In 1926: living at the edge of time - Monoskop

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Alcantara Machado, Antonio de, 288, 293,295,332,346-347 Amundsen, Roald, 7, 172, 173, 174, 175 Aragon, Louis: Le paysan de Paris, 285, 345 Arit, Roberto: El juguete rabioso, 8-9, 97,141,256-257,361,392 Armstrong, Louis, 123 Artaud, Antonin, 259, 337, 361 Astier, Silvio, 8 Auerbach, Erich, 285, 355 Azorfn. See Martinez Ruiz, Jose Baird, John Logie, 242 Baker, Josephine, 66-68, 70, 103, 194-195,207,268,269,398 Barbakoff, Katjana, 73 Barton, Ralph, 14,20 Baudelaire, Charies, 483n19 Becher, Johannes R., 25, 64, 70, 77, 112, 134,167,182,188,401-402; "Dirnen," 121; "Der Hungerkiinstler," 115, 116; "Proletarisches Schlaflied," 282; "Die Rumpf-Ruderer," 236-237; "Seefahrer," 165-166; "Der Wiirger," 159 Benjamin, Walter, 17,24-25, 151-152, 236,316,340,342,378-379,385, 484n31; Einbahnstrasse, 30-31, 37-38,93-95,239 Bennet, Floyd, 172, 175 INDEX 501 Bernanos, Georges, 263, 290, 361 Beulagnet, Marie-Louise, 157 Blasco Ibanez, Vicente, 55 Blochmann, Elisabeth, 137,457-459 Blumenberg, Hans, 490n50 Blunck, Hans Friedrich, 442, 443, 465-471,472,473,474,478;Kampf der Gestirne, 467, 475, 476; Die Urviiter-Saga, 467 Bohr, Niels, 84 Bontempelli, Massimo, 264 Borges, Jorge Luis, 110,267, 268, 362, 405-406; El tamafio de mi esperanza, 42 Bourdieu, Pierre: The Political Ontology of Martin Heidegger, 488n27 Bragaglia, Anton Giulio, 144 Braudel, Ferdinand, 476 Brecht, Bertolt, 35, 39, 104, 300-301, 316,317; "Entdeckung an einer jungen Frau," 377-378; "Der Kinnhaken," 45-46; "Eine kleine Versicherungsgeschichte," 121; Lebenslauf des Boxers Samson Korner, 45, 167, 182, 391; Mann ist Mann, 99, 266-267, 268, 293-294, 341, 453 Breuer, Marcel, 307-308 Briand, Aristide, 129, 130 Bunuel, Luis, 112 Buarque de Holanda, Sergio, 189, 337 Byrd, Richard Evelyn, 7, 172, 175
502 INDEX Canela, Rosario, 200 Cannon, Clemington, 87-88 Capone, AI, 40, 368 Carnochan, E G., 269 Carter, Howard, 149, 150-151, 152, 153-154,269 Casal, Mendez Antonio, 337 Chaplin, Charlie, 210, 211, 212, 213; The Gold Rush, 143 Christie, Agatha: The Murder of Roger Ackroyd, 158, 164-165, 323, 356, 380,444 Churchill, Winston, 218, 219 Cocteau, Jean, 17; Orphee, 5,43,168, 234-235,286,287 Coeuroy, Andre: Le Jazz, 315, 359-360 Crane, Hart: "North Labrador," 132, 133,405 Curti us, Ernst Robert, 351, 354, 376 Dali, Salvador, 97, 98, 395 Dempsey, Jack, 4,14,44,45,46,47,48, 49-50,58,120-121,130,201,210, 211,213,235-236,247,268,327, 376 Derrida, Jacques: De la grammatologie, 483n22 "Desde los Andes," 132-133 Dieck, Wilhelm, 343 Diesel, Eugen: Der Weg durch das Wirrsal, 330 Diserens, Charles: The Influence of Music on Behavior, 315 Dablin, Alfred: Berlin Alexanderplatz, 485n46 Dobree, Bonamy: "Timoteo 0 el teatro del porvenir," 9 Du Bois, W. E. B., 498n122 Eddington, A. S.: The Internal Constitution of the Stars, 43-44, 263-264,402 Ederle, Gertrud, 87 Edschmid, Kasimir, 354 Eikhenbaum, Boris, 316 Einstein, Albert, 183,279, 339-340, 369 Eisenstein, Sergei: Battleship Potemkin, 143, 145 Elias, Norbert, 431 Fanck, Arnold: Der Heilige Berg, 73, 138-139,143,377 Farias, Victor, 443 Fischer, Oskar, 392-393 Flaubert, Gustave: Dictionnaire des idees refues, 435-436 Flessa, Fraulein, 155-156, 157 Ford, Henry, 22, 23 Ford Motor Company, 30 Forzano, Ernesto: Rapsodia Fascista, 281-282,310 Foucault, Michel, 414, 415, 434 Franco, Ramon, 6-8, 274-275, 324 Freud, Sigmund, 247-248, 285, 365, 380,381 Garbo, Greta, 55,209,213, 322-323, 353 Garda Lorca, Federico, 97-98, 237; "Oda a Salvador Dali," 331-332, 395; Romance de la Guardia Civil espanola, 321-322,327; Romancero gitano, 287 Gardel, Carlos, 16, 110, 168; "Tiempos viejos," 102, 103 Gaudi, Antonio, 375 Gert, Valeska, 70, 268 Gilbert, John, 55,209, 353 Girard, Pierre: "Curiosa metamorfosis de John," 227-228,233-234 Godzich, Wlad, 431 Grans, Hans, 159, 160, 391 Greenblatt, Stephen, 417 Grey, Lita, 211 Grimm, Hans: Yolk ohne Raum, 260, 278-279,282-283,325,326,333-334 Gropius, Walter, 96 Guiraldes, Ricardo: Don Segundo Sombra, 56, 325 Guyot, Charles, 157 Haarmann, Friedrich, 159, 160,299, 391 Habermas, Jurgen, 488n25
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In 1926
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Copyright © 1997 by the President
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CONTENTS User's Manual • IX Array
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User's Manual Where to Start Do not
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USER'S MANUAL xi implication. A his
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USER'S MANUAL xiii change in retros
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USER'S MANUAL xv philosophy" (the u
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AIRPLANES Airplanes look stout, rat
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AIRPLANES 5 the expert hands of Cas
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AIRPLANES 7 (Franco, 286). Since Fr
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AIRPLANES 9 for him because he is j
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AIRPLANES 11 Ramon Franco, De Palos
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AMERICANS IN PARIS 13 sion, to unde
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AMERICANS IN PARIS 15 precisely to
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AMERICANS IN PARIS 17 to pay for hi
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AMERICANS IN PARIS 19 am convinced
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References AMERICANS IN PARIS 21 8
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ASSEMBLY LINES 23 of labor-among in
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ASSEMBLY LINES 2S jamin expresses a
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AUTOMOBILES 27 because it looks lik
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AUTOMOBILES 29 Alluding to the pres
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AUTOMOBILES 31 for the huge apparat
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AUTOMOBILES 33 Thomas Mann, "Unordn
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BARS 35 But if Babe Ruth himself is
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BARS 37 tion like grammars. As if b
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BARS 39 into the sunlight and the h
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BARS 41 Lawrence S. Ritter and Mark
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BOXING 43 uses yet another boxing m
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BOXING 45 Chicago Tribune slanders
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BOXING 47 Harry Wills, the "Brown P
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BOXING 49 emplary record as a soldi
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BOXING 51 jealousy, but defeat make
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BOXING 53 Flaschenpost ins Eismeer
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BULLFIGHTING 55 danas." Despite Kes
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BULLFIGHTING 57 the famous toreador
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BULLFIGHTING 59 erotic desire: "The
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BULLFIGHTING 61 Action = Impotence
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CREMATION 63 phasize individuality.
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CREMATION 65 Individuality vs. Coll
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DANCING 67 Karl Gustav Vollmiiller.
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DANCING 69 Fascination with rhythm
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DANCING slowly around the floor, ob
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DANCING 73 seriousness of Ausdrucks
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ELEVATORS Three days before the cha
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ELEVATORS 77 "pater nosters"-has se
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References ELEVATORS 8 Uhr-Abendbla
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EMPLOYEES 81 obsession-with the con
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EMPLOYEES 83 roles, as is the case
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EMPLOYEES 85 anonymous underlings,
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ENDURANCE On Saturday, August 7, ni
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ENDURANCE 89 themselves against the
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ENDURANCE 91 hand, to the emergence
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ENGINEERS The first page of Walter
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ENGINEERS 95 more seriously than te
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ENGINEERS 97 against the modern spi
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ENGINEERS 99 "social engineering" m
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ENGINEERS 101 Gustav Stresemann, "S
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GOMINA 103 never loses its strong a
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GOMINA lOS industry transubstantiat
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GOMINA 107 Nicola Lepp, "Leclermyth
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GRAMOPHONES 109 gramophone makes pr
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GRAMOPHONES 111 duet GARDEL-RAZZANO
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GRAMOPHONES 113 Lessing, who is com
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HUNGER ARTISTS In his poem "Der Hun
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HUNGER ARTISTS 117 cline, hunger ar
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HUNGER ARTISTS 119 exciting spectac
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JAZZ 121 Tunney, who is famous for
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JAZZ 123 sake. Our age seeks art no
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JAZZ 125 John Fordham, Jazz: Histor
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LEAGUE OF NATIONS 127 land, and Spa
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LEAGUE OF NATIONS 129 Rhineland, wh
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References LEAGUE OF NATIONS 8 Uhr-
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MOUNTAINEERING 133 the form of a te
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MOUNTAINEERING 135 (106). This iron
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MOUNTAINEERING 137 beating triumpha
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MOUNTAINEERING 139 berger: "How wou
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MOVIE PALACES In downtown Buenos Ai
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MOVIE PALACES 143 shorts, which is
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MOVIE PALACES 145 sional world of f
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MOVIE PALACES 147 right kind of nou
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MUMMIES Early in the year, the smal
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MUMMIES 151 the past had reached th
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MUMMIES 153 vades the street life o
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MURDER On Sunday, August 8, the Ber
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MURDER 157 of the criminal, now red
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MURDER 159 it is based on a single
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MURDER 161 peatedly infringe on con
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MURDER 163 thesis of individuality
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OCEAN LINERS 165 I will confess to
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OCEAN LINERS 167 From the perspecti
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OCEAN LINERS 169 successful commerc
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OCEAN LINERS 171 couldn't understan
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POLARITIES 173 Periphery (Infinitud
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POLARITIES 175 did you find that po
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RAI LROADS The world of railroads i
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RAILROADS 179 as an emblem of rando
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RAILROADS 181 into the impulse to m
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RAILROADS 183 coextensive with the
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REPORTERS In its June 26 issue, the
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REPORTERS 187 (Kittler, 317), and a
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REPORTERS 189 Germany, and the Unit
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REVUES Wherever the French writer P
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REVUES 193 Moulin Rouge, featuring
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REVUES 195 thing [das Echteste]. Sh
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REVUES 197 Marcel Denise, "Les merv
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ROOF GARDENS 199 is the city. The c
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ROOF GARDENS 201 reached the stage
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SIX-DAY RACES In the Berliner Volks
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SIX-DAY RACES 205 day environment (
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STARS The promotional flier of Chri
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STARS 209 as a symptom of cultural
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STARS 211 remain clouded by unhappi
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STARS 213 striking inability to liv
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STARS 215 Hollywood than from Berli
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STRIKES British Trade Union Congres
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STRIKES 219 the government, whose d
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STRIKES 221 between Baldwin and Cha
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STRIKES 223 As if this were contrar
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TELEPHONES The student yearbook of
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TELEPHONES 227 Although in the Unit
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TELEPHONES 229 go to the castle wit
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TELEPHONES 231 workers' city.' Fred
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TIMEPIECES All kinds of timepieces
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TIMEPIECES 235 Death has instructed
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TIMEPIECES 237 structure, continuit
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TIMEPIECES 239 ognizable to him and
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WIRELESS COMMUNICATION An illustrat
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WIRELESS COMMUNICATION 243 that the
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WIRELESS COMMUNICATION 245 strategy
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WIRELESS COMMUNICATION 247 Toledo o
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References WIRELESS COMMUNICATION L
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ACTION VS. IMPOTENCE In Hemingway's
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ACTION VS. IMPOTENCE 255 Direct Act
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ACTION VS. IMPOTENCE 257 trickled d
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ACTION VS. IMPOTENCE 259 such words
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ACTION VS. IMPOTENCE 261 T. E. Lawr
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AUTHENTICITY VS. ARTIFICIALITY 263
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AUTHENTICITY VS. ARTIFICIALITY An i
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AUTHENTICITY VS. ARTIFICIALITY Wher
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CENTER VS. PERIPHERY 273 of artific
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CENTER VS. PERIPHERY 275 tric posit
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CENTER VS. PERIPHERY 277 Educationa
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CENTER VS. PERIPHERY 279 Germany an
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IMMANENCE VS. TRANSCENDENCE Often,
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IMMANENCE VS. TRANSCENDENCE 283 (Na
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IMMANENCE VS. TRANSCENDENCE 285 Imm
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IMMANENCE VS. TRANSCENDENCE 287 nen
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IMMANENCE VS. TRANSCENDENCE 289 ion
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IMMANENCE VS. TRANSCENDENCE 291 the
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INDIVIDUALITY VS. COLLECTIVITY Indi
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INDIVIDUALITY VS. COLLECTIVITY 295
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MALE VS. FEMALE Heinrich Mann rathe
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MALE VS. FEMALE 30S scension: "Thos
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MALE VS. FEMALE 307 specific situat
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MALE VS. FEMALE 309 the same binary
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References MALE VS. FEMALE 311 Berl
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PRESENT VS. PAST 313 more convincin
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PRESENT VS. PAST 315 something has
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PRESENT VS. PAST 317 have become gr
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PRESENT VS. PAST 319 (1926). In Ant
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SILENCE VS. NOISE 321 that true sex
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SILENCE VS. NOISE 323 maintain abso
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SILENCE VS. NOISE 32S is, whenever
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SILENCE VS. NOISE 327 light enters
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SOBRIETY VS. EXUBERANCE Philosophic
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SOBRIETY VS. EXUBERANCE 331 has beg
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SOBRIETY VS. EXUBERANCE 333 bobbed
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SOBRIETY VS. EXUBERANCE 33S Walter
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UNCERTAINTY VS. REALITY 337 loss ("
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UNCERTAINTY VS. REALITY 339 no time
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UNCERTAINTY VS. REALITY 341 is seen
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UNCERTAINTY VS. REALITY 343 Those w
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UNCERTAINTY VS. REALITY 345 fession
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UNCERTAINTY VS. REALITY 347 only ba
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CODES COLLAPSED
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352 CODES COLLAPSED agree with Krac
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354 CODES COLLAPSED It must be the
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356 CODES COLLAPSED taking into acc
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AUTHENTICITY = ARTIFICIALITY (LIFE)
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360 CODES COLLAPSED "pure music" an
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362 CODES COLLAPSED as irresistible
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CENTER = PERIPHERY (INFINITUDE) The
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366 CODES COLLAPSED blurring of the
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368 CODES COLLAPSED aesthetic but a
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370 CODES COLLAPSED the provinces o
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IMMANENCE = TRANSCENDENCE (DEATH) T
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374 CODES COLLAPSED measure one's f
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376 CODES COLLAPSED after his Death
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378 CODES COLLAPSED If it's just on
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380 CODES COLLAPSED the self from l
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382 CODES COLLAPSED Agatha Christie
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384 CODES COLLAPSED the Italian nat
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386 CODES COLLAPSED foresight canno
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388 CODES COLLAPSED 26-47; Werneck
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MALE = FEMALE (GENDER TROUBLE) The
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392 CODES COLLAPSED young teacher n
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394 CODES COLLAPSED to historical c
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396 CODES COLLAPSED theme of forbid
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398 CODES COLLAPSED homosexuality h
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PRESENT = PAST (ETERNITY) The futur
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402 CODES COLLAPSED Wave the blood-
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404 CODES COLLAPSED Every freedom c
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406 CODES COLLAPSED raphy of the ci
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FRAMES
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412 FRAMES "learning" and "using" j
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414 FRAMES "historical" induction f
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416 FRAMES tions." If neohistorians
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418 FRAMES to underlie all the chan
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420 FRAMES environments-ranging fro
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422 FRAMES standing. What turned in
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424 FRAMES thought has confronted f
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426 FRAMES of hermeneutics and subj
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428 FRAMES awaken and preorient the
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430 FRAMES were potentially relevan
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432 FRAMES tions into an (illusory
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434 FRAMES worlds in their environm
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436 FRAMES notebook in which Flaube
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438 FRAMES able faculty my most pro
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440 FRAMES on June 18, again urging
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442 FRAMES The Year in the Book The
Page 461 and 462:
444 FRAMES Epistemological Losses a
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446 FRAMES Being-just-present-at-ha
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448 FRAMES tricity and distance tha
Page 467 and 468: 450 FRAMES Heidegger provides no ar
Page 469 and 470: 452 FRAMES ducts the self-immunizat
Page 471 and 472: 454 FRAMES More demanding than the
Page 473 and 474: 456 FRAMES its Un-heim-lichkeit-not
Page 475 and 476: 458 FRAMES fessor of pedagogy. A fr
Page 477 and 478: 460 FRAMES the philosophy of histor
Page 479 and 480: 462 FRAMES literature of 1926 (from
Page 481 and 482: 464 FRAMES and past deconstruct the
Page 483 and 484: 466 FRAMES before Heidegger. He men
Page 485 and 486: 468 FRAMES cable binary logic, this
Page 487 and 488: 470 FRAMES But the king remained si
Page 489 and 490: 472 FRAMES room, a reproduction of
Page 491 and 492: 474 FRAMES pate in the vibrant supe
Page 493 and 494: 476 FRAMES subjecthood and agency r
Page 495 and 496: 478 FRAMES ticity, like Heidegger a
Page 498 and 499: NOTES After Learning from History 1
Page 500 and 501: NOTES TO PAGES 420-424 483 Museum (
Page 502 and 503: NOTES TO PAGES 434-437 485 41. See,
Page 504 and 505: NOTES TO PAGES 439-441 487 noch zu
Page 506 and 507: NOTES TO PAGES 444-446 489 much mor
Page 508 and 509: NOTES TO PAGES 449-453 491 cura; se
Page 510 and 511: NOTES TO PAGES 456-460 493 70. An e
Page 512 and 513: NOTES TO PAGES 463-465 495 'zeitlic
Page 514 and 515: NOTES TO PAGES 469-470 497 fahren,
Page 516 and 517: ACKNOWLEDGMENTS THANKS to Ulla Link
Page 520 and 521: Hauptmann, Gerhart: Dorothea Angerm
Page 522: Sieburg, Friedrich, 99; "Adoration
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