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In 1926: living at the edge of time - Monoskop

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ACTION = IMPOTENCE (TRAGEDY) 353<br />

robbery. <strong>In</strong> five <strong>of</strong> <strong>the</strong>se cases, however, <strong>the</strong> police have been unable to<br />

produce any substanti<strong>at</strong>ing evidence. (Berliner Tagebl<strong>at</strong>t, August 8)<br />

According to conventional ethical and even legal standards, this case<br />

makes <strong>the</strong> <strong>at</strong>tribution <strong>of</strong> responsibility and guilt particularly easy because<br />

<strong>the</strong> delinquent has grown up under circumstances th<strong>at</strong> should have<br />

prepared him to lead an orderly life. Calling his existence "tragic,"<br />

<strong>the</strong>refore, seems to express nothing but an elementary unwillingness to<br />

discuss guilt or responsibility <strong>at</strong> all. <strong>In</strong> a grotesquely similar sense, <strong>the</strong><br />

philosopher Theodor Lessing describes as "tragic" <strong>the</strong> efforts <strong>of</strong> an<br />

ostrich to fly, since its failure can certainly not be interpreted as an<br />

individual shortcoming (Lessing, 233). When <strong>the</strong> murder <strong>of</strong> a young<br />

American scientist by two Eskimos during a polar expedition is discovered<br />

seventeen years after <strong>the</strong> fact, <strong>the</strong> New York Times (September 25)<br />

presents <strong>the</strong> case as a Tragedy because forgoing <strong>the</strong> <strong>at</strong>tribution <strong>of</strong> guilt<br />

gives <strong>the</strong> story a more enigm<strong>at</strong>ic flavor [see Polarities] and helps discourage<br />

legally problem<strong>at</strong>ic prejudgments. When Greta Garbo calls <strong>the</strong> discontinu<strong>at</strong>ion<br />

<strong>of</strong> John Gilbert's contract with MGM studios a Tragedy,<br />

<strong>the</strong> word frees her from having to ask <strong>the</strong> uncomfortable question<br />

whe<strong>the</strong>r she could have used her own rapidly growing influence to help<br />

her former lover (Gronowicz, 201). Among those who are addicted to<br />

<strong>the</strong> concept <strong>of</strong> Tragedy, Adolf Hitler goes particularly far in underscoring<br />

<strong>the</strong> extent to which he denies any <strong>at</strong>tribution <strong>of</strong> guilt or responsibility.<br />

Describing <strong>the</strong> miserable conditions in which <strong>the</strong> proletarians <strong>of</strong> Vienna<br />

lived around <strong>the</strong> turn <strong>of</strong> <strong>the</strong> century, he couples <strong>the</strong> word "tragic" to his<br />

interpret<strong>at</strong>ion <strong>of</strong> <strong>the</strong>ir st<strong>at</strong>us as victims: "I witnessed this personally in<br />

hundreds <strong>of</strong> scenes, initially with disgust and indign<strong>at</strong>ion; but l<strong>at</strong>er I<br />

began to grasp <strong>the</strong> tragic side and to understand <strong>the</strong> deeper reasons for<br />

<strong>the</strong>ir misery. Unfortun<strong>at</strong>e victims <strong>of</strong> poor social conditions" (Hitler, 28).<br />

Hitler fears th<strong>at</strong> if people see <strong>the</strong>mselves as guilty, this will paralyze <strong>the</strong>ir<br />

capacity to act politically in <strong>the</strong>ir own interest: "This uncertainty is only<br />

too deeply rooted in one's own feeling <strong>of</strong> being guilty <strong>of</strong> such tragedies<br />

<strong>of</strong> demoraliz<strong>at</strong>ion. It paralyzes every sincere and firm decision, thus<br />

adding to <strong>the</strong> wavering and half-heartedness with which even <strong>the</strong> most<br />

urgent measures <strong>of</strong> self-preserv<strong>at</strong>ion are taken. Only when a race is no<br />

longer burdened by <strong>the</strong> consciousness <strong>of</strong> its own guilt will it find <strong>the</strong><br />

internal peace and external strength to cut down purposefully and brutally<br />

<strong>the</strong> wild shoots and pull up <strong>the</strong> weeds" (30).

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