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In 1926: living at the edge of time - Monoskop

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338 CODes<br />

her world perception. A lead article, written outside Germany and published<br />

in <strong>the</strong> 8 Uhr-Abendbl<strong>at</strong>t on February 4, identifies a similar feeling<br />

<strong>of</strong> existential insecurity in connection with <strong>the</strong> German political situ<strong>at</strong>ion,<br />

and it explicitly questions <strong>the</strong> value <strong>of</strong> its own analysis, which<br />

depends on such unstable ground: "There is a prize <strong>at</strong>tached to walking<br />

under palm trees. The fur<strong>the</strong>r one is from Germany (as it is my privilege<br />

to be <strong>the</strong>se days), <strong>the</strong> more one begins to perceive, on every possible level,<br />

<strong>the</strong> vol<strong>at</strong>ility <strong>of</strong> <strong>the</strong> German situ<strong>at</strong>ion. Wh<strong>at</strong> will happen within <strong>the</strong> next<br />

two or three days? Wh<strong>at</strong> will have happened before <strong>the</strong>se lines appear<br />

before readers' eyes?" Not surprisingly-yet without any obvious reasons-<strong>the</strong><br />

Fascist novelist Mario Puccini sees a male virtue manifesting<br />

itself in situ<strong>at</strong>ions <strong>of</strong> stability: "For just as, politically and morally speaking,<br />

few European n<strong>at</strong>ions are today on par with us, so we could soon<br />

... give <strong>the</strong> world a remarkable example <strong>of</strong> health, <strong>of</strong> moral, civil, and<br />

intellectual strength. But only if we want to. O<strong>the</strong>r peoples have, <strong>at</strong> least<br />

for <strong>the</strong> most part, lost th<strong>at</strong> sense <strong>of</strong> virile stability and th<strong>at</strong> contact with<br />

reality" (Puccini, 257). [see Male vs. Female] It is in <strong>the</strong> context <strong>of</strong> an<br />

obsession with instability th<strong>at</strong> many Argentinian tango lyrics not only<br />

revive <strong>the</strong> topos <strong>of</strong> female fickleness but explicitly insist on <strong>the</strong> contrast<br />

between female inconstancy and <strong>the</strong> reliability and unselfishness th<strong>at</strong> <strong>the</strong><br />

lyric male "I" claims for himself:<br />

Don't let yourself be tricked, my heart,<br />

by her desire, by her lies;<br />

don't go and forget<br />

th<strong>at</strong> she is a woman and th<strong>at</strong> since <strong>the</strong> day she was born<br />

deceit has been one <strong>of</strong> her intim<strong>at</strong>e qualities.<br />

Don't believe th<strong>at</strong> it is envy or spite<br />

for all <strong>the</strong> evil she's done to me<br />

th<strong>at</strong> makes me speak to you this way ...<br />

You know well th<strong>at</strong> <strong>the</strong>re is no envy in my breast,<br />

th<strong>at</strong> I am as I have always been.<br />

(Reichardt, 322f£.)<br />

There are a number <strong>of</strong> typical everyday experiences-partly new and<br />

partly remembered from <strong>time</strong>s past-th<strong>at</strong> explain why unstable ground<br />

has become such a powerful metaphor. Key among <strong>the</strong>m is <strong>the</strong> power<br />

with which modern weaponry can transform n<strong>at</strong>ure and landscape: "<strong>In</strong>

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