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In 1926: living at the edge of time - Monoskop

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344 CODES<br />

ing. This fact in itself proves wh<strong>at</strong> immense progress our era has made.<br />

More and more, humankind appears divided into two groups. But those<br />

who do not particip<strong>at</strong>e will disappear in gray anonymity" (von Wedderkop,<br />

253). [see Present vs. Past] The world <strong>of</strong> <strong>the</strong> new Reality is<br />

breaking apart into an infinite number <strong>of</strong> everyday worlds, each <strong>of</strong> which<br />

has to be discovered, occupied, and cultiv<strong>at</strong>ed. Such worlds are worlds<br />

constituted by different forms <strong>of</strong> praxis; <strong>the</strong>y are modes <strong>of</strong> life, as is <strong>the</strong><br />

world <strong>of</strong> Judaism in Siegfried Kracauer's description: "Wh<strong>at</strong> we are<br />

talking about is a form <strong>of</strong> practical life . .. nei<strong>the</strong>r a <strong>the</strong>oretical st<strong>at</strong>e <strong>of</strong><br />

consciousness nor an exclusively religious activity. Like <strong>the</strong> liturgical<br />

movement, for example" (Kracauer, 174). Even isol<strong>at</strong>ed occasions <strong>of</strong><br />

celebr<strong>at</strong>ion and joy are now seen as independent worlds, which exist<br />

through <strong>the</strong>ir isol<strong>at</strong>ion from, r<strong>at</strong>her than <strong>the</strong>ir integr<strong>at</strong>ion with, everydayness:<br />

"The things th<strong>at</strong> happened could only have happened during a<br />

fiesta. Everything became quite unreal finally and it seemed as though<br />

nothing could have any consequences. It seemed out <strong>of</strong> place to think <strong>of</strong><br />

consequences during <strong>the</strong> fiesta. All during <strong>the</strong> fiesta you had <strong>the</strong> feeling,<br />

even when it was quiet, th<strong>at</strong> you had to shout any remark to make it<br />

heard. It was <strong>the</strong> same feeling about any action. It was a fiesta and it<br />

went on for seven days" (Hemingway, 159). The strangest and most<br />

striking new experience, however, is th<strong>at</strong> <strong>of</strong> particular Realities being<br />

cre<strong>at</strong>ed with specific intentions and conscious str<strong>at</strong>egies. <strong>In</strong> B. Traven's<br />

novel Das Totenschiff (The De<strong>at</strong>h Ship), <strong>the</strong> hero and narr<strong>at</strong>or ends up<br />

on a ship th<strong>at</strong> is deliber<strong>at</strong>ely sunk-and he thus becomes <strong>the</strong> victim <strong>of</strong> a<br />

plot th<strong>at</strong>, he discovers, is <strong>the</strong> conventional Reality <strong>of</strong> insurance fraud.<br />

Yet despite all <strong>the</strong> lies and fictions on which this fraud is based, it is as<br />

real-and lethal-as any institutional or n<strong>at</strong>ural Reality could possibly<br />

be: "Hundreds <strong>of</strong> de<strong>at</strong>h ships [sail] <strong>the</strong> seven seas ... All n<strong>at</strong>ions have<br />

<strong>the</strong>ir de<strong>at</strong>h ships. Never have <strong>the</strong>re been so many dead, since <strong>the</strong> <strong>time</strong><br />

<strong>the</strong> Gre<strong>at</strong> War was won in <strong>the</strong> name <strong>of</strong> true freedom and actual democracy"<br />

(Traven, 138). <strong>In</strong>itially, people seem to underestim<strong>at</strong>e those Realities<br />

th<strong>at</strong> reveal <strong>the</strong>mselves to be based on conventions or str<strong>at</strong>egies. But<br />

long before pr<strong>of</strong>essional philosophers get used to an epistemological<br />

situ<strong>at</strong>ion in which <strong>the</strong> truth-criterion is disintegr<strong>at</strong>ing, a tacit acknowledgment<br />

<strong>of</strong> <strong>the</strong> multiple n<strong>at</strong>ure <strong>of</strong> everyday reality has become part <strong>of</strong><br />

daily life. This is <strong>the</strong> topic <strong>of</strong> Arthur Schnitzler's Traumnovelle (Dream<br />

Story). A wealthy young doctor and his beautiful wife are vexed by<br />

<strong>the</strong>-correct-impression th<strong>at</strong> <strong>the</strong> daily oblig<strong>at</strong>ions <strong>of</strong> his medical pro-

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