In 1926: living at the edge of time - Monoskop

AUTHENTICITY = ARTIFICIALITY (LIFE) 363
individuals, become what we are. Your feminine form of being ... is
exploring new venues-and this is not merely a consequence of your
having a profession. It no doubt provides you with that Existenzfreudigkeit
which, instead of resulting from success, is its primary inspiration"
(October 7; Heidegger and Blochmann, 17).
Related Entries
Boxing, Bullfighting, Dancing, Gomina, Jazz, Revues, Roof Gardens,
Authenticity vs. Artificiality, Immanence vs. Transcendence, Silence vs.
Noise, Immanence = Transcendence (Death)
References
Roberto Arlt, El juguete rabioso (1926). Buenos Aires, 1980.
Antonin Artaud, "Theatre Alfred Jarry" (1926). In Artaud, Oeuvres completes,
vol. 2. Paris, 1961.
Berliner Borsen-Zeitung.
Georges Bernanos, Sous Ie soleil de Satan (1926). Paris, 1973.
Jorge Luis Borges, El tamano de mi esperanza (1926). Buenos Aires, 1993.
Sergio Buarque de Holanda, "Marinetti nova mente no Rio: As suas impressoes
do continente sul-americano relatadas durante uma visita a 0 Jornal"
(1926). In Francisco de Assis Barbosa, ed., Raizes de Sergio Buarque de
Holanda. Rio de Janeiro, 1989.
Andre Coeuroy and Andre Schaffner, Le Jazz. Paris, 1926.
Kasimir Edschmid, Basken, Stiere, Araber: Ein Buch iiber Spanien und Marokko
(1926). Berlin, 1927.
Ferdinand Fellmann, Lebensphilosophie: Elemente einer Theorie der Selbsterfahrung.
Hamburg, 1993.
Yvan Goll, "Die Neger erobern Europa" (1926). In Anton Kaes, ed., Weimarer
Republik: Manifeste und Dokumente zur deutschen Literatur, 1918-1933.
Stuttgart, 1983.
Martin Heidegger and Elisabeth Blochmann, Briefwechsel, 1918-1969. Marbach,1989.
D. H. Lawrence, The Plumed Serpent. London, 1926.
Thomas Mann, "Unordnung und friihes Leid" (1926). In Mann, Samtliche
Erzahlungen. Frankfurt, 1963.
Luigi Pirandello, Uno, ness uno e centomila (1926). Milan, 1936.
Rene Schickele, Maria Capponi. Munich, 1926.