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In 1926: living at the edge of time - Monoskop

In 1926: living at the edge of time - Monoskop

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AMERICANS IN PARIS 19<br />

am convinced th<strong>at</strong> no m<strong>at</strong>ter how brilliant <strong>the</strong> current situ<strong>at</strong>ion <strong>of</strong> this<br />

country may be, a near future is awaiting it th<strong>at</strong> will be many <strong>time</strong>s more<br />

glorious" (Caras y Caretas, December). <strong>In</strong> contrast, when North America<br />

is <strong>the</strong> topic, only <strong>the</strong> poor see <strong>the</strong> world <strong>of</strong> capitalism as <strong>of</strong>fering<br />

hope. This is <strong>the</strong> case with <strong>the</strong> main protagonist in Gerhart Hauptmann's<br />

drama Doro<strong>the</strong>a Angermann. Daughter <strong>of</strong> a Protestant pastor in a provincial<br />

German town, <strong>the</strong> pregnant Doro<strong>the</strong>a is forced by her f<strong>at</strong>her to<br />

marry <strong>the</strong> dissolute man who has corrupted her. The couple receive<br />

sufficient money for <strong>the</strong>ir passage across <strong>the</strong> Atlantic. But Doro<strong>the</strong>a's<br />

hopes are dram<strong>at</strong>ically frustr<strong>at</strong>ed. She suffers a miscarriage, her marriage<br />

turns out <strong>the</strong> predictable failure, and all she finds in American society is<br />

humili<strong>at</strong>ion: "They be<strong>at</strong> you, <strong>the</strong>y abuse you. You have to go on <strong>the</strong><br />

street to make money. One day <strong>the</strong>y dress you in furs like a doll, <strong>the</strong> next<br />

day <strong>the</strong>y let you stand naked in <strong>the</strong> cold. Oh, wh<strong>at</strong> eternal prostitution!<br />

... Your blood and your nerves change, something happens to you<br />

unconsciously-for if you were conscious, you would turn to stone with<br />

shame" (Hauptmann, 75). On August 8 <strong>the</strong> Berliner Tagebl<strong>at</strong>t publishes<br />

an article on <strong>the</strong> f<strong>at</strong>e <strong>of</strong> some German waitresses who have come to work<br />

<strong>at</strong> <strong>the</strong> u.S. Sesquicentennial Exposition in Philadelphia [see Boxing]-an<br />

article th<strong>at</strong> seems like a malicious nonfictional version <strong>of</strong> Hauptmann's<br />

play:<br />

The bankruptcy <strong>of</strong> <strong>the</strong> Bavarian restaurant in Philadelphia has left 150<br />

German waitresses (among <strong>the</strong>m 75 from Bavaria) without any financial<br />

resources ... The f<strong>at</strong>e <strong>of</strong> <strong>the</strong> Bavarian waitresses is still uncertain<br />

because <strong>the</strong> owner did not leave any security deposits. Permission for<br />

<strong>the</strong>ir deport<strong>at</strong>ion to Germany is expected. But <strong>the</strong> girls refuse to leave<br />

<strong>the</strong> country because <strong>the</strong>y have yet to receive <strong>the</strong>ir first payment. The<br />

waitresses who came despite <strong>the</strong> warnings <strong>of</strong> <strong>the</strong> German Embassy are<br />

now entirely dependent on public charity ... It was a bizarre idea to<br />

open a Bavarian restaurant in <strong>the</strong> country <strong>of</strong> Prohibition. Probably<br />

Resl, Mirzl, and Fanny <strong>of</strong>fered <strong>the</strong>ir guests a cool jug <strong>of</strong>-mineral<br />

w<strong>at</strong>er!<br />

Without wanting to admit it, Europeans feel a tormenting blend <strong>of</strong><br />

fascin<strong>at</strong>ion and resentment. The only condition under which fascin<strong>at</strong>ion<br />

and desire can be explicitly mentioned seems to be when <strong>the</strong>y are c<strong>at</strong>e-

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