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In 1926: living at the edge of time - Monoskop

In 1926: living at the edge of time - Monoskop

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BEING-IN-THE-WORLDS OF <strong>1926</strong> 453<br />

<strong>of</strong> its own--can it have lost itself and not yet won itself. As modes <strong>of</strong><br />

Being, au<strong>the</strong>nticity and inau<strong>the</strong>nticity (<strong>the</strong>se expressions have been chosen<br />

terminologically in a strict sense) are both grounded in <strong>the</strong> fact th<strong>at</strong><br />

any Dasein wh<strong>at</strong>soever is characterized by mineness. But <strong>the</strong> inau<strong>the</strong>nticity<br />

<strong>of</strong> Dasein does not signify any "less" Being or any "lower" degree<br />

<strong>of</strong> Being. R<strong>at</strong>her, it is <strong>the</strong> case th<strong>at</strong> even in its fullest concretion Dasein<br />

can be characterized by its inau<strong>the</strong>nticity-when busy, when excited,<br />

when interested, when ready for enjoyment. 60<br />

<strong>In</strong> <strong>the</strong> mode <strong>of</strong> in au<strong>the</strong>nticity, Dasein "falls to" (verfallt) "<strong>the</strong> publicness<br />

<strong>of</strong> <strong>the</strong> '<strong>the</strong>y'" (der Offentlichkeit des Man) and becomes an unidentifiable<br />

part <strong>of</strong> it.61 Bertoh Brecht's pun on <strong>the</strong> word man in <strong>the</strong> title <strong>of</strong><br />

his <strong>1926</strong> play Mann ist Mann refers to a plot which tells <strong>of</strong> a specific<br />

case <strong>of</strong> such "falling to <strong>the</strong> publicness <strong>of</strong> <strong>the</strong> '<strong>the</strong>y"'-more precisely, <strong>the</strong><br />

loss <strong>of</strong> a man's individuality in <strong>the</strong> process <strong>of</strong> his integr<strong>at</strong>ion into <strong>the</strong><br />

anonymous collectivity <strong>of</strong> military action. Wh<strong>at</strong> gives a specifically conserv<strong>at</strong>ive<br />

connot<strong>at</strong>ion to Heidegger's use <strong>of</strong> <strong>the</strong>se concepts, especially in<br />

comparison with Brecht, is <strong>the</strong> fusion <strong>of</strong> <strong>the</strong> "<strong>the</strong>y" with <strong>the</strong> public<br />

sphere as expressed in <strong>the</strong> phrase "<strong>the</strong> publicness <strong>of</strong> <strong>the</strong> '<strong>the</strong>y.'" If any<br />

fur<strong>the</strong>r evidence were needed to prove Heidegger's bias against <strong>the</strong> public<br />

sphere, it would lie in <strong>the</strong> superposition <strong>of</strong> a third code upon <strong>the</strong> cluster<br />

constituted by au<strong>the</strong>nticity/inau<strong>the</strong>nticity and individualitylcollectivity.<br />

<strong>In</strong>au<strong>the</strong>nticity and collectivity, <strong>the</strong> neg<strong>at</strong>ive values, are associ<strong>at</strong>ed with<br />

"idle talk" (Gerede), whereas au<strong>the</strong>nticity and individuality are linked<br />

to silence. [see Silence vs. Noise] By explicitly including certain modes <strong>of</strong><br />

reading and writing in <strong>the</strong> concept <strong>of</strong> "idle talk," Heidegger transforms<br />

it into a key element <strong>of</strong> his notoriously anti-intellectual and anti-academic<br />

position.<br />

And indeed this idle talk is not confined to vocal gOSSIp, but even<br />

spreads to wh<strong>at</strong> we write, where it takes <strong>the</strong> form <strong>of</strong> "scribbling" ...<br />

<strong>In</strong> <strong>the</strong> l<strong>at</strong>ter case, <strong>the</strong> gossip is not based so much upon hearsay. It feeds<br />

upon superficial reading ... The average understanding <strong>of</strong> <strong>the</strong> reader<br />

will never be able to decide how much has been drawn from primordial<br />

sources with a struggle and how much is just gossip. The average<br />

understanding, moreover, will not want any such distinction, and does<br />

not need it, because <strong>of</strong> course it understands everything. The groundlessness<br />

<strong>of</strong> idle talk is no obstacle to its becoming public; instead it<br />

encourages this. 62

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