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murakami, haruki - Norwegian wood

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She looked into my eyes, and I into hers. I put my arm around her and<br />

kissed her. The slightest twinge went through her shoulders, and then<br />

she relaxed and closed her eyes for several seconds. The early autumn<br />

sun cast the shadow of her lashes on her cheek, and I could see it<br />

trembling in outline.<br />

It was a soft and gentle kiss, one not meant to lead beyond itself. I<br />

would probably not have kissed Midori that day if we hadn't spent the<br />

afternoon on the laundry deck in the sun, drinking beer and watching a<br />

fire, and she no doubt felt the same. After a long time of watching the<br />

glittering rooftops and the smoke and the red dragonflies and other<br />

things, we had felt something warm and close, and we both probably<br />

wanted, half-consciously, to preserve that mood in some form. It was<br />

that kind of kiss. But as with all kisses, it was not without a certain<br />

element of danger.<br />

The first to speak was Midori. She held my hand and told me, with<br />

what seemed like some difficulty, that she was seeing someone. I said<br />

that I had sensed as much.<br />

"Do you have a girl you like?" she asked.<br />

"I do," I said.<br />

"But you're always free on Sundays, right?" "It's very complicated," I<br />

said.<br />

And then I realized that the brief spell of the early autumn afternoon<br />

had vanished.<br />

At five I said I had to go to work and suggested that Midori come with<br />

me for a snack. She said she had to stay home in case the phone rang.<br />

"I hate waiting at home all day for a call. When I spend the day alone,<br />

I feel as if my flesh is rotting little by little - rotting and melting until<br />

there's nothing left but a green puddle that gets sucked down into the<br />

earth. And all that stays behind are my clothes. That's how it feels to<br />

me, waiting indoors all day." "I'll keep you company next time you<br />

have to wait for a<br />

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