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In 1926: living at the edge of time - Monoskop

In 1926: living at the edge of time - Monoskop

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IMMANENCE VS. TRANSCENDENCE 291<br />

<strong>the</strong> political worlds remain out <strong>of</strong> its reach. For if <strong>the</strong> absorption <strong>of</strong><br />

Transcendence into Immanence means ultim<strong>at</strong>ely giving back to Transcendence<br />

some <strong>of</strong> its former importance, this occurs within <strong>the</strong> framecondition<br />

<strong>of</strong> an "incommensurability <strong>of</strong> earthly and religious actions"as<br />

Max Brod, Kafka's editor, describes it (Brod, 305). As if seeking to<br />

become an emblem <strong>of</strong> this very incommensurability, <strong>the</strong> Twenty-Seventh<br />

<strong>In</strong>tern<strong>at</strong>ional Eucharistic Congress takes place in Chicago, <strong>the</strong> new capital<br />

<strong>of</strong> organized crime. [see Center = Periphery (<strong>In</strong>finitude)] Is Al<br />

Capone's city being sanctified when, on Monday, June 21, John Cardinal<br />

Bonzano, <strong>the</strong> archbishop <strong>of</strong> Chicago, celebr<strong>at</strong>es Mass in Soldiers Field<br />

Stadium, accompanied by a choir <strong>of</strong> 60,000 parochial-school children?<br />

Rel<strong>at</strong>ed Entries<br />

Bars, Bullfighting, Elev<strong>at</strong>ors, Gramophones, Movie Palaces, Stars, Timepieces,<br />

Wireless Communic<strong>at</strong>ion, Center vs. Periphery, Present vs. Past,<br />

Uncertainty vs. Reality, Action = Impotence (Tragedy), Center = Periphery<br />

(<strong>In</strong>finitude), Immanence = Transcendence (De<strong>at</strong>h)<br />

References<br />

Antonio de Alcantara Machado, "Ano <strong>1926</strong>." <strong>In</strong> Alcantara Machado, Obras,<br />

vol. 1: Prosa prepar<strong>at</strong>oria; Cavaquinho e Sax<strong>of</strong>one. Rio de Janeiro, 1983.<br />

Louis Aragon, Le paysan de Paris. Paris, <strong>1926</strong>.<br />

Erich Auerbach, "Racine und die Leidenschaften." Germanisch-romanische<br />

Mon<strong>at</strong>sschrift 14 (<strong>1926</strong>): 371-380.<br />

Johannes R. Becher, Maschinenrhythmen. Berlin, <strong>1926</strong>.<br />

Georges Bernanos, Sous Ie soleil de S<strong>at</strong>an (<strong>1926</strong>). Paris, 1973.<br />

Max Brod, "Nachwort zur ersten Ausgabe" (<strong>1926</strong>). <strong>In</strong> Franz Kafka, Das<br />

Schloss. Frankfurt, 1968.<br />

C<strong>at</strong>holicisme hier, aujourd'hui, demain, vol. 6. Paris, 1967.<br />

Jean Cocteau, Orphee: Tragedie en un acte et un intervalle (<strong>1926</strong>). Paris, 1927.<br />

Ernesto Forzano, Rapsodia Fascista. Genoa, <strong>1926</strong>.<br />

Sigmund Freud, "Psycho-Analysis" (<strong>1926</strong>). <strong>In</strong> The Standard Edition <strong>of</strong> <strong>the</strong><br />

Complete Psychological Works, vol. 20. London, 1959.<br />

Federico Garda Lorca, "Reyerta" (<strong>1926</strong>). <strong>In</strong> Garda Lorca, Obras completas.<br />

Madrid, 1971.<br />

Hans Grimm, Yolk ohne Raum, vol. 2. Munich, <strong>1926</strong>.<br />

Hans Ulrich Gumbrecht, "'I redentori della vittoria': Ober den Ort Fiumes in

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