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In 1926: living at the edge of time - Monoskop

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74 ARRAYS<br />

Tango-Fieber." <strong>In</strong> Manfred Pfister, ed., Die Modernisierung des Ich. Passau,<br />

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Michael Golston, '''1m Anfang war der Rhythmus': Rhythmic <strong>In</strong>cub<strong>at</strong>ions in<br />

Discourses <strong>of</strong> Mind, Body, and Race from 1850 to 1944." Stanford Humanities<br />

Review 5, supplement (1996): 1-24.<br />

Hans Ulrich Gumbrecht, "Rhythmus und Sinn." <strong>In</strong> Hans Ulrich Gumbrecht and<br />

K. Ludwig Pfeiffer, eds., M<strong>at</strong>erialit<strong>at</strong> der Kommunik<strong>at</strong>ion. Frankfurt, 1988.<br />

Peter Jelavich, Berlin Cabaret. Cambridge, Mass., 1993.<br />

Harry Graf Kessler, Tagebiicher, 1918-1937. Frankfurt, 1961.<br />

Thomas Mann, "Unordnung und fruhes Leid" (<strong>1926</strong>). <strong>In</strong> Mann, Samtliche<br />

Erzahlungen. Frankfurt, 1961.<br />

New York Times.<br />

Mario Puccini, "Text from Critica Fascista" (<strong>1926</strong>). <strong>In</strong> Stanford Italian Review<br />

(1990): 257-260.<br />

Phyllis Rose, Jazz Cleop<strong>at</strong>ra: Josephine Baker in Her Time. New York, 1989.<br />

Leni Riefenstahl, A Memoir. New York, 1992.<br />

Kristine von Soden and Maruta Schmidt, eds., Neue Frauen: Die zwanziger<br />

Jahre. Berlin, 1988.<br />

W. B. Ye<strong>at</strong>s, A Vision (<strong>1926</strong>). New York, 1961.

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