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In 1926: living at the edge of time - Monoskop

In 1926: living at the edge of time - Monoskop

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378 CODES COLLAPSED<br />

If it's just one more night, I'd like to stay.<br />

But make good use <strong>of</strong> your <strong>time</strong>. The bad thing is<br />

Th<strong>at</strong> you're standing here on <strong>the</strong> threshold.<br />

Let's talk faster,<br />

For we almost forgot th<strong>at</strong> you're mortal.<br />

And desire silenced my voice.<br />

(Brecht, 160f£.)<br />

Perhaps <strong>the</strong> force <strong>of</strong> this poem-as well as th<strong>at</strong> <strong>of</strong> bullfighting scenes by<br />

Hemingway, Mon<strong>the</strong>rlant, and Kracauer [see Bullfighting]-stems from<br />

<strong>the</strong> fact th<strong>at</strong> <strong>the</strong> authors make no <strong>at</strong>tempt to explain <strong>the</strong> connection<br />

between De<strong>at</strong>h and sexual fulfillment. They merely describe, some<strong>time</strong>s<br />

in meticulous detail, how <strong>the</strong> perception <strong>of</strong> De<strong>at</strong>h's closeness triggers<br />

sexual desire. On <strong>the</strong> o<strong>the</strong>r hand, efforts to understand this phenomenon<br />

yield results th<strong>at</strong> range from <strong>the</strong> unconvincing to <strong>the</strong> truly embarrassing.<br />

Theodor Lessing's claim th<strong>at</strong> a general law links De<strong>at</strong>h to erotic pleasure,<br />

for example, is hardly substanti<strong>at</strong>ed by <strong>the</strong> fact th<strong>at</strong> bees die after losing<br />

<strong>the</strong>ir stinger-for <strong>the</strong> stinger does not have any reproductive (or "sexual")<br />

function: "N<strong>at</strong>ure appears cruel to human eyes only because it<br />

binds toge<strong>the</strong>r de<strong>at</strong>h and sexuality ... Of ten thousand [male bees], only<br />

one is admitted into <strong>the</strong> heaven <strong>of</strong> love, and this happens only when he<br />

loses his stinger. At th<strong>at</strong> moment, he experiences <strong>the</strong> well-known interconnectedness<br />

<strong>of</strong> love and de<strong>at</strong>h" (Lessing, "Biene und Wespe," 252,<br />

255). Without any fur<strong>the</strong>r explan<strong>at</strong>ion, D. H. Lawrence has <strong>the</strong> central<br />

female character in his novel The Plumed Serpent <strong>at</strong>tribute <strong>the</strong> "finality<br />

<strong>of</strong> de<strong>at</strong>h" to a marriage th<strong>at</strong> is based on <strong>the</strong> unchallenged sexual domin<strong>at</strong>ion<br />

<strong>of</strong> <strong>the</strong> male partner: "Ah! and wh<strong>at</strong> a mystery <strong>of</strong> prone submission,<br />

on her part, this huge erection would imply! Submission absolute,<br />

like <strong>the</strong> earth under <strong>the</strong> sky. Bene<strong>at</strong>h an over-arching absolute. Ah! wh<strong>at</strong><br />

a marriage! How terrible! and how complete! With <strong>the</strong> finality <strong>of</strong> de<strong>at</strong>h,<br />

and yet more than de<strong>at</strong>h" (332-333). [see Male vs. Female] Walter<br />

Benjamin <strong>of</strong>fers a particularly allusive <strong>the</strong>sis regarding <strong>the</strong> link between<br />

sexual gr<strong>at</strong>ific<strong>at</strong>ion and De<strong>at</strong>h: "Sexual fulfillment frees man from his<br />

secret, which consists not in sexuality but in its fulfillment-and which<br />

can perhaps be severed from him (never solved) only in this fulfillment.<br />

It can be compared to <strong>the</strong> fetters th<strong>at</strong> keep him <strong>at</strong>tached to life. The<br />

woman cuts through <strong>the</strong>m, and <strong>the</strong> man becomes free to die, because he

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