 1 


FPC 


Hazy Dup / 7-mil Polyester 

Stock item / 


9472 70 mm x 2000 ft roll / Perf NSI 1 

9491 35 mm x 2000 ft roll / Perf / KS-1870 NSI 1 


9596 5 in x 1000 ft roll / No Perf NSI 1 

Lightstruck 5-mil Acetate 

5303 16 mm x 2000 ft roll / 2R-3000 Double Perf NSI 1 

5304 BH 35 mm x 2000 ft roll / BH-1866 Perf NSI 1 

5305 BH 35 mm x 1000 ft roll / BH-1870 Perf NSI 1 

5308 16 mm x 2000 ft roll / 1R-3000 Single Perf NSI 1 

5309 65 mm x 1000 ft roll / KS-1866 Perf NSI 1 

5305 35 mm x 1000 ft roll / KS-1870 Perf NSI 1 

Miscellaneous 

2125 KODAK Fast Drying Film Cement, No. 30115 / 1 pt NSI* 1 

2126 KODAK Professional Film Cement / 16 oz can NSI* 1 

Magneto Optical Disks 

7334 2.3 GB / 512 Bytes/Sector NSI 1 


7335 MAC 2.6 GB / 1024 Bytes/Sector NSI 1 


7336 MAC 5.2 GB MAC / 2048 Bytes/Sector NSI 1 

KODAK Sound Recording Leader Film / SO-374 / Optical Negative 

8855 35 mm x 2150 ft roll NSI 1 

Pink Leader / 4.7-mil Polyester / with Antistat 

9051 16 mm x 2000 ft / Double Perf NSI 1 

9052 16 mm x 2000 ft / Single Perf NSI 1 

9054 16 mm x 2000 ft / No Perf NSI 1 

9055 35 mm x 2000 ft / Perf NSI 1 

9058 35 mm x 6000 ft / Perf NSI 1 

Particle Transfer Rollers (PTR) 

9710 35 mm / Shiny NSI 1 

9712 35 mm / Matte NSI 1 

9714 1.5 in x 1.5 in / Telecine Matte NSI 1 

9716 70 mm / Matte NSI 1 

9720 70 mm / Shiny NSI 1

FPC 


Particle Transfer Roller Spindle Assembly 

Stock item / 


9780 35 mm Spindle Assembly NSI 1 

Particle Transfer Roller White Cleaning Tape 

9722 4 in x 36 yd NSI 1 

Scratch Test Film SO-297 

7000 35 mm x 1000 ft roll / Fogged NSI 1 

Molecular Sieve 

5150 12.5g NSI 1 

Splicing Tape Perforated / Polyester 

2230 16 mm x 50 ft roll / White / Double Perf NSI 1 

2231 16 mm x 66 ft roll / Clear / Double Perf NSI 1 

2232 35 mm x 50 ft roll /White / Perf NSI 1 

2233 35 mm x 66 ft roll / Clear / Perf NSI 1 

Splicing Tape Non Perforated / Polyester 

2300 25 mm x 15 m roll / Clear NSI 1 




Squeegee for Film Processors 

2037 Gray / DTU/735 NSI 1 

9723 Blue / DTU/745 NSI 1 

9731 Clear Green / DKU/2055-400mm NSI 1 

White / 6-mil Acetate- / Lofo 

7301 16 mm x 1000 ft roll / Double Perf NSI 1 

7303 16 mm x 1000 ft roll / Single Perf NSI 1 


White Opaque Leader / 6-mil Acetate 

9980 Super 8 mm x 1000 ft roll NSI 1 

/ 1R-1667 / B Winding/ Single Perf 

Previsualize, create and share the look 

of your next project! 

Building on breakthroughs fostered by KODAK 

Color Science, KODAK Look Manager System now 

allows a director of photography to previsualize 

and create a scene's look through postproduction. 

The system can be used to emulate the look of 

various film stocks under a wide range of 

conditions, reducing the time required to do actual 

film tests. And KODAK Look Manager System is the 

first and only software-based system to allow you 

to put that look on the display devices of other 

team members-with the touch of a button. 

Kodak Look Manager System: 

• Leverages Kodak's unique understanding of color science and film technology to ensure a 

more consistent image reference. 

• Allows you to model the effect of a variety of gels, filters, exposure conditions and 

postproduction techniques on KODAK Film stocks for color, tone and contrast. 

• Supports creative vision from pre- through postproduction. 

• Lets all members of the production and postproduction teams collaborate-even from 

remote locations. 

• Enables the lab, dailies colorist and print timer to match the exact look for a scene. 

• Makes it easy to share looks via a file transfer protocol (FTP) site, e-mail or hard copy. 

• Helps reduce the number of film tests needed to establish a look. 

Manage the Look Two Ways: 

CINEMATOGRAPHER EDITION 

Good for comparing a look in a variety of film and processing conditions on a single machine. 

license key forever, limited # of images on CD, can download your own images from the recommended cameras, no 

calibration, can communicate - export/import images or recipe ; Drag and drop looks : A look can be applied to an 

image simply by dragging it over the image; Split screen capabilities (better comparison of images) ; Project 

synchronization between partners (lab, production company, SFX houses) ; Exportation of 3D luts is enabled (can be 

used to apply the desired look on a whole moving sequence) 

PRODUCTION EDITION 

Provides accurate and consistent display calibration so looks can be shared between users. 

license key based on time period, can download images from the recommended cameras or scanned images, monitor 

calibration, can communicate - export/import images or recipe 

For more information please visit www.kodak.com/go/motion 

or contact your local Kodak Motion Picture representative.

Now every workstation can display the 

look of projected motion picture film. 

How do you ensure display devices in a Burbank 

studio and a Bangkok lab are on the same page - 

presenting not just consistent tone and color, but 

the look of final print film? KODAK Display Manager 

System - powered by KODAK Color Science - 

calibrates, characterizes and leverages 3D LUT 

technology to do just that. Now everyone in the 

postproduction workflow has a consistent visual 

reference - saving time and streamlining 

collaboration - of what will appear on the theatrical 

screen. 

Kodak Display Manager System 

• An easy-to-use way to display an accurate simulation of projected print film. 

• Calibrates, characterizes and transforms from print density to device-specific code 

valuesenabling a consistent view across all displays in a facility. 

• Includes a gamut alert function to display the colors that are outside of the display device 

gamut, but are reproducible on film. 

KODAK Color Science Technology sets the standard 

• KODAK Color Science provides a baseline for digital color rendition in both the 

KODAK Display Manager System and KODAK Look Manager Systemthe easy-to-use way 

to previsualize and share a project's look throughout the motion picture production 

chain. 

• KODAK Display Manager System is an integral part of the KODAK Look Manager System 

and simulates the KODAK Film stocks selected. 

• KODAK Display Manager System means post houses and labs can work from the same 

visual standardsmaking collaboration more effective. 


or contact your local Kodak Motion Picture representative. 

Kodak Cinelabs are part of a fastly growing family of processing laboratories spread 

around Europe, the Middle East and beyond. Kodak's Cinelabs are designed to meet 

local and foreign customers' needs, offering the excellent quality standards that 

people have learnt to expect from our company all over the world. 

Quite simply film - with its textures, colors, sharpness, resolution, and exposure 

flexibility - continues to be the highest quality imaging medium available, the 

universally preferred format for most top filmmakers around the world. 

Kodak has been the World Leader in Imaging for more than 110 years. During this 

time the company has set innumerable milestones with invaluable technological 

achievements in all areas of traditional and digital imaging, which underline our 

expertise in imaging products and solutions for customers around the World. 

Kodak is not only active in research, product development, system solutions, 

manufacturing, marketing, selling and supplying, but is also committed to market 

growth and market development. We actively support customers and local business 

infrastructures in numerous countries all over the World. One of these examples is 

the creation of Kodak Cinelabs. 



KODAK CINELABS CONTACTS 

Country 

Romania 

Greece 

Dubai 

Hungary 

Lebanon 

Company Name and Details 

Cornelia Popa 

Manager Entertainment Imaging 

Kodak Cinelabs Romania 

170 Bucurestii Noi Boulevard 

Sector 1, Bucharest, Romania 

Tel: +40 (0) 21 668 64 96 

Fax: +40 (0) 21 668 6414 

Mob: +40 (0) 92 63 38 58 

Email: cornelia@kodakcinelabs.ro 

Vassilis Kougioumtzoglou 

Kodak Cinelabs Greece 

3, Ag. Athanassiou Street GR-145 69 Anixi 

Athens, Greece 

Tel: +30 210 814 45 45 

Fax: +30 210 814 44 55 

Mob: +30 697 43 43 261 

Email: vassilis.kougioumtzoglou@kodak.com 

Christian Richter 

Manager Kodak Cinelabs Dubai 

Kodak Cinelabs Dubai Office 20, 

Building 9 Dubai Media City, 

PO Box 502383 Dubai, United Arab Emirates 

Tel: +971(0) 4 367 1284/5 Fax: +971(0) 4 391 1929 

Mob: +971 (0) 50 505 4783 

Email: christian.richter@kodak.com 

Judit Velinsky 

Kodak Cinelabs Hungary H-1021, Budapest Huvosvolgyi 

ut 141 Hungary 

Tel:+36 1391 0712 

Fax: +36 1391 0711 

Mob: +36 30 411 7037 

E-mail: hungary-cinelabs@kodak.com 

Sten Walegren 

Lab Manager 

Kodak Cinelabs Lebanon Technological Centre Berytech 

Mar Roukos, Mkalles Beirut Lebanon 

Tel/Fax: + 961 4532 772/3 

Email: sten@thegate2.com 

Facilities 

Neg and Print 

processing 

SD and HD 

Telecine film transfer 

Neg and Print 

processing 

SD and 2K 


Neg processing 


Neg and Print 

processing 

SD and 2K 


Neg processing 


With experience supporting more than 1600 Kodak Digital Cinema Pre-Show 

systems installed throughout the US, and with contracts to more than double that 

number, Kodak continues to dramatically expand its market offerings and success. 

The company is the number one independent supplier of digital pre-show systems 

in the world. 

Kodak networked systems are currently on the screens of 14 exhibition chains in the 

U S, Canada, China and Japan. For a seamless and accurate in-cinema presentation, 

the Kodak digital system connects to the cinema's automation, audio, and ticketing 

systems, so specific pre-shows can be designed to play with individual movies, or at 

different times of day. 

In partnership with its customers, Kodak digitally manages and delivers complex 

pre-shows, comprising as many as ninety elements, to almost three million moviegoers 

a month. 

Newly developed for feature presentations is the Kodak CineServer, often used in 

conjunction with Barco DP-100 2K projectors. The Kodak CineServer is an easy-touse 

networked solution designed and developed with Kodak's depth of image 

science and decades of market experience in the motion picture industry. The Kodak 

CineServer is also available as a single screen product for emerging markets and 

screening rooms. Kodak and Barco have announced a strategic alliance to provide 

a single integrated solution for cinema owners investing in high quality digital 

projection for feature films, fully compatible with newly defined industry standards. 

The Kodak Digital Cinema system for pre-show applications and feature 

presentations is supported by Kodak's worldwide field service and support force. 

Taken together, the systems and services provide a full 'menu of choices' to enable 

customers to get started with Kodak today and to stay with Kodak as their digital 

cinema needs evolve. 



Cinesite, based in the UK and servicing international film and television productions, 

is one of the largest and most diverse visual imaging facilities in the world. 

Cinesite currently uses an array of cutting edge scanners and recorders from 

Northlight, ARRI and Cineon to work on in-house productions. They also operate 

a highly successful bureau business, which services productions and facilities all 

over the world. 

Cinesite's London based effects have become a major player in the European visual 

effects industry, winning their third Emmy nomination for digital effects on the epic 

ten episode television series Band of Brothers in 2001 and completing digital effects 

on films including Hitchhiker's Guide to The Galaxy, King Arthur, Sahara, Harry 

Potter and The Prisoner of Azkaban, Alien vs. Predator and Troy. 

Cinesite's acquisition of Pinewood Studios based physical effects company Effects 

Associates in 1999 was followed by their successful move into model construction 

and photography early in 2003, immediately winning a major contract on Harry 

Potter and The Prisoner of Azkaban. 

In 2003, Cinesite restructured its international services into "centers for growth", 

relocating visual effects to the highly successful London offices and moving in 

August to new, purpose built offices in Medius House, Soho. 

As part of the umbrella of Kodak postproduction services, Cinesite now 

encompasses the entire spectrum of visual effects and postproduction; its 

reputation for contributing to the art and science of digital effects has assured 

Cinesite's position as an industry leader. 


or contact your local Kodak Motion Picture representative. 

• GREY & COLOR CARDS 

• FILTERS 

• MACBETH CHARTS 

CALUMET PHOTOGRAPHIC GmbH 

Eppendorfer Weg 213 

20253 Hamburg 

Germany 

Contact: David F. Wheadon 

Tel.: 0049 40 4231 6013 

Fax: 0049 40 420 3839 

E-mail: mail@calumet.de, 

david.wheadon@calumet.de 

Web : www.calumet.de 

• GREY & COLOR CARDS 

• FILTERS 

TIFFEN EUROPE Ltd. 

Enterprise House 

Weston Business Park 

Weston on the green 

Oxford, Oxfordshire, OX6 8SY 

England 

Contact: Terry Carey 

Tel.: 0044 1869 343 835 

Fax: 0044 1869 343 836 

E-mail: tcarey@tiffen.com 

Web: www.tiffen.com 

• MACBETH CHARTS 

GRETAGMACBETH GmbH 

Fraunhoferstrasse 14 

82152 Martinsried, Munich 

Germany 

Contact: 

Dipl. Ing. Felix Schmollgruber 

Tel.: 0049 89 85 707 234 

Fax: 0049 89 85 707 111 

Mobile: 0049 174 33 05 662 

E-mail: schmollgruber@gretagmacbeth.de 

Web: www.gretagmacbeth.com 

D.G.COLOUR 

121 Bouverie Avenue South 

Salisbury, Wilts 

SP2 8EA 

England 

Contact: David Chamberlin 

Tel.: 0044 1722 323840 

Fax: 0044 1722 414341 

Mobile 0044 7702 263347 

E-mail: info@dgcolour.co.uk, 

dgc@dgcolour.co.uk 

Web: www.dgcolour.co.uk 

• FILTERS - VIEWING GLASS 

HELIOPAN LICHTFILTER 

TECHNIK SUMMER GmbH 

Drosselgasse 4 

82166 Gräfeling 

Germany 

Tel.: 0049 89 854 30 06 

Fax: 0049 89 85 25 11 

E-mail : info@heliopan.de 

Web: www. heliopan.de 

•PROCESSING OF KODAK 

•REVERSAL CAMERA FILMS 

SCHWARZ FILMTECHNIK AG 

Breitweg 36 

3072 Ostermundigen / Bern 

Switzerland 

Tel.: 0041 31 938 1155 

Fax: 0041 31 938 1110 

LABORATOIRE G.T.C. 

1 quai G.Peri 

93345 Joinville 

France 

Tel.: 0033 1 4511 7000 

Fax: 0033 1 48 83 8856 

CINEDIA 

55 avenue Joffre 

93800 Epinay Sur Seine 

France 

Tel.: 0033 1 4841 3625 

Fax: 0033 1 4841 3803 

FILM & PHOTO DESIGN 

13, Colville Road 

South Action Estate 

London, W3 8BL 

England 

Tel.: 0044 208 9920037 

Web: www.film-photo.demon.co.uk 

COLOR CITY 

29 rue du professeur Milliez 

Champigny 94500 

France 

Tel.: 0033 1 470 630 30 

Fax: 0033 1 498 396 85 

DANIEL BITTNER KINOTECHNIK 

Bekkoppeln 2 

22395 Hamburg 

Germany 

Tel.: 0049 40 604 49 337 

Fax: 0049 40 604 49 338 

Web: www.wittner-kinotechnik.de 

ANDEC FILMTECHNIK GmbH 

Hasenheide 9 

10967 Berlin 

Germany 

Tel.: 0049 30 6917036 

Fax: 0049 30 6930321 

Web: www.andecfilm.de

• PROCESSING OF: 

KODAK EKTACHROME 100D 

COLOR REVERSAL FILM 5285 

T.T.C. 

Luigi Zuccotti 

Via Moscova 38/A 

Milano 

Italy 

Tel.: 0039 02 29 03 11 

Fax: 0039 02 65 55 125 

PRIMARY COLOUR 

Mark Partlett 

11-13 Kings Terrace 

NW1 OJP London 

England 

Tel.: 0044 207 388 2046 

Fax: 0044 207 387 3003 

LABORATOIRES ET SERVICES 

KODAK 

Phillippe Louvel 

15 rue du Professeur Leriche 

57000 Metz 

France 

Tel.: 0033 02 31 45 35 65 

LABORATOIRES ET SERVICES 

KODAK 

Michel Herbulot 

10 rue de la Girafe 

ZI du Mont Coco 

14000 Caen 

France 

Tel.: 0033 03 87 34 50 31 

• PROCESSING OF KODAK 

SUPER 8 MM FILMS 

KODACHROME 40 FILM 

LABORATOIRE KODAK SA 

Avenue Longemalle 1 

1020 Renens 

Switzerland 

Tel.: 0041 21 631 01 11 

Fax: 0041 21 631 01 50 

• COLOR REVERSAL & 

BLACK & WHITE 

REVERSAL FILMS 

THE WIDESCREENN CENTRE 

47 Dorset Street 

London, W1 U 7NE 

England 

Tel.: 0044 20 7935 2580 

Fax: 0044 20 7486 1272 

Web: www.widescreen-centre.uk 

BUCKS MOTION PICTURE LAB, Ltd. 

714 Banbury Avenue 

Slough, Berks, SL1 4LH 

England 

Tel.: 0044 1753 501 500 

Fax: 0044 1753 691 762 

ANDEC FILMTECHNIK 

Hasenheide 9 

10967 Berlin 

Germany 

Tel.: 0049 30 691 7036, 693 0321 

Fax: 0049 30 693 03 21 

Web: www.andecfilm.de 

KAHL FILM & TV SERVICE 

Postfach 1560 

50305 Bruhl 

Germany 

Tel.: 0049 2232 9226-77 

Fax: 0049 2232 9226-78 

E-mail: info@kahlfilm.de 

Web: www.kahlfilm.de 

ALEA 

11, rue Mouton Duvernet 

75014 Paris 

France 

Tel.: 0033 1 45 39 31 93 

Fax: 0031 1 45 39 04 25 

LAB DISTRIBUTION 

22, Bd Beaumarchais 

75011 Paris 

France 

Tel.: 0033 1 43 38 26 72 

Fax: 0033 1 43 55 99 86 

PROPHOT 

37-39, rue Condorcet 

75009 Paris 

France 

Tel.: 0033 1 42 80 58 41 

Fax: 0033 1 40 16 19 46 

• BLACK AND WHITE 

REVERSAL FILMS 

LABORATOIRE DEL 'ECLUSE 

42, quai de Jemmapes 

75010 Paris 

France 

Tel.: 0033 1 42 00 15 25 

Fax: 0033 1 42 00 27 47 

ZEBRA LAB 

Arquebuse 13 

1204 Geneve 

Switzerland 

Tel.: 0033 1 42 00 15 25 

Fax: 0033 1 42 00 27 47 

• COLOR NEGATIVE FILMS 

CINEDIA 

55 avenue Joffre 

93800 Epinay Sur Seine 

France 

Tel.: 0033 1 4841 3625 

Fax: 0033 1 4841 3803 

Description of Specification Numbers 

Sp No Width in mm Perforation Core/Spool/M a g Windi n g Remarks 

35 mm Multi-Perforated 

256 35 35/32- 4 Row Y none 

258 35 32/16 2 Ro w V 1000-ft spool Perfs 1 and 3 

273 35 super 8-5 Row Y B Use Sp 715 for Winding A 

694 35 35/32- 2 Row Y none 

715 35 super 8-5 Row Y A Use Sp 273 for Winding B 

730 35 35/32- 2 Row Y Non-canned packaging, no frame line markings 

733 35 35/16- 3 Row Y B Non-canned packaging, no frame line markings 

735 35 35/16- 3 Row Y B none 

780 35 8 mm- 2 Row U A none 

791 35 35/32- 2 Row U none 

794 35 35/16- 3 Row U A Use Sp 797 for Winding B 

65 mm and 70 mm 

331 65 6 5 m m KS P No edge markings 

332 65 KS18 66 P Emulsion In Latent image sequential numbers every 120 perfs 

333 65 6 5m mK S P Latent image sequential numbers every 80 perfs 

334 65 KS PA Emulsion In Latent image sequential numbers every 120 perfs 

335 65 6 5m mKS PA Latent image sequential numbers every 80 perfs 

473 70 n one J none 

475 70 7 0m mB H S-84 100-ft spool Sequentially numbered every 3-9/16 inches 

512 70 7 0m mB H S none 

542 70 6 5m mK S S none 

16 mm 

230 16 16 mm-2 Edges Z 0.2994 pitch; footage numbered 

324 16 16 mm-2 Edges G45 Emulsion out, attached with steel clip to core 

430 16 16 mm-2 Edges R-90 100-ft spool 0.3000 pitch for high-speed cameras 

432 16 16 mm-2 Edges R-190 200-ft spool 0.3000 pitch for high-speed cameras 

434 16 16 mm-2 Edges S-153 400-ft spool 0.3000 pitch for high-speed cameras 

435 16 16 mm-2 Edges Z 0.3000 pitch for high-speed cameras 

437 16 16 mm-1 Edge S-153 400-ft spool B none 

438 16 16 mm-2 Edges No. 6 Magazine No edgeprint; no edge numbers 

445 16 16 mm-1 Edge A A For Aaton A-Minima® Camera 

449 16 16 mm-2 Edges R-90 100-ft spool none 

450 16 16 mm-2 Edges R-190 200-ft spool none 

451 16 16 mm-2 Edges T 2-in. O.D. core for lengths through 400 ft 

452 16 16 mm-2 Edges Z 3-in. O.D. core for lengths over 400 ft 

452N 16 16 mm-2 Edges Z 0.2994 pitch 

455 16 16 mm-1 Edge R-90 100-ft spool B none 

455P 16 16 mm-1 Edge R-90 100-ft spool B Processing included 

456 16 16 mm-1 Edge R-190 200-ft spool B none 

457 16 16 mm-1 Edge T B 2-in. O.D. core for lengths through 400 ft 

458 16 16 mm-1 Edge Z B 3-in. O.D. core for lengths over 400 ft 

458J 16 16 mm-1 Edge Z B 0.2994 pitch 

462N 16 16 mm-2 Edges R-232 50-ft spool 0.3000 pitch for high-speed cameras 

467 16 8 mm-2 Edges Z 3-in. O.D. core for lengths over 400 ft 

561 16 16 mm-2 Edges Z Non-canned packaging; 3-in. O.D. core for lengths over 400 ft 

563 16 16 mm-1 Edge Z B Non-canned packaging; 3-in. O.D. core for lengths over 400 ft 

565 16 16 mm-1 Edge Z A Non-canned packaging; 3-in. O.D. core for lengths over 400 ft 

578 16 16 mm-2 Edges S-153 400-ft spool none 

580 16 super 8-2 Edges R-90 100-ft spool For double super 8 movie cameras for 1- 4 position 

611P 16 16 mm-1 Edge R-90 100-ft spool B Processing included 

612 16 16 mm-1 Edge T A none 

618 16 16 mm-1 Edge Z A 3-in. O.D. core for lengths over 400 ft 

622 16 supe r 8 (1-4 ) Z none 

628 16 supe r 8 (1-3 ) Z B For 1-4 position; Use Sp 622 

635 16 none Z none 

636 16 n o n e R-90 100-ft spool none 

637 16 8 mm 1 Edg e Z A none 

Super 8 mm 

464 8 Super 8-1 Edge Super 8 cartridge B For super 8 cartridge cameras 

575 8 Super 8-1 Edge Dispenser container A For 8 mm leader products only 

584 8 Super 8-1 Edge Dispenser container B For 8 mm leader products only 

Note: A specification number when combined with a film emulsion letter designation is known as the Identification Number (e.g., SPP666).

Winding Designations 

A plastic core is normally used with all 16 mm films in 

lengths over 60.96 m/200 ft and with all 35 mm films in 

lengths over 30.48 m/100 ft. Camera spools are normally 

supplied with 35 mm x 30.48 m/100-ft rolls and 16 mm x 

30.48 m/100-ft and 60.96 m/200-ft rolls. 

It is necessary to designate the desired winding for 16 

mm film perforated one edge and for 35 mm film with 

16 mm and 8 mm perforations. Proper choice of winding 

depends on the equipment upon which the film is to be 

used. The following sketches illustrate the various 

windings: 

16 mm Winding A 16 mm Winding B 

In the above sketches the film is wound on cores and 

the emulsion side of the film faces the center of the 

roll. When the roll is held so that the outside or leader 

end of the film leaves the roll at the top and toward 

the right, Winding A has the perforations along the 

edge of the film toward the observer and Winding B 

has the perforations along the edge away from the 

observer. 

35 mm Winding A 35 mm Winding B 

In the above sketches the film is wound on cores and the 

emulsion side of the film faces the center of the roll. 

When the roll is held so that the outside or leader end of 

the film leaves the roll at the top toward the right, 

Winding A has the small hole between the perforations 

along the edge away from the observer and Winding B 

has the small hole between the perforations along the 

edge toward the observer. 

Exposure Index - Where applicable, the exposure 

index is shown for both daylight and tungsten light 

exposure. 

Perforation Types Metric (Imperial) 

35 mm and 65 mm End Use 

1. BH-4750 (BH-1870)35 mm Bell-Howell film negative 

perforations with a pitch measurement of 0.1870" 

(long pitch) [SMPTE 93-1986] 

2. BH-4740 (BH-1866)35 mm Bell-Howell film negative 


(short pitch) [SMPTE 93-1986] 

3. KS-4750 (KS-1870)35 mm and 65 mm Kodak standard 

positive perforations with a pitch measurement of 

0.1870" (long pitch) [SMPTE 145-1988; SMPTE 139- 

1986] 

4. KS-4740 (KS-1866)35 mm and 65 mm Kodak standard 

positive perforations with a pitch measurement of 

0.1866" (short pitch) [SMPTE 145-1988; SMPTE 139- 

1986] 

5. DH-4750 (DH-1870)35 mm Dubray-Howell film 



6. CS-4750 (CS-1870)35 mm Cinemascope film 



7. KS-4750 (KS-1870)70 mm film perforated 65 mm 

Kodak standard positive perforations with a pitch 

measurement of 0.1870" (long pitch) [SMPTE 119- 

1988] 

16 mm End Use 

8. 2R-7605 (2R-2994)16 mm film perforated two edges 

with a perforation pitch of 0.2994" (short pitch) 

[SMPTE 110-1986] 


with a perforation pitch of 0.3000" (long pitch) [SMPTE 

110-1986] 

10. IR-7605 (1R-2994)16 mm film perforated one edge 

with a perforation pitch of 0.2994" (short pitch) 

[SMPTE 109-1986] 

11. 3R-7605 (3R-2994)35 mm film perforated 16 mm with 

a perforation pitch of 0.2994" (short pitch) [SMPTE 

171-1986] 

12. IR-7620 (IR-3000)16 mm film perforated one edge with 

a perforation pitch of 0.3000" (long pitch) [SMPTE 109 

-1986] 

13. 3R-7620 (3R-3000)35 mm film perforated 16 mm with 

a perforation pitch of 0.2994" (long pitch) 

[ANSI/SMPTE 171-1986] 

Super 8 and 8 mm End Use 


with perforation pitch of 0.1500" (long pitch)[ANSI 

PH22.17-1982] 

15. 1R-4234 (1R-1667)8 mm film perforated Super 8 one 

edge with a perforation pitch of 0.1667" (long pitch) 

[SMPTE 149-1988] 

16. 2R-4227 (2R-1664) (1-4)16 mm film perforated Super 8 

two edges in the 1-4 position with a perforation pitch 

of 0.1664" (short pitch) [SMPTE 168-1986] 

17. 2R-4227 (2R-1664)16 mm film perforated Super 8 two 

edges in the 1-3 position with a perforation pitch of 

0.1664" (short pitch) [SMPTE 151-1987] 

18. 2R-4227 (2R-1664)35 mm film perforated Super 8 two 

edges in the 1-0 position with a perforation pitch of 

0.1664" (short pitch) [SMPTE 169-1986] 

19. 5R-4234 (5R-1667)35 mm film perforated Super 8 in 

the 1-3-5-7-0 position with a perforation pitch of 

0.1667" (long pitch) [SMPTE 165-1988] 

Note: For other perforation types of formats, consult your 

Entertainment Imaging office. 

16 mm 35 mm 

Length (feet & meters) 24 FPS 25 FPS 24 FPS 25 FPS 

100 ft/30.48 meters 

200 ft/60.96 meters 

400 ft/121.92 meters 

800 ft/243.84 meters 

1000 ft/304.08 meters 

1200 ft/365.76 meters 

2000 ft/609.06 meters 

Running Time / Length Conversion Table 

Running Time in Minutes Running Time in Minutes 

2.77 

5.55 

11.11 

22.22 

27.70 

33.30 

55.55 

2.66 

5.33 

10.60 

21.33 

26.60 

32.00 

53.30 

1.11 

2.22 

4.44 

- 

11.11 

- 

22.22 

1.07 

2.13 

4.26 

- 

10.70 

- 

21.32 

16 mm @ 24 FPS = 36 ft/min 

16 mm @ 25 FPS = 37.5 ft/min 

35 mm @ 24 FPS = 90 ft/min 

35 mm @ 25 FPS = 93.8 ft/min 

Note: The calculated times in the chart above should be used as reference only. Your actual time may be slightly different. 

Description of Specification Numbers 

Sp No Width in mm Perforation Core/Spool/Mag Winding Remarks 

35 mm 

239 35 35 mm BH Y Footage numbered 

240 35 35 mm BH Y Same as Sp 239, wound emulsion out, footage numbered 

241 35 35 mm DH Y All films long pitch 0.1870, footage numbered 

242 35 35 mm BH Y For high-speed cameras, footage numbered 

415 35 35 mm KS S-83 100-ft spool Footage numbered 

417 35 35 mm BH S-83 100-ft spool none 

441 35 35 mm BH Y No footage numbers 

651 35 35 mm KS AA none 

663 35 35 mm KS U none 

665 35 35 mm KS U none 

666 35 35 mm KS Y none 

668 35 35 mm KS Y none 

669 35 35 mm KS U B Perforated one edge 

670 35 35 mm KS Y No edgeprint 

674 35 35 mm KS K No edgeprint 

678 35 35 mm KS U Footage numbered 

683 35 35 mm KS Y No edgeprint 

701 35 35 mm BH Y none 

718 35 35 mm BH U Footage numbered 

720 35 35 mm BH U none 

721 35 35 mm BH U Same as Sp 718, wound emulsion out, footage numbered 

722 35 35 mm BH U Precision perforations; reduced dimension tolerances 

727 35 35 mm BH U Footage numbered 

732 35 35 mm BH U Short pitch (0.1866) 

739 35 35 mm BH Y Footage numbered, except ESTAR BASE 

746 35 35 mm BH U For leader stock 

767 35 non e Y Non-canned packaging, no frame line markings 

779 35 35 mm KS Y none 

789 35 35 mm KS Y none 

798 65 35 mm BH U Long pitch (0.1870); latent image print footage numbers 

Note: A specification number when combined with a film emulsion letter designation is known as the Identification Number (e.g., SPP666).

Film provided with 

KeyKode edge print 

Tungsten rating 

with no filter 

will give indicated 

speed ratings 

Upper portion of 

label is peelable; 

it can be placed 

on film magazine 

as reminder of 

product being 

used 

Daylight rating 

with an 85 filter 

will give indicated 

speed ratings 

Film Width 

Perforation Type 

Identification 

Perforation Pitch 

(Metric) 

Film letter designation 

and finished film 

specification 

How to read a film can label. 

The many characteristics of a specific roll of unprocessed film are described most completely 

on the film label. 

Length 

of roll 

in feet 

Perforation 

Pitch (Inch) 

Length 

of roll 

in meters 

Emulsion position and 

winding type (Emulsion In) 

Film Speed 

Color bar 

identifies film 

Roll/Part 

Number 

Emulsion 

Number 

Kind of film 

UCC/EAN 128 Codes 

Catalog Number

estar base - Svet Filma

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