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In 1926: living at the edge of time - Monoskop

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368 CODES COLLAPSED<br />

aes<strong>the</strong>tic but also on ideological qualities. One sees, <strong>the</strong>n, a triple movement:<br />

<strong>the</strong> recognition <strong>of</strong> an urban reference, its linking to values, and its<br />

construction as a literary reference. These oper<strong>at</strong>ions make it possible to<br />

conceive not only a 'realist' vision <strong>of</strong> <strong>the</strong> suburb, but also a perspective<br />

from which to observe <strong>the</strong> suburban space" (Sarlo, 180). At <strong>the</strong> same<br />

<strong>time</strong>, <strong>the</strong> power Center <strong>of</strong> organized crime in <strong>the</strong> United St<strong>at</strong>es moves<br />

from New York to Chicago-<strong>the</strong> former Periphery. This change in venue<br />

is a result <strong>of</strong> <strong>the</strong> famous "Adonis Club Massacre" on Christmas Day,<br />

1925, in New York, where Al Capone, on a visit from Chicago, singlehandedly<br />

decim<strong>at</strong>ed <strong>the</strong> Irish rivals <strong>of</strong> his former boss Frankie Yale.<br />

Without ever trying to control New York, Capone manages to reduce<br />

<strong>the</strong> traditional Center to peripheral st<strong>at</strong>us. And even in Chicago, <strong>the</strong> new<br />

Center, Capone's power base lies primarily in <strong>the</strong> peripheral areas <strong>of</strong> <strong>the</strong><br />

city (Bergreen, 157f£.).<br />

Similar transform<strong>at</strong>ions <strong>of</strong> <strong>the</strong> Periphery are occurring in <strong>the</strong> world <strong>of</strong><br />

intern<strong>at</strong>ional politics. <strong>In</strong>stead <strong>of</strong> simply facilit<strong>at</strong>ing separ<strong>at</strong>ion, n<strong>at</strong>ional<br />

borders are now more and more defined as spaces <strong>of</strong> interaction: "The<br />

world has shrunk since it was enveloped in electric wires and rails. It has<br />

become too small to sustain zones <strong>of</strong> n<strong>at</strong>ional economic influence ...<br />

and o<strong>the</strong>r such Walls <strong>of</strong> China. Today, <strong>the</strong> f<strong>at</strong>es <strong>of</strong> all st<strong>at</strong>es and n<strong>at</strong>ions<br />

are closely and inevitably interconnected" (Bittner, 516). Paul Morand<br />

thinks th<strong>at</strong> this development has begun far too early to foster true<br />

understanding among n<strong>at</strong>ions: "The horrible beauty <strong>of</strong> our epoch is th<strong>at</strong><br />

<strong>the</strong> races have mixed with one ano<strong>the</strong>r without any mutual understanding,<br />

and without having had <strong>the</strong> <strong>time</strong> to get acquainted and learn<br />

to toler<strong>at</strong>e one ano<strong>the</strong>r. We have succeeded in constructing locomotives<br />

th<strong>at</strong> travel more quickly than our ideas" (Morand, 13). On <strong>the</strong> one hand,<br />

<strong>living</strong> in border spaces means <strong>living</strong> without th<strong>at</strong> feeling <strong>of</strong> "being inside"<br />

which is <strong>the</strong> ideal <strong>of</strong> geopolitics. [see Center vs. Periphery] On <strong>the</strong><br />

o<strong>the</strong>r hand, <strong>living</strong> in border spaces makes it impossible to see a country,<br />

a culture, or any kind <strong>of</strong> system from outside. As an existential situ<strong>at</strong>ion,<br />

this experience dovetails with <strong>the</strong> standard job-description <strong>of</strong> architects<br />

and engineers: <strong>the</strong>y build systems <strong>of</strong> which <strong>the</strong>y are an integral part, and<br />

from which <strong>the</strong>y <strong>the</strong>refore can never be dissoci<strong>at</strong>ed or distanced. [see<br />

Engineers] <strong>In</strong> <strong>the</strong> draft <strong>of</strong> one <strong>of</strong> his last poems, written between June 12<br />

and 18, Rainer Maria Rilke celebr<strong>at</strong>es <strong>the</strong> window as an emblem for <strong>the</strong><br />

centrality <strong>of</strong> <strong>the</strong> space-between-spaces and as an important new meta-

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