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murakami, haruki - Norwegian wood

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Saturdays and Sundays: waiting on tables at a smallish Italian<br />

restaurant. The conditions were pretty poor, but travel<br />

and lunch expenses were included. And whenever somebody on the<br />

late shift took the day off on a Monday, Wednesday or Thursday<br />

(which happened often) I could take their place. This was perfect for<br />

me. The manager said they would raise my pay when I had stayed for<br />

three months, and they wanted me to start that Saturday. He was a<br />

much more decent guy than the idiot who ran the record shop in<br />

Shinjuku.<br />

I tried phoning Midori's flat again, and again her sister answered.<br />

Midori hadn't come back since yesterday, she said, sounding tired, and<br />

now she herself was beginning to worry: did I have any idea where<br />

she might have gone? All I knew was that Midori had her pyjamas and<br />

a toothbrush in her bag.<br />

I saw Midori at the lecture on Wednesday. She was wearing a deep<br />

green pullover and the dark sunglasses she had often worn that<br />

summer. She was seated in the last row, talking with a thin girl with<br />

glasses I had seen once before. I approached her and said I'd like to<br />

talk afterwards. The girl with glasses looked at me first, and then<br />

Midori looked at me. Her hairstyle was, in fact, somewhat more<br />

feminine than it had been before: more mature.<br />

"I have to meet someone," she said, cocking her head slightly.<br />

"I won't take up much of your time," I said. "Five minutes."<br />

Midori removed her sunglasses and narrowed her eyes. She might just<br />

as well have been looking at a crumbling, abandoned house some<br />

hundred yards in the distance.<br />

"I don't want to talk to you. Sorry," she said.<br />

The girl with glasses looked at me with eyes that said: She says she<br />

doesn't want to talk to you. Sorry.<br />

I sat at the right end of the front row for the lecture (an overview of<br />

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