In 1926: living at the edge of time - Monoskop

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In 1926 LIVING AT THE EDGE OF TIME Hans Ulrich Gumbrecht HARVARD UNIVERSITY PRESS Cambridge, Massachusetts London, England 1997
Copyright © 1997 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Library of Congress Cataloging-in-Publication Data Gumbrecht, Hans Ulrich. In 1926: living at the edge of time I Hans Ulrich Gumbrecht. p. cm. Includes index. ISBN 0-674-00055-2 (alk. paper). - ISBN 0-674-00056-0 (pbk.: alk. paper) 1. Civilization, Modern-20th century. 2. Popular culture-History-20th century. 3. Nineteen twenty-six, A.D. 4. Civilization, Western-20th century. 1. Title. CB427.G86 1997 909.82'2-dc21 97-30904
Page 2: In 1926
Page 8 and 9: CONTENTS User's Manual • IX Array
Page 10 and 11: User's Manual Where to Start Do not
Page 12 and 13: USER'S MANUAL xi implication. A his
Page 14 and 15: USER'S MANUAL xiii change in retros
Page 16: USER'S MANUAL xv philosophy" (the u
Page 20 and 21: AIRPLANES Airplanes look stout, rat
Page 22 and 23: AIRPLANES 5 the expert hands of Cas
Page 24 and 25: AIRPLANES 7 (Franco, 286). Since Fr
Page 26 and 27: AIRPLANES 9 for him because he is j
Page 28 and 29: AIRPLANES 11 Ramon Franco, De Palos
Page 30 and 31: AMERICANS IN PARIS 13 sion, to unde
Page 32 and 33: AMERICANS IN PARIS 15 precisely to
Page 34 and 35: AMERICANS IN PARIS 17 to pay for hi
Page 36 and 37: AMERICANS IN PARIS 19 am convinced
Page 38 and 39: References AMERICANS IN PARIS 21 8
Page 40 and 41: ASSEMBLY LINES 23 of labor-among in
Page 42 and 43: ASSEMBLY LINES 2S jamin expresses a
Page 44 and 45: AUTOMOBILES 27 because it looks lik
Page 46 and 47: AUTOMOBILES 29 Alluding to the pres
Page 48 and 49: AUTOMOBILES 31 for the huge apparat
Page 50 and 51: AUTOMOBILES 33 Thomas Mann, "Unordn
Page 52 and 53: BARS 35 But if Babe Ruth himself is
Page 54 and 55:
BARS 37 tion like grammars. As if b
Page 56 and 57:
BARS 39 into the sunlight and the h
Page 58 and 59:
BARS 41 Lawrence S. Ritter and Mark
Page 60 and 61:
BOXING 43 uses yet another boxing m
Page 62 and 63:
BOXING 45 Chicago Tribune slanders
Page 64 and 65:
BOXING 47 Harry Wills, the "Brown P
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BOXING 49 emplary record as a soldi
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BOXING 51 jealousy, but defeat make
Page 70 and 71:
BOXING 53 Flaschenpost ins Eismeer
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BULLFIGHTING 55 danas." Despite Kes
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BULLFIGHTING 57 the famous toreador
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BULLFIGHTING 59 erotic desire: "The
Page 78 and 79:
BULLFIGHTING 61 Action = Impotence
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CREMATION 63 phasize individuality.
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CREMATION 65 Individuality vs. Coll
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DANCING 67 Karl Gustav Vollmiiller.
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DANCING 69 Fascination with rhythm
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DANCING slowly around the floor, ob
Page 90 and 91:
DANCING 73 seriousness of Ausdrucks
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ELEVATORS Three days before the cha
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ELEVATORS 77 "pater nosters"-has se
Page 96 and 97:
References ELEVATORS 8 Uhr-Abendbla
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EMPLOYEES 81 obsession-with the con
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EMPLOYEES 83 roles, as is the case
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EMPLOYEES 85 anonymous underlings,
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ENDURANCE On Saturday, August 7, ni
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ENDURANCE 89 themselves against the
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ENDURANCE 91 hand, to the emergence
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ENGINEERS The first page of Walter
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ENGINEERS 95 more seriously than te
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ENGINEERS 97 against the modern spi
Page 116 and 117:
ENGINEERS 99 "social engineering" m
Page 118 and 119:
ENGINEERS 101 Gustav Stresemann, "S
Page 120 and 121:
GOMINA 103 never loses its strong a
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GOMINA lOS industry transubstantiat
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GOMINA 107 Nicola Lepp, "Leclermyth
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GRAMOPHONES 109 gramophone makes pr
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GRAMOPHONES 111 duet GARDEL-RAZZANO
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GRAMOPHONES 113 Lessing, who is com
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HUNGER ARTISTS In his poem "Der Hun
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HUNGER ARTISTS 117 cline, hunger ar
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HUNGER ARTISTS 119 exciting spectac
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JAZZ 121 Tunney, who is famous for
Page 140 and 141:
JAZZ 123 sake. Our age seeks art no
Page 142 and 143:
JAZZ 125 John Fordham, Jazz: Histor
Page 144 and 145:
LEAGUE OF NATIONS 127 land, and Spa
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LEAGUE OF NATIONS 129 Rhineland, wh
Page 148 and 149:
References LEAGUE OF NATIONS 8 Uhr-
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MOUNTAINEERING 133 the form of a te
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MOUNTAINEERING 135 (106). This iron
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MOUNTAINEERING 137 beating triumpha
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MOUNTAINEERING 139 berger: "How wou
Page 158 and 159:
MOVIE PALACES In downtown Buenos Ai
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MOVIE PALACES 143 shorts, which is
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MOVIE PALACES 145 sional world of f
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MOVIE PALACES 147 right kind of nou
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MUMMIES Early in the year, the smal
Page 168 and 169:
MUMMIES 151 the past had reached th
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MUMMIES 153 vades the street life o
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MURDER On Sunday, August 8, the Ber
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MURDER 157 of the criminal, now red
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MURDER 159 it is based on a single
Page 178 and 179:
MURDER 161 peatedly infringe on con
Page 180 and 181:
MURDER 163 thesis of individuality
Page 182 and 183:
OCEAN LINERS 165 I will confess to
Page 184 and 185:
OCEAN LINERS 167 From the perspecti
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OCEAN LINERS 169 successful commerc
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OCEAN LINERS 171 couldn't understan
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POLARITIES 173 Periphery (Infinitud
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POLARITIES 175 did you find that po
Page 194 and 195:
RAI LROADS The world of railroads i
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RAILROADS 179 as an emblem of rando
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RAILROADS 181 into the impulse to m
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RAILROADS 183 coextensive with the
Page 202 and 203:
REPORTERS In its June 26 issue, the
Page 204 and 205:
REPORTERS 187 (Kittler, 317), and a
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REPORTERS 189 Germany, and the Unit
Page 208 and 209:
REVUES Wherever the French writer P
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REVUES 193 Moulin Rouge, featuring
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REVUES 195 thing [das Echteste]. Sh
Page 214 and 215:
REVUES 197 Marcel Denise, "Les merv
Page 216 and 217:
ROOF GARDENS 199 is the city. The c
Page 218 and 219:
ROOF GARDENS 201 reached the stage
Page 220 and 221:
SIX-DAY RACES In the Berliner Volks
Page 222 and 223:
SIX-DAY RACES 205 day environment (
Page 224 and 225:
STARS The promotional flier of Chri
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STARS 209 as a symptom of cultural
Page 228 and 229:
STARS 211 remain clouded by unhappi
Page 230 and 231:
STARS 213 striking inability to liv
Page 232 and 233:
STARS 215 Hollywood than from Berli
Page 234 and 235:
STRIKES British Trade Union Congres
Page 236 and 237:
STRIKES 219 the government, whose d
Page 238 and 239:
STRIKES 221 between Baldwin and Cha
Page 240 and 241:
STRIKES 223 As if this were contrar
Page 242 and 243:
TELEPHONES The student yearbook of
Page 244 and 245:
TELEPHONES 227 Although in the Unit
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TELEPHONES 229 go to the castle wit
Page 248 and 249:
TELEPHONES 231 workers' city.' Fred
Page 250 and 251:
TIMEPIECES All kinds of timepieces
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TIMEPIECES 235 Death has instructed
Page 254 and 255:
TIMEPIECES 237 structure, continuit
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TIMEPIECES 239 ognizable to him and
Page 258 and 259:
WIRELESS COMMUNICATION An illustrat
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WIRELESS COMMUNICATION 243 that the
Page 262 and 263:
WIRELESS COMMUNICATION 245 strategy
Page 264 and 265:
WIRELESS COMMUNICATION 247 Toledo o
Page 266:
References WIRELESS COMMUNICATION L
Page 270 and 271:
ACTION VS. IMPOTENCE In Hemingway's
Page 272 and 273:
ACTION VS. IMPOTENCE 255 Direct Act
Page 274 and 275:
ACTION VS. IMPOTENCE 257 trickled d
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ACTION VS. IMPOTENCE 259 such words
Page 278 and 279:
ACTION VS. IMPOTENCE 261 T. E. Lawr
Page 280 and 281:
AUTHENTICITY VS. ARTIFICIALITY 263
Page 282 and 283:
Page 284 and 285:
AUTHENTICITY VS. ARTIFICIALITY An i
Page 286 and 287:
AUTHENTICITY VS. ARTIFICIALITY Wher
Page 288 and 289:
Page 290 and 291:
CENTER VS. PERIPHERY 273 of artific
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CENTER VS. PERIPHERY 275 tric posit
Page 294 and 295:
CENTER VS. PERIPHERY 277 Educationa
Page 296 and 297:
CENTER VS. PERIPHERY 279 Germany an
Page 298 and 299:
IMMANENCE VS. TRANSCENDENCE Often,
Page 300 and 301:
IMMANENCE VS. TRANSCENDENCE 283 (Na
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IMMANENCE VS. TRANSCENDENCE 285 Imm
Page 304 and 305:
IMMANENCE VS. TRANSCENDENCE 287 nen
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IMMANENCE VS. TRANSCENDENCE 289 ion
Page 308 and 309:
IMMANENCE VS. TRANSCENDENCE 291 the
Page 310 and 311:
INDIVIDUALITY VS. COLLECTIVITY Indi
Page 312 and 313:
INDIVIDUALITY VS. COLLECTIVITY 295
Page 314 and 315:
Page 316 and 317:
Page 318 and 319:
Page 320 and 321:
MALE VS. FEMALE Heinrich Mann rathe
Page 322 and 323:
MALE VS. FEMALE 30S scension: "Thos
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MALE VS. FEMALE 307 specific situat
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MALE VS. FEMALE 309 the same binary
Page 328 and 329:
References MALE VS. FEMALE 311 Berl
Page 330 and 331:
PRESENT VS. PAST 313 more convincin
Page 332 and 333:
PRESENT VS. PAST 315 something has
Page 334 and 335:
PRESENT VS. PAST 317 have become gr
Page 336 and 337:
PRESENT VS. PAST 319 (1926). In Ant
Page 338 and 339:
SILENCE VS. NOISE 321 that true sex
Page 340 and 341:
SILENCE VS. NOISE 323 maintain abso
Page 342 and 343:
SILENCE VS. NOISE 32S is, whenever
Page 344 and 345:
SILENCE VS. NOISE 327 light enters
Page 346 and 347:
SOBRIETY VS. EXUBERANCE Philosophic
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SOBRIETY VS. EXUBERANCE 331 has beg
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SOBRIETY VS. EXUBERANCE 333 bobbed
Page 352 and 353:
SOBRIETY VS. EXUBERANCE 33S Walter
Page 354 and 355:
UNCERTAINTY VS. REALITY 337 loss ("
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UNCERTAINTY VS. REALITY 339 no time
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UNCERTAINTY VS. REALITY 341 is seen
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UNCERTAINTY VS. REALITY 343 Those w
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UNCERTAINTY VS. REALITY 345 fession
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UNCERTAINTY VS. REALITY 347 only ba
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CODES COLLAPSED
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352 CODES COLLAPSED agree with Krac
Page 371 and 372:
354 CODES COLLAPSED It must be the
Page 373 and 374:
356 CODES COLLAPSED taking into acc
Page 375 and 376:
AUTHENTICITY = ARTIFICIALITY (LIFE)
Page 377 and 378:
360 CODES COLLAPSED "pure music" an
Page 379 and 380:
362 CODES COLLAPSED as irresistible
Page 381 and 382:
CENTER = PERIPHERY (INFINITUDE) The
Page 383 and 384:
366 CODES COLLAPSED blurring of the
Page 385 and 386:
368 CODES COLLAPSED aesthetic but a
Page 387 and 388:
370 CODES COLLAPSED the provinces o
Page 389 and 390:
IMMANENCE = TRANSCENDENCE (DEATH) T
Page 391 and 392:
374 CODES COLLAPSED measure one's f
Page 393 and 394:
376 CODES COLLAPSED after his Death
Page 395 and 396:
378 CODES COLLAPSED If it's just on
Page 397 and 398:
380 CODES COLLAPSED the self from l
Page 399 and 400:
382 CODES COLLAPSED Agatha Christie
Page 401 and 402:
384 CODES COLLAPSED the Italian nat
Page 403 and 404:
386 CODES COLLAPSED foresight canno
Page 405 and 406:
388 CODES COLLAPSED 26-47; Werneck
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MALE = FEMALE (GENDER TROUBLE) The
Page 409 and 410:
392 CODES COLLAPSED young teacher n
Page 411 and 412:
394 CODES COLLAPSED to historical c
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396 CODES COLLAPSED theme of forbid
Page 415 and 416:
398 CODES COLLAPSED homosexuality h
Page 417 and 418:
PRESENT = PAST (ETERNITY) The futur
Page 419 and 420:
402 CODES COLLAPSED Wave the blood-
Page 421 and 422:
404 CODES COLLAPSED Every freedom c
Page 423 and 424:
406 CODES COLLAPSED raphy of the ci
Page 426:
FRAMES
Page 429 and 430:
412 FRAMES "learning" and "using" j
Page 431 and 432:
414 FRAMES "historical" induction f
Page 433 and 434:
416 FRAMES tions." If neohistorians
Page 435 and 436:
418 FRAMES to underlie all the chan
Page 437 and 438:
420 FRAMES environments-ranging fro
Page 439 and 440:
422 FRAMES standing. What turned in
Page 441 and 442:
424 FRAMES thought has confronted f
Page 443 and 444:
426 FRAMES of hermeneutics and subj
Page 445 and 446:
428 FRAMES awaken and preorient the
Page 447 and 448:
430 FRAMES were potentially relevan
Page 449 and 450:
432 FRAMES tions into an (illusory
Page 451 and 452:
434 FRAMES worlds in their environm
Page 453 and 454:
436 FRAMES notebook in which Flaube
Page 455 and 456:
438 FRAMES able faculty my most pro
Page 457 and 458:
440 FRAMES on June 18, again urging
Page 459 and 460:
442 FRAMES The Year in the Book The
Page 461 and 462:
444 FRAMES Epistemological Losses a
Page 463 and 464:
446 FRAMES Being-just-present-at-ha
Page 465 and 466:
448 FRAMES tricity and distance tha
Page 467 and 468:
450 FRAMES Heidegger provides no ar
Page 469 and 470:
452 FRAMES ducts the self-immunizat
Page 471 and 472:
454 FRAMES More demanding than the
Page 473 and 474:
456 FRAMES its Un-heim-lichkeit-not
Page 475 and 476:
458 FRAMES fessor of pedagogy. A fr
Page 477 and 478:
460 FRAMES the philosophy of histor
Page 479 and 480:
462 FRAMES literature of 1926 (from
Page 481 and 482:
464 FRAMES and past deconstruct the
Page 483 and 484:
466 FRAMES before Heidegger. He men
Page 485 and 486:
468 FRAMES cable binary logic, this
Page 487 and 488:
470 FRAMES But the king remained si
Page 489 and 490:
472 FRAMES room, a reproduction of
Page 491 and 492:
474 FRAMES pate in the vibrant supe
Page 493 and 494:
476 FRAMES subjecthood and agency r
Page 495 and 496:
478 FRAMES ticity, like Heidegger a
Page 498 and 499:
NOTES After Learning from History 1
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NOTES TO PAGES 420-424 483 Museum (
Page 502 and 503:
NOTES TO PAGES 434-437 485 41. See,
Page 504 and 505:
NOTES TO PAGES 439-441 487 noch zu
Page 506 and 507:
NOTES TO PAGES 444-446 489 much mor
Page 508 and 509:
NOTES TO PAGES 449-453 491 cura; se
Page 510 and 511:
NOTES TO PAGES 456-460 493 70. An e
Page 512 and 513:
NOTES TO PAGES 463-465 495 'zeitlic
Page 514 and 515:
NOTES TO PAGES 469-470 497 fahren,
Page 516 and 517:
ACKNOWLEDGMENTS THANKS to Ulla Link
Page 518 and 519:
Alcantara Machado, Antonio de, 288,
Page 520 and 521:
Hauptmann, Gerhart: Dorothea Angerm
Page 522:
Sieburg, Friedrich, 99; "Adoration
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