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In 1926: living at the edge of time - Monoskop

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50 ARRAYS<br />

Jack Dempsey we were accustomed to see ... Tunney hit him <strong>at</strong> least<br />

six <strong>time</strong>s with rights and lefts to <strong>the</strong> face, and Jack gets ano<strong>the</strong>r on <strong>the</strong><br />

eye as <strong>the</strong> bell rings. The first round: Tunney's round by a mile.<br />

Nine rounds l<strong>at</strong>er, when Tunney, tightly wrapped in white towels under<br />

<strong>the</strong> pouring rain (Andre and Fleischer, 108), is <strong>of</strong>ficially declared <strong>the</strong><br />

winner on <strong>the</strong> basis <strong>of</strong> points, "<strong>the</strong>re [is] a real burst <strong>of</strong> applause for <strong>the</strong><br />

new champion"-yet nothing more than applause. Dempsey appears as<br />

"a sorry, pitiful subject ... His mouth and nose [are spouting] blood,<br />

his left eye, bruised and b<strong>at</strong>tered, [is] closed tight and bleeding. There<br />

[is] a cut under his left eye an inch long." Meanwhile, something almost<br />

uncanny has happened. <strong>In</strong> <strong>the</strong> course <strong>of</strong> this humili<strong>at</strong>ing defe<strong>at</strong>, Jack<br />

Dempsey has become <strong>the</strong> crowd's hero. "The crowd was mostly silent,<br />

and evidently pro-Dempsey, for <strong>the</strong>re were few cheers and usually stony<br />

silence for <strong>the</strong> progress <strong>of</strong> Tunney as he poked Dempsey around <strong>the</strong> ring,<br />

and <strong>the</strong> only loud cheers were when Dempsey managed to land a few<br />

solid blows. It was a strangely silent and unenthusiastic crowd" (New<br />

York Times, September 24). [see Silence vs. Noise] Then "<strong>the</strong>y started<br />

yelling. They seemed to forget <strong>the</strong>ir own discomfort and <strong>the</strong>y shouted<br />

[Dempsey's] name" (Heimer, 23). Dempsey himself is no less astonished<br />

by this reaction than <strong>the</strong> journalists. As he recalls in his autobiography,<br />

"To my surprise, I was loudly cheered as I marched from <strong>the</strong> ring, more<br />

than I had ever been cheered before. People were screaming, 'Champ,<br />

Champ!' Could it be th<strong>at</strong> <strong>the</strong> loss was really a victory?" (Dempsey and<br />

Dempsey,201ff.).<br />

Despite his civic virtues and his admirable boxing skills, Tunney is not<br />

a popular champion. But why has <strong>the</strong> defe<strong>at</strong> <strong>of</strong> September 23 transformed<br />

Dempsey into a popular hero? A possible answer to this question<br />

lies in a scene from Hemingway's novel The Sun Also Rises. During <strong>the</strong><br />

fiesta in Pamplona, Brett, who is <strong>the</strong> central object <strong>of</strong> desire for all <strong>the</strong><br />

male protagonists in <strong>the</strong> novel, enters into a passion<strong>at</strong>e erotic rel<strong>at</strong>ionship<br />

with a young bullfighter. Nobody is more jealous than Robert Cohn,<br />

<strong>the</strong> former "middleweight champion <strong>of</strong> Princeton" (Hemingway, 4).<br />

Although for him boxing has never been anything o<strong>the</strong>r, or anything<br />

more, than a chance to overcome his inferiority complex and his resentment<br />

as a Jew in a WASP-domin<strong>at</strong>ed social world, Cohn is a skillful<br />

boxer-and <strong>the</strong>refore finds it easy to be<strong>at</strong> up his rival in Brett's hotel<br />

room. Yet not only does this "victory" fail to help Cohn overcome his

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