Susanne Schulz-Falster Catalogue Eighteen - International League ...
Susanne Schulz-Falster Catalogue Eighteen - International League ...
Susanne Schulz-Falster Catalogue Eighteen - International League ...
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Beggars & Vagabonds Classified<br />
79. [NOBILI, Giacinto, de’.] Il Vagabondo o vero, Sferza de’<br />
bianti e vagabondi. Opera nuova, nella quale si scoprono le fraudi,<br />
e inganni di coloro, che vanno girando il Mondo a spese altrui, e<br />
vi si raccontano molti casi in diversi luoghi, e tempi successi. Data<br />
in luce per Avvertimento de’ semplici da Raffaelle Frianoro. Venice<br />
and Bassano, Giovanni Antonio Remondini, [ca. 1700, not after<br />
1715]. £2,800<br />
8vo, (146 x 101 mm), pp. 96; woodcut title ornament and initial; late<br />
eighteenth-century red boards, later paper title label, spine chipped; red<br />
mottled edges; from the Sforza family of Milan, with etched book-plate<br />
with initials ‘FR SF’ and shelf mark label; a few headlines shaved, still an<br />
attractive copy.<br />
Early edition of a fascinating medieval treatise on conmen, beggars, and<br />
vagrants. The author presents a detailed classification system of the vagrant<br />
population, dividing them in thirty-four categories (p. 5), with telling<br />
names and detailed characterisation. ‘Allacrimanti’, or weepers, who could<br />
shed tears at will, principally in the presence of women, with the hope of<br />
receiving favours; ‘Cagnabaldi’, or exchangers, who persuaded people to<br />
part with pearls, rings, &c., in exchange for nothing; ‘Spettrini’, or false<br />
priests, who pretended to collect for hospitals, and pocketed the money;<br />
susanne schulz-falster rare books catalogue eighteen<br />
‘Reliquiarii’, or vendors of false reliques, ‘Iucchi or Ribattezzati,’ Jews, who<br />
repeatedly had themselves baptised, in return for valuable gifts; or ‘Falpatori’<br />
or masters of arts, aged or impotent rascals, who taught children the art of<br />
cheating. Each type is carefully described followed by a telling anecdote.<br />
This text by Nobili was first published in Viterbo in 1621. As a genre, the<br />
beggar book has long been associated with the German Liber Vagatorum<br />
(after 1509), but recent research has unearthed another unknown prototype<br />
of this genre, namely a manuscript from Urbino, written by Teseo Pini<br />
ca. 1484–86 and entitled Speculum cerretanorum (first published by P.<br />
Camporesi in 1973, see Pugliatti, p. 133). Nobili’s text is a word-for-word<br />
translation of this fifteenth century work. It is rather appealing to have this<br />
guide to beggars and vagrants in a handy pocket format.<br />
There are a number of editions, all of them rare. Remondini published at<br />
least two editions, this one and one with just 87 pages.<br />
Libreria Vinciana 3267 (pp. 87); Passano, Novellieri I, p. 213; Melzi III, 171;<br />
see Paola Pugliatti ‘The European Tradition of Beggar Books’ in Beggary and the<br />
Theatre in Early Modern England, 2003, pp. 132 ff.; D. Levinson, Encyclopedia of<br />
Homelessness I, p. 650 ff.<br />
Neapolitan Horsemen<br />
80. NOVI, Giuseppe. Vanto delli cocchieri Napolitani o sia<br />
dell’arte nobilissima, che tengono essi, in domare li Cavalli, e<br />
guidarli sotto le Carrozze, sopra qualsisia Nazione. Naples, G. Coda,<br />
1776. £1,600<br />
8vo, engraved frontispiece, pp. xi, [1] blank, 194; decorative initials;<br />
contemporary woodblock printed pattern paper; short worm trace to<br />
upper margin of last two signature, not touching any text.<br />
First edition, uncommon, of this thorough introduction and homage to<br />
Neapolitan horsemanship, in particular to Cajetanus Pezzella, the famed<br />
master horseman and equerry to the prince of Francavilla. Novi begins with<br />
a brief background to horse training, especially for use with carriages, before<br />
stressing the particular aptitude of the Neapolitans for horsemanship in a<br />
semi-psychological study. Novi maintains that extreme dedication is needed<br />
to achieve excellence as a horseman, but this is not necessarily rewarded with<br />
social status. However, he identifies a special ‘code of honour’ amongst the<br />
cocchieri napolitani, the Neapolitan horsemen, which has been commented<br />
on by Benedetto Croce as a parable of Neapolitan republican character.<br />
The fine unsigned frontispiece shows Cajetanus Pezzella, with a horse<br />
being trained in the background.<br />
OCLC: Harvard, UCLA, Michigan, & BL; see M. Meriggi et al, Le regole dei mestieri<br />
e delle professioni: secoli XV-XIX, p. 302; B. Croce, Aneddoti e profili settecenteschi, p.<br />
196.