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In 1926: living at the edge of time - Monoskop

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AMERICANS IN PARIS 17<br />

to pay for his ticket. No o<strong>the</strong>r solution seems left to <strong>the</strong> colonel than to<br />

throw himself into <strong>the</strong> ocean-between a continent th<strong>at</strong> he has never<br />

quite conquered and ano<strong>the</strong>r to which those who have lost <strong>the</strong>ir hearts<br />

in Europe can never quite return.<br />

Born in L<strong>at</strong>in America, Supervielle, who writes this strange narr<strong>at</strong>ive<br />

<strong>of</strong> trans<strong>at</strong>lantic desire spanning "Paris, <strong>the</strong> Atlantic Ocean, and Uruguay"<br />

(222), is readily accepted as a French author by a broad reading<br />

public. North American citizens <strong>of</strong> Paris, in contrast, seem to make<br />

French friends only on <strong>the</strong> margins <strong>of</strong> society. Praising Barbette, an<br />

American cross-dresser who performs in <strong>the</strong> Parisian music halls, Jean<br />

Cocteau allows himself-hesitantly-to imagine New York as a space<br />

for his desire: "After years <strong>of</strong> Americanism during which <strong>the</strong> capital <strong>of</strong><br />

<strong>the</strong> United St<strong>at</strong>es hypnotized us like a gun, leaving us with our hands up,<br />

Barbette's performance shows me <strong>at</strong> least <strong>the</strong> real New York, with <strong>the</strong><br />

ostrich fe<strong>at</strong>hers <strong>of</strong> its sea, its factories, its highrise buildings made <strong>of</strong><br />

tulle, its precision, its Siren voice, its jewelry, its plumes <strong>of</strong> light." Not<br />

without many implicit and explicit excuses, Walter Benjamin admits, in<br />

a review <strong>of</strong> <strong>the</strong> transl<strong>at</strong>ion <strong>of</strong> an American novel, th<strong>at</strong> wh<strong>at</strong> European<br />

intellectuals tend to ridicule as "American naivete" has a charm and<br />

purity long vanished on <strong>the</strong>ir own continent: "The fact th<strong>at</strong> this novel<br />

has been a bestseller for months puts <strong>the</strong> American public, which has<br />

been so harshly criticized, in a more favorable light. It demonstr<strong>at</strong>es not<br />

only <strong>the</strong> childish affection <strong>the</strong> Yankees have for children ... but actual<br />

naivete, which finds joy in a love story th<strong>at</strong> is beautiful only because <strong>the</strong><br />

poet tells it with such unusual purity" (Benjamin, 43).<br />

O<strong>the</strong>r than as intellectuals who are perceived as different because <strong>of</strong> a<br />

lack or an excess <strong>of</strong> sophistic<strong>at</strong>ion, North Americans are <strong>at</strong> best merely<br />

toler<strong>at</strong>ed by Europeans as paying customers. Thus, while admitting th<strong>at</strong><br />

<strong>the</strong> example <strong>of</strong> American tourism has encouraged travel on <strong>the</strong> Continent,<br />

<strong>the</strong> head <strong>of</strong> <strong>the</strong> Hoteliers Associ<strong>at</strong>ion, in an article for <strong>the</strong> Berliner<br />

Tagebl<strong>at</strong>t <strong>of</strong> July 25, maintains a strictly descriptive level <strong>of</strong> discourse:<br />

"Today's hotel guests get around quite a bit more than in <strong>the</strong> old days.<br />

Being cosmopolitan means being Americanized. It also means being<br />

influenced by sports and health concerns. These have revolutionized<br />

hotel cuisine. Who still e<strong>at</strong>s thick soups nowadays?" <strong>In</strong> his concluding<br />

paragraph, however, he can no longer resist <strong>the</strong> tempt<strong>at</strong>ion <strong>of</strong> ridiculing<br />

wh<strong>at</strong> is generally seen as Americans' lack <strong>of</strong> intellectual m<strong>at</strong>urity: "Also,<br />

<strong>the</strong> hotel guest has become more political. <strong>In</strong> Germany, we cannot follow

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