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Susanne Schulz-Falster Catalogue Eighteen - International League ...

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Medical Books<br />

17. [BOOKSELLER CATALOGUE – MEDICINE.]<br />

Verzeichniss gebundener Bücher, enthaltend Medicin, Chirurgie,<br />

Thierheilkunde, Pharmacie, Naturgeschichte und Naturlehre,<br />

welche um beigesezte billige Preise bei dem Antiquar B. Seligsberg<br />

in Bayreuth zu haben sind. Bayreuth, n.p. 1835 £320<br />

8vo, pp. 60; original printed wrappers, title within decorative border,<br />

wrappers with trading conditions on front inside wrapper and<br />

advertisements on back wrapper; a fine copy with faint circular stamp to<br />

upper wrapper.<br />

First edition of a specialist antiquarian bookseller catalogue on medical and<br />

natural history books. Seligsberg lists just over 1000 titles in alphabetical<br />

order by author, giving title, size, number of volumes, binding and price.<br />

The books are predominantly eighteenth century, with some earlier titles<br />

included, such as a 1588 Hippocrates, 1616 Vesalius, etc.<br />

Benedickt Seligsberg (1801–1876) was an antiquarian bookseller in<br />

Bayreuth. According to local records he was of ill health and could not learn<br />

a trade, so became an antiquarian bookseller, and survived to the ripe old<br />

age of 75. His father, an itinerant trader, had requested that his son would<br />

be given a trading patent, not normally granted to Jewish citizens, so that<br />

he could help him in his business.<br />

See Bayreuth, Epigraphische Datenbank, for information on Seligsberg.<br />

Etching, Engraving, and Print-Making<br />

18. BOSSE, Abraham. De la Maniere de Graver a l’Eau forte<br />

et au Burin. Et de la Gravûre en Maniere noire. Avec la façon de<br />

construire les Presses modernes, & d’imprimer en Taille-douce.<br />

Nouvelle Édition, Augmentée de l’Impression qui imite les tableaux,<br />

de la Gravure en maniere de crayon, & de celle qui imite le lavis.<br />

Enrichie de vignettes & de vingt-une Planches en taille-douce. Paris,<br />

Charles-Antoine Jombert, 1758 [vere ca 1773]. £2,500<br />

Tall 8vo (196 x120 mm), engraved frontispiece, pp. xxxii (including<br />

engraved dedication), 205, [3] privilege, with four finely engraved<br />

vignettes (one after Cochin, and one after Bosse), 21 engraved folding<br />

throw-out plates; contemporary full catspaw calf, spine decoratively gilt<br />

in compartments, gilt-lettered spine label; expert repair at head of upper<br />

joint; a fine crisp copy.<br />

Second Jombert edition (and fourth edition in all) of Bosse’s Traité des<br />

manières de graver en taille douce, with extensive additions on colour<br />

printing, dated 1758 but in fact apparently printed in 1773 (see below).<br />

Bosse’s treatise, the first manual of copperplate etching and engraving<br />

and the printing of intaglio plates, was first published in French in 1645.<br />

susanne schulz-falster rare books catalogue eighteen<br />

It was aimed both at the professional engraver and at the amateur and<br />

is extensively illustrated, with detailed engravings based on Bosse’s own<br />

designs. A second edition of 1701 had contained revisions by LeClerc, the<br />

third of 1745 those of the engraver Cochin.<br />

This fourth edition adds two new plates by Louis-Marin Bonnet, the<br />

inventor of the Crayon manner of colour printing and a separate chapter on<br />

this method of colour printing. As for the date of publication, Arthur M.<br />

Hind argues that due to a number of references in the text and the citing of<br />

the ‘gravure’ article in the Encyclopédie the date of publication has to be some<br />

fifteen years later than stated both on the title and the imprint.<br />

In addition to a wealth of technical information, the work includes scenes<br />

of the engraving studio and the copperplate press, and several wonderfully<br />

informative step-by-step scenes of printmakers at work appear as engraved<br />

headpieces at the start of each new chapter (one of them a copy of Bosse’s<br />

large plate of 1643). As adaptations were made to all subsequent editions,<br />

the work has remained an important introduction to print-making which is<br />

of practical use to the printmaker even today.<br />

Bigmore-Wyman, I, 72; Cicognara 255; see En Français dans le Texte, 92; see<br />

Arthur M. Hind, ‘A note on C.N. Cochin’s second revision of Abraham Bosse’s<br />

Traicté des manières de graver’, Burlington Magazine (1907), p. 390 ff.

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