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In 1926: living at the edge of time - Monoskop

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316 CODES<br />

term models with teleological implic<strong>at</strong>ions. Using <strong>the</strong> gener<strong>at</strong>ion-concept<br />

to distinguish <strong>the</strong> Present from <strong>the</strong> Past is a form <strong>of</strong> historico-philosophical<br />

minimalism. It is not surprising, <strong>the</strong>n, th<strong>at</strong> scholars frequently explain<br />

<strong>the</strong>ir preference for this concept with neg<strong>at</strong>ive arguments. For <strong>the</strong> art<br />

historian Wilhelm Pinder, who declares he does not believe in "rigid<br />

intellectual systems," <strong>the</strong> gener<strong>at</strong>ion as a temporal form recommends<br />

itself through its mere "practicability" (Pinder, xvii). <strong>In</strong> setting apart <strong>the</strong><br />

gener<strong>at</strong>ion-concept from <strong>the</strong> concept <strong>of</strong> society, <strong>the</strong> literary critic Julius<br />

Petersen hopes to minimize <strong>the</strong> level <strong>of</strong> abstraction in his description <strong>of</strong><br />

<strong>the</strong> German Romantics-as a gener<strong>at</strong>ion (Petersen, 132, 140). Walter<br />

Benjamin sees <strong>the</strong> current interest in <strong>the</strong> gener<strong>at</strong>ion-concept as <strong>the</strong> outcome<br />

<strong>of</strong> a <strong>the</strong>ological style <strong>of</strong> thinking (Benjamin, 281). And <strong>the</strong> Russian<br />

Formalists Boris Eikhenbaum and Jurij Tynjanov use <strong>the</strong> concept to<br />

medi<strong>at</strong>e between a linguistically based analysis and a historical interpret<strong>at</strong>ion<br />

<strong>of</strong> literary texts (Eisen, 9).<br />

One <strong>of</strong> <strong>the</strong> liveliest intellectual deb<strong>at</strong>es in Germany revolves around<br />

gener<strong>at</strong>ional conflict. It starts with an essay by Klaus Mann entitled "Die<br />

neuen Eltern" ("The New Parents"); it continues with an interview in<br />

which his f<strong>at</strong>her, Thomas Mann, defines "die neuen Kinder" ("<strong>the</strong> new<br />

children") in response to questions from a journalist (W.E.S., 190-193);<br />

and it ends with a furious rejoinder to both f<strong>at</strong>her and son by <strong>the</strong><br />

playwright Bertolt Brecht, a rising star among <strong>the</strong> young writers in<br />

Germany (Brecht, 40ff.). Although <strong>the</strong> discussion inevitably focuses on<br />

<strong>the</strong> contrast between <strong>the</strong> son's gener<strong>at</strong>ion and <strong>the</strong> f<strong>at</strong>her's gener<strong>at</strong>ion,<br />

both Klaus Mann and Thomas Mann insist th<strong>at</strong> one <strong>of</strong> <strong>the</strong> most salient<br />

fe<strong>at</strong>ures <strong>of</strong> <strong>the</strong> Present is young people's indifference when it comes to<br />

defining <strong>the</strong>mselves in opposition to <strong>the</strong>ir parents. This means th<strong>at</strong> even<br />

<strong>the</strong> one, r<strong>at</strong>her minimal, historico-philosophical element inherent in <strong>the</strong><br />

gener<strong>at</strong>ion-concept-th<strong>at</strong> is, <strong>the</strong> self-definition <strong>of</strong> each new gener<strong>at</strong>ion<br />

through a gesture <strong>of</strong> neg<strong>at</strong>ion vis-a-vis <strong>the</strong> previous gener<strong>at</strong>ion-has<br />

been abandoned. The less <strong>the</strong> younger gener<strong>at</strong>ions care about being<br />

different, <strong>the</strong> more difficult it becomes to define <strong>the</strong>m-and to perceive<br />

<strong>the</strong> identity <strong>of</strong> <strong>the</strong> Present: "We consider it important not to destroy <strong>the</strong><br />

bridges between <strong>the</strong> gener<strong>at</strong>ions, not to heap irony on all traditions<br />

arrogantly and triumphantly, not to despise all forms" (W.E.S., 190).<br />

Klaus Mann's f<strong>at</strong>her, <strong>of</strong> course, fully agrees: "R<strong>at</strong>her than discussing <strong>the</strong><br />

'new parents,' we should perhaps focus on <strong>the</strong> 'new children,' who have<br />

become older and more understanding, and who, simply because <strong>the</strong>y

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