In 1926: living at the edge of time - Monoskop

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CENTER = PERIPHERY (INFINITUDE) 371 Paul Morand, Rien que la terre: Voyage. Paris, 1926. Rainer Maria Rilke, Werke in drei Biinden, vol. 2: Gedichte und Obertragungen. Frankfurt, 1966. Beatriz Sarlo, Una modernidad periferica: Buenos Aires 1920 y 1930. Buenos Aires, 1988. B. Traven, Das Totenschiff (1926). Hamburg, 1954.
IMMANENCE = TRANSCENDENCE (DEATH) The report on a steeplechase at the Grunewald racetrack published by the Berliner-Volkszeitung on May 14 contains a strangely philosophical paragraph. Under the title "Triumph of Death and Life," it presents the following description of the Alemanni Steeplechase, the most important competition of the day: "Bellac and Eulogist alternately took the lead, ahead of Rhineland and Hermes. Death and Life was coming in last. Death and Life galloped by the grandstand in fourth place. He remained in this position until they reached the stable area, when it seemed that Eulogist began to lose strength. In the final stretch, Death and Life pushed forward, jumped the last hurdle beside Rhineland, who had been leading until then, and came in first ahead of Pericles, who in the last few meters had passed Rhineland." While it is already quite remarkable to see Pericles compete with Eulogist, the name "Death and Life" ("Tod und Leben") is unusual enough in the context of horseracing to deserve special reflection. How can concepts like "Death" and "Life" become so popular, and so far from awe-inspiring, that they end up becoming a name for a racehorse? One possible answer to this question would point to an ongoing change in the relations between Immanence and Transcendence that occupies the minds even of those who never think about philosophy or theology. It could be described as the absorption of Transcendence into Immanence, and the simultaneous reemergence of Transcendence in the context of a new fascination with religion. But having been traditionally defined as a threshold between Immanence and Tran- 372
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In 1926
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Copyright © 1997 by the President
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CONTENTS User's Manual • IX Array
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User's Manual Where to Start Do not
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USER'S MANUAL xi implication. A his
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USER'S MANUAL xiii change in retros
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USER'S MANUAL xv philosophy" (the u
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AIRPLANES Airplanes look stout, rat
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AIRPLANES 5 the expert hands of Cas
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AIRPLANES 7 (Franco, 286). Since Fr
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AIRPLANES 9 for him because he is j
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AIRPLANES 11 Ramon Franco, De Palos
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AMERICANS IN PARIS 13 sion, to unde
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AMERICANS IN PARIS 15 precisely to
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AMERICANS IN PARIS 17 to pay for hi
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AMERICANS IN PARIS 19 am convinced
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References AMERICANS IN PARIS 21 8
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ASSEMBLY LINES 23 of labor-among in
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ASSEMBLY LINES 2S jamin expresses a
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AUTOMOBILES 27 because it looks lik
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AUTOMOBILES 29 Alluding to the pres
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AUTOMOBILES 31 for the huge apparat
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AUTOMOBILES 33 Thomas Mann, "Unordn
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BARS 35 But if Babe Ruth himself is
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BARS 37 tion like grammars. As if b
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BARS 39 into the sunlight and the h
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BARS 41 Lawrence S. Ritter and Mark
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BOXING 43 uses yet another boxing m
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BOXING 45 Chicago Tribune slanders
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BOXING 47 Harry Wills, the "Brown P
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BOXING 49 emplary record as a soldi
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BOXING 51 jealousy, but defeat make
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BOXING 53 Flaschenpost ins Eismeer
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BULLFIGHTING 55 danas." Despite Kes
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BULLFIGHTING 57 the famous toreador
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BULLFIGHTING 59 erotic desire: "The
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BULLFIGHTING 61 Action = Impotence
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CREMATION 63 phasize individuality.
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CREMATION 65 Individuality vs. Coll
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DANCING 67 Karl Gustav Vollmiiller.
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DANCING 69 Fascination with rhythm
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DANCING slowly around the floor, ob
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DANCING 73 seriousness of Ausdrucks
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ELEVATORS Three days before the cha
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ELEVATORS 77 "pater nosters"-has se
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References ELEVATORS 8 Uhr-Abendbla
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EMPLOYEES 81 obsession-with the con
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EMPLOYEES 83 roles, as is the case
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EMPLOYEES 85 anonymous underlings,
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ENDURANCE On Saturday, August 7, ni
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ENDURANCE 89 themselves against the
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ENDURANCE 91 hand, to the emergence
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ENGINEERS The first page of Walter
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ENGINEERS 95 more seriously than te
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ENGINEERS 97 against the modern spi
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ENGINEERS 99 "social engineering" m
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ENGINEERS 101 Gustav Stresemann, "S
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GOMINA 103 never loses its strong a
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GOMINA lOS industry transubstantiat
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GOMINA 107 Nicola Lepp, "Leclermyth
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GRAMOPHONES 109 gramophone makes pr
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GRAMOPHONES 111 duet GARDEL-RAZZANO
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GRAMOPHONES 113 Lessing, who is com
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HUNGER ARTISTS In his poem "Der Hun
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HUNGER ARTISTS 117 cline, hunger ar
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HUNGER ARTISTS 119 exciting spectac
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JAZZ 121 Tunney, who is famous for
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JAZZ 123 sake. Our age seeks art no
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JAZZ 125 John Fordham, Jazz: Histor
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LEAGUE OF NATIONS 127 land, and Spa
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LEAGUE OF NATIONS 129 Rhineland, wh
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References LEAGUE OF NATIONS 8 Uhr-
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MOUNTAINEERING 133 the form of a te
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MOUNTAINEERING 135 (106). This iron
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MOUNTAINEERING 137 beating triumpha
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MOUNTAINEERING 139 berger: "How wou
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MOVIE PALACES In downtown Buenos Ai
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MOVIE PALACES 143 shorts, which is
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MOVIE PALACES 145 sional world of f
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MOVIE PALACES 147 right kind of nou
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MUMMIES Early in the year, the smal
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MUMMIES 151 the past had reached th
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MUMMIES 153 vades the street life o
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MURDER On Sunday, August 8, the Ber
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MURDER 157 of the criminal, now red
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MURDER 159 it is based on a single
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MURDER 161 peatedly infringe on con
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MURDER 163 thesis of individuality
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OCEAN LINERS 165 I will confess to
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OCEAN LINERS 167 From the perspecti
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OCEAN LINERS 169 successful commerc
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OCEAN LINERS 171 couldn't understan
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POLARITIES 173 Periphery (Infinitud
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POLARITIES 175 did you find that po
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RAI LROADS The world of railroads i
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RAILROADS 179 as an emblem of rando
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RAILROADS 181 into the impulse to m
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RAILROADS 183 coextensive with the
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REPORTERS In its June 26 issue, the
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REPORTERS 187 (Kittler, 317), and a
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REPORTERS 189 Germany, and the Unit
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REVUES Wherever the French writer P
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REVUES 193 Moulin Rouge, featuring
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REVUES 195 thing [das Echteste]. Sh
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REVUES 197 Marcel Denise, "Les merv
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ROOF GARDENS 199 is the city. The c
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ROOF GARDENS 201 reached the stage
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SIX-DAY RACES In the Berliner Volks
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SIX-DAY RACES 205 day environment (
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STARS The promotional flier of Chri
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STARS 209 as a symptom of cultural
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STARS 211 remain clouded by unhappi
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STARS 213 striking inability to liv
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STARS 215 Hollywood than from Berli
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STRIKES British Trade Union Congres
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STRIKES 219 the government, whose d
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STRIKES 221 between Baldwin and Cha
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STRIKES 223 As if this were contrar
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TELEPHONES The student yearbook of
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TELEPHONES 227 Although in the Unit
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TELEPHONES 229 go to the castle wit
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TELEPHONES 231 workers' city.' Fred
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TIMEPIECES All kinds of timepieces
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TIMEPIECES 235 Death has instructed
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TIMEPIECES 237 structure, continuit
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TIMEPIECES 239 ognizable to him and
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WIRELESS COMMUNICATION An illustrat
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WIRELESS COMMUNICATION 243 that the
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WIRELESS COMMUNICATION 245 strategy
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WIRELESS COMMUNICATION 247 Toledo o
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References WIRELESS COMMUNICATION L
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ACTION VS. IMPOTENCE In Hemingway's
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ACTION VS. IMPOTENCE 255 Direct Act
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ACTION VS. IMPOTENCE 257 trickled d
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ACTION VS. IMPOTENCE 259 such words
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ACTION VS. IMPOTENCE 261 T. E. Lawr
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AUTHENTICITY VS. ARTIFICIALITY 263
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AUTHENTICITY VS. ARTIFICIALITY An i
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AUTHENTICITY VS. ARTIFICIALITY Wher
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CENTER VS. PERIPHERY 273 of artific
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CENTER VS. PERIPHERY 275 tric posit
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CENTER VS. PERIPHERY 277 Educationa
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CENTER VS. PERIPHERY 279 Germany an
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IMMANENCE VS. TRANSCENDENCE Often,
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IMMANENCE VS. TRANSCENDENCE 283 (Na
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IMMANENCE VS. TRANSCENDENCE 285 Imm
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IMMANENCE VS. TRANSCENDENCE 287 nen
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IMMANENCE VS. TRANSCENDENCE 289 ion
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IMMANENCE VS. TRANSCENDENCE 291 the
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INDIVIDUALITY VS. COLLECTIVITY Indi
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INDIVIDUALITY VS. COLLECTIVITY 295
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MALE VS. FEMALE Heinrich Mann rathe
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MALE VS. FEMALE 30S scension: "Thos
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MALE VS. FEMALE 307 specific situat
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MALE VS. FEMALE 309 the same binary
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References MALE VS. FEMALE 311 Berl
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PRESENT VS. PAST 313 more convincin
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PRESENT VS. PAST 315 something has
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PRESENT VS. PAST 317 have become gr
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PRESENT VS. PAST 319 (1926). In Ant
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Page 346 and 347: SOBRIETY VS. EXUBERANCE Philosophic
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Page 352 and 353: SOBRIETY VS. EXUBERANCE 33S Walter
Page 354 and 355: UNCERTAINTY VS. REALITY 337 loss ("
Page 356 and 357: UNCERTAINTY VS. REALITY 339 no time
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Page 362 and 363: UNCERTAINTY VS. REALITY 345 fession
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Page 366: CODES COLLAPSED
Page 369 and 370: 352 CODES COLLAPSED agree with Krac
Page 371 and 372: 354 CODES COLLAPSED It must be the
Page 373 and 374: 356 CODES COLLAPSED taking into acc
Page 375 and 376: AUTHENTICITY = ARTIFICIALITY (LIFE)
Page 377 and 378: 360 CODES COLLAPSED "pure music" an
Page 379 and 380: 362 CODES COLLAPSED as irresistible
Page 381 and 382: CENTER = PERIPHERY (INFINITUDE) The
Page 383 and 384: 366 CODES COLLAPSED blurring of the
Page 385 and 386: 368 CODES COLLAPSED aesthetic but a
Page 387: 370 CODES COLLAPSED the provinces o
Page 391 and 392: 374 CODES COLLAPSED measure one's f
Page 393 and 394: 376 CODES COLLAPSED after his Death
Page 395 and 396: 378 CODES COLLAPSED If it's just on
Page 397 and 398: 380 CODES COLLAPSED the self from l
Page 399 and 400: 382 CODES COLLAPSED Agatha Christie
Page 401 and 402: 384 CODES COLLAPSED the Italian nat
Page 403 and 404: 386 CODES COLLAPSED foresight canno
Page 405 and 406: 388 CODES COLLAPSED 26-47; Werneck
Page 407 and 408: MALE = FEMALE (GENDER TROUBLE) The
Page 409 and 410: 392 CODES COLLAPSED young teacher n
Page 411 and 412: 394 CODES COLLAPSED to historical c
Page 413 and 414: 396 CODES COLLAPSED theme of forbid
Page 415 and 416: 398 CODES COLLAPSED homosexuality h
Page 417 and 418: PRESENT = PAST (ETERNITY) The futur
Page 419 and 420: 402 CODES COLLAPSED Wave the blood-
Page 421 and 422: 404 CODES COLLAPSED Every freedom c
Page 423 and 424: 406 CODES COLLAPSED raphy of the ci
Page 426: FRAMES
Page 429 and 430: 412 FRAMES "learning" and "using" j
Page 431 and 432: 414 FRAMES "historical" induction f
Page 433 and 434: 416 FRAMES tions." If neohistorians
Page 435 and 436: 418 FRAMES to underlie all the chan
Page 437 and 438: 420 FRAMES environments-ranging fro
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422 FRAMES standing. What turned in
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424 FRAMES thought has confronted f
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426 FRAMES of hermeneutics and subj
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428 FRAMES awaken and preorient the
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430 FRAMES were potentially relevan
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432 FRAMES tions into an (illusory
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434 FRAMES worlds in their environm
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436 FRAMES notebook in which Flaube
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438 FRAMES able faculty my most pro
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440 FRAMES on June 18, again urging
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442 FRAMES The Year in the Book The
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444 FRAMES Epistemological Losses a
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446 FRAMES Being-just-present-at-ha
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448 FRAMES tricity and distance tha
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450 FRAMES Heidegger provides no ar
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452 FRAMES ducts the self-immunizat
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454 FRAMES More demanding than the
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456 FRAMES its Un-heim-lichkeit-not
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458 FRAMES fessor of pedagogy. A fr
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460 FRAMES the philosophy of histor
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462 FRAMES literature of 1926 (from
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464 FRAMES and past deconstruct the
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466 FRAMES before Heidegger. He men
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468 FRAMES cable binary logic, this
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470 FRAMES But the king remained si
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472 FRAMES room, a reproduction of
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474 FRAMES pate in the vibrant supe
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476 FRAMES subjecthood and agency r
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478 FRAMES ticity, like Heidegger a
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NOTES After Learning from History 1
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NOTES TO PAGES 420-424 483 Museum (
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NOTES TO PAGES 434-437 485 41. See,
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NOTES TO PAGES 439-441 487 noch zu
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NOTES TO PAGES 444-446 489 much mor
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NOTES TO PAGES 449-453 491 cura; se
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NOTES TO PAGES 456-460 493 70. An e
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NOTES TO PAGES 463-465 495 'zeitlic
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NOTES TO PAGES 469-470 497 fahren,
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ACKNOWLEDGMENTS THANKS to Ulla Link
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Alcantara Machado, Antonio de, 288,
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Hauptmann, Gerhart: Dorothea Angerm
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Sieburg, Friedrich, 99; "Adoration
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