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In 1926: living at the edge of time - Monoskop

In 1926: living at the edge of time - Monoskop

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310 CODES<br />

from wearing <strong>the</strong> black shirt <strong>of</strong> <strong>the</strong> Fascist Party (Chronik, 94). No<br />

wonder <strong>the</strong>n th<strong>at</strong> Anna, <strong>the</strong> only female character in Ernesto Forzano's<br />

play Rapsodia Fascista (Fascist Rhapsody), is hoping th<strong>at</strong> her lover, <strong>the</strong><br />

young Fascist Orazio, will readily trade his ideological convictions for<br />

her hand and for <strong>the</strong> se<strong>at</strong> in parliament which her socialist f<strong>at</strong>her is able<br />

to <strong>of</strong>fer him: "Anna: My Orazio a member <strong>of</strong> parliament! ... How<br />

beautiful! ... Wife <strong>of</strong> a deputy! ... How happy I am! ... Orazio: Don't<br />

torture me, Anna! Enough! Enough! ... You're digging into my soul<br />

with your words ... digging a hole ... deeper ... and more searing ...<br />

than <strong>the</strong> one ... th<strong>at</strong> <strong>the</strong> enemy machine-gun dug ... into my flesh!"<br />

(Forzano,67-68).<br />

<strong>In</strong> D. H. Lawrence's novel The Plumed Serpent, such asymmetry between<br />

<strong>the</strong> overwhelmingly strong General Cipriano and his wife, K<strong>at</strong>e,<br />

who maintains a permanent st<strong>at</strong>e <strong>of</strong> unconditional surrender, is hailed<br />

as <strong>the</strong> most perfect form <strong>of</strong> marriage. Not even <strong>the</strong> momentary bliss <strong>of</strong><br />

an orgasm is conceded to K<strong>at</strong>e: "As she s<strong>at</strong> in silence, casting <strong>the</strong> old,<br />

twilit Pan-power over her, she felt herself submitting, succumbing. He<br />

was once more <strong>the</strong> old dominant male, shadowy, intangible, looming<br />

suddenly tall, and covering <strong>the</strong> sky, making a darkness th<strong>at</strong> was himself<br />

and nothing but himself, <strong>the</strong> Pan male. And she was swooned prone<br />

bene<strong>at</strong>h, perfect in her proneness. It was <strong>the</strong> ancient phallic mystery, <strong>the</strong><br />

ancient god-devil <strong>of</strong> <strong>the</strong> male Pan ... Ah! and wh<strong>at</strong> a mystery <strong>of</strong> prone<br />

submission, on her part, this huge erection would imply! Submission<br />

absolute, like <strong>the</strong> earth under <strong>the</strong> sky. Bene<strong>at</strong>h an over-arching absolute.<br />

Ah! wh<strong>at</strong> a marriage! How terrible! and how complete!" (Lawrence,<br />

332-333). The literary General Cipriano becomes <strong>the</strong> model according<br />

to which Lawrence's wife, Frieda, chooses her lover, Angelo Ravagli, a<br />

lieutenant in <strong>the</strong> Italian army (Maddox, 388-389). If Frieda, a woman<br />

<strong>of</strong> imposing weight and st<strong>at</strong>ure, has long played <strong>the</strong> role <strong>of</strong> protective<br />

mo<strong>the</strong>r for <strong>the</strong> sickly novelist, she now gives him <strong>the</strong> opportunity both<br />

to despise and to desire her in <strong>the</strong> role <strong>of</strong> prostitute.<br />

Rel<strong>at</strong>ed Entries<br />

Americans in Paris, Automobiles, Dancing, Employees, Gomina, Railroads,<br />

Center vs. Periphery, Present vs. Past, Sobriety vs. Exuberance,<br />

Silence vs. Noise, Male = Female (Gender Trouble)

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