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Down to the wire : confronting climate collapse / David - Index of

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chapter 4<br />

The Carbon Connection<br />

Combustion is <strong>the</strong> hidden principle behind every artefact we<br />

create . . . From <strong>the</strong> earliest times, human civilization has been no<br />

more than a strange luminescence growing more intense by <strong>the</strong> hour,<br />

<strong>of</strong> which no one can say when it will begin <strong>to</strong> wane and when it will<br />

fade away. For <strong>the</strong> time being, our cities still shine through <strong>the</strong> night,<br />

and <strong>the</strong> fi res still spread.<br />

—W. G. Sebald<br />

Civilization is an experiment, a very recent way <strong>of</strong> life in <strong>the</strong> human<br />

career, and it has a habit <strong>of</strong> walking in<strong>to</strong> what I am calling progress<br />

traps . . . The most compelling reason for reforming our system is that<br />

<strong>the</strong> system is in no one’s interest. It is a suicide machine.<br />

—Ronald Wright<br />

Having seen pictures <strong>of</strong> <strong>the</strong> devastation did<br />

z<br />

not prepare me for <strong>the</strong> reality <strong>of</strong> New Orleans.<br />

Mile after mile <strong>of</strong> wrecked houses, demolished cars, piles <strong>of</strong> debris,<br />

twisted and downed trees, and dried mud everywhere. We s<strong>to</strong>pped<br />

every so <strong>of</strong>ten <strong>to</strong> look in<strong>to</strong> abandoned houses in <strong>the</strong> 9th Ward and<br />

along <strong>the</strong> shore <strong>of</strong> Lake Pontchartrain <strong>to</strong> see things close up: mud<br />

lines on <strong>the</strong> walls, overturned furniture, moldy clo<strong>the</strong>s still hanging<br />

in closets, broken <strong>to</strong>ys, a lens from a pair <strong>of</strong> glasses . . . once<br />

cherished and useful objects rendered in<strong>to</strong> junk. Each house had a<br />

red circle painted on <strong>the</strong> front <strong>to</strong> indicate <strong>the</strong> results <strong>of</strong> <strong>the</strong> search<br />

for bodies. Some houses showed <strong>the</strong> signs <strong>of</strong> desperation, such as

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