Consultancy for Conservation Study of Chik Kwai Study Hall at Pat ...

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Eave board at the front eave Under the front eave is a richly carved eave board that used to span the two side bays and middle bay. It should be comprised of three timber boards located in the three bays joining together to form a continuous piece. However, the section in the middle bay is now missing. At the leftmost part of the eave board in the right side bay is a flying bat that is the symbol of fu 福 [good fortune and blessing] (Fig. 104 and Fig. 105a-d). Besides it is undulating fruity vines of grape and a squirrel, suggesting the wish zisun wandai 子孫萬代 [may you have ten thousand generations of progenies]. Close to the squirrel is a leafy branch bearing four pomegranates that symbolize liukai baizi 榴開百子 [pomegranate opens with hundred seeds]. Moreover, a paradise flycatcher, emblem of longevity, is found standing on the branch. To the right of the paradise flycatcher are broad lotus leaves and pods suggesting conjugal harmony and fertility, as well as a heron. A golden toad, symbol of wealth, is found prostrate on the lotus leave while cloud scrolls, emblem of good omen, is carved ascending from its mouth. On the other side of the lotus is a flowering branch of peony that signifies wealth and distinction. The middle of the board is carved with a ribboned flower basket decorated with pattern of linked coins that symbolize endless wealth. It holds a detached branch of peony flower, emblem of wealth and distinction. To the left of the basket is flowering branches of chrysanthemum amidst butterflies in flight, both are symbols of longevity. Above them is a bat carved with cloud scrolls, signifying fuyun 福運 [blessed fortune]. To the left of the basket is a robust bough bearing camellia flowers among leaves with a paradise flycatcher perching on it, expressing chunguang zhangshou 春光長壽 [may you have long life in the radiance of spring]. Further to the right is a bogu 博古 that suggests gentlemanly quality amidst a group of motifs. To the left of the bogu is a bat, symbol of fu 福 [good fortune and blessing] carved beside a tablet bearing a character shou 壽 [longevity]. Atop them is magpies representing xi xiangfeng 喜相逢 [happiness come cross]. Adjacent to these motifs is two magnolia flowers that suggest Yushu linfeng 玉樹臨風 [a jade tree facing the wind]. Beside the flowers are paper and brushes symbolizing literary knowledge. Next to them is a vase signifying pingan 平安 [peace]. Other than these motifs, an incense burner emitting smoke is depicted on the bogu, which suggests emolument. Beside it is two lingzhi 靈芝, symbol of longevity, carved with a bottle-gourd and a brush that suggest a sense of immortality. Beneath them are a bat, symbol of fu 福 [good fortune and blessing] and a bear suggesting heroism. To the right is a detached branch of 113
peach that signifies longevity. At the right of the bogu is a detached branch of lichee bearing three fruits, suggesting sanyuan 三元. The rightmost part of the eave board is carved with a shoushi 壽石 [aged rock], symbol of longevity. Adjacent to it are orchid flowers among slender leaves amidst flying butterflies, suggesting gentlemanly quality and refinement, as well as longevity respectively. 114 Fig. 104. Eave board at the right side bay of entrance hall.
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Consultancy for Conservation Study
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Research Team Team Members Position
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iv 5.1 Historic place..............
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LIST OF FIGURES Fig. 1. Front eleva
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Fig. 37. Map showing Chik Kwai Stud
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Fig. 83. Side chambers with cocklof
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Fig. 142a-b. changgong 撐栱 [diag
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LIST OF TABLES Table 1. A list show
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2 This report is to provide a conse
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clearly advantageous for villages s
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After the British takeover of the N
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Pat Heung 八鄉 8 Fig. 3. The Dist
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10 In the Yudiiue 輿地略 [Chapte
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12 Fig. 7. Enlargement of the Xin
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Pat Heung valleys are the richest r
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16 Tai Kong Po 大江埔 Yeung 楊
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18 Fig. 11. Cheung Ancestral Hall
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20 Fig. 14. Map showing ancestral h
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organized Tat Tak Alliance 達德
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28 According to the elders from Pat
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Guanyin 觀音, Tinhou 天后 and G
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32 district. It has already had the
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During the Japanese occupation, the
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36 Fig. 24. Genealogy of the Lais i
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According to the report wrote by La
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Sheung Tsuen Shui Lo (Fig. 29.). Ch
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42 Fig. 29. Sheung Tsuen Shui Lo, 1
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44 Fig. 32. Lai Uk Tsuen was named
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46 3 HISTORY 3.1 Founding of Chik K
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48 The exact year of its constructi
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50 Fig. 37. Map showing Chik Kwai S
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3.2.1 Study Hall In the Ming and Qi
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54 孺人之神主廿六世
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3.3.3 1970s - 1980s The setting of
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58 Fig. 41. Aerial photo of 1945. (
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60 Fig. 43. Aerial Photo of 1963. (
Page 79 and 80: 62 Fig. 45. Aerial Photo of 1985. (
Page 81 and 82: The 27th year of Kangxi 康熙 28th
Page 83 and 84: 66 1963 Pat Heung Old Temple 八鄉
Page 85 and 86: 68 recipients of plants and seeds.
Page 87 and 88: 長春園 Lik Wing Tong 力榮堂 Y
Page 89 and 90: Kang Yung Study Hall 鏡蓉書屋 (
Page 91 and 92: 74 Fig. 49. Tai Kei Ka Shuk 大紀
Page 93 and 94: 76 Fig. 53. Kang Yung Study Hall
Page 95 and 96: 78 Successful candidates in xiang-s
Page 97 and 98: 80 Fig. 58. Lesson in old-style pri
Page 99 and 100: 82 The teachers’ incomes are quit
Page 101 and 102: 84 Fig. 61. Sung Tsun School 崇真
Page 103 and 104: Population Boom The increase of pop
Page 105 and 106: 4.1 Setting 88 4 BUILDING Chik Kwai
Page 107 and 108: 90 Fig. 66. Chik Kwai study hall an
Page 109 and 110: occupying a footprint measuring 13.
Page 111 and 112: 94 Fig. 75. The porch at the front
Page 113 and 114: 96 The fourth and sixth purlins in
Page 115 and 116: 98 Fig. 81. The finely craved rain
Page 117 and 118: From the aerial photograph of 1963,
Page 119 and 120: 102 Fig. 89. Two storeys side chamb
Page 121 and 122: 104 Fig. 91. Main hall of Chik Kwai
Page 123 and 124: 4.3.2 Stable 106 Fig. 95. A small c
Page 125 and 126: 4.4.1 Chik Kwai Study Hall Entrance
Page 127 and 128: 110 Fig. 100a-f. Details of the fro
Page 129: 112 Fig. 102a-e. Details of the rea
Page 133 and 134: vase is a bat, symbol of fu 福 [go
Page 135 and 136: 118 Fig. 107a-d. Details of the eav
Page 137 and 138: 120 [Drinking in front of the flowe
Page 139 and 140: 122 Fig. 109a-c. Murals atop the ma
Page 141 and 142: 124 Fig. 112. Mural on the right ga
Page 143 and 144: 126 The tuofeng 駝峰 atop the low
Page 145 and 146: 128 Fig. 117. tuofeng 駝峰 [suppo
Page 147 and 148: Friezes of the walls 130 Fig. 119a-
Page 149 and 150: 132 [A wandering exile, I came away
Page 151 and 152: 134 Fig. 124. The mural on the rear
Page 153 and 154: Eave board at the rear eave Below t
Page 155 and 156: Courtyard 138 Fig. 127a-e. Details
Page 157 and 158: shoushi 壽石 [aged rock] that is
Page 159 and 160: Gable walls The gable walls of the
Page 161 and 162: Fang 枋 [lintel] 144 Fig. 134a-g.
Page 163 and 164: Structural frames 146 Fig. 135. The
Page 165 and 166: 148 Fig. 138a-b. tuofeng 駝峰 [su
Page 167 and 168: 150 Fig. 140a-d. tuofeng 駝峰 [su
Page 169 and 170: Decorative surround 152 Fig. 142a-b
Page 171 and 172: longevity] (Fig. 144). On the rear
Page 173 and 174: 156 Fig. 144. The mural on the part
Page 175 and 176: Along the top part of the walls in
Page 177 and 178: 160 Fig. 150. The mural on the part
Page 179 and 180: 4.4.2 Stable There is no particular
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instance, wishes such as riches and
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09 upper floor in the side bays of
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168 Fig. 159. A line of granite fou
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170 Fig. 164. Traces of the seconda
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172 Fig. 167. Lattice window openin
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174 literary knowledge, emoluments,
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176 Fig. 175. Openings on the upper
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178 Fig. 178. Ladder leading to the
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180 Fig. 180. Ladder located in the
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182 Fig. 183. Sketch showing the re
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184 Fig. 185. Sketch showing the re
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Kwai Study Hall could be read as a
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Si Wang Study Hall 士宏書室 Kun
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6.1 The Inspection 190 6 CONDITION
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6.4.1.3 The Side Halls 192 Photo 1
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6.4.3 The Forecourt 194 Photo 6 Clo
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vegetation spreads along the roofs
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198 Photo 15 The side wall showing
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200 Photo 19 The timber beam to the
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202 Photo 23 The columns were in a
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Right-hand side hall The external w
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206 Photo 31 The rear wall of the M
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Left cockloft The 1/F cockloft was
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6.5.2.6 Wall paintings and the alta
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The original wide door openings had
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6.7 Work required to remove the int
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216 An example of propping of struc
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218 Other work may be carried out d
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220 The exposed hole may then be en
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3.0 Demolition of cocklofts slabs,
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3.0 Demolition down to 1/F slab and
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7.1 Conservation Philosophy 226 7 C
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228 � Re-construction of timber s
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230 … Competent direction of cons
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232 with dimensions, shape, design
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8.3 Restoration and conservation
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� Water with a natural P.H. deter
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(b) Take down all electrical light
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240 � the four richly decorated w
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8.4.6.3 Floor finishes - (a) Clean
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8.4.8.3 Wall mural on wall frieze o
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(c) Make good timber altar to match
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2.0 Demolition and Cart Away 2.1 Wo
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250 10.4 Make good partition in fro
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APPENDIX I 252 Fig. 187. First floo
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254 Fig. 191. Section A-A and B-B o
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APPENDIX III PRINCIPLES FOR THE PRE
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258 conservation may require the co
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APPENDIX IV ICOMOS PRINCIPLES FOR T
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plaster, etc. Prerequisites for any
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Competent direction of conservation
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Rob Crèvecoeur (The Netherlands) L
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Gui Wencan 桂文燦 et al., Guangd
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Land Registration in the New Territ
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