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Susanne Schulz-Falster Catalogue Eighteen - International League ...

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ut was ousted by the owners in 1766 (according to Schelle on the<br />

recommendation of Morellet) and replaced by a new director, who changed<br />

editorial policy. From 1768 to 1772 Dupont de Nemours was editor of the<br />

new mouth-piece of the Physiocrats, the Ephémérides.<br />

Provenance: From the library of the Château de Digoine, property of the<br />

family of La Coste-Messelière, and thus possibly from the library of Benjamin<br />

Léonor Louis Frottier de la Coste-Messeliere (1760–1806), member of the<br />

French national assembly and contemporary of Dupont de Nemours. The<br />

arms on the binding are reproduced in Olivier, Hermal et Roton, Reliures<br />

armoriées françaises, (2020, planche I, fer n° 4), but not identified.<br />

see ESTC t122006 for other issue; Goldsmiths’-Kress 10390; Higgs 4260; INED<br />

1617; Martin-Walter II, 12130; see A.Robert et G.Cougny, Biographie extraite du<br />

dictionnaire des parlementaires français de 1789 à 1889.<br />

French Military Strategy<br />

35. FABER, Gotthild Theodor v. Bemerkungen über die<br />

französische Armee der neuesten Zeit, oder der Epoche von 1792<br />

bis 1807 ... nach dem handschriftlichen französischen Originale,<br />

von dem Verfasser desselben deutsch bearbeitet. Königsberg, Fr.<br />

Nicolovius, 1808. £950<br />

susanne schulz-falster rare books catalogue eighteen<br />

8vo, pp. viii, 150; very clean and crisp in contemporary marbled boards,<br />

sides with gilt filet, spine ruled in gilt with gilt-lettered spine label; an<br />

attractive copy.<br />

First edition of this comprehensive assessment of the new French military<br />

tactics, which came into force as a result of the French Revolution. Faber<br />

(1766–1847) apparently composed the study in French and translated it<br />

from the manuscript.<br />

The size of the Revolutionary Army increased enormously through the<br />

levée en masse, i.e. general recruitment of all able-bodied unmarried males<br />

aged 18 to 25. Utilising the increased numbers of soldiers, and the lack<br />

of formal training of this people’s army, French tactics relied on bringing<br />

forward the greatest number of troops, trained or not, and launching them<br />

into the attack within an open order formation, supported or, in most<br />

cases, preceded by skirmishers. These skirmishers employed guerrillawarfare<br />

like fighting tactics. The general principle was to be fast moving and<br />

unpredictable, in clear contrast to the traditional organized army in strict<br />

regimental formation. The French army deployed companies, battalions,<br />

and regiments, and attacked with battalions in column, supported by<br />

artillery and skirmishers.<br />

The French original was apparently not printed until the early twentieth<br />

century, when général Dragomirov had it published under the title<br />

Observations sur l’armée française de 1792 à 1808.<br />

Recke et al, Allgemeines Schriftsteller- und Gelehrten-Lexikon der Provinzen Livland,<br />

Esthland und Kurland, 1827, p. 545.<br />

Colour Prints & Aquatints<br />

36. FAGNANI. Introduzione del Metodo Fagnani privilegiato da<br />

Sua Maestà I. R. A. Milano, Francesco Sonzogno, 1828. £350<br />

8vo, pp. 12; original printed wrappers with decorative typographic<br />

border; upper wrapper a little discoloured and with some insignificant<br />

staining; else a good copy.<br />

First and only edition of a brief pamphlet with detailed instruction for<br />

colouring prints and aquatints, describing step-by-step the application of<br />

glaze to the verso of the print, followed by the application of colour. The<br />

resulting image will be, according to the author, indistinguishable from an<br />

oil painting.<br />

Particularly interesting is the list of pigments and materials sold by<br />

the author, together with instructions on how to mix the twelve colours<br />

provided to achieve specific tints. In a final section Fagnani gives advice on<br />

what colours to use when trying to depict specific events or objects.<br />

OCLC records just one copy at Harvard.

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