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TEST WINNER - Heco

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Celan 500<br />

„Very well-balanced<br />

speaker with low<br />

range levels and extremely<br />

fi ne resolution..“<br />

<strong>TEST</strong> <strong>WINNER</strong><br />

Price/performance „excellent“


Celan 500<br />

<strong>Heco</strong>’s developers appear to have chosen different priorities<br />

when selecting their materials:<br />

The cones are made of a high-density paper mixture,<br />

while the enclosure is impressive with a genuine wood<br />

veneer. However, this certainly doesn’t have to be a disadvantage,<br />

as already shown by the top test results for the<br />

Metas 500 in Audio 4/07. From a distance, only a trained<br />

<strong>Heco</strong> enthusiast would recognise the difference between<br />

the two ranges: While the Metas 500 for € 760 only has a<br />

foil covering, the Celan is also equipped with a subwoofer<br />

reinforced with woven Kevlar. Despite the completely<br />

different shape of the cone, it works with the woofer to<br />

achieve a common volume and looks after the bass range<br />

in the team. It is only above 400 hertz that the crossover<br />

gently fades out the more powerful lower woofer, i.e.<br />

a classic 2.5 way concept.<br />

The treble range was one of the particular strengths of<br />

the Metas. A similarly designed tweeter, though more<br />

refined and with a larger wave guide, now helps Celan<br />

to achieve an even more natural sound. The cone has<br />

been strengthened through the application of additional<br />

nano-particles so as to reduce partial vibrations, which<br />

is designed to place the tweeter in a special position between<br />

hard metal calottes and fabric calottes with a softer<br />

tendency. A metal bridge enables the level to be raised<br />

by two decibels when an excessively dampened room<br />

threatens to absorb the trebles. And there has been no<br />

economizing on the housing: the basic hexagonal form<br />

for avoiding standing waves is more complex and expensive<br />

to construct than a simple box and the veneer has<br />

a very high-quality effect thanks to the good choice of<br />

lacquer used.<br />

The two bass reflex tubes at the rear bring a touch of<br />

heavy industry to the product: made of solid cast, they<br />

are particularly impressive technically through their very<br />

pronounced rounding with a large diameter, leaving<br />

absolutely no possibility for blur or compression. <strong>Heco</strong><br />

performed the first round with “linear” level-adjusted jumpers,<br />

setting itself apart from the more effect-accentuated<br />

Focal with pleasant, finer sounding strings. However, the<br />

deeper tones of Dvorak‘s 9th symphony (Järvi, Telarc)<br />

sounded somewhat too good-natured over the <strong>Heco</strong>,<br />

while the brass section blew distinctly more aggressively<br />

in the final movement with the jumper on “+2b”, without<br />

the never irritating string tones - now even richer in detail<br />

- losing any of their fine beauty. Compared with the Focal,<br />

space projection came across as much more plausible.<br />

Whereas the musicians all seem to be jostling together at<br />

the edge of the stage like would-be soloists in the French<br />

product, the <strong>Heco</strong> drew a wide arc in which the entire<br />

happening takes place with a more coherent and harmonious<br />

effect. The <strong>Heco</strong> showed that it is certainly not soft<br />

with its precise rendition of Sting’s “All This Time” (The<br />

Soul Cages, A&M). Although the <strong>Heco</strong> will often lose in<br />

a quick comparison at the store with its neutral design<br />

matching, those who buy this speaker will be rewarded<br />

with long-lasting audiophile qualities.<br />

What goes together?<br />

…The <strong>Heco</strong> is entirely uncritical, suited to more stable<br />

tube amplifiers with a good efficiency level (86 dB) and<br />

impedance minimum of 4.6 ohms, while remaining tame<br />

in sound and dynamic in the bass ranges…<br />

Partner question<br />

Final round: combining with different amplifiers. The <strong>Heco</strong><br />

really distinguished itself in this regard, eliciting astonishing<br />

dynamics from the not particularly powerful Opera<br />

Audio Consonance M100 Plus tube amp, with even a brief<br />

“overriding” of the amplifier hardly affecting the sound …<br />

Conclusion:<br />

HiFi means “high fidelity” – can there be a matching<br />

or balancing of tastes in this respect? If your answer<br />

to this question is “no”, I would then really recommend<br />

the natural sound of the <strong>Heco</strong>…<br />

Readers’ comments<br />

Rüdiger Fröhlich<br />

„The Celan 500 sounds the most natural – it makes the<br />

cymbals ring out and gets the basses grooving“.<br />

Jürgen Kaufmann<br />

„My favourite is the <strong>Heco</strong> – it’s clearer than the KEF and<br />

also harmonises well with the tube amp.“<br />

Ulf Kuhlmann<br />

„The clear winner for me is the Celan 500 – it is much<br />

more subtle in all respects. The Celan 700 is even better.<br />

Dietmar Pfeffer<br />

„My favourite is the Celan 700.“<br />

The products used for comparison were:<br />

FOCAL CHORUS 726V , KEF IQ 9

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