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In 1926: living at the edge of time - Monoskop

In 1926: living at the edge of time - Monoskop

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INDIVIDUALITY VS. COLLECTIVITY 299<br />

were; <strong>the</strong>ir sanctions are declining in force. We are in need <strong>of</strong> something<br />

to take <strong>the</strong> place <strong>of</strong> <strong>the</strong> old order" (Richards, 40-41).<br />

Since <strong>the</strong>re are no generally accepted collective ideals or goals, priv<strong>at</strong>e<br />

interests easily domin<strong>at</strong>e <strong>the</strong> scene. But because <strong>the</strong> breakdown <strong>of</strong> <strong>the</strong><br />

collective sphere is a much-feared possibility, aggressive mass instincts<br />

brutally target those who dare to activ<strong>at</strong>e such fear. This is <strong>the</strong> mechanism<br />

behind <strong>the</strong> case <strong>of</strong> Theodor Lessing, a fifty-four-year-old associ<strong>at</strong>e<br />

pr<strong>of</strong>essor <strong>of</strong> philosophy <strong>at</strong> <strong>the</strong> Technical University <strong>of</strong> Hannover. <strong>In</strong> May<br />

and June, hundreds <strong>of</strong> n<strong>at</strong>ionalist students armed with oak maces occupy<br />

<strong>the</strong> classroom where Lessing is scheduled to teach; <strong>the</strong>y persecute and<br />

physically thre<strong>at</strong>en him on his way home from <strong>the</strong> university; and finally,<br />

thousands <strong>of</strong> students announce th<strong>at</strong> <strong>the</strong>y will transfer to <strong>the</strong> Technical<br />

University in nearby Braunschweig if Lessing is not fired (Marwedel,<br />

289f£.). During <strong>the</strong> previous year, Lessing twice provoked <strong>the</strong> unstable<br />

collective psyche. He published a newspaper article on <strong>the</strong> newly elected<br />

Reichsprasident, Paul von Hindenburg, in which he ironically praised<br />

this war hero as <strong>the</strong> epitome <strong>of</strong> a specifically German style <strong>of</strong> thickheadedness.<br />

And in his press coverage <strong>of</strong> <strong>the</strong> trial against <strong>the</strong> mass murderer<br />

Haarmann, Lessing not only discussed <strong>the</strong> rel<strong>at</strong>ion between crime and<br />

society, but also revealed a disturbing collabor<strong>at</strong>ion between Haarmann<br />

and <strong>the</strong> Hannover legal authorities, who had hired him as a police spy.<br />

[see Murder] The point <strong>of</strong> convergence between Lessing's interventions<br />

is apparent: focusing on two very different social situ<strong>at</strong>ions, <strong>the</strong>y both<br />

underscore how strained <strong>the</strong> rel<strong>at</strong>ions are between <strong>In</strong>dividuality and<br />

Collectivity. But only in conjunction with his Jewishness do Lessing's<br />

public<strong>at</strong>ions incite <strong>the</strong> n<strong>at</strong>ional Right and its press organs. As in so many<br />

o<strong>the</strong>r persecutions <strong>of</strong> individuals, this act <strong>of</strong> aggression against an outsider<br />

substitutes for <strong>the</strong> nonexistent "n<strong>at</strong>ional" unity. <strong>In</strong> mid-June, <strong>the</strong><br />

Ministry <strong>of</strong> Culture in Berlin decides th<strong>at</strong> Lessing's pr<strong>of</strong>essorship should<br />

be downgraded to a paid research contract.<br />

The only social roles th<strong>at</strong> fit easily into <strong>the</strong> collective sphere are those<br />

devoid <strong>of</strong> any agency. This is why <strong>the</strong> st<strong>at</strong>us <strong>of</strong> <strong>the</strong> employee is among<br />

<strong>the</strong> most successful formulas <strong>of</strong> <strong>the</strong> day; this is why assembly lines have<br />

become an object <strong>of</strong> pride and a topic <strong>of</strong> intellectual convers<strong>at</strong>ion; and<br />

it is <strong>the</strong> relinquishing <strong>of</strong> independence th<strong>at</strong> makes "intoxic<strong>at</strong>ing" new<br />

forms <strong>of</strong> dance so popular. <strong>In</strong> contrast, asserting <strong>the</strong> importance <strong>of</strong><br />

individual instruments and musicians makes <strong>the</strong> ensemble work <strong>of</strong> jazz

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