The global power of freemasonry - Gnostic Liberation Front

spring of 2000, according to Roger S. Ulrich, professor of architecture
at Texas A & M University.
Modern architects under the control of the political freemasons are
seldom permitted to use mentally enhancing geomancy. They design
buildings which have a destructive effect upon the human psyche,
i.e. the Museum of Modern Art in Paris, the new Guggenheim Museum
in Bilbao or the Van Gogh Museum in Amsterdam. These buildings for
instance proportions are far from the golden mean.
Modern political freemasonry has grown out of medieval guilds of
craftsmen, who moved from place to place as they built palaces,
castles and churches. These guilds worked in the manner of local
trade unions and brotherhoods for stone masons. Initiated builders
also wished to make their hard lives a little easier and to spread their
secret geomantic knowledge. Other craftsmen were usually statio-
nary.
At the building sites, the workers had a lodge, where tools were
kept and where they could rest and eat. It was in these lodges that
apprentices and journeymen were initiated into the secrets of the
craft, which were not disclosed to outsiders; for example how to
calculate strength and vault pressure as well as secret knowledge
about the significance of energy lines. They were also taught
valuable rules of life. The purpose of the guilds was to maintain a
monopoly of a particular craft especially against outsiders.
In 5th century Spain, an association of masons was mentioned for
the first time, the so-called comancini. Their leader was appointed by
the king.
Masons joined their local guild, the lodge, chiefly for the purposes
of protection, education and training.
The freemasons founded their first lodge in York in northern
England as early as A. D. 926, with the Roman collegia fabrorum as
prototype. In the lodges of the freemasons, journeymen were
instructed in the complicated secrets of geomantic architecture. In
1375, a document, which was later found in the London City Archives
described the freemasons as craftsmen, whose movements were not
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