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Susanne Schulz-Falster Catalogue Eighteen - International League ...

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Beggars & Vagabonds Classified<br />

79. [NOBILI, Giacinto, de’.] Il Vagabondo o vero, Sferza de’<br />

bianti e vagabondi. Opera nuova, nella quale si scoprono le fraudi,<br />

e inganni di coloro, che vanno girando il Mondo a spese altrui, e<br />

vi si raccontano molti casi in diversi luoghi, e tempi successi. Data<br />

in luce per Avvertimento de’ semplici da Raffaelle Frianoro. Venice<br />

and Bassano, Giovanni Antonio Remondini, [ca. 1700, not after<br />

1715]. £2,800<br />

8vo, (146 x 101 mm), pp. 96; woodcut title ornament and initial; late<br />

eighteenth-century red boards, later paper title label, spine chipped; red<br />

mottled edges; from the Sforza family of Milan, with etched book-plate<br />

with initials ‘FR SF’ and shelf mark label; a few headlines shaved, still an<br />

attractive copy.<br />

Early edition of a fascinating medieval treatise on conmen, beggars, and<br />

vagrants. The author presents a detailed classification system of the vagrant<br />

population, dividing them in thirty-four categories (p. 5), with telling<br />

names and detailed characterisation. ‘Allacrimanti’, or weepers, who could<br />

shed tears at will, principally in the presence of women, with the hope of<br />

receiving favours; ‘Cagnabaldi’, or exchangers, who persuaded people to<br />

part with pearls, rings, &c., in exchange for nothing; ‘Spettrini’, or false<br />

priests, who pretended to collect for hospitals, and pocketed the money;<br />

susanne schulz-falster rare books catalogue eighteen<br />

‘Reliquiarii’, or vendors of false reliques, ‘Iucchi or Ribattezzati,’ Jews, who<br />

repeatedly had themselves baptised, in return for valuable gifts; or ‘Falpatori’<br />

or masters of arts, aged or impotent rascals, who taught children the art of<br />

cheating. Each type is carefully described followed by a telling anecdote.<br />

This text by Nobili was first published in Viterbo in 1621. As a genre, the<br />

beggar book has long been associated with the German Liber Vagatorum<br />

(after 1509), but recent research has unearthed another unknown prototype<br />

of this genre, namely a manuscript from Urbino, written by Teseo Pini<br />

ca. 1484–86 and entitled Speculum cerretanorum (first published by P.<br />

Camporesi in 1973, see Pugliatti, p. 133). Nobili’s text is a word-for-word<br />

translation of this fifteenth century work. It is rather appealing to have this<br />

guide to beggars and vagrants in a handy pocket format.<br />

There are a number of editions, all of them rare. Remondini published at<br />

least two editions, this one and one with just 87 pages.<br />

Libreria Vinciana 3267 (pp. 87); Passano, Novellieri I, p. 213; Melzi III, 171;<br />

see Paola Pugliatti ‘The European Tradition of Beggar Books’ in Beggary and the<br />

Theatre in Early Modern England, 2003, pp. 132 ff.; D. Levinson, Encyclopedia of<br />

Homelessness I, p. 650 ff.<br />

Neapolitan Horsemen<br />

80. NOVI, Giuseppe. Vanto delli cocchieri Napolitani o sia<br />

dell’arte nobilissima, che tengono essi, in domare li Cavalli, e<br />

guidarli sotto le Carrozze, sopra qualsisia Nazione. Naples, G. Coda,<br />

1776. £1,600<br />

8vo, engraved frontispiece, pp. xi, [1] blank, 194; decorative initials;<br />

contemporary woodblock printed pattern paper; short worm trace to<br />

upper margin of last two signature, not touching any text.<br />

First edition, uncommon, of this thorough introduction and homage to<br />

Neapolitan horsemanship, in particular to Cajetanus Pezzella, the famed<br />

master horseman and equerry to the prince of Francavilla. Novi begins with<br />

a brief background to horse training, especially for use with carriages, before<br />

stressing the particular aptitude of the Neapolitans for horsemanship in a<br />

semi-psychological study. Novi maintains that extreme dedication is needed<br />

to achieve excellence as a horseman, but this is not necessarily rewarded with<br />

social status. However, he identifies a special ‘code of honour’ amongst the<br />

cocchieri napolitani, the Neapolitan horsemen, which has been commented<br />

on by Benedetto Croce as a parable of Neapolitan republican character.<br />

The fine unsigned frontispiece shows Cajetanus Pezzella, with a horse<br />

being trained in the background.<br />

OCLC: Harvard, UCLA, Michigan, & BL; see M. Meriggi et al, Le regole dei mestieri<br />

e delle professioni: secoli XV-XIX, p. 302; B. Croce, Aneddoti e profili settecenteschi, p.<br />

196.

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