502-320-6419 - The American Distilling Institute
502-320-6419 - The American Distilling Institute
502-320-6419 - The American Distilling Institute
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<strong>The</strong>se two classic rum cocktails are<br />
from martin Cate, proprietor of<br />
Smuggler’s Cove, the famous<br />
rum bar in SF:<br />
Daiquiri #3<br />
.5 oz fresh lime juice<br />
.25 oz fresh grapefruit juice<br />
dash superfine sugar<br />
.25 oz maraschino liqueur<br />
2 oz light, dry Spanish style rum<br />
(or your favorite - it’s a flexible drink)<br />
Combine all and shake and fine<br />
strain into a chilled cocktail glass.<br />
bumbo<br />
2 oz full bodied, pot-still rum<br />
.25-.5 oz demerara simple syrup<br />
Stir on the rocks in an<br />
old-fashioned glass and top<br />
with fresh grated nutmeg.<br />
cultural associations with rum by educating his<br />
consumers on the history of rum and letting<br />
them know that his rums are <strong>American</strong>-made.<br />
Prichard explains, “<strong>The</strong>re are a lot of people<br />
out there who don’t realize that America was<br />
the largest producer of rum prior to the <strong>American</strong><br />
Revolution. And people also expect rum<br />
to be cheap. If you get them to buy an $80<br />
bottle of rum, which we have, you have done<br />
a marvelous job of educating your consumers<br />
that not all rums are white, or cheap, or made<br />
with back strap, or made in the tropics.”<br />
Andrew Causey wraps up the issue of<br />
educating consumers through his observation<br />
that “there are some really, really good rums<br />
out there, and some really bad ones, and most<br />
people have only tasted bad rum. It is our<br />
responsibility as craft distillers to change that.”<br />
Competition With Whiskey, Vodka,<br />
and Foreign Rum Markets<br />
Another big challenge facing the <strong>American</strong><br />
craft rum industry comes in the form of stiff<br />
competition with popular whiskey and vodka<br />
categories, followed by foreign rum. According<br />
to the spirits category table reports released<br />
by DISCuS for 2010, 24.9 million nine-liter<br />
cases of rum were sold that year, while 59<br />
million cases were sold, followed by 47 million<br />
cases for all whiskey categories. <strong>The</strong> good news<br />
for rum producers, according to a 2010 report<br />
released by Impact Databank, is that rum<br />
consumption has doubled from roughly 11<br />
million cases in 1994 to over 24 million cases<br />
in 2009. But with craft spirits only comprising<br />
about 1% of total distilled spirit sales, with<br />
most of those sales for vodka or whiskey, craftproduced<br />
rum is still only a drop in the alcohol<br />
bucket.<br />
When it comes to <strong>American</strong> craft distillers<br />
competing with non-domestic produced rums,<br />
Kelly Railean points out that both tough federal<br />
and state governmental regulations give foreign<br />
producers the upper hand. For instance,<br />
in order to comply with such regulations, she<br />
must increase the price of her products to stay<br />
afloat. Although certain regulations, such as<br />
environmental laws, can be a good thing, overseas<br />
producers don’t always have the same costs<br />
of compliance and can sell their products more<br />
cheaply. In the state of texas, she has to sell her<br />
products directly to a licensed distributor. And<br />
is so often the case, the distributors tend to<br />
promote giant brands like Bacardi rather than<br />
promoting small brands because of the much<br />
larger financial return.<br />
As noted above, most of the producers and<br />
experts I interviewed observe that consumers<br />
usually expect rum to be cheap as compared<br />
to other spirit categories. “People will not pay<br />
$40 for a good bottle of rum when they can<br />
buy it cheaply from Captain Morgan,” Luis<br />
Ayala laments, “but they don’t mind paying<br />
$40 or more for a good bottle of vodka or<br />
whiskey. In this way, although the volume of<br />
sales has doubled for rum since 1994, rum is<br />
still lagging behind other spirits in what people<br />
are willing to pay.”<br />
Phil Prichard realized in the mid-2000’s that<br />
rum can often be a seasonal item and harder<br />
to sell year-round than whiskey. Early in his<br />
distilling career, a distributor once told him<br />
“people like rum, but they love whiskey.” And<br />
as he noticed his rum sales begin to level off,<br />
he began producing whiskey so that his distillery<br />
would see continued growth.<br />
<strong>The</strong> Forcast For Rum<br />
<strong>The</strong> rum producers I spoke with all exhibited<br />
a “cautious optimism” regarding the future<br />
of <strong>American</strong> made rum. Clearly, there are<br />
several hurdles that must be addressed as rum<br />
continues its gradual ascent. And while these<br />
distillers want rum to be at least as popular as<br />
whiskey and vodka, they realize that it may<br />
never completely catch up in sales with these<br />
categories. Yet, there is a tremendous amount<br />
of room for distillers to be creative in experimenting<br />
and producing new flavor profiles,<br />
thus developing a variety of styles of the new<br />
breed of <strong>American</strong> rums. As Andrew Causey<br />
assured me, “Rum is going up and up, and<br />
there is plenty of room to grow. <strong>The</strong> sky is the<br />
limit.” And that is great news.<br />
(EDItOR’S NOtE: Nancy Fraley is currently<br />
producing a Craft Rum Aroma Wheel<br />
for use as both an industry tool and rum<br />
consumer education guide.)<br />
5 rums every<br />
micro distiller<br />
should try<br />
By Luis AyALA, Rum ConsuLtAnt<br />
“Don’t be stuck having to sell what<br />
you just produced, instead plan<br />
to produce that which you<br />
truly want to sell”<br />
Ron barceló Gran Platino, 1 year old,<br />
Dominican Republic. Why: white rums<br />
don’t have to be destined for the cocktail<br />
shaker! this white rum demonstrates<br />
that good craftsmanship can<br />
result in sipping white rums that vodka<br />
drinkers can enjoy, while still retaining<br />
the character typically associated with<br />
cane spirits.<br />
Santa Teresa Rhum Orange, 2 year old,<br />
Venezuela. Why: most so-called fruitflavored<br />
or spiced rums in the market<br />
are made with raw, un-aged ethanol.<br />
With Rhum orange, santa teresa has<br />
produced a true, flavored aged rum that<br />
takes advantage of legitimate aromas<br />
and tastes in their alcohol base, showing<br />
what a true fruit flavored rum can<br />
be like.<br />
Ron Viejo de Caldas Grand Reserve, 8<br />
year old, Colombia. Why: many beginning<br />
rum producers believe that as rum<br />
is aged, it tends to develop mainly brandy<br />
and fruit notes. this rum showcases<br />
what careful fractional selection and<br />
aging can produce when artfully aged<br />
and blended; it is a true eye opener.<br />
English harbour 10 year old, Antigua.<br />
Why: this rum demonstrates that one<br />
does not need to grow very old waiting<br />
for rum to mature into something truly<br />
exquisite. one single decade of aging in<br />
the right environmental conditions can<br />
produce superb results.<br />
Zafra Master Reserve 21 year old,<br />
Panama. Why: it has been said that<br />
patience has its rewards, and nothing<br />
like this rum to prove how truthful<br />
this assertion is. While there are other<br />
rums that are as old or older, those<br />
products are also considerably sweeter.<br />
Zafra proves that remarkable smoothness<br />
and persistent complexity can be<br />
achieved without being sugary.<br />
2 0 1 2 • a m e r i c a n d i s t i l l i n g i n s t i t u t e d i r e c t o r y<br />
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